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Although best known as the Garden State, New Jersey could also be called the Church State. The state boasts thousands of houses of worship, with more than one thousand still standing that were built in the eighteenth and nineteenth centuries. Frank L. Greenagel has photographed more than six hundred. He has selected two hundred of these historic landmarks for an examination of why they are sited where they are and why they look the way they do.

Greenagel has sought out and included images of not only mainstream Christian churches, but also Jewish synagogues as well as the places of worship of religious groups such as the Moravians, the Church of the Brethren, and the Seventh Day Baptists. The photographs are arranged chronologically within sections on three major early settlement regions of the state ¾ the Hudson River, the Delaware River, and the Raritan Valley. For each building, Greenagel details the date of construction, the cultural, historic, and religious influences that shaped it, the architectural details that distinguish it, and what purpose it currently serves.

The controversial and compelling figure of the New Woman in late Victorian fiction has garnered extensive scholarly attention, but rarely has she been investigated through the fascinating lens of the Gothic. Yet the presence of sinister Gothic elements is so widespread in the generally realisitic British novels that the term "New Woman Gothic" readily comes to mind. Drawing from and reworking Gothic conventions of Romantic and later literature, the New Woman version is marshaled during this tumultuous cultural moment of gender anxieties either to defend or revile the complex individual who sought improvements in educational, marital, and professional realms. 

At the turn of the twentieth century, the bustling railroad town of Lone Rock, Wisconsin, was home to about a thousand residents, and Freeland Dexter seemed to know the business of every single one. Dexter reported all the news from Lone Rock—from the significant to the trivial, the tragic to the comical—for the Weekly Home News of neighboring Spring Green from 1884 to 1912.

This collection of Dexter’s most fascinating, amusing, and poignant stories and observations brings back to life the colorful characters of his time and takes readers on a journey to a world that was both simpler and changing fast. Whether he was reporting who grew the biggest watermelon, teasing the local lovebirds, or taking a side on the ever-controversial question of whether the town should go dry, Dexter wrote with a distinctive wit and an obvious affection for his town and its people. The News from Lone Rock also provides an illuminating window into a time period of rapid technological progress, showing how the introduction of electric light, telephones, and cars changed lives and connected this quaint village more and more to the outside world.

Focusing on Stendhal, Gérard de Nerval, George Sand, Émile Zola, and Marcel Proust, The Novel Map: Mapping the Self in Nineteenth-Century French Fiction explores the ways that these writers represent and negotiate the relationship between the self and the world as a function of space in a novel turned map.

With the rise of the novel and of autobiography, the literary and cultural contexts of nineteenth-century France reconfigured both the ways literature could represent subjects and the ways subjects related to space. In the first-person works of these authors, maps situate the narrator within the imaginary space of the novel. Yet the time inherent in the text’s narrative unsettles the spatial self drawn by the maps and so creates a novel self, one which is both new and literary. The novel self transcends the rigid confines of a map. In this significant study, Patrick M. Bray charts a new direction in critical theory.

In 1880 the Jewish community in Palestine encompassed some 20,000 Orthodox Jews; within sixty-five years it was transformed into a secular proto-state with well-developed political, military, and economic institutions, a vigorous Hebrew-language culture, and some 600,000 inhabitants. The Origins of Israel, 1882–1948: A Documentary History chronicles the making of modern Israel before statehood, providing in English the texts of original sources (many translated from Hebrew and other languages) accompanied by extensive introductions and commentaries from the volume editors.

This sourcebook assembles a diverse array of 62 documents, many of them unabridged, to convey the ferment, dissent, energy, and anxiety that permeated the Zionist project from its inception to the creation of the modern nation of Israel. Focusing primarily on social, economic, and cultural history rather than Zionist thought and diplomacy, the texts are organized in themed chapters. They present the views of Zionists from many political and religious camps, factory workers, farm women, militants, intellectuals promoting the Hebrew language and arts—as well as views of ultra-Orthodox anti-Zionists. The volume includes important unabridged documents from the origins of the Arab-Israeli conflict that are often cited but are rarely read in full. The editors, Eran Kaplan and Derek J. Penslar, provide both primary texts and informative notes and commentary, giving readers the opportunity to encounter voices from history and make judgments for themselves about matters of world-historical significance.

Vivid primary accounts of post-Civil War life by planters and freed slaves complement this study of the rise of southern sharecropping. Edward Royce employs both historical and sociological methods to probe the question of why slavery was replaced by sharecropping rather than by some other labor arrangement. His detailed analysis illuminates conflicts between labor and capital as one group struggles to preserve the plantation system while the other pursues a quest for land and autonomy.

Royce contends that southern sharecropping occurred through a "constriction of possibilities," that it was shaped by default rather than orchestrated by economic reconstruction by white landowners and black laborers.

Highlighting the conflict-ridden nature of the process of social change, The Origins of Southern Sharecropping includes rich descriptions of the plantation system and gang labor, the freed slaves' dream of forty acres and a mule, the black colonization movement, the Freedman's Bureau, and racial relations after the war.

