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Diverse approaches to biblical theology

This volume presents a collection of studies on the methodology for conceiving the theological interpretation of the Hebrew Bible among Jews and Christians as well as the treatment of key issues such as creation, the land of Israel, and divine absence. Contributors include Georg Fischer, SJ, David Frankel, Benjamin J. M. Johnson, Soo J. Kim, Wonil Kim, Jacqueline E. Lapsley, Julia M. O’Brien, Dalit Rom-Shiloni, Marvin A. Sweeney, and Andrea L. Weiss.

Features:

• Examination of metaphor, repentance, and shame in the presence of God
• Ten essays addressing the nature of biblical theology from a Jewish, Christian, or critical perspective
• Discussion of the changes that have taken place in the field of biblical theology since World War II

A major reconsideration of relations between new theories and old texts.

Medieval Studies/Literary Theory

A major reconsideration of relations between new theories and old texts. The work of Paul Strohm allies the most distinguished traditions of medieval study with the most challenging and innovative of theoretical approaches. These features, working together to revise and expand our understanding of both medieval texts and contemporary critical practice, are apparent in full and compelling force in this collection of essays, most now in print for the first time. In a range of theoretical engagements with late medieval texts, dealing with social practice, time, and narrative, this volume proposes a "practical" relation between the text and the theory that illuminates it.Insisting on the imaginative multiplicity of the text, Strohm finds in theory an augmentation of interpretive possibilities-an augmentation that sometimes requires respectful disagreement with what a work says-or seems to want known-about itself. He thus defines theory as "any standpoint from which we might challenge a text’s self-understanding." Coupled with this strategic disrespect is a new and amplified form of respect-for the text as a meaning-making system, for its unruly power and its unpredictable effects in the world.In this spirit, Strohm offers new and illustrative readings of Hoccleve’s "Male Regle" and Regiment of Princes, Ricardian coronation documents, Chaucer’s "Cook’s Tale," Capgrave’s chronicle, the Gesta Henrici Quinti, records of the king’s bench, Malory’s "Knight of the Cart," and other later medieval texts. Throughout, Strohm traverses categories of "literary" and "non-literary" in the service of a more comprehensive understanding of texts and the resourcefulness with which they accomplish their social work.Medieval Cultures Series, volume 26Translation Inquiries: University of Minnesota Press

Shedding new light on the actors, infrastructures, and events that shaped the development of literary and cultural theory

While theory aspires by its very nature to timeless validity, the ascendency of particular intellectual paradigms at specific historical moments depends on a complex assemblage of institutional, historical, political, material, and medial factors. Theory as Event: Humanistic Knowledge Production in Germany Since 1968 reconsiders the so-called age of theory as it took shape in the German-speaking world after 1968. In invoking the term “event,” this volume draws attention to the myriad incidents and accidents that enable the creation, diffusion, and canonization of humanistic knowledge, from public controversies and debates to the circulation of various forms of print media.

By conceptualizing theory as an event, the volume also sheds new light on the quotidian, praxeological forms of knowledge production—inconspicuous but no less important acts of research, teaching, and even administration that have shaped the intellectual landscape of the humanities, from visiting professorships and habilitation defenses to the founding of new working groups. In shifting attention from the explication of individual works to these seemingly paratextual phenomena, the contributors to this collection not only offer a fresh perspective on key moments in German intellectual history; they also model a new approach to the history of ideas. 

Taken together, these comprehensive volumes offer an authoritative account of the music of Africa. One of the most prominent experts on the subject, Gerhard Kubik draws on his extensive travels and three decades of study in many parts of the continent to compare and contrast a wealth of musical traditions from a range of cultures.

In the first volume, Kubik describes and examines xylophone playing in southern Uganda and harp music from the Central African Republic; compares multi-part singing from across the continent; and explores movement and sound in eastern Angola. And in the second volume, he turns to the cognitive study of African rhythm, Yoruba chantefables, the musical Kachamba family of Malaŵi, and African conceptions of space and time.

Each volume features an extensive number of photographs and is accompanied by a compact disc of Kubik’s own recordings. Erudite and exhaustive, Theory of African Music will be an invaluable reference for years to come.

