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In the shadow of Watergate and the Vietnam War, Gerald Ford’s presidency has long been dismissed as little more than an interim administration. Yet the administration and its British counterparts worked to manage economic crises, Cold War tensions, and international flashpoints, while also harnessing cultural diplomacy to sustain transatlantic partnership. Drawing on newly declassified archival sources and fresh historical analysis, The Ford Administration and Anglo-American Relations shows how Ford’s years in office (1974–77) were pivotal in reshaping the US–UK special relationship at a moment of global turbulence.

Organized thematically rather than chronologically, the authors examine eight dimensions of Anglo-American relations under Ford: the inheritance of transatlantic tensions from the Nixon era; cultural and societal links beyond the state; the significance of Ford’s personal diplomacy; negotiations over defense and security; transformations in international economic relations and the birth of the G6/G7; cooperation through multilateral institutions such as NATO and the UN; joint management of crises in Cyprus and Rhodesia to the sterling currency crisis; and the cultural diplomacy of the 1976 Bicentennial, when Queen Elizabeth II’s state visit symbolized renewed unity between former adversaries. By highlighting both the challenges and the resilience of Anglo-American ties, this book recasts a neglected presidency as a crucial bridge between the crises of the Nixon years and the celebrated Reagan–Thatcher era. Accessible yet deeply researched, it is a work that will appeal to anyone interested in how two nations, facing uncertainty at home and abroad, turned to multilateral cooperation, culture, and public diplomacy to navigate the upheavals of the 1970s.

The Forsaken Son engages the provocative coincidence of the vocabularies of infanticide and Christianity, specifically atonement theology, in six modern American novels: Flannery O’Connor’s The Violent Bear It Away, the first two installments of John Updike’s Rabbit tetralogy, Toni Morrison’s Beloved, Joyce Carol Oates’s My Sister, My Love, and Cormac McCarthy’s Outer Dark.

Christian atonement theology explains why God lets His son be crucified. Yet in recent years, as an increasing number of scholars have come to reject that explanation, the cross reverts from saving grace to trauma—or even crime. More bluntly, without atonement, the cross may be a filicide, in which God forces his son to die for no apparent reason. Pederson argues that the novels about child murder mentioned above likewise give voice to modern skepticism about traditional atonement theology.

A fraudulent fortune teller, a society divorcee, and a spirited prostitute caught up in a story of insanity, ambition, and murder in turn-of-the-century Duluth

Please don’t mistake this story for a murder mystery, May Martin warns us as she settles in to tell her tale. The mystery, she says, is that only one of us ended up dead.

The Fortune Tellers of Zenith City plunges readers into the shadows of Gilded Age Duluth, where the rising walls of Glensheen Mansion mask a city built on industry and rife with sin. May Martin, a dubious clairvoyant haunted by her past, finds her survival tethered to Agnes Petre, a true seer and wealthy divorcee. As May and Agnes forge a partnership in fortune telling to weather the conditions of the gritty port city, their malicious ex-husbands, John and Douglas, start romantic affairs with the carefree Ethelwynne Dean. These tangled relationships clash with brothel owner Madame Gain, a notorious criminal with debts to collect, the ruthless tycoons who rule the iron mines, and the working-class residents struggling beneath them. Beside the icy, foreboding depths of Lake Superior, these denizens must navigate a maze of lies, ambition, and even murder while keeping their own secrets hidden. And the greatest mystery isn’t the spirits they summon—it’s who will escape the impending storm.

With scrupulous attention to historical detail, Mary Dupont recreates the lost world of Duluth at the turn of the twentieth century, delivering chicanery, suspense, drama, and humor through May’s wary, witty perspective—with a thrilling twist at the end.

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2024 Best Indigenous Studies Award, The Mormon History Association
2024 Southwest Book of the Year, Pima County Public Library

A history of how the construction of the Glen Canyon Dam was built and sustained by social inequalities

The second highest concrete-arch dam in the United States, Glen Canyon Dam was built to control the flow of the Colorado River throughout the Western United States. Completed in 1966, the dam continues to serve as a water storage facility for residents, industries, and agricultural use across the American West. The dam also generates hydroelectric power for residents in Colorado, Wyoming, New Mexico, Utah, Nevada, Arizona, and Nebraska. More than a massive piece of physical infrastructure and an engineering feat, the dam exposes the cultural structures and complex regional power relations that relied on Indigenous knowledge and labor while simultaneously dispossessing the Indigenous communities of their land and resources across the Colorado Plateau.

Erika Marie Bsumek reorients the story of the dam to reveal a pattern of Indigenous erasure by weaving together the stories of religious settlers and Indigenous peoples, engineers and biologists, and politicians and spiritual leaders. Infrastructures of dispossession teach us that we cannot tell the stories of religious colonization, scientific exploration, regional engineering, environmental transformation, or political deal-making as disconnected from Indigenous history. This book is a provocative and essential piece of modern history, particularly as water in the West becomes increasingly scarce and fights over access to it continue to unfold.

From Mariano Azuela's 1915 novel Los de abajo to Rosamaría Roffiel's Amora of 1989, fragmented narrative has been one of the defining features of innovative Mexican fiction in the twentieth century. In this innovative study, Carol Clark D'Lugo examines fragmentation as a literary strategy that reflects the social and political fissures within modern Mexican society and introduces readers to a more participatory reading of texts.

