8642 books match the query '20th century' and 1764 start with t

cover of The Institutions of Russian Modernism: Conceptualizing, Publishing, and Reading Symbolism

The Institutions of Russian Modernism

Conceptualizing, Publishing, and Reading Symbolism

Jonathan Stone

Northwestern University Press, 2017

The Institutions of Russian Modernism illuminates the key role of Symbolism as the earliest form of modernism in Russia, emerging seemingly ex nihilo at the end of the nineteenth century. Combining book history, periodical studies, and reception theory, Jonathan Stone examines the poetry and theory of Russian Symbolism within the framework of the institutions that organized, published, and disseminated the works to Russian readers. Surveying a wealth of examples of books, journals, and almanacs, Stone traces how publishers of Symbolist works marketed the movement and fashioned a Symbolist reader. His persuasive argument that after its eclipse Symbolism's legacy remained embedded in the heart of Russian modernism will be of interest to scholars and general readers.

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cover of The Insubordination of Signs: Political Change, Cultural Transformation, and Poetics of the Crisis

The Insubordination of Signs

Political Change, Cultural Transformation, and Poetics of the Crisis

Nelly Richard

Duke University Press, 2004

Nelly Richard is one of the most prominent cultural theorists writing in Latin America today. As a participant in Chile’s neo-avantgarde, Richard worked to expand the possibilities for cultural debate within the constraints imposed by the Pinochet dictatorship (1973–1990), and she has continued to offer incisive commentary about the country’s transition to democracy. Well known as the founder and director of the influential journal Revista de crítica cultural, based in Santiago, Richard has been central to the dissemination throughout Latin America of work by key contemporary thinkers, including Néstor García Canclini, Jacques Derrida, Fredric Jameson, and Diamela Eltit. Her own writing provides rigorous considerations of Latin American identity, postmodernism, gender, neoliberalism, and strategies of political and cultural resistance.

In The Insubordination of Signs Richard theorizes the cultural reactions—particularly within the realms of visual arts, literature, and the social sciences—to the oppression of the Chilean dictatorship. She reflects on the role of memory in the historical shadow of the military regime and on the strategies offered by marginal discourses for critiquing institutional systems of power. She considers the importance of Walter Benjamin for the theoretical self-understanding of the Latin American intellectual left, and she offers revisionary interpretations of the Chilean neo-avantgarde in terms of its relationships with the traditional left and postmodernism. Exploring the gap between Chile’s new left social sciences and its “new scene” aesthetic and critical practices, Richard discusses how, with the return of democracy, the energies that had set in motion the democratizing process seemed to exhaust themselves as cultural debate was attenuated in order to reduce any risk of a return to authoritarianism.

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cover of The Intellectual Legacy of Herman Dooyeweerd (1894-1977): A Hopeful Philosophy for our Time

The Intellectual Legacy of Herman Dooyeweerd (1894-1977)

A Hopeful Philosophy for our Time

Maarten Verkerk

Amsterdam University Press, 2025

Herman Dooyeweerd (1894-1977), a renowned philosopher and legal scholar, has been regarded as one of the most original philosophers the Netherlands has ever produced. In 1935, he published his seminal work, A New Critique of Theoretical Thought, which offers an in-depth analysis of the foundations of culture and science. Dooyeweerd develops a sophisticated and impressive conceptual framework to analyse reality. He demonstrates that every philosophy, all science, and every political ideology is driven by underlying religious or worldview perspectives.

The work of Herman Dooyeweerd is currently attracting global interest. From the United States to Korea, from New Zealand to Brazil, and from the United Kingdom to South Africa, professionals across various disciplines—philosophers, engineers, politicians, economists, and others—are expanding upon his ideas within their respective fields. At the same time, his work is becoming increasingly relevant as contemporary society displays characteristics reminiscent of those observed in European culture a century ago. The Intellectual Legacy of Herman Dooyeweerd (1894-1977): A Hopeful Philosophy for our Time introduces his most significant concepts and numerous examples of their contemporary applications.
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cover of The Intellectual Legacy of Herman Dooyeweerd (1894-1977): A Hopeful Philosophy for our Time

The Intellectual Legacy of Herman Dooyeweerd (1894-1977)

A Hopeful Philosophy for our Time

Maarten Verkerk

Amsterdam University Press, 2025

Herman Dooyeweerd (1894-1977), a renowned philosopher and legal scholar, has been regarded as one of the most original philosophers the Netherlands has ever produced. In 1935, he published his seminal work, A New Critique of Theoretical Thought, which offers an in-depth analysis of the foundations of culture and science. Dooyeweerd develops a sophisticated and impressive conceptual framework to analyse reality. He demonstrates that every philosophy, all science, and every political ideology is driven by underlying religious or worldview perspectives.

The work of Herman Dooyeweerd is currently attracting global interest. From the United States to Korea, from New Zealand to Brazil, and from the United Kingdom to South Africa, professionals across various disciplines—philosophers, engineers, politicians, economists, and others—are expanding upon his ideas within their respective fields. At the same time, his work is becoming increasingly relevant as contemporary society displays characteristics reminiscent of those observed in European culture a century ago. The Intellectual Legacy of Herman Dooyeweerd (1894-1977): A Hopeful Philosophy for our Time introduces his most significant concepts and numerous examples of their contemporary applications.
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cover of The Interior Castle: The Art and Life of Jean Stafford

The Interior Castle

The Art and Life of Jean Stafford

Hulbert Ann

University of Massachusetts Press, 1993

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cover of The Internal Colony: Race and the American Politics of Global Decolonization

The Internal Colony

Race and the American Politics of Global Decolonization

Sam Klug

University of Chicago Press, 2025

An explication of how global decolonization provoked profound changes in American political theory and practice.
 
In The Internal Colony, Sam Klug reveals the central but underappreciated importance of global decolonization to the divergence between mainstream liberalism and the Black freedom movement in postwar America. Klug reconsiders what has long been seen as a matter of primarily domestic policy in light of a series of debates concerning self-determination, postcolonial economic development, and the meanings of colonialism and decolonization. These debates deeply influenced the discord between Black activists and state policymakers and formed a crucial dividing line in national politics in the 1960s and 1970s.

The result is a history that broadens our understanding of ideological formation—particularly how Americans conceptualized racial power and political economy—by revealing a much wider and more dynamic network of influences. Linking intellectual, political, and social movement history, The Internal Colony illuminates how global decolonization transformed the terms of debate over race and social class in the twentieth-century United States.
 
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cover of The International Jewish Labor Bund after 1945: Toward a Global History

The International Jewish Labor Bund after 1945

Toward a Global History

Slucki, David

Rutgers University Press, 2012

The Jewish Labor Bund was one of the major political forces in early twentieth-century Eastern Europe. But the decades after the Second World War were years of enormous difficulty for Bundists. Like millions of other European Jews, they faced the challenge of resurrecting their lives, so gravely disrupted by the Holocaust. Not only had the organization lost many members, but its adherents were also scattered across many continents. In this book, David Slucki charts the efforts of the surviving remnants of the movement to salvage something from the wreckage.

Covering both the Bundists who remained in communist Eastern Europe and those who emigrated to the United States, France, Australia, and Israel, the book explores the common challenges they faced—building transnational networks of friends, family, and fellow Holocaust survivors, while rebuilding a once-local movement under a global umbrella. This is a story of resilience and passion—passion for an idea that only barely survived Auschwitz.

