Results by title

In 1889, Sitting Bull addressed the formal, Western-style education of his people. “When you find something good in the white man's road, pick it up,” he intoned. “When you find something that is bad . . . leave it alone. We shall master his machinery, and his inventions, his skills, his medicine, his planning, but we will retain our beauty and still be Indians.”

Sitting Bull's vision—that cultural survival and personal perseverance derive from tribal resilience—lies at the heart of Tribal Strengths and Native Education. Basing his account on the insights of six veteran American Indian educators who serve in three reservation schools on the Northern Plains, Terry Huffman explores how Native educators perceive pedagogical strengths rooted in their tribal heritage and personal ethnicity. He recounts their views on the issues facing students and shows how tribal identity can be a source of resilience in academic and personal success. Throughout, Huffman and the educators emphasize the importance of anchoring the formal education of Indian children in Native values and worldviews—in “tribal strengths.”

This book presents new data on warfare from both ethnohistoric and ethnographic sources. The author documents principal differences between tribal and chiefly warfare; outlines the evidence archaeologists can expect to recover from warfare; and formulates testable hypotheses on the role of warfare in social and political evolution. This monograph is part of a series on Latin American Ethnohistory and Archaeology.

"Federal Indian law . . . is a loosely related collection of past and present acts of Congress, treaties and agreements, executive orders, administrative rulings, and judicial opinions, connected only by the fact that law in some form has been applied haphazardly to American Indians over the course of several centuries. . . . Indians in their tribal relation and Indian tribes in their relation to the federal government hang suspended in a legal wonderland."

In this book, two prominent scholars of American Indian law and politics undertake a full historical examination of the relationship between Indians and the United States Constitution that explains the present state of confusion and inconsistent application in U.S. Indian law. The authors examine all sections of the Constitution that explicitly and implicitly apply to Indians and discuss how they have been interpreted and applied from the early republic up to the present. They convincingly argue that the Constitution does not provide any legal rights for American Indians and that the treaty-making process should govern relations between Indian nations and the federal government.

A gripping firsthand account of loyalty, resistance, and survival in Confederate Tennessee, this memoir reveals the untold story of Unionist courage behind enemy lines.

Tried Men and True, or Union Life in Dixie is the memoir of a Union supporter in south-central Tennessee. In it, he chronicles in vivid and emotional detail the local tensions between Unionists and Confederates during the Civil War South and offers a rare first-person account of the guerrilla war that devastated Western Tennessee.

Thomas Jefferson Cypert (1827-1918) was a staunch Union man of Wayne County, Tennessee. In 1863, he helped organize the Second Tennessee Mounted Infantry, a regiment of loyalist Southerners enlisted to combat Confederate cavalry in West Tennessee and Northern Alabama. Tried Men and True is Cypert’s memoir of his time as Captain of Company A, including his capture by Confederate cavalry and subsequent daring escape, in which he was aided by local Union sympathizers and slaves.

After the Civil War, Cypert served two terms in the Tennessee State Senate, one of them during the heated first years of Reconstruction, when Tennessee disenfranchised former rebels and attempted to establish Unionist Republican rule in the state. Cypert clearly wrote his memoir to defend Unionism, condemn secession and rebellion, and support loyalists’ claims for post-war power through an account of their wartime sacrifices. Never before published, the manuscript has been preserved in nearly perfect condition by Cypert’s descendants over the generations. This book is a remarkable and engagingly written account of resistance to the Confederacy by a group of southwestern Tennessee loyalists.

A remarkably perceptive portrait of the Lone Star State, this collection of pieces from the New Yorker, the Nation, and other publications presents highlights of bestselling author Calvin Trillin’s classic writing on Texas subjects.

"Yes, I do have a Texas connection, but, as we say in the Midwest, where I grew up, not so's you'd know it." So Calvin Trillin introduces this collection of articles and poems about a place that turns up surprisingly often when he's ostensibly writing about something else. Whether reporting on the American scene for the New Yorker, penning comic verse and political commentary for the Nation, or writing his memoirs, Trillin has bumped into Texas again and again. He insists that "this has not been by design . . . there has simply been a lot going on in Texas." Astute readers will note, however, that Trillin's family immigrated to the United States through the port of Galveston, and, after reading this book, many will believe that the Lone Star State has somehow imprinted itself in the family's imagination.

Trillin on Texas gathers some of Trillin's best writing on subjects near to his heart—politics, true crime, food, and rare books, among them—which also have a Texas connection. Indulging his penchant for making "snide and underhanded jokes about respectable public officials," he offers his signature sardonic take on the Bush dynasty and their tendency toward fractured syntax; a faux, but quite believable, LBJ speech; and wry portraits of assorted Texas county judges, small town sheriffs, and Houston immigration lawyers. Trillin takes us on a mouthwatering pilgrimage to the barbecue joint that Texas Monthly proclaimed the best in Texas and describes scouting for books with Larry McMurtry—who rejects all of his "sleepers." He tells the stories of two teenagers who dug up half a million dollars in an ice chest on a South Texas ranch and of rare book dealer Johnny Jenkins, who was found floating in the Colorado River with a bullet wound in the back of his head. And he recounts how redneck movie reviewer "Joe Bob Briggs" fueled a war between Dallas's daily newspapers and pays tribute to two courageous Texas women who spoke truth to power—Molly Ivins and Sissy Farenthold.

Sure to entertain Texans and other folks alike, Trillin on Texas proves once again that Calvin Trillin is one of America's shrewdest observers and wittiest writers.

Explore the scientific crescendo of the Manhattan Project through newly contextualized and never-before-seen photographs from Los Alamos National Laboratory’s legacy collections—some just declassified.
 
