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A print-driven history of American art in the long nineteenth century.

Juliet Sperling’s Tactile Sensibilities uses interactive printed objects to uncover culturally instilled ideas about touch’s role in perception and shows how these frameworks were integral to ways of making and appreciating even seemingly untouchable works of painting and sculpture. Crucial to Sperling’s argument is a genre of paper constructions designed to engage the hand and eye in tandem: multilayered and lift-the-flap book plates, pull-tab engravings, foldable playbills, and spinning paper wheels that built expectations of touch as a trained, focused process into their structure and material. Intimately scaled and portable, tactile prints cut across multiple spheres of experience, including spaces in which people learned to view, understand, and create art.

Sperling reverses standard procedures for integrating prints into art history. Rather than working her way outward from canonical artworks toward ephemeral sources within the artist’s orbit, she uses previously unstudied printed materials to open period discourses of tactile sensibility that ultimately lead to art objects, unlocking new meanings behind works of painting and sculpture by artists including Raphaelle Peale, Hiram Powers, William Sidney Mount, and Winslow Homer. In treating sidelined materials as dedicated objects of study in their own right, Tactile Sensibilities reveals that in the long nineteenth century, print was an intellectually dense and powerfully connective medium, vital in mediating the tactile sensibilities that shaped ways of making and appreciating art. 

Compost your old "complete" gardening guide. There's a new way of gardening in Texas that's healthier for people and the environment, more effective at growing vigorous plants and reducing pests, cheaper to maintain, and just more fun. It's Howard Garrett's "The Natural Way" organic gardening program, and it's all here in Texas Gardening the Natural Way.

This book is the first complete, state-of-the-art organic gardening handbook for Texas. Using Howard Garrett's new mainstream gardening techniques, Texas Gardening the Natural Way presents a total gardening program:

• How to plan, plant, and maintain beautiful landscapes without using chemical fertilizers and toxic pesticides.
• Gardening fundamentals: soils, landscape design, planting techniques, and maintenance practices.
• Includes more native and adaptable varieties of garden and landscape plants than any other guide on the market.
• Trees: 134 species of evergreens, berry- and fruit-bearing, flowering, yellow fall color, orange fall color, and red fall color.
• Shrubs and specialty plants: 85 species for sun, shade, spring flowering, summer flowering, and treeform shrubs.
• Ground covers and vines: 51 species for sun and shade.
• Annuals and perennials: 136 species for fall color, winter color, summer color in shade and sun, and spring color. Also seeding rates for wildflowers.
• Lawn grasses: 10 species for sun and shade, with additional information on 16 native grasses, seeding rates for 32 grasses, and suggested mowing heights.
• Fruits, nuts, and vegetables: 58 species, with a vegetable planting chart and information on organic pecan and fruit tree growing, fruit varieties for Texas, grape and pecan varieties, and gardening by the moon.
• Common green manure crops: 29 crops that help enrich the soil.
• Herbs: 66 species for culinary and medicinal uses.
• Bugs: 73 types of helpful and harmful bugs, with organic remedies for pests, lists of beneficial bugs and plants that attract them, a beneficial bug release schedule, and sources for beneficial bugs.
• Plant diseases: organic treatments for 55 common problems.
• Organic methods for repelling mice, rabbits, armadillos, beavers, cats, squirrels, and deer.
• Organic management practices: watering, fertilizing, controlling weeds, releasing beneficial insects, biological controls (including bats and purple martins), and recipes for Garrett Juice, fire ant control drench, vinegar herbicide, Sick Tree Treatment, and Tree Trunk Goop.
• Average first and last freeze dates for locations around the state.
• Organic fertilizers and soil amendments: 61 varieties, including full instructions for making compost.
• Organic pest control products: 30 varieties.
• Common house plants and poisonous plants.
• Instructions for climbing vegetable structures and bat houses.
• 833 gorgeous full-color photographs.

A classroom essential and an invaluable reference, The Arithmetic of Listening offers beginners the grounding in music theory necessary to find their own way into microtonality and the places it may take them. Moving from ancient Greece to the present, Kyle Gann delves into the infinite tunings available to any musician who feels straitjacketed by obedience to standardized Western European tuning. He introduces the concept of the harmonic series and demonstrates its relationship to equal-tempered and well-tempered tuning. He also explores recent experimental tuning models that exploit smaller intervals between pitches to create new sounds and harmonies.