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cover of The Interpreter

The Interpreter

Alice Kaplan

University of Chicago Press, 2007

No story of World War II is more triumphant than the liberation of France, made famous in countless photos of Parisians waving American flags and kissing GIs as columns of troops paraded down the Champs Élysées. But one of the least-known stories from that era is also one of the ugliest chapters in the history of Jim Crow. In The Interpreter, celebrated author Alice Kaplan recovers this story both as eyewitnesses first saw it, and as it still haunts us today.

The American Army executed 70 of its own soldiers between 1943 and 1946—almost all of them black, in an army that was overwhelmingly white. Through the French interpreter Louis Guilloux’s eyes, Kaplan narrates two different trials: one of a white officer, one of a black soldier, both accused of murder. Both were court-martialed in the same room, yet the outcomes could not have been more different.

Kaplan’s insight into character and setting creates an indelible portrait of war, race relations, and the dangers of capital punishment. 

“A nuanced historical account that resonates with today’s controversies over race and capital punishment.” Publishers Weekly

“American racism could become deadly for black soldiers on the front. The Interpreter reminds us of this sad component of a heroic chapter in American military history.” Los Angeles Times

“With elegance and lucidity, Kaplan revisits these two trials and reveals an appallingly separate and unequal wartime U.S. military justice system.” Minneapolis Star Tribune

“Kaplan has produced a compelling look at the racial disparities as they were played out…She explores both cases in considerable and vivid detail.” Sacramento Bee

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cover of The Invention of Madness: State, Society, and the Insane in Modern China

The Invention of Madness

State, Society, and the Insane in Modern China

Emily Baum

University of Chicago Press, 2018

Throughout most of history, in China the insane were kept within the home and treated by healers who claimed no specialized knowledge of their condition. In the first decade of the twentieth century, however, psychiatric ideas and institutions began to influence longstanding beliefs about the proper treatment for the mentally ill. In The Invention of Madness, Emily Baum traces a genealogy of insanity from the turn of the century to the onset of war with Japan in 1937, revealing the complex and convoluted ways in which “madness” was transformed in the Chinese imagination into “mental illness.”
​
Focusing on typically marginalized historical actors, including municipal functionaries and the urban poor, The Invention of Madness shifts our attention from the elite desire for modern medical care to the ways in which psychiatric discourses were implemented and redeployed in the midst of everyday life. New meanings and practices of madness, Baum argues, were not just imposed on the Beijing public but continuously invented by a range of people in ways that reflected their own needs and interests. Exhaustively researched and theoretically informed, The Invention of Madness is an innovative contribution to medical history, urban studies, and the social history of twentieth-century China.
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cover of The Inverted Conquest: The Myth of Modernity and the Transatlantic Onset of Modernism

The Inverted Conquest

The Myth of Modernity and the Transatlantic Onset of Modernism

Alejandro Mejias-Lopez

Vanderbilt University Press, 2009

Modernismo (1880s-1920s) is considered one of the most groundbreaking literary movements in Hispanic history, as it transformed literature in Spanish to an extent not seen since the Renaissance. As Alejandro Mejias-Lopez demonstrates, however, modernismo was also groundbreaking in another, more radical way: it was the first time a postcolonial literature took over the literary field of the former European metropolis.

Expanding Bourdieu's concepts of cultural field and symbolic capital beyond national boundaries, The Inverted Conquest shows how modernismo originated in Latin America and traveled to Spain, where it provoked a complete renovation of Spanish letters and contributed to a national identity crisis. In the process, described by Latin American writers as a reversal of colonial relations, modernismo wrested literary and cultural authority away from Spain, moving the cultural center of the Hispanic world to the Americas.

Mejias-Lopez further reveals how Spanish American modernistas confronted the racial supremacist claims and homogenizing force of an Anglo-American modernity that defined the Hispanic as un-modern. Constructing a new Hispanic genealogy, modernistas wrote Spain as the birthplace of modernity and themselves as the true bearers of the modern spirit, moved by the pursuit of knowledge, cosmopolitanism, and cultural miscegenation, rather than technology, consumption, and scientific theories of racial purity.



Bound by the intrinsic limits of neocolonial and postcolonial theories, scholarship has been unwilling or unable to explore modernismo's profound implications for our understanding of Western modernities.

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cover of The Invisible Empire in West: Toward a New Historical Appraisal of the Ku Klux Klan of the 1920s

The Invisible Empire in West

Toward a New Historical Appraisal of the Ku Klux Klan of the 1920s

Edited by Shawn Lay

University of Illinois Press, 1992

 
This timely anthology describes how and why the Ku Klux Klan became one of the most influential social movements in modern American history. 
 
For decades historians have argued that the spectacular growth of the Ku Klux Klan in the 1920s was fueled by a postwar surge in racism, religious bigotry, and status anxiety among working-class white Americans. In recent years, however, a growing body of scholarship has complicated that appraisal, emphasizing the KKK's strong links to mainstream society and its role as a medium of corrective civic action. 
 
Addressing a set of common questions, Lay and six other contributors to this volume examine local Klan chapters in Denver, Salt Lake City, El Paso, Anaheim and, in Oregon, Eugene and La Grande. Far from being composed of marginal men prone to violence and irrationality, the Klan drew membership from a generally balanced cross-section of the white male, Protestant population.
 
Overt racism and religious bigotry were major drawing cards for the Hooded Order, but intolerance frequently intertwined with community issues such as improved law enforcement, better public education, and municipal reform. The authors consolidate, focus, and expand upon new scholarship to provide insight into the complex reasons for the Klan's popularity.
 
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cover of The Invisible Shining: The Cult of Mátyás Rákosi in Stalinist Hungary, 19451956

The Invisible Shining

The Cult of Mátyás Rákosi in Stalinist Hungary, 19451956

Balazs Apor

Central European University Press, 2018

This book offers a detailed analysis of the construction, reception, and eventual decline of the cult of the Hungarian Communist Party Secretary, Mátyás Rákosi, one of the most striking examples of orchestrated adulation in the Soviet bloc. While his cult never approached the magnitude of that of Stalin, Rákosi’s ambition to outshine the other “best disciples” and become the best of the best was manifest in his diligence in promoting a Soviet-type ritual system in Hungary. The main argument of The Invisible Shining is that the cult of personality is not just a curious aspect of communist dictatorship, it is an essential element of it. The monograph is primarily concerned with techniques and methods of cult construction, as well as the role various institutions played in the creation of mythical representations of political figures. While engaging with a wider international literature on Stalinist cults, the author uses the case of Rákosi to explore how personality cults are created, how such cults are perceived, and how they are eventually unmade. The book addresses the success—generally questionable—of such projects, as well as their uncomfortable legacies.
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cover of The Iowa Writers' Workshop: origins, emergence & growth

The Iowa Writers' Workshop

origins, emergence & growth

Stephen Wilbers

University of Iowa Press, 1980

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cover of The Irony of American History

The Irony of American History

Reinhold Niebuhr

University of Chicago Press, 2008

A powerful indictment of American moral complacency from a writer Barack Obama called “one of my favorite philosophers”
 
“[Niebuhr] is one of my favorite philosophers. I take away [from his works] the compelling idea that there’s serious evil in the world, and hardship and pain. And we should be humble and modest in our belief we can eliminate those things. But we shouldn’t use that as an excuse for cynicism and inaction. I take away . . . the sense we have to make these efforts knowing they are hard.”—President Barack Obama
 
Forged during the tumultuous but triumphant postwar years when America came of age as a world power, The Irony of American History is more relevant now than ever before. Cited by politicians as diverse as Hillary Clinton and John McCain, Niebuhr’s masterpiece on the incongruity between personal ideals and political reality is both an indictment of American moral complacency and a warning against the arrogance of virtue. Impassioned, eloquent, and deeply perceptive, Niebuhr’s wisdom will cause readers to rethink their assumptions about right and wrong, war and peace.

