141 books match the query 'World War I' and 34 start with t
Helen Azar
Westholme Publishing, 2016
Grand Duchess Tatiana Nikolaevna of Russia was the second of the four daughters of Tsar Nicholas II and his wife, the Empress Alexandra Feodorovna. Long recognized by historians as the undisputed “beauty” of the family, Tatiana was acknowledged for her poise, her elegance, and her innate dignity within her own family. Helen Azar, translator of the diaries of Olga Romanov, and Nicholas B. A. Nicholson, Russian Imperial historian, have joined together to present a truly comprehensive picture of this extraordinarily gifted, complex, and intelligent woman in her own words. Tatiana Romanov, Daughter of the Last Tsar: Diaries and Letters, 1913–1918, presents translations of material never before published in Russian or in English, as well as materials never published in their entirety in the West.
The brisk, modern prose of Tatiana’s diary entries reveals the character of a young woman who was far more than the sheltered imperial beauty as she previously has been portrayed. While many historians and writers describe her as a cold, haughty, and distant aristocrat, this book shows instead a remarkably down-to-earth and humorous young woman, full of life and compassion. A detail-oriented and observant participant in some of the most important historical events of the early twentieth century, she left firsthand descriptions of the tercentenary celebrations of the House of Romanov, the early years of Russia’s involvement in World War I, and the road to her family’s final days in Siberian exile. Her writings reveal extraordinary details previously unknown or unacknowledged. Lavishly annotated for the benefit of the nonspecialist reader, this book is not only a reevaluation of Tatiana’s role as more than just one of four sisters, but also a valuable reference on Russia, the First World War, the Russian Revolution, and the people closest to the Grand Duchess and her family.Nimrod T. Frazer
University of Alabama Press, 2018
Mark Clapson
University of Westminster Press, 2019
Sewell Tyng
Westholme Publishing, 2007
The Definitive Account of the Battle of the Marne, One of World War I's Most Important Events
"A masterly account of the First World War in the West."—John Keegan
"A distinguished piece of historical writing."—Journal of Modern History
"Admirable... clear and interesting."—Foreign Affairs
"Direct and clear... it lays bare a most complicated course of events so that even the layman can follow."—New Republic
Named as One of The 100 Best Nonfiction Books of the Twentieth Century
With diplomacy unraveling during the summer of 1914, Germany swept into Belgium during the first week of August in an audacious attempt to catch France and England off guard. First contemplated after the Franco-Prussian War, the Schlieffen Plan was designed to keep Germany from fighting on two fronts. With a quick and decisive victory over France and its allies to the west, Germany could then confront Russia to the east. Despite the surprise of Germany's initial advance, the plan ultimately failed because it required much more mobile troops than were available at the time - something that would have to await the mechanized blitzkrieg of World War II—allowing France and British Expeditionary Forces to establish a tenacious defense. What followed was a stalemate along the Marne River and the beginning of four long years of destructive trench warfare that would only be lifted by a joint French, British, and American offensive across this same river plain in 1918. In The Campaign of the Marne, the entire genesis of the Schlieffen Plan, its modification, implementation, and the complex series of grueling battles that followed is laid out with the intent to make the entire episode comprehensible to the general reader. Hailed as one of the 100 best nonfiction books of the twentieth century by eminent military historian John Keegan, this is the first time the book has been available since its original publication in 1935.
Eduard Bass
Karolinum Press, 2009
In 1922, the same year that saw the establishment of the Czechoslovak Football Association, a former singer and cabaret director from Prague published a novel about soccer. Eighty-six years later, that novel, Eduard Bass’s The Chattertooth Eleven, has been reprinted more than thirty times, has been made into a film, and has become one of the most popular works of Czech fiction.
The novel tells the extraordinary adventures of an ordinary father, Chattertooth, and his eleven sons—whom he has raised as an unbeatable soccer team. This humorous tale—set in the aftermath of World War I—celebrates fair play and perseverance while simultaneously taking a gently ironic stance towards the Czech infatuation with soccer. This edition, in a new graphic layout by Zdenek Ziegler, is accompanied by charming illustrations by Jirí Grus.