Twenty-one days before the world learned of the atomic bomb through its wartime use against Japan, a team of scientists led by J. Robert Oppenheimer detonated the first nuclear device on a remote stretch of New Mexico desert, in an operation codenamed Trinity. Both a military proof test and an elaborate, well-documented scientific experiment, the Trinity shot on July 16, 1945, brought under the control of humankind a new fire: the energy of the atom.
 
In this expertly curated journey through the beginning of the atomic age, hundreds of carefully restored photographs, still frames, and once-secret documents bring new and vivid focus to a watershed moment in science and history. Written for all to understand, Trinity weaves steadily through subplots and surprises set against the evolving, looming backdrop of a world at war. It shadows the humans and hardware at work in the rugged landscape of the test operation; dissects a fiery mushroom cloud unfurling frame by frame, frozen in time; and follows soldiers, scientists, and two atomic bombs across the Pacific Ocean to Tinian Island, onto the strike planes Enola Gay and Bockscar, and to Hiroshima and Nagasaki, the two Japanese cities devastated on August 6 and 9, 1945.
 
Inviting readers into the clandestine spaces where a new era began—behind the cameras, the bunker doors, the gates and guard posts—Trinity strives, grieves, celebrates, and ponders. It artfully captures that extraordinary summer when scientists invented urgently in the waning months of the “before”—and the tension between violence and progress, hope and fear, that persists into the after.

Vanel's discussion culminates in the creative response of the composer John Cage to the pervasiveness and power of background music in contemporary society. Cage neither opposed nor rejected Muzak, but literally answered its challenge by formulating a parallel concept that he called "Muzak-Plus." Forty years after Satie presented his work to general critical puzzlement, Cage saw how background music could be combined with mid-century technology and theories of art and performance to create a participatory soundscape on a scale that Satie could not have envisioned, again reconfiguring the listener's stance to music. By examining the subterranean connections existing between these three formulations of a singular idea, Triple Entendre analyzes and challenges the crucial boundary that separates an artistic concept from its actual implementation in life.

Brazilian popular culture, including music, dance, theater, and film, played a key role in transnational performance circuits—inter-American and transatlantic—from the latter nineteenth century to the middle of the twentieth century. Brazilian performers both drew inspiration from and provided models for cultural production in France, Portugal, Argentina, the United States, and elsewhere. These transnational exchanges also helped construct new ideas about, and representations of, “racial” identity in Brazil. Tropical Travels fruitfully examines how perceptions of “race” were negotiated within popular performance in Rio de Janeiro and how these issues engaged with wider transnational trends during the period.

Lisa Shaw analyzes how local cultural forms were shaped by contact with imported performance traditions and transnational vogues in Brazil, as well as by the movement of Brazilian performers overseas. She focuses specifically on samba and the maxixe in Paris between 1910 and 1922, teatro de revista (the Brazilian equivalent of vaudeville) in Rio in the long 1920s, and a popular Brazilian female archetype, the baiana, who moved to and fro across national borders and oceans. Shaw demonstrates that these transnational encounters generated redefinitions of Brazilian identity through the performance of “race” and ethnicity in popular culture. Shifting the traditional focus of Atlantic studies from the northern to the southern hemisphere, Tropical Travels also contributes to a fuller understanding of inter-hemispheric cultural influences within the Americas.

A haunting and poetic journey of memory, identity, and reconciliation in the heart of the Black South.

Winner of the Excellence in Minority Fiction Award

Trouble the Water moves among finely woven layers of time and place as it takes on a new and controversial theme in contemporary black writing, the search for family reconciliation. Twenty years after running away from home in Pee Dee, North Carolina, Jordan Henry believed he had found success, as a young college professor of history, a married man, and a resident of New England, whose colonial past he knew so well. When Jordan finds his career stymied by local prejudices, his world crumbles. Word of his grandmother's death reaches him, and he returns home to claim the ambiguous legacy of her farmland and face the consequences of his long absence.

Jordan's estranged father also returns to Pee Dee on a quest of his own restoring his good name in a community which blames him for Chloe Henry's death in childbirth. Chloe was Jordan's mother and his grandmother's only child. Unresolved hostility in the family and in the community breaks out, making Jordan the unsuspecting pawn in a plot of revenge against his father. Jordan may be the only one who can free his family from the past and the equally troubled present.

Trouble the Water gains resonance from its unflinching confrontation with dualities common in the Afro-American experience: reality and myth, folklore and sophistication, North and South, rural and cosmopolitan. While sacrificing none of its complexities for the sake of simplicity, it has the relentless movement of a fairy tale that reaches deep into the unconscious roots of behavior. It is intensely lyrical and dense in realism. Trouble the Water is magical in the way it reveals the Afro-American psyche and symbolizes fundamental truths about American life.

Interweaves the stories of a revolutionary and a bombing victim to explore the roots and unintended consequences of political violence.

1976. The Vietnam War had ended, but radical political groups still operated clandestinely throughout the United States. Nowhere was the threat of civil unrest greater than in Boston. Racial tensions had been building since a federal judge ordered the desegregation of the Boston Public Schools, and civic leaders were counting on the pageantry of the nation’s Bicentennial to boost both tourism and investment. In April, the Sam Melville-Jonathan Jackson Unit, prison reformers schooled in Marxism and angered by US interventions abroad, bombed the Suffolk County Courthouse, injuring twenty-two people. The site of the blast marked the spot where the lives of two men intersected: a mill town kid who’d been radicalized in Vietnam and prison, and an immigrant waiting in line because he needed to renew a cab license.

Fifty years after the bombing shook the city, Troubled Times tells the story of lives changed by political violence at a time when the American experiment is again in crisis.