 “The supreme American theologian of the twentieth century.”—Arthur Schlesinger Jr., New York Times

“Niebuhr is important for the left today precisely because he warned about America’s tendency—including the left’s tendency—to do bad things in the name of idealism. His thought offers a much better understanding of where the Bush administration went wrong in Iraq.”—Kevin Mattson, The Good Society
 
“Irony provides the master key to understanding the myths and delusions that underpin American statecraft. . . . The most important book ever written on US foreign policy.”—Andrew J. Bacevich, from the Introduction
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cover of The Irony of the Solid South: Democrats, Republicans, and Race, 1865–1944

The Irony of the Solid South

Democrats, Republicans, and Race, 1865–1944

Glenn Feldman

University of Alabama Press, 2013

Race, Politics, and the Making of the Modern South.

The Irony of the Solid South examines how the south became the “Solid South” for the Democratic Party and how that solidarity began to crack with the advent of American involvement in World War II. Relying on a sophisticated analysis of secondary research—as well as a wealth of deep research in primary sources such as letters, diaries, interviews, court cases, newspapers, and other archival materials—Glenn Feldman argues in The Irony of the Solid South that the history of the solid Democratic south is actually marked by several ironies that involve a concern with the fundamental nature of southern society and culture and the central place that race and allied types of cultural conservatism have played in ensuring regional distinctiveness and continuity across time and various partisan labels. Along the way, this account has much to say about the quality and nature of the New Deal in Dixie, southern liberalism, and its fatal shortcomings.

Feldman focuses primarily on Alabama and race but also considers at length circumstances in the other southern states as well as insights into the uses of emotional issues other than race that have been used time and again to distract whites from their economic and material interests. Feldman explains how conservative political forces (Bourbon Democrats, Dixiecrats, Wallace, independents, and eventually the modern GOP) ingeniously fused white supremacy with economic conservatism based on the common glue of animus to the federal government. A second great melding is exposed, one that joined economic fundamentalism to the religious kind along the shared axis of antidemocratic impulses.

Feldman’s study has much to say about southern and American conservatism, the enduring power of cultural and emotional issues, and the modern south’s path to becoming solidly Republican.


 

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cover of The Italian Fascist Party in Power: A Study in Totalitarian Rule

The Italian Fascist Party in Power

A Study in Totalitarian Rule

Dante L. Germino

University of Minnesota Press, 1959

The Italian Fascist Party in Power was first published in 1959. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Although much significant material on the Italian Fascist party became available when the regime collapsed, scholars have not made extensive use of it until now. In this study, which is based on all the available sources, Professor Germino describes the functions of the party, ,explains how it was organized to perform tasks, and discusses conflicts between the party and other power elements in the dictatorship. He reaches a conclusion contrary to that of most other scholars -- that Fascist Italy was a full-fledged totalitarian state resembling Nazi Germany and Soviet Russia in political structure and ideological content.

Professor Carl J. Riedrich of Harvard University writes: "I consider this a major contribution to our knowledge of totalitarian dictatorship. There is nothing in the existing literature that can be compared to it either in terms of depth or analysis, range of documentation or breadth of treatment."

Professor Taylor Cole of Duke University comments: "Professor Germino has presented an excellent case study of the Italian Fascist Party. He has made use of more materials on the Party than any previous writer in English, and has marshalled them effectively to support his contention that the Fascist Party did not differ 'in kind' from [the Nazi and Soviet Communist parties] on the eve of World War II. His conclusion that on most (though not all) basic counts the Italian Fascist system was to be classified as 'totalitarian' is controversial, but it merits the careful attention of all students who are interested in the Italian Fascist period and in totalitarianism."

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cover of The Italian Resistance: Fascists, Guerrillas and the Allies

The Italian Resistance

Fascists, Guerrillas and the Allies

Tom Behan

Pluto Press, 2009

One of the enduring myths about World War Two is that only the Allies liberated occupied Europe. Many countries had anti-fascist Resistance movements, and Italy's was one of the biggest and most politically radical yet it remains relatively unknown outside of its own homeland.

Within Italy many plaques and streets commemorate the actions of the partisans - a movement from below that grew as Mussolini's dictatorship unravelled. Led by radical left forces, the Resistance trod a thin line between fighting their enemies at home and maintaining an uneasy working relationship with the Allies.

Essential for courses on World War Two and European history, Tom Behan uses unpublished archival material and interviews with surviving partisans to tell an inspiring story of liberation.

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cover of The Jackson County Rebellion: A Populist Uprising in Depression-Era Oregon

The Jackson County Rebellion

A Populist Uprising in Depression-Era Oregon

Jeffrey Max LaLande

Oregon State University Press, 2023

The Jackson County Rebellion explores a dramatic if little-known populist insurgency in the American West. Author Jeff LaLande takes a deep dive into a tumultuous uprising that captured national attention as it played out in rural Oregon. First tracing its roots back to the area’s tradition of protest, including the Ku Klux Klan of the 1920s, he focuses on Jackson County’s politics of upheaval during the worst days of the Great Depression. The broad strokes of the episode may be familiar to contemporary readers: Demagogues fanning rage — relentlessly accusing an elite of corruption and conspiracy. The strife-torn episode featured nativist and anti-Semitic elements.  

The local press played a key role in the events. Two inflammatory newspapers, one owned by wealthy orchardist Llewellyn Banks and the other by politician Earl Fehl, became the vehicles by which these men won the loyalty of rural and working-class residents. Partners in demagoguery, Banks and Fehl created a movement — dubbed the “Good Government Congress”  that very nearly took over county government through direct action, ballot theft, and threats of violence.  Among those opposing the two men was Harvard-educated Robert Ruhl, owner/editor of the Medford Mail-Tribune, who faced off against Banks and Fehl. Despite boycotts and threats of sabotage. Ruhl ran a resolute editorial campaign against the populist threat in his Mail-Tribune, which won a Pulitzer Prize for its reporting on the uprising.  

The rebellion blazed hotly but not for long. Its end was marked by the arrest of its leaders after the fiercely contested 1932 election and by Banks’s murder of the police officer sent to arrest him. Placing the Jackson County Rebellion squarely within America’s long tradition of populist uprisings against the perceived sins of an allegedly corrupt, affluent local elite, LaLande argues that this little-remembered episode is part of a long history of violent conflict in the West that continues today.