In 1859 Abraham Lincoln covered his Indiana years in one paragraph and two sentences of a written autobiographical statement that included the following: "We reached our new home about the time the State came into the union. It was a wild region, with many bears and other wild animals in the woods. There I grew up." William E. Bartelt uses annotation and primary source material to tell the history of Lincoln's Indiana years by those who were there. The book reveals, through the words of those who knew him, Lincoln's humor, compassion, oratorical skills and thirst for knowledge, and it provides an overview of Lincoln's Indiana experiences, his family, the community where the Lincolns settled and southern Indiana from 1816 to 1830.

Through classroom ethnography, student interviews, analyses of settler archives, and personal reflection, There Is No Making It Out addresses the legacies of settler colonialism and settler rhetorics and their continued impact on how (subaltern) peoples see the world, walk through it, and interact with others. Romeo García argues that concepts of decoloniality prompt crucial counter-rhetorics and writing that are necessary but perhaps ultimately unattainable. In the demand for something else, and at the intersection between a praxical theorizing and theory-building actioning, There Is No Making It Out works to de-link and reclaim an archival approach as a critical method and also reclaim a theory of archival impressions as a theoretical apparatus deeply attuned both to tilling the ground on which power takes root and to a full spectrum of Matter (living, nonliving, nonhuman). García offers no definitive resolutions but, situated between two rhetorical standpoints—stories-so-far and the possibilities of new stories—There Is No Making It Out channels a hope and struggle for wor(l)ding otherwise.
 

In There Used to Be Order, Patience Mususa considers social change in the Copperbelt region of Zambia following the re-privatization of the large state mining conglomerate, the Zambia Consolidated Copper Mines (ZCCM), in the mid-1990s. As the copper mines were Zambia’s most important economic asset, the sale of ZCCM was considered a major loss to the country. More crucially, privatization marked the end of a way of life for mine employees and mining communities. Based on three years of ethnographic field research, this book examines life for those living in difficult economic circumstances, and considers the tension between the life they live and the nature of an “extractive area.” This account, unusual in its examination of middle-income decline in Africa, directs us to think of the Copperbelt not only as an extractive locale for copper whose activities are affected by the market, but also as a place where the residents’ engagement with the harsh reality of losing jobs and struggling to earn a living after the withdrawal of welfare is simultaneously changing both the material and social character of the place. Drawing on phenomenological approaches, the book develops a theoretical model of “trying,” which accounts for both Copperbelt residents’ aspirations and efforts.

The United States at the turn of the twentieth century cultivated a passion for big. It witnessed the emergence of large-scale corporate capitalism; the beginnings of American imperialism on a global stage; record-level immigration; a rapid expansion of cities; and colossal events and structures like world's fairs, amusement parks, department stores, and skyscrapers. Size began to play a key role in American identity. During this period, bigness signaled American progress.

These Days of Large Things explores the centrality of size to American culture and national identity and the preoccupation with physical stature that pervaded American thought. Clarke examines the role that body size played in racial theory and the ways in which economic changes in the nation generated conflicting attitudes toward growth and bigness. Finally, Clarke investigates the relationship between stature and gender.

These Days of Large Things brings together a remarkable range of cultural material including scientific studies, photographs, novels, cartoons, architecture, and film. As a general cultural and intellectual history of the period, this work will be of interest to students and scholars in American studies, U.S. history, American literature, and gender studies.

Michael Tavel Clarke is Assistant Professor of English at the University of Calgary.

Cover photograph: "New York from Its Pinnacles," Alvin Langdon Coburn (1912). Courtesy of the George Eastman House.

"A fascinating study of the American preoccupation with physical size, this book charts new paths in the history of science, culture, and the body. A must-read for anyone puzzling over why Americans today love hulking SUVs, Mcmansions, and outsized masculine bodies."
---Lois Banner, University of Southern California

"From the Gilded Age through the Twenties, Clarke shows a nation-state obsessed with sheer size, ranging from the mammoth labor union to the 'Giant Incorporated Body' of the monopoly trust. These Days of Large Things links the towering Gibson Girl with the skyscraper, the pediatric regimen with stereotypes of the Jew. Spanning anthropology, medicine, architecture, business, and labor history, Clarke provides the full anatomy of imperial America and offers a model of cultural studies at its very best."
---Cecelia Tichi, Vanderbilt University

Alabama’s Civil War story—told with grit, grace, and truth.