By Guy Emerson Bowerman
University of Texas Press, 1983
In 1917, shortly after the United States’ declaration of war on Germany, Guy Emerson Bowerman, Jr., enlisted in the American army’s ambulance service. Like other young ambulance drivers—Hemingway, Dos Passos, Cummings, Cowley—Bowerman longed to “see the show.” He was glad to learn that the ambulance units were leaving for France right away.
For seventeen months, until the armistice of November 1918, Bowerman kept an almost daily diary of the war. To read his words today is to live the war with an immediacy and vividness of detail that is astonishing.
Only twenty when he enlisted, Bowerman was an idealistic, if snobbish, young man who exulted that his section was made up mostly of young “Yalies” like himself. But he expected the war to change him, and it did. In the end he writes that he and his compatriots scarcely remember a world at peace. "The old life was gone forever. . ."
Guy Bowerman’s unit was attached to a French infantry division stationed near Verdun. Sent to halt the German drive to Paris in 1918, the division participated in the decisive counterattack of July and tracked the routed Germans through Belgium. Then, “unwarned,” Bowerman and his comrades were “plunged into … a life of peace.” Into this life, he writes, they walked “bewildered,” like “men fearing ambush.”
This remarkable chronicle of one young man’s rite of passage is destined to become a classic in the literature of the Great War.
Alan Sharp
Haus Publishing, 2015
Daniel J. Sherman
University of Chicago Press, 2000
Linda R. Robertson
University of Minnesota Press, 2005
Analyzes the link between “civilized warfare” and the American self-image
Linda R. Robertson argues that the development of the United States as a global military power arose from the influence of an image of air combat carefully constructed during World War I to mask the sordid realities of modern ground warfare. The Dream of Civilized Warfare carries this trajectory to its logical end, tracing the long history of the American desire to exert the nation’s will throughout the world without having to risk the lives of ground soldiers—a theme that continues to reverberate in public discussions, media portrayals, and policy decisions today.
Histories of American air power usually focus on World War II, when the air force became the foundation for the military strength of the United States. The equally fascinating story of World War I air combat is often relegated to a footnote, but it was the earlier war that first inspired the vision of the United States attaining dominance in world affairs through a massive air force. In The Dream of Civilized Warfare, Robertson presents the compelling story of the creation of the first American air force—and how, through the propaganda of the flying ace, a vision of “clean” or civilized combat was sold to politicians and the public. During World War I, air combat came to epitomize American ingenuity, technological superiority, adventure, leadership, and teamwork. Robertson reveals how the romantic and chivalric imagery associated with flying aces was a product of intentional propaganda and popular culture. Examining aviation history, military battles, films, literature, and political events, she looks at how the American public’s imagination was shaped—how flying aces offered not only a symbol of warfare in stark contrast to the muddy, brutal world of the trenches, but also a distraction to an American public resistant to both intervention in a European conflict and the new practice of conscription.Edited by T.G. Fraser
Gingko, 2024
Frank C. Zagare
University of Michigan Press, 2011
"Frank C. Zagare combines a deep command of historical scholarship and the sophisticated skills of an applied game theorist to develop and test a theory of why deterrence failed, catastrophically, in July 1914. . . . Zagare concludes with sage advice on how to avoid even more cataclysmic breakdowns in a nuclear world."
---Steven J. Brams, New York University
"Zagare's deft study of the origins of the First World War using his perfect deterrence theory uncovers new insights into that signal event and shows the value of formal theory applied to historical events. A must-read for those interested in security studies."
---James D. Morrow, University of Michigan
"Through an exemplary combination of formal theory, careful qualitative analysis, and lucid prose, The Games of July delivers important and interesting answers to key questions concerning the international political causes of World War I. Its well-formed narratives and its sustained engagement with leading works in IR and diplomatic history . . . make it a rewarding read for security scholars in general and a useful teaching tool for international security courses."
---Timothy W. Crawford, Boston College
Taking advantage of recent advances in game theory and the latest historiography, Frank C. Zagare offers a new, provocative interpretation of the events that led to the outbreak of World War I. He analyzes key events from Bismarck's surprising decision in 1879 to enter into a strategic alliance with Austria-Hungary to the escalation that culminated in a full-scale global war. Zagare concludes that, while the war was most certainly unintended, it was in no sense accidental or inevitable.