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cover of The Janus Face of the German Avant-Garde: From Expressionism Toward Postmodernism

The Janus Face of the German Avant-Garde

From Expressionism Toward Postmodernism

Rainer Rumold

Northwestern University Press, 2002

Among the avant-garde of the early twentieth century, the German movement remains one of the least understood in the current avant-garde and modernism debates. Rainer Rumold fills this gap with the first large-scale reassessment of the heyday and afterlife of German expressionist and Dada productions as a prolonged crisis of literary culture.
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cover of The Japanese Occupation of Malaya and Singapore, 1941-45: A Social and Economic History

The Japanese Occupation of Malaya and Singapore, 1941-45

A Social and Economic History

Paul H. Kratoska

National University of Singapore Press, 2018

For three-and-a-half bleak years during World War II, Japan occupied Malaya and Singapore, transforming a once prosperous and vibrant region into a desolate place rife with unemployment, corruption, inflation and shortages of essential supplies.  As Japan’s promised Greater East Asia crumbled, malnourished residents increasingly faced a struggle to survive, with little prospect of better times ahead.
Originally published in 1998, The Japanese Occupation of Malaya and Singapore is fully updated with material from newly discovered and recently translated documents and as well as new archival evidence. Kratoska’s work offers a clear depiction of wartime life under foreign occupation, and explains how the legacies of war and occupation shaped the post-war recovery in Malaya and Singapore.
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cover of The Japanese in Latin America

The Japanese in Latin America

Daniel M. Masterson with Sayaka Funada-Classen

University of Illinois Press, 2003

Latin America is home to 1.5 million persons of Japanese descent. Combining detailed scholarship with rich personal histories, Daniel M. Masterson, with the assistance of Sayaka Funada-Classen, presents the first comprehensive study of the patterns of Japanese migration on the continent as a whole. 

When the United States and Canada tightened their immigration restrictions in 1907, Japanese contract laborers began to arrive at mines and plantations in Latin America. The authors examine Japanese agricultural colonies in Latin America, as well as the subsequent cultural networks that sprang up within and among them, and the changes that occurred as the Japanese moved from wage labor to ownership of farms and small businesses. They also explore recent economic crises in Brazil, Argentina, and Peru, which, combined with a strong Japanese economy, caused at least a quarter million Latin American Japanese to migrate back to Japan. 

Illuminating authoritative research with extensive interviews with migrants and their families, The Japanese in Latin America tells the story of immigrants who maintained strong allegiances to their Japanese roots, even while they struggled to build lives in their new countries.

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cover of The Javelin Thrower

The Javelin Thrower

Paolo Volponi

Seagull Books, 2018

As a boy growing up in rural Italy in the 1930s, Damìn is experiencing the first stirrings of adolescence when he accidentally sees his mother having sex with the local Fascist commandant. His pain, anger, and confusion are uncomfortably intertwined with a compulsion to watch them, which becomes an obsession.
 
Isolating himself from anyone who might help him understand what he’s feeling, he channels his fury into his javelin, getting better and better until he is a local champion. But his success is fleeting, as wholly confused and caught up in his own anger, he ends up betraying and humiliating his friends. The Javelin Thrower is the story of an erotic education turned tragic, poisoned by the darkness running through Mussolini’s Italy.
 
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cover of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life

The Jazz Barn

Music Inn, the Berkshires, and the Place of Jazz in American Life

John Gennari

Brandeis University Press, 2025

How a small town in New England became a home for jazz, challenging conventional assumptions about the relationship between culture and landscape, art and geography, town and city, and race and place.
 
This is a book about what happened in the 1950s in a barn, an icehouse, and a greenhouse in the verdant Berkshire Hills of western Massachusetts. Against the backdrop of McCarthyism, the civil rights movement, the expansion of the Afro-Caribbean diaspora, and postwar cultural tourism, two New Yorkers bought part of a sprawling estate in Lenox, where they converted an old barn and other outbuildings into an inn that could host musical performances and seminars. The Berkshire Music Barn went on to host jazz greats like Duke Ellington, Dave Brubeck, and Billie Holiday, as well as jazz roundtables grounded in folkloric approaches to the music.
 
The Jazz Barn explores the cultural significance of venues like the Berkshire Music Barn and later the Lenox School of Jazz to tell a surprising story about race, culture, and place. John Gennari explores how a predominantly white New England town became a haven for African American musicians, and reveals the Berkshires as an important incubator not just of American literature and classical music but also of the Modern Jazz Quartet and Ornette Coleman’s “new thing.” The Berkshire Music Barn became a crucial space for the mainstreaming of jazz. By the late 1950s, the School of Jazz was an epicenter of the genre’s avant-garde.
 
Richly illustrated with the photographs of Clemens Kalischer among others, The Jazz Barn demonstrates that the locations where jazz is played and heard indelibly shape the music and its meanings.
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cover of The Jazz Republic: Music, Race, and American Culture in Weimar Germany

The Jazz Republic

Music, Race, and American Culture in Weimar Germany

Jonathan O. Wipplinger

University of Michigan Press, 2017

The Jazz Republic examines jazz music and the jazz artists who shaped Germany’s exposure to this African American art form from 1919 through 1933. Jonathan O. Wipplinger explores the history of jazz in Germany as well as the roles that music, race (especially Blackness), and America played in German culture and follows the debate over jazz through the fourteen years of Germany’s first democracy. He explores visiting jazz musicians including the African American Sam Wooding and the white American Paul Whiteman and how their performances were received by German critics and artists. The Jazz Republic also engages with the meaning of jazz in debates over changing gender norms and jazz’s status between paradigms of high and low culture.  By looking at German translations of Langston Hughes’s poetry, as well as Theodor W. Adorno’s controversial rejection of jazz in light of racial persecution, Wipplinger examines how jazz came to be part of German cultural production more broadly in both the US and Germany, in the early 1930s.
 
Using a wide array of sources from newspapers, modernist and popular journals, as well as items from the music press, this work intervenes in the debate over the German encounter with jazz by arguing that the music was no mere “symbol” of Weimar’s modernism and modernity. Rather than reflecting intra-German and/or European debates, it suggests that jazz and its practitioners, African American, white American, Afro-European, German and otherwise, shaped Weimar culture in a central way. 

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cover of The Jew, the Beauty, and the Beast: Gender and Animality in Modernist Hebrew Fiction

The Jew, the Beauty, and the Beast

Gender and Animality in Modernist Hebrew Fiction

Naama Harel

Rutgers University Press, 2026

Jews, women, and animals have been notoriously considered in Western thought as antithetical to the “civilized,” and therefore parallel. The trope of the womanized Jewish man has been widely recognized as a staple in otherizing portrayals of European Jews, as well as their self-perception. Similarly, ecofeminist critique has addressed the ubiquitous depiction of the animalized woman throughout history. Yet, the interconnection between the effeminization of Jews and the animalization of women has been overlooked. 

The Jew, the Beauty, and the Beast critically explores the tangled interplay between Jewishness, gender, and animality and its manifestation in modernist Hebrew fiction. Through interdiscursive analysis and close readings, the effeminate Jew is examined vis-à-vis the animalized woman. Intertwining cutting-edge theoretical frameworks of posthumanism and animal studies with established scholarship of Hebrew literature, Jewish studies, and gender studies, Naama Harel offers new Hebrew literary historiography and innovative perspectives on canonical works by Shmuel Yosef Agnon, Devorah Baron, Micha Yosef Berdichevsky, Yosef Haim Brenner, Uri Nissan Gnessin, and David Vogel.
 