In These Rugged Days: Alabama in the Civil War, John S. Sledge offers a riveting and readable account of Alabama’s Civil War saga. Focused on the conflict’s turning points within the state’s borders, Sledge recounts residents’ experiences from secession’s early days to its tumultuous collapse, when 75,000 blue-coated soldiers were on the move statewide. Sledge brings these tumultuous years to life in an impressive array of primary and secondary sources, including official records, diaries, newspapers, memoirs, correspondence, sketches, and photographs. He also highlights such colorful personalities as John Pelham, the youthful Jacksonville artillerist who was shipped home in an iron casket with a glass faceplate; Gus Askew, a nine-year-old Barbour County slave who vividly recalled the day the Yankees marched in; Augusta Jane Evans, the Mobile novelist who was given a gold pen by a daring blockade runner; and Emma Sansom, a plucky Gadsden teenager who acted as a scout and guide to Nathan Bedford Forrest.

These Rugged Days is an enthralling tale of action, courage, pride, and tragedy. The Civil War has left indelible marks on Alabama’s land, culture, economy, and people, and Sledge offers a refreshing take on the state's role in the conflict. His narrative is a dramatic account that will be enjoyed by lay readers as well as students and scholars of Alabama and the Civil War. 

An analysis of the 1923 Treaty of Lausanne from multiple historical, economic, and social perspectives.
 
The last of the post-World War One peace settlements, the 1923 Treaty of Lausanne departed from methods used in the Treaty of Versailles and took on a new peace-making initiative: a forced population exchange that affected one and a half million people. Like its German and Austro-Hungarian allies, the defeated Ottoman Empire had initially been presented with a dictated peace in 1920. In just two years, however, the Kemalist insurgency enabled Turkey to become the first sovereign state in the Middle East, while the Greeks, Armenians, Arabs, Egyptians, Kurds, and other communities previously under the Ottoman Empire sought their own forms of sovereignty.

Featuring historical analysis from multiple perspectives, They All Made Peace, What Is Peace? considers the Lausanne Treaty and its legacy. Chapters investigate British, Turkish, and Soviet designs in the post-Ottoman world, situate the population exchanges relative to other peacemaking efforts, and discuss the economic factors behind the reallocation of Ottoman debt and the management of refugee flows. Further chapters examine Kurdish, Arab, Iranian, Armenian, and other communities that were refused formal accreditation at Lausanne, but which were still forced to live with the consequences, consequences that are still emerging, one hundred years on.
 

Honorable Mention, 2025 Society of Midland Authors Award in History!

Examining the case that inspired a pop culture phenomenon

In 1924 Beulah Annan was arrested and incarcerated for killing her lover, Harry Kalsted. Six weeks later, a jury acquitted her of murder. Inspired by the sordid event, trial, and acquittal, Maurine Watkins, a reporter at the time, wrote the play Chicago, a Broadway hit that was adapted several times. Through a fresh retelling of the story of Annan and of Watkins’s play, Charles H. Cosgrove provides the first critical examination of the criminal case, and an initial exploration of the era’s social assumptions that made the message of the play so plausible in its own time. His careful historical research challenges the received portrait of Annan as a killer who got away with murder, and of Watkins as a savvy cub reporter and precocious playwright.

In They Both Reached for the Gun, Charles H. Cosgrove expertly combines inquest and police records, and interviews with Annan’s relatives, to analyze the participants, the trial, and the subsequent play. Although no one will ever know what really happened in the Kenwood apartment on Chicago’s south side one hundred years ago, Cosgrove’s interrogation shows how sensationalized Watkins’s writing was. Her reporting on the Annan case perpetuated falsehoods about Annan’s so-called “confession,” and her play gave an inaccurate portrayal of Chicago’s criminal justice system. Despite Watkins’s insistence that her drama revealed the truth about its subjects without any exaggeration, her play depicted police, prosecutors, and judges as the only “good guys” in the story, ignoring those who lied, misled, and used brutal methods to obtain forced confessions.