The Games of July serves not only as an analytical narrative but also as a work of theoretical assessment. Standard realist and liberal explanations of the Great War are evaluated along with a collection of game-theoretic models known as perfect deterrence theory.
Frank C. Zagare is UB Distinguished Professor of Political Science at the State University of New York at Buffalo.
Cover illustration: Satirical Italian postcard from World War I. Used with permission from The University of North Carolina at Chapel Hill Libraries.
Richard L. Pifer
Wisconsin Historical Society Press, 2017
Robert McNamara
Haus Publishing, 2010
David Owen
Haus Publishing, 2014
Stefanos Geroulanos and Todd Meyers
University of Chicago Press, 2018
Amanda Jane Doran and Andrew McCarthy
Bodleian Library Publishing, 2014

Edited by Ozan Ozavci, Julia Secklehner, and Georgios Giannakopoulos
Gingko, 2027
Ruth Henig
Haus Publishing, 2010
Edited by Jay Winter
University of Missouri Press, 2009
In late 2007 and early 2008, world-renowned historians gathered in Kansas City for a series of public forums on World War I. Each of the five events focused on a particular topic and featured spirited dialogue between its prominent participants.
Hugh D. Wise III
Westholme Publishing, 2017
Robert E. Hunt
University of Alabama Press, 2025
How Tennessee reformers reconciled Southern heritage with rising nationalism, weaving the Lost Cause into the fabric of American progress and identity.
The Lost Cause and the Great War tells the stories of central Tennessee Progressive-era reformers to illustrate the fascinating broader issue of how Southerners steeped in Lost Cause Civil War mythologies simultaneously developed patriotic American fervor. Focusing on Luke Lea, a prominent politician and American army officer who attempted to capture Kaiser Wilhelm II during World War I, the book reveals the intricate interplay between three competing ideas: attachment to the memory of the Confederacy, intense American nationalism, and advocacy for progressive reforms.
Hunt shows that Lea and his contemporaries sought either to harmonize these competing loyalties or to compartmentalize them to use when needed. Through insightful accounts of Tennessee’s 1928 presidential campaign, the American Legion’s response to cuts to veteran benefits in 1933, and the redefinition of America’s global role post–World War II, Hunt shows how these reformers achieved a balance that held until the Civil Rights movement disrupted this delicate consensus.
Hunt’s rich account reveals how Lea and others like him wove national patriotism and Southern collective memory into a cohesive narrative that supported their broader Progressive goals. The book offers much to readers interested in Southern history, the Gilded Age, Prohibition, World War I, World War II, and the beginnings of the Civil Rights movement. It provides vivid examples of how collective memory and narratives shape social and political movements. General readers will discover how white Southerners who remained devoted to vindicating the Confederacy nonetheless became fervent supporters of America's growing nationalism in the early twentieth century.
Petra DeWitt
University of Missouri Press, 2022
Jon Guttman
Westholme Publishing, 2009
From Scouts to Balloon-busters, the Emergence of Air-to-Air Combat in World War I
When World War I began in August 1914, the airplane had already proven its worth as an intelligence gathering “eye-in-the-sky.” These scouting aircraft soon became indispensable to armies on both sides, and the attempt to drive enemy planes away began in earnest. Local air superiority was incorporated into battlefield strategy, and the use of aircraft to conduct offensive operations would change warfare as dramatically as the first firearms 300 years before. By the end of 1915, the basic formula of the armed scout settled on a single-seater with a machine gun synchronized to fire through its propeller blades. This heavily armed aircraft became the first true fighter plane whose primary function was to destroy enemy aircraft, whether scouts, balloons, bombers, or other fighters. A new glamorized “knight of the air” was born: the ace, a fighter pilot who brought down five or more opponents. From 1916 on, as the combatants relied on airplanes more, flying tactics and strategy—including mass formations—were developed for what would become a deadly struggle for complete air superiority. By 1918, the final year of the war, air battles could be as sprawling as those on the ground.