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cover of The Jewish Radical Right: Revisionist Zionism and Its Ideological Legacy

The Jewish Radical Right

Revisionist Zionism and Its Ideological Legacy

Eran Kaplan

University of Wisconsin Press, 2005

The Jewish Radical Right is the first comprehensive analysis of Zionist Revisionist thought in the 1920s and 1930s, and of its ideological legacy in modern-day Israel. The Revisionists, under the leadership of Ze'ev Jabotinsky, offered a radical view of Jewish history and a revolutionary vision for its future. Using new archival material, Eran Kaplan examines the intellectual and cultural origins of the Zionist and Israeli Right, when Revisionism evolved into one of the most important movements in the Zionist camp. He presents revisionism as a form of integral nationalism, rooted in an ontological monism and intellectually related to the radical right-wing ideologies that flourished in the early twentieth century. Kaplan provocatively suggests that revisionism's legacies can be found both in the right-wing policies of Likud and in the heart of Post Zionism and its critique of mainstream (Labor) Zionism.

Published with support from the Koret Jewish Studies Program
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cover of The Jewish Women of Ravensbrück Concentration Camp

The Jewish Women of Ravensbrück Concentration Camp

Rochelle G. Saidel

University of Wisconsin Press, 2006

    Ravensbrück was the only major Nazi concentration camp for women. Located about fifty miles north of Berlin, the camp was the site of murder by slave labor, torture, starvation, shooting, lethal injection, "medical" experimentation, and gassing.
    While this camp was designed to hold 5,000 women, the actual figure was six times this number. Between 1939 and 1945, 132,000 women from twenty-three countries were imprisoned in Ravensbrück, including political prisoners, Jehovah's Witnesses, "asocials" (including Gypsies, prostitutes, and lesbians), criminals, and Jewish women (who made up about 20 percent of the population). Only 15,000 survived.
    Drawing upon more than sixty narratives and interviews of survivors in the United States, Israel, and Europe as well as unpublished testimonies, documents, and photographs from private archives, Rochelle Saidel provides a vivid collective and individual portrait of Ravensbrück’s Jewish women prisoners. She worked for over twenty years to track down these women whose poignant testimonies deserve to be shared with a wider audience and future generations. Their memoirs provide new perspectives and information about satellite camps (there were about 70 slave labor sub-camps). Here is the story of real daily camp life with the women’s thoughts about food, friendships, fear of rape and sexual abuse, hygiene issues, punishment, work, and resistance. Saidel includes accounts of the women's treatment, their daily struggles to survive, their hopes and fears, their friendships, their survival strategies, and the aftermath.
    On April 30, 1945, the Soviet Army liberated Ravensbrück. They found only 3,000 extremely ill women in the camp, because the Nazis had sent other remaining women on a death march. The Jewish Women of Ravensbrück Concentration Camp reclaims the lost voices of the victims and restores the personal accounts of the survivors.
[more]
cover of The Jews in Mussolini's Italy: From Equality to Persecution

The Jews in Mussolini's Italy

From Equality to Persecution

Michele Sarfatti; Translated by John and Anne C. Tedeschi

University of Wisconsin Press, 2006

      Often overshadowed by the persecution of Jews in Germany, the treatment of Jews in fascist Italy comes into sharp focus in this volume by Italian historian Michele Sarfatti. Using thorough and careful statistical evidence to document how the Italian social climate changed from relatively just to irredeemably prejudicial, Sarfatti begins with a history of Italian Jews in the decades before fascism—when Jews were fully integrated into Italian national life—and provides a deft and comprehensive history from fascism’s rise in 1922 to its defeat in 1945. 
 
 
Outstanding Academic Title, Choice Magazine
    
[more]
cover of The Jews of Europe in the Modern Era: A Socio-Historical Outline

The Jews of Europe in the Modern Era

A Socio-Historical Outline

Victor Karady

Central European University Press, 2003

Discusses the socio-historical problem areas related to the presence of Jews in major European societies from the 18th century to our days; differently from most other studies, covers the post-Shoah situation also. The approach is multi-disciplinary, mobilizing resources gained from sociology, demography and political science, based on substantial statistical information. Presents and compares the different patterns of Jewish policies of the emerging nation states and established empires. Discusses education and socio-professional stratification of Jews. Deals with the challenges of emancipation and assimilation, the emergence of Jewish nationalism in various forms, Zionism above all, as well as antisemitic ideologies. The book ends with a scrutiny of post-Shoah situation opposing in this regard Western Europe to the Sovietised East, discussing finally strategies of dissimulation or reconstruction of Jewish identity.
[more]
cover of The Jews of Poland Between Two World Wars

The Jews of Poland Between Two World Wars

Edited by Yisrael Gutman

Brandeis University Press, 1991

Jews have long seen the interwar years as a “golden age” for Polish Jewry and hold it in special reverence because of the community’s heroic struggle against the encroaching darkness of antisemitism. During the years 1918 to 1939, Polish Jews constituted the largest Jewish community in noncommunist Europe and were the leading cultural and political force in the Jewish Diaspora. In this volume distinguished American, West European, Israeli, and Polish scholars combine forces to explore the politics, antisemitism, economic and social life, religious patterns, and cultural creativity of a period whose relevance is heightened because of current changes under way in Eastern Europe.
[more]
cover of The Johnson-Sims Feud: Romeo and Juliet, West Texas Style

The Johnson-Sims Feud

Romeo and Juliet, West Texas Style

Bill O'Neal

University of North Texas Press, 2010

[more]
cover of The Journal of Otto Peltonen: A Finnish Immigrant Story

The Journal of Otto Peltonen

A Finnish Immigrant Story

William Durbin

University of Minnesota Press, 2020

A portrait of the Finnish immigrant experience in Minnesota during the early twentieth century—now in paperback

After journeying across the Atlantic with his mother and two sisters, young Otto Peltonen joins his father in the iron ore mines of northern Minnesota, experiencing the harsh labor conditions that were common at the time, as mining companies cared more about making a profit than for their workers’ safety. Writing in his journal about his family’s struggles and the hard life Finnish immigrants endured in the early twentieth century, Otto ultimately strengthens his resolve to find the freedom his family had first sought in America.

[more]
cover of The Journals of Charles W. Chesnutt

The Journals of Charles W. Chesnutt

Charles W. Chesnutt

Duke University Press, 1993

Born on the eve of the Civil War, Charles W. Chesnutt grew up in Fayetteville, North Carolina, a county seat of four or five thousand people, a once-bustling commercial center slipping into postwar decline. Poor, black, and determined to outstrip his modest beginnings and forlorn surroundings, Chesnutt kept a detailed record of his thoughts, observations, and activities from his sixteenth through his twenty-fourth year (1874-1882). These journals, printed here for the first time, are remarkable for their intimate account of a gifted young black man's dawning sense of himself as a writer in the nineteenth century.
Though he achieved literary success in his time, Chesnutt has only recently been rediscovered and his contribution to American literature given its due. The only known private diary from a nineteenth-century African American author, these pages offer a fascinating glimpse into Chesnutt's everyday experience as he struggled to win the goods of education in the world of the post-Civil War South. An extraordinary portrait of the self-made man beset by the urgencies and difficulties of self-improvement in a racially discriminatory society, Chesnutt's journals unfold a richly detailed local history of postwar North Carolina. They also show with great force how the world of the postwar South obstructed--and, unexpectedly, assisted--a black man of driving intellectual ambitions.
[more]
cover of The Journals: Volume 1: 1949-1965