2025 Memoir Prize for Books Finalist

A haunting, an obsession, a calling: Tim Z. Hernandez has been searching for people his whole life. Now, in this highly anticipated memoir, he takes us along on an investigative odyssey through personal and collective history to uncover the surprising conjunctions that bind our stories together.

Hernandez’s mission to find the families of the twenty-eight Mexicans who were killed in the 1948 plane wreck at Los Gatos Canyon formed the basis for his acclaimed documentary novel All They Will Call You, which the San Francisco Chronicle dubbed “a stunning piece of investigative journalism,” and the New York Times hailed as “painstaking detective work by a writer who is the descendant of farmworkers.”

In this riveting new work, Hernandez continues his search for the plane crash victims while also turning the lens on himself and his ancestral past, revealing the tumultuous and deeply intimate experiences that have fueled his investigations—a lifelong journey haunted by memory, addiction, generational trauma, and the spirit world.

They Call You Back is the true chronicle of one man’s obsession to restore dignity to an undignified chapter in America’s past, while at the same time making a case for why we must heal our personal wounds if we are ever to heal our political ones.
 

Tension between Anglos and Tejanos has existed in the Lone Star State since the earliest settlements. Such antagonism has produced friction between the two peoples, and whites have expressed their hostility toward Mexican Americans unabashedly and at times violently.

This seminal work in the historical literature of race relations in Texas examines the attitudes of whites toward Mexicans in nineteenth-century Texas. For some, it will be disturbing reading. But its unpleasant revelations are based on extensive and thoughtful research into Texas' past. The result is important reading not merely for historians but for all who are concerned with the history of ethnic relations in our state.

They Called Them Greasers argues forcefully that many who have written about Texas's past—including such luminaries as Walter Prescott Webb, Eugene C. Barker, and Rupert N. Richardson—have exhibited, in fact and interpretation, both deficiencies of research and detectable bias when their work has dealt with Anglo-Mexican relations. De León asserts that these historians overlooled an austere Anglo moral code which saw the morality of Tejanos as "defective" and that they described without censure a society that permitted traditional violence to continue because that violence allowed Anglos to keep ethnic minorities "in their place."

De León's approach is psychohistorical. Many Anglos in nineteenth-century Texas saw Tejanos as lazy, lewd, un-American, subhuman. In De León's view, these attitudes were the product of a conviction that dark-skinned people were racially and culturally inferior, of a desire to see in others qualities that Anglos preferred not to see in themselves, and of a need to associate Mexicans with disorder so as to justify their continued subjugation.

Marshall Chapman knows Nashville. A musician, songwriter, and author with nearly a dozen albums and a bestselling memoir under her belt, Chapman has lived and breathed Music City for over forty years. Her friendships with those who helped make Nashville one of the major forces in American music culture is unsurpassed. And in her new book, They Came to Nashville, the reader is invited to see Marshall Chapman as never before--as music journalist extraordinaire.

In They Came to Nashville, Chapman records the personal stories of musicians shaping the modern history of music in Nashville, from the mouths of the musicians themselves. The trials, tribulations, and evolution of Music City are on display, as she sits down with influential figures like Kris Kristofferson, Emmylou Harris, and Miranda Lambert, and a dozen other top names, to record what brought each of them to Nashville and what inspired them to persevere. The book culminates in a hilarious and heroic attempt to find enough free time with Willie Nelson to get a proper interview. Instead, she's brought along on his raucous 2008 tour and winds up onstage in Beaumont, Texas singing "Good-Hearted Woman" with Willie.

They Came to Nashville reveals the daily struggle facing newcomers to the music business, and the promise awaiting those willing to fight for the dream.

Co-published with the Country Music Foundation Press

As the Great Depression gripped the United States in the early 1930s, the Hoover administration sought to preserve jobs for Anglo-Americans by targeting Mexicans, including long-time residents and even US citizens, for deportation. Mexicans comprised more than 46 percent of all people deported between 1930 and 1939, despite being only 1 percent of the US population. In all, about half a million people of Mexican descent were deported to Mexico, a “homeland” many of them had never seen, or returned voluntarily in fear of deportation.