Adelaide Cromwell’s pioneering work explores race and the social caste system in an atypical northern environment over a period of two centuries. Based on scholarly sources, interviews, and questionnaires, the study identifies those blacks in Boston who exercised political, economic, and social leadership from the end of the eighteenth century to the middle of the twentieth. The central focus is a comparison of black and white upper-class women in the 1940s.

This rare look at a black social microcosm not located in the South is seminal and timely. Because it concludes at a critical period in American history, The Other Brahmins paints a colorful backdrop for evaluating subsequent changes in urban sociology and stratification. In a groundbreaking study, Cromwell effectively challenges the simplistic notions of hierarchy as they pertain to race.

The wagon trail between Salt Lake City and Los Angeles is one of the most important and least-known elements of nineteenth-century Western migration. Known as the Southern Route, it included the western half of the Old Spanish Trail and was favored because it could be used for travel and freighting year-round. It was, however, likely the most difficult route that pioneers traveled with any consistency, following not rivers but leading from one--sometimes dubious--desert watering place to the next and offering few havens for the sick, weary, or unfortunate. Historian Edward Leo Lyman has provided the first history of the complete Southern Route and of the people who developed and used it. Based on extensive research in primary sources--including many early travelers’ accounts--and on Lyman’s own investigation of the route and its branches, the book discusses the exploration and development of the Old Spanish Trail, its horse thieves and traders, including Jed Smith and Kit Carson, along with government explorere John C. Frémont. Developing the old pack mule trail as a wagon road between Salt Lake City and Los Angeles, miners heading for the California gold fields first used the route extensively. Mormon missionaries and the colonizers of San Bernardino and other communities also traveled that way, as did a wide array of mail carriers, soldiers and world travelers. Later, a steady stream of Anglo-American emigrants seeking new homes or fortunes in California shared the road with a surprising number of freight wagon operators. The trail passed through the territories of numerous Native American peoples, and contacts with them--both friendly and hostile--played a significant role in the experiences of travelers and in the fates of Native American cultures in this region. Lyman’s discussions of Mormon-Indian relations and of the infamous Mountain Meadows Massacre offer fresh and important analyses of these vital aspects of the westward movement.

The publication of volume 2 of Philip T. Grier’s translation of The Philosophy of Hegel as a Doctrine of the Concreteness of God and Humanity completes the first appearance in English of any of the works of Russian philosopher I. A. Il’in (Ilyin).

Most of the contents of volume 2 will be unknown even to those who have read the 1946 German version prepared by Il’in, because in that version he omitted eight of the original ten chapters. These omitted chapters provide an extended reflection on the central categories of Hegel’s moral, legal, and political philosophies, as well as of the philosophy of history. The topics examined are, in order: freedom, humanity, will, right, morality, ethical life, personhood and its virtue, and the state. Contained within these chapters are some notably insightful expositions of core doctrines in Hegel’s philosophy.

Il’in’s colleague A. F. Losev accurately observed in the same year the text first appeared: “Neither the study of Hegel nor the study of contemporary Russian philosophical thought is any longer thinkable without this book of I. A. Il’in’s.”

In his introduction, David Faflik considers what made Gunn's book a compelling read in the past and how today it can elucidate our understanding of the formation and evolution of urban American life and letters.

In addition to official sources such as trial dossiers, census records, tax rolls, wills, and notary and military records, Méndez uses a wide variety of previously unexplored sources produced by the mostly Quechua-speaking rebels. She reveals the Huanta rebellion as a complex interaction of social, linguistic, economic, and political forces. Rejecting ideas of the Andean rebels as passive and reactionary, she depicts the barely literate insurgents as having had a clear idea of national political struggles and contends that most local leaders of the uprising invoked the monarchy as a source of legitimacy but did not espouse it as a political system. She argues that despite their pronouncements of loyalty to the Spanish crown, the rebels’ behavior evinced a political vision that was different from both the colonial regime and the republic that followed it. Eventually, their political practices were subsumed into those of the republican state.

In the early 1800s, books were largely unillustrated. By the 1830s and 1840s, however, innovations in wood- and steel-engraving techniques changed how Victorian readers consumed and conceptualized fiction. A new type of novel was born, often published in serial form, one that melded text and image as partners in meaning-making.

These illustrated serial novels offered Victorians a reading experience that was both verbal and visual, based on complex effects of flash-forward and flashback as the placement of illustrations revealed or recalled significant story elements. Victorians’ experience of what are now canonical novels thus differed markedly from that of modern readers, who are accustomed to reading single volumes with minimal illustration. Even if modern editions do reproduce illustrations, these do not appear as originally laid out. Modern readers therefore lose a crucial aspect of how Victorians understood plot—as a story delivered in both words and images, over time, and with illustrations playing a key role.

In The Plot Thickens, Mary Elizabeth Leighton and Lisa Surridge uncover this overlooked narrative role of illustrations within Victorian serial fiction. They reveal the intricacy and richness of the form and push us to reconsider our notions of illustration, visual culture, narration, and reading practices in nineteenth-century Britain.