The Journals

Volume 1: 1949-1965

John Fowles

Northwestern University Press, 2008

John Fowles gained international recognition in 1963 with his first published novel, The Collector, but his labor on what may be his greatest literary undertaking, his journals, commenced over a decade earlier. Fowles, whose works include The Maggot, The French Lieutenant's Woman, and The Ebony Tower, is among the most inventive and influential English novelists of the twentieth century.
The first volume begins in 1949 with Fowles' final year at Oxford. It reveals his intellectual maturation, chronicling his experiences as a university lecturer in France and as a schoolteacher on the Greek island of Spetsai. Simultaneously candid and eloquent, Fowles' journals also expose the deep connection between his personal and scholarly lives as Fowles struggled to win literary acclaim. From his affair with Elizabeth, the married woman who would become his first wife, to his passion for film, ornithology, travel, and book collecting, the journals present a portrait of a man eager to experience life.
The second and final volume opens in 1966, as Fowles, already an international success, navigates his newfound fame and wealth. With absolute honesty, his journals map his inner turmoil over his growing celebrity and his hesitance to take on the role of a public figure. Fowles recounts his move from London to a secluded house on England's Dorset coast, where discontented with society's voracious materialism he led an increasingly isolated life.
Great works in their own right, Fowles' journals elucidate the private thoughts that gave rise to some of the greatest writing of our time.
[more]
cover of The Journals: Volume 2: 1966-1990

The Journals

Volume 2: 1966-1990

John Fowles

Northwestern University Press, 2009

John Fowles gained international recognition in 1963 with his first published novel, The Collector, but his labor on what may be his greatest literary undertaking, his journals, commenced over a decade earlier. Fowles, whose works include The Maggot, The French Lieutenant's Woman, and The Ebony Tower, is among the most inventive and influential English novelists of the twentieth century.
The first volume begins in 1949 with Fowles' final year at Oxford. It reveals his intellectual maturation, chronicling his experiences as a university lecturer in France and as a schoolteacher on the Greek island of Spetsai. Simultaneously candid and eloquent, Fowles' journals also expose the deep connection between his personal and scholarly lives as Fowles struggled to win literary acclaim. From his affair with Elizabeth, the married woman who would become his first wife, to his passion for film, ornithology, travel, and book collecting, the journals present a portrait of a man eager to experience life.
The second and final volume opens in 1966, as Fowles, already an international success, navigates his newfound fame and wealth. With absolute honesty, his journals map his inner turmoil over his growing celebrity and his hesitance to take on the role of a public figure. Fowles recounts his move from London to a secluded house on England's Dorset coast, where discontented with society's voracious materialism he led an increasingly isolated life.
Great works in their own right, Fowles' journals elucidate the private thoughts that gave rise to some of the greatest writing of our time.
[more]
cover of The Journey is Everything: A Journal of the Seventies

The Journey is Everything

A Journal of the Seventies

Helen Bevington

Duke University Press, 1983

“What does one learn by taking a journey, any journey?” Helen Bevington asks. “I’ve taken a shaky trip through a decade (to Russia, to the mailbox, to bed) to the end of the 1970s, about which uncomplimentary and increasingly anxious remarks were made by us all--you, me, and the media.”
This is a book of journeys, to places--Russia, Hawaii, Italy, Yugoslavia, Greece, the South Seas, the Rhine, Australia, New Zealand, New Mexico--and to the classroom at Duke University where she was Professor of English until her retirement in 1976. Since everything is a journey, the book is concerned with travel of all kinds, in books, in memories, in people living and dead, a lighthearted search for Eden on this planet but a more serious search for survival in the troubled decade of the 1970s.
[more]
cover of The Joyce of Everyday Life

The Joyce of Everyday Life

Vicki Mahaffey

Bucknell University Press, 2024

Winner of the American Conference on Irish Studies’ Robert Rhodes Prize for Books on Literature

Part of James Joyce’s genius was his ability to find the poetry in everyday life. For Joyce, even a simple object like a table becomes magical, “a board that was of the birchwood of Finlandy and it was upheld by four dwarfmen of that country but they durst not move more for enchantment.” How might we learn to regain some of the childlike play with language and sense of delight in the ordinary that come so naturally to Joyce?   
 
The Joyce of Everyday Life teaches us how to interpret seemingly mundane objects and encounters with openness and active curiosity in order to attain greater self-understanding and a fuller appreciation of others. Through a close examination of Joyce's joyous, musical prose, this book shows how language provides us with the means to revitalize daily experience and social interactions across a huge, diverse, and everchanging world.
 
Acclaimed Joyce scholar Vicki Mahaffey demonstrates how his writing might prompt us to engage in a different kind of reading, treating words and fiction as tools for expanding the boundaries of the self with humor and feeling. A book for everyone who loves language, The Joyce of Everyday Life is a lyrical romp through quotidian existence.
 

[more]
cover of The KGB and the Vatican: Secrets of the Mitrokhin Files

The KGB and the Vatican

Secrets of the Mitrokhin Files

Sean Brennan

Catholic University of America Press, 2022

One of the greatest ironies of the history of Soviet rule is that, for an officially atheistic state, those in the political police and in the Politburo devoted an enormous amount of time and attention to the question of religion. The Soviet government’s policies toward religious institutions in the USSR, and toward religious institutions in the non-Communist world, reflected this, especially when it came to the Vatican and Catholic Churches, both the Latin and Byzantine Rite, in Soviet territory. The KGB and the Vatican consists of the transcripts of KGB records concerning the policies of the Soviet secret police towards the Vatican and the Catholic Church in the Communist world, transcripts provided by KGB archivist and defector Vasili Mitrokhin, from the Second Vatican Council to the election of John Paul II. Among the topics covered include how the Soviet regime viewed the efforts of John XXIII and Paul VI of reaching out to eastern side of the Iron Curtain, the experience of the Roman Catholic Church in Lithuanian Soviet Socialist Republic and the underground Greek Catholic Church in the Ukrainian Soviet Socialist Republic, the religious underground in the key cities of Leningrad and Moscow, and finally the election of John Paul II and its effect on the tumultuous events in Poland in the late 1970s and early 1980s. This valuable primary source collection also contains a historical introduction written by the translator, Sean Brennan, a professor of History at the University of Scranton.
[more]
cover of The Kansas City Investigation: Pendergast's Downfall, 1938-1939

The Kansas City Investigation

Pendergast's Downfall, 1938-1939

Rudolph H. Hartmann, Edited & Intro by Robert H. Ferrell

University of Missouri Press, 1999

The long reign of Kansas City political boss Thomas J. Pendergast came to an end in 1939, after an investigation led by Special Agent Rudolph Hartmann of the U.S. Department of the Treasury resulted in Pendergast's conviction for income tax evasion. In 1942, Hartmann's account was submitted to Secretary of the Treasury Henry Morgenthau, Jr., in whose papers it remained for the past fifty-six years unbeknownst to historians. While researching the relations between Pendergast and Franklin D. Roosevelt, Robert H. Ferrell came across Hartmann's landmark report—the only firsthand account of the investigation that brought down the greatest political machine of its time, possibly one of the greatest in all of American history.

Reading like a "whodunit," The Kansas City Investigation traces Pendergast's political career from its beginnings to its end. As one of America's major city bosses, Pendergast was at the height of his influence in 1935-1936 when his power reached not merely to every ward and precinct in Kansas City but also to the statehouse in Jefferson City and Capitol Hill in Washington, D.C. It was during this time that the boss took a massive bribe—$315,000—from 137 national fire insurance companies operating within Missouri, opening him to attack by his enemies.