They Came to Toil investigates how the news reporting of this episode in immigration history created frames for representing Mexicans and immigrants that persist to the present. Melita M. Garza sets the story in San Antonio, a city central to the formation of Mexican American identity, and contrasts how the city’s three daily newspapers covered the forced deportations of Mexicans. She shows that the Spanish-language La Prensa not surprisingly provided the fullest and most sympathetic coverage of immigration issues, while the locally owned San Antonio Express and the Hearst chain-owned San Antonio Light varied between supporting Mexican labor and demonizing it. Garza analyzes how these media narratives, particularly in the English-language press, contributed to the racial “othering” of Mexicans and Mexican Americans. Adding an important new chapter to the history of the Long Civil Rights Movement, They Came to Toil brings needed historical context to immigration issues that dominate today’s headlines.

The companion teacher’s guide to They Came from Wisconsin offers educators in every setting—classroom, library, and at home—vocabulary lists, objectives, skills, strategies, standards-based activities, and dozens of blackline masters for worksheets and handouts. Engages students in hands-on exploration of the immigration theme.

Distributed for the Wisconsin Historical Society Press.

After ten years as a foreign and military policy lobbyist in Washington and four as director of an interfaith lobby, Gretchen Eick, moved to Kansas, earned a Ph.D. in American Studies from the University of Kansas and became Professor of History at Friends University. She was awarded two Fulbright Scholar awards, teaching in Latvia and Bosnia and Herzegovina (BiH), and a Fulbright Hays to South Africa. Her book on the civil rights movement—Dissent in Wichita: The Civil Right Movement in the Midwest, 1954-1972 (U of IL Press, 2001/2007) won three awards: The Richard Wentworth award from the University of Illinois as the best book in American history that press published over two years, the University of Kansas’ Hall Center Award for the best book by a Kansas author (the first time the award went to someone not teaching at K.U.), and the William Rockhill Nelson award for the best nonfiction book by a Kansas or Missouri author. The book resulted in two museum exhibits, a 2009 Telly Award-winning public television documentary about the first successful student-led sit-in, the 1958 Dockum Drug Store Sit-in in Wichita, and mention in the Smithsonian Museum of African American History and Culture.

 

No Native American groups placed more emphasis on the horse in their lives than did the Navajo and Apache of the Southwest. They Sang for Horses, first published in 1966 and now considered a classic, remains the only comprehensive treatment of the profound mystical influence that the horse has exerted for more than 300 years.

In this completely redesigned and expanded edition, LaVerne Harrell Clark examines how storytellers, singers, medicine men, and painters created the animal's evolving symbolic significance by adapting existing folklore and cultural symbols. Exploring the horse's importance in ceremonies, songs, prayers, customs, and beliefs, she investigates the period of the horse's most pronounced cultural impact on the Navajo and the Apache, starting from the time of its acquisition from the Spanish in the seventeenth century and continuing to the mid-1960s, when the pickup truck began to replace it as the favored means of transportation. In addition, she presents a look at how Navajos and Apaches today continue to redefine the horse's important role in their spiritual as well as material lives.

This classic work is a must for historians, readers interested in Native American folklore and mythology, and anyone who has ever been captivated by the magic and romance of the horse.

They Sought a Land, originally published in 1997, is the study of the rise and decline of a group of pioneers from the Carolinas who came to the Arkansas River Valley in the mid nineteenth century. Pisgah, as their settlement came to be known, drew five hundred pioneers from 1840 to 1870, forming a community bound by blood, friendship, and a strong Calvinist heritage.

Pisgah grew and prospered, developing increasingly successful farming practices, landholding patterns, and trading strategies. But the Civil War took a heavy toll, taking workers away from farms, subjecting those left on the home front to deprivation and violence, and creating division in the community. By 1870, the people of Pisgah had dispersed into Arkansas’s larger developing society.

Absorbing to read and rich with colorful detail, They Sought a Land is an important story of the westward expansion of the United States and the settling of the American South during the nineteenth century.