Systematic and accessible, The Arithmetic of Listening provides a much-needed primer for the wide range of tuning systems that have informed Western music.

Audio examples demonstrating the musical ideas in The Arithmetic of Listening can be found at: https://www.kylegann.com/Arithmetic.html

A new conceptual tool for understanding the history of art

From ancient cave paintings to contemporary sculpture, forms of indexical trace are vital to the human practice of artmaking. Through this wide-ranging exploration, Johanna Malt shows how casts, molds, and imprints (“contact images”) offer a paradigm for thinking about our relationship to objects and their surfaces as sites of meaning. Engaging and complicating philosophical dualities of absence and presence, art and non-art, original and copy, Malt introduces the contact image as an important new concept for the study of Western art.

Close reading examples from 30,000 years of art history, Malt cuts across eras and media to unite diverse forms of artistic production created through instances of contact with “the objects of the world.” From holy relics to Napoleon’s death mask to life casts of the human body by artists such as Duane Hanson and Janine Antoni, as well as conceptual and performance work by Jasper Johns and Yves Klein, The Contact Image traces themes of selfhood, time, negation, and vestige in these tactile encounters.

Revisiting fundamental questions about representation, perception, and aesthetics, The Contact Image is a sophisticated provocation for a theory of art built on the tension and oscillations that emerge when we explore how artworks embody opposites.

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Written from aesthetic, sociopolitical, cultural, and literary perspectives, The Cultured Canvas explores myriad ways in which American visual culture can be evaluated through newly conceived thematic and ideological approaches. This book moves beyond our accepted notion of the oil painting on canvas to consider the term as both a literal and figurative surface upon which artists construct or construe the landscape as an intellectual, cultural, or physical entity. It provides an innovative reevaluation of traditional thought concerning the Hudson River School, Luminism, and artists of the Civil War era.

As interdisciplinary emphases are employed with increasing frequency in arts and humanities courses, the breadth and depth of topics covered in this collection will provide a much-needed text for scholars in American art history, nineteenth-century American studies, and landscape studies, in addition to serving as a complement to courses in American literature and culture.

Hardcover is un-jacketed.

The introduction and definitive guide to the work of celebrated folk artist Yvonne Wells, whose vibrant, innovative story quilts address an array of historic, cultural, and religious themes

The Story Quilts of Yvonne Wells is an introduction and definitive guide to the self-taught quilter whose expansive body of work serves as testament to the sweeping tides of American life and Wells’s significance as a major figure within the folk art and art world writ large.

Beginning when she was nearly 40 years old and without formal training, Wells created her first quilt for practical use but was soon hand stitching appliqué figures into bold, original designs that unleashed her voice as a storyteller. Incorporating a wide variety of symbolic materials and unconventional objects—“anything I can stick a needle in”—Wells’s vivid story quilts reveal a fearless and encyclopedic vision ranging from the intimately autobiographical to iconic scenes from African American history, the Bible, Southern culture, and contemporary headlines.

The result of years of close collaboration between Stacy I. Morgan and Wells herself, The Story Quilts of Yvonne Wells is richly illustrated with more than 100 quilts accompanied by narratives about each, told in the artist's own words, and interspersed with in-depth essays documenting Wells’s unique artistic practice and creative journey during her five-decade art career.

This engaging memoir details Bill Cunningham’s seven years as president of the University of Texas at Austin and his eight years as chancellor of the UT System. Along the way, he relates accounts of the important issues UT faced during that time, including fraternity hazing, affirmative action, the demise of the Southwest Conference and the creation of the Big 12, apartheid and divestment protests, the future of higher education in Texas, and many other issues.

The Texas Way outlines how money, power, politics, and ambition all play roles in the business of running the state’s premier university system, particularly in its relations with the state government. As president and then as chancellor, Cunningham dealt with conflict from all sides of the political spectrum, always striving to protect the university’s interests.

Bill Cunningham was at the center of many important issues during the fifteen years he served as president and chancellor. The Dolph Briscoe Center for American History at the University of Texas at Austin is pleased to publish Cunningham’s detailed and insightful memoir, which serves as a reminder of how these issues continue to resonate and affect higher education in Texas.