Early in 1938, an official in the Washington headquarters of the Bureau of Internal Revenue, a former Missourian, quit his job to accept private employment, but not without first tipping off a reporter from the Kansas City Star about Pendergast's bribe. The reporter immediately phoned Lloyd C. Stark, the governor of Missouri and a known enemy of Pendergast. Stark then went to Washington to inform President Roosevelt. Although the president had been a supporter of Pendergast, he now considered Stark a more important political ally. Roosevelt asked the Treasury Department to investigate Pendergast's income taxes. The intelligence unit of the Treasury Department put Hartmann, its best operative, on the case. Within a year, after the most minute of inquiries into checkbooks, serial numbers on currency, a safe-deposit box, and a telegraphed transfer of $10,000, Hartmann and his agents found enough evidence to convict Boss Tom.

More than a simple account of what the Roosevelt administration did to cause the collapse of the Pendergast machine, The Kansas City Investigation takes the reader through the ups and downs, twists and turns, of this intriguing investigation, all from an insider's perspective. More important, Hartmann's report provides historians and readers alike the opportunity to evaluate the machine era in American political history—an era that, according to the investigation, "proved the old axiom that `truth is stranger than fiction.'"

[more]
cover of The Kidnapping and Murder of Little Skeegie Cash: J. Edgar Hoover and Florida's Lindbergh Case

The Kidnapping and Murder of Little Skeegie Cash

J. Edgar Hoover and Florida's Lindbergh Case

Robert Alvin Waters

University of Alabama Press, 2014

Informed by thousands of pages of newly released FBI files, The Kidnapping and Murder of Little Skeegie Cash tells the gripping story of the only crime investigated by J. Edgar Hoover himself, the sensational 1938 murder of a five-year-old boy from the Florida Everglades.

In his long and storied career, J. Edgar Hoover investigated only one case personally, the 1938 kidnapping and murder of five-year-old Floridian James “Skeegie” Cash. What prompted the director himself to fly from Washington, DC, to a rain-drenched hamlet on the edge of the Everglades? Congress had slashed FBI funding, forcing Hoover to lay off half his agents. The combative Hoover believed if he could bring Skeegie’s killer to justice, the halo of positive publicity would revive the fortunes of the embattled FBI.

In The Kidnapping and Murder of Little Skeegie Cash, Robert A. Waters and Zack C. Waters bring to life the drama of the abduction, the payment of a $10,000 ransom, the heartbreaking manhunt for Skeegie and his kidnapper, the arrest and confession of Franklin Pierce McCall, and the killer’s trial and execution. Hordes of reporters swarmed into the little village south of Miami, and for thirteen days until McCall confessed, the case dominated national headlines. The authors capture the drama and the detail as well as the desperate and sometimes extralegal lengths to which Hoover went to crack the case.

Using the Freedom of Information Act, the authors obtained more than four thousand pages of FBI files and court documents to reconstruct this important but forgotten case. The tragedy that played out in the swamps of Dade County constituted the backdrop for a political struggle that would involve J. Edgar Hoover, the United States Congress, and even president Franklin Delano Roosevelt. Hoover and the president prevailed, and within two years the FBI grew from 680 employees to more than 14,000. No books and few articles have been published about this historic case.
[more]
cover of The Kikuchi Diary: Chronicle from an American Concentration Camp

The Kikuchi Diary

Chronicle from an American Concentration Camp

Charles Kikuchi

University of Illinois Press, 1973

[more]
cover of The Kind of Things Saints Do

The Kind of Things Saints Do

Laura Valeri

University of Iowa Press, 2002

From the Anglo-American woman who makes a spectacle of herself trying to be Cuban in Miami to the estranged son leading his father on a hostile hike in New Mexico, Valeri's characters carry a heavy load of desire and anger. Proud, loud, and hungry for whatever comes next, each person desperately searches for an understanding that lessens his or her burden. The saints here are pure only in their anger, desperation, and desire to be loved, holy only in their quest to keep going.

These stories grow through subtle shifts—the bad becomes not so bad, the worst livable. It is the saintly moments of unexpected understanding that shape the collection: one gigolo's lover picks up another at a bus stop and they agree on his worthlessness, the love-worn man reminds the newly divorced woman of her physical power, the estranged son shelters his father from an unexpected storm.

Valeri navigates the reader through the bones and scars of those who ache with wanting something else and become a little older and a little wiser for it. The Kind of Things Saints Do is a collection of human imperfections and missed connections that grows into a kaleidoscope of aspiration and hope.
[more]
cover of The Kinks: Songs of the Semi-Detached

The Kinks

Songs of the Semi-Detached

Mark Doyle

Reaktion Books, 2020

Of all the great British rock bands to emerge from the 1960s, none had a stronger sense of place than the Kinks. Often described as the archetypal English band, they were above all a quintessentially working-class band with a deep attachment to London, particularly the patch of suburban North London where most of the members grew up. In this illuminating study, Mark Doyle examines the relationship between the Kinks and their city, from their early songs of teenage rebellion to their later album-length works of social criticism, providing a unique perspective on the way in which the band responded to the shifting nature of working-class life. Along the way, he finds fascinating and sometimes surprising connections with figures as diverse as Edmund Burke, John Clare, Charles Dickens, and the Covent Garden Community Association. More than just a book about the Kinks, this is a book about a city, a nation, and a social class undergoing a series of profound, sometimes troubling changes—and about a group of young men who found a way to describe, lament, and occasionally even celebrate those changes through song.
[more]
cover of The Kishinev Ghetto, 1941–1942: A Documentary History of the Holocaust in Romania's Contested Borderlands

The Kishinev Ghetto, 1941–1942

A Documentary History of the Holocaust in Romania's Contested Borderlands

Paul A. Shapiro with chronology by Radu Ioanid and Brewster Chamberlin and translations by Angela Jianu

University of Alabama Press, 2015

The Kishinev Ghetto, 1941–1942 offers a wealth of primary sources and insightful commentary about the little-known slaughter of Jewish residents of Kishinev (Chisinau) under the military occupation by Romania under Marshal Ion Antonescu, a Hitler ally.​

The Kishinev Ghetto, 1941–1942 sheds new light on the little-known historical events surrounding the creation, administration, and liquidation of the Kishinev (Chisinau) ghetto during the first months following the Axis attack on the Soviet Union (Operation Barbarossa) in late June 1941. Mass killings during the combined Romanian-German drive toward Kishinev in Bessarabia, after a year of Soviet rule in this Romanian border province, were followed by the shooting of thousands of Jews on the streets of the city during the first days of reestablished Romanian administration. Survivors were driven into a ghetto, persecuted, and liquidated by year’s end. The Kishinev Ghetto, 1941–1942 is the first major study of these events.
 
Often overshadowed by events in Germany and Poland, the history of the Holocaust in Romania, including what took place in Bessarabia (corresponding in large part with the territory of the modern Republic of Moldova), was obscured during decades of communist rule by denial and by policies that blocked access to wartime documentation. This book is the result of a lengthy research project that began with Paul A. Shapiro’s missions to Romania for the United States Holocaust Memorial Museum to negotiate access to these documents.
 