D'Lugo traces defining moments in the development of Mexican fiction and the role fragmentation plays in each. Some of the topics she covers are nationalist literature of the 1930s and 1940s, self-referential novels of the 1950s that focus on the process of reading and writing, the works of Carlos Fuentes, novels of La Onda that came out of rebellious 1960s Mexican youth culture, gay and lesbian fiction, and recent women's writings.

With its sophisticated theoretical methodology that encompasses literature and society, this book serves as an admirable survey of the twentieth-century Mexican novel. It will be important reading for students of Latin American culture and history as well as literature.

The original book on the renowned Freedom quilters of Gee's Bend - stitching justice, one quilt at a time.

In December of 1965, the year of the Selma-to-Montgomery march, a white Episcopal priest driving through a desperately poor, primarily black section of Wilcox County found himself at a great bend of the Alabama River. He noticed a cabin clothesline from which were hanging three magnificent quilts unlike any he had ever seen. They were of strong, bold colors in original, op-art patterns—the same art style then fashionable in New York City and other cultural centers. An idea was born and within weeks took on life, in the form of the Freedom Quilting Bee, a handcraft cooperative of black women artisans who would become acclaimed throughout the nation.

While gangs and gang culture have been around for countless centuries, The Gang is one of the first academic studies of the phenomenon. Originally published in 1927, Frederic Milton Thrasher’s magnum opus offers a profound and careful analysis of hundreds of gangs in Chicago in the early part of the twentieth century. With rich prose and an eye for detail, Thrasher looked specifically at the way in which urban geography shaped gangs, and posited the thesis that neighborhoods in flux were more likely to produce gangs. Moreover, he traced gang culture back to feudal and medieval power systems and linked tribal ethos in other societies to codes of honor and glory found in American gangs. Thrasher approaches his subject with empathy and insightfulness, and creates a multifaceted and textured portrait that still has much to offer to readers today. With handsome images that evoke the era, this unabridged edition of The Gang not only explores an important moment in the history of Chicago, but also is itself a landmark in the history of sociology and subcultural theory.

Addressing both the literature and the visual arts of Anglo-American modernism, The Geometry of Modernism recovers a crucial development of modernism's early years that until now has received little sustained critical attention: the distinctive idiom composed of geometric forms and metaphors generated within the early modernist movement of Vorticism, formed in London in 1914. Focusing on the work of Wyndham Lewis, leader of the Vorticist movement, as well as Ezra Pound, H.D., and William Butler Yeats, Hickman examines the complex of motives out of which Lewis initially forged the geometric lexicon of Vorticism—and then how Pound, H.D., and Yeats later responded to it and the values that it encoded, enlisting both the geometric vocabulary and its attendant assumptions and ideals, in transmuted form, in their later modernist work.

Placing the genesis and appropriation of the geometric idiom in historical context, Hickman explores how despite its brevity as a movement, Vorticism in fact exerted considerable impact on modernist work of the years between the wars, in that its geometric idiom enabled modernist writers to articulate their responses to both personal and political crises of the 1930s and 1940s. Informed by extensive archival research as well as treatment of several of the least-known texts of the modernist milieu, The Geometry of Modernism clarifies and enriches the legacy of this vital period.

During much of the twentieth century, people labeled “feeble-minded,” “mentally deficient,” and “mentally retarded” were often confined in large, publicly funded, residential institutions located on the edges of small towns and villages some distance from major population centers. At the peak of their development in the late 1960s, these institutions—frequently called “schools” or “homes”—housed 190,000 men, women, and children in the United States.

The Girls and Boys of Belchertown offers the first detailed history of an American public institution for intellectually disabled persons. Robert Hornick recounts the story of the Belchertown State School in Belchertown, Massachusetts, from its beginnings in the 1920s to its closure in the 1990s following a scandalous exposé and unprecedented court case that put the institution under direct supervision of a federal judge. He draws on personal interviews, private letters, and other unpublished sources as well as local newspapers, long out-of-print materials, and government reports to re-create what it was like to live and work at the school. More broadly, he gauges the impact of changing social attitudes toward intellectual disability and examines the relationship that developed over time between the school and the town where it was located.

What emerges is a candid and complex portrait of the Belchertown State School that neither vilifies those in charge nor excuses the injustices perpetrated on its residents, but makes clear that despite the court-ordered reforms of its final decades, the institution needed to be closed.

Over the past century, Israel has been transformed from an agricultural colony, to a welfare-warfare state, to a globally integrated "market economy" characterised by great income disparities. What lies behind this transformation? In order to understand capitalist development, argue Bichler and Nitzan, we need to break the artificial separation between "economics" and "politics", and think of accumulation itself as "capitalisation of power". Applying this concept to Israel, they reveal the big picture that never makes it to the news. Diverse processes – such as regional conflicts and energy crises, ruling class formation and dominant ideology, militarism and dependency, inflation and recession, the politics of high-technology and the transnationalisation of ownership – are all woven into a single story. The result is a fascinating account of one of the world’s most volatile regions.