In The Origin of the Fighter Aircraft, historian Jon Guttman tells the engrossing story of how one of the most amazing inventions became a integral component of warfare. Balancing technical description, personalities, and battle accounts, the author demonstrates that by the end of World War I most of the fundamentals for modern aerial combat had been established.
Ruth Henig
Haus Publishing, 2010
Justin Nordstrom
University of Arkansas Press, 2021
The Provisions of War examines how soldiers, civilians, communities, and institutions have used food and its absence as both a destructive weapon and a unifying force in establishing governmental control and cultural cohesion during times of conflict. Historians as well as scholars of literature, regional studies, and religious studies problematize traditional geographic boundaries and periodization in this essay collection, analyzing various conflicts of the nineteenth and twentieth centuries through a foodways lens to reveal new insights about the parameters of armed interactions.
The subjects covered are as varied and inclusive as the perspectives offered—ranging from topics like military logistics and animal disease in colonial Africa, Indian vegetarian identity, and food in the counterinsurgency of the Malayan Emergency, to investigations of hunger in Egypt after World War I and American soldiers’ role in the making of US–Mexico borderlands. Taken together, the essays here demonstrate the role of food in shaping prewar political debates and postwar realities, revealing how dietary adjustments brought on by military campaigns reshape national and individual foodways and identities long after the cessation of hostilities
Robert H. Ferrell
University of Missouri Press, 2008
Khatchig Mouradian
Michigan State University Press, 2021
Raymond H. Fredette
University of Alabama Press, 2005
The forgotten air campaign that gave birth to modern air power.
A fascinating examination of the strategies and uses of air power in the First World War, Sky on Fire covers not only developments in military hardware and tactics but also how public policy and political considerations shaped the ways air power was deployed. Providing an excellent balance of data and statistics as well as human insights, Fredette’s book is essential reading for readers interested in the air power, both historically and in contemporary conflicts.
Louis D. Rubin, Jr.
University of Missouri Press, 2008
Mark K. Christ
University of Arkansas Press, 2020
Herbert Charles O'Neill
Westholme Publishing, 2012
Jean Gallagher
Southern Illinois University Press, 1998
For some women writers and photographers during the two world wars—Edith Wharton, Mildred Aldrich, Martha Gellhorn, Lee Miller, H.D., and Gertrude Stein—the construction of the female subject as an observer of combat became a vital concern. Their explorations of vision took place against the backdrop of a larger shift in Western culture's understanding of what "seeing" meant in common practice and philosophical discourse alike. The role of visuality in their lives was massively transformed not only by the rigid gender roles of war but by the introduction of new combat practices and technologies such as aerial surveillance, trench warfare, and civilian bombardment.
In The World Wars Through the Female Gaze, Jean Gallagher maps one portion of the historicized, gendered territory of what Nancy K. Miller calls the "gaze in representation." Expanding the notion of the gaze in critical discourse, Gallagher situates a number of visual acts within specific historic contexts to reconstruct the wartime female subject. She looks at both the female observer's physical act of seeing—and the refusal to see—for example, a battlefield, a wounded soldier, a torture victim, a national flag, a fashion model, a bombed city, or a wartime hallucination.
The book begins with two instances of wartime propaganda written by American women in France in 1915. Both Edith Wharton's Fighting France and Mildred Aldrich's A Hilltop on the Marne offer a complex and often contradictory sense of a woman writer's struggles with authority, resistance, and killing. In the process, Gallagher teases out the role of specular vision and the impossibility of "directly" seeing the war.
Gallagher then turns to literary and visual texts produced by two female journalists between 1940 and 1945. Martha Gellhorn's 1940 novel A Stricken Field exhibits a range of gendered seeing positions within and in opposition to the visual ideologies of fascism during the Nazi occupation of Czechoslovakia. Lee Miller's war correspondence and photography for Vogue show how Miller constructed herself and her predominantly female American audience as antifascist observers of war by working with and against some of the conventions of surrealist fashion photography.
Gallagher concludes by focusing on the experimental autobiographical prose of H.D. and Gertrude Stein to explore the functions of vision on two World War II "homefronts"—London during the Blitz and Vichy France.
Edited by Jonathan Conlin and Ozan Ozavci
Gingko, 2023
Michael D. Polston
Butler Center for Arkansas Studies, 2015