The volume includes:
·        A preface describing the origin of the project in the immediate aftermath of the Ceausescu regime in Romania.
·        A hundred-page study setting the events of the book within the historical context of Eastern European antisemitism, Romanian-Soviet conflict over control of Bessarabia, and Romania’s alliance with Nazi Germany.
·        A thoughtfully curated collection of archival documents linked to the study.
·        A chronology of related historical events.
·        Twenty-one black and white photographs and a map of the ghetto.
 
Students and scholars of Holocaust history, Judaic studies, twentieth-century Eastern European history, Romania, Moldova, and historical Bessarabia will want to own this important, revealing volume.
 
Published in association with the United States Holocaust Memorial Museum
[more]
cover of The Komedie Stamboel: Popular Theater in Colonial Indonesia, 1891–1903

The Komedie Stamboel

Popular Theater in Colonial Indonesia, 1891–1903

Matthew Isaac Cohen

Ohio University Press, 2006

Winner of the 2008 Benda Prize

Originating in 1891 in the port city of Surabaya, the Komedie Stamboel, or Istanbul-style theater, toured colonial Indonesia, Singapore, and Malaysia by rail and steamship. The company performed musical versions of the Arabian Nights, European fairy tales and operas such as Sleeping Beauty and Aida, as well as Indian and Persian romances, Southeast Asian chronicles, true crime stories, and political allegories. The actors were primarily Eurasians, the original backers were Chinese, and audiences were made up of all races and classes. The Komedie Stamboel explores how this new hybrid theater pointed toward possibilities for the transformation of self in a colonial society and sparked debates on moral behavior and mixed-race politics.

While audiences marveled at spectacles involving white-skinned actors, there were also racial frictions between actors and financiers, sexual scandals, fights among actors and patrons, bankruptcies, imprisonments, and a murder.

Matthew Isaac Cohen's evocative social history situates the Komedie Stamboel in the culture of empire and in late nineteenth-century itinerant entertainment. He shows how the theater was used as a symbol of cross-ethnic integration in postcolonial Indonesia and as an emblem of Eurasian cultural accomplishment by Indische Nederlanders. A pioneering study of nineteenth-century Southeast Asian popular culture, The Komedie Stamboel gives a new picture of the region's arts and culture and explores the interplay of currents in global culture, theatrical innovation, and movement in colonial Indonesia.ABOUT THE AUTHOR---Matthew Isaac Cohen is senior lecturer in Drama and Theatre Studies at Royal Holloway University of London. His articles on Southeast Asian performance have appeared in New Theatre Quarterly, Asian Theatre Journal, Journal of the Royal Asiatic Society, and Archipel. As a practicing shadow puppeteer, he has performed in the United States, Europe, and Asia.
[more]
cover of The Korean Popular Culture Reader

The Korean Popular Culture Reader

Kyung Hyun Kim and Youngmin Choe, eds.

Duke University Press, 2014

Over the past decade, Korean popular culture has become a global phenomenon. The "Korean Wave" of music, film, television, sports, and cuisine generates significant revenues and cultural pride in South Korea. The Korean Popular Culture Reader provides a timely and essential foundation for the study of "K-pop," relating the contemporary cultural landscape to its historical roots. The essays in this collection reveal the intimate connections of Korean popular culture, or hallyu, to the peninsula's colonial and postcolonial histories, to the nationalist projects of the military dictatorship, and to the neoliberalism of twenty-first-century South Korea. Combining translations of seminal essays by Korean scholars on topics ranging from sports to colonial-era serial fiction with new work by scholars based in fields including literary studies, film and media studies, ethnomusicology, and art history, this collection expertly navigates the social and political dynamics that have shaped Korean cultural production over the past century.

Contributors. Jung-hwan Cheon, Michelle Cho, Youngmin Choe, Steven Chung, Katarzyna J. Cwiertka, Stephen Epstein, Olga Fedorenko, Kelly Y. Jeong, Rachael Miyung Joo, Inkyu Kang, Kyu Hyun Kim, Kyung Hyun Kim, Pil Ho Kim, Boduerae Kwon, Regina Yung Lee, Sohl Lee, Jessica Likens, Roald Maliangkay, Youngju Ryu, Hyunjoon Shin, Min-Jung Son, James Turnbull, Travis Workman
[more]
cover of The Kukotsky Enigma: A Novel

The Kukotsky Enigma

A Novel

Ludmila Ulitskaya; Translated from the Russian by Diane Nemec Ignashev

Northwestern University Press, 2016

Translated from the Russian by Diane Nemec Ignashev

The central character in Ludmila Ulitskaya’s celebrated novel The Kukotsky Enigma is a gynecologist contending with Stalin’s prohibition of abortions in 1936. But, in the tradition of Russia’s great family novels, the story encompasses the history of two families and unfolds in Moscow, St. Petersburg, and the ruins of ancient civilizations on the Black Sea. Their lives raise profound questions about family heritage and genetics, nurture and nature, and life and death. In his struggle to maintain his professional integrity and to keep his work from dividing his family, Kukotsky confronts the moral complexity of reproductive science. Winner of the 2001 Russian Booker Prize and the basis for a blockbuster television miniseries, The Kukotsky Enigma is an engrossing, searching novel by one of contemporary literature’s most brilliant writers.

[more]
cover of The Labor Board Crew: Remaking Worker-Employer Relations from Pearl Harbor to the Reagan Era

The Labor Board Crew

Remaking Worker-Employer Relations from Pearl Harbor to the Reagan Era

Ronald W. Schatz

University of Illinois Press, 2021

Ronald W. Schatz tells the story of the team of young economists and lawyers recruited to the National War Labor Board to resolve union-management conflicts during the Second World War. The crew (including Clark Kerr, John Dunlop, Jean McKelvey, and Marvin Miller) exerted broad influence on the U.S. economy and society for the next forty years. They handled thousands of grievances and strikes. They founded academic industrial relations programs. When the 1960s student movement erupted, universities appointed them as top administrators charged with quelling the conflicts. In the 1970s, they developed systems that advanced public sector unionization and revolutionized employment conditions in Major League Baseball.

Schatz argues that the Labor Board vets, who saw themselves as disinterested technocrats, were in truth utopian reformers aiming to transform the world. Beginning in the 1970s stagflation era, they faced unforeseen opposition, and the cooperative relationships they had fostered withered. Yet their protégé George Shultz used mediation techniques learned from his mentors to assist in the integration of Southern public schools, institute affirmative action in industry, and conduct Cold War negotiations with Mikhail Gorbachev.

[more]
cover of The Labor Question in America: Economic Democracy in the Gilded Age

The Labor Question in America

Economic Democracy in the Gilded Age

Roseanne Currarino

University of Illinois Press, 2011

In The Labor Question in America: Economic Democracy in the Gilded Age, Rosanne Currarino traces the struggle to define the nature of democratic life in an era of industrial strife. As Americans confronted the glaring disparity between democracy's promises of independence and prosperity and the grim realities of economic want and wage labor, they asked, "What should constitute full participation in American society? What standard of living should citizens expect and demand?" Currarino traces the diverse efforts to answer to these questions, from the fledgling trade union movement to contests over immigration, from economic theory to popular literature, from legal debates to social reform. The contradictory answers that emerged--one stressing economic participation in a consumer society, the other emphasizing property ownership and self-reliance--remain pressing today as contemporary scholars, journalists, and social critics grapple with the meaning of democracy in post-industrial America.
[more]
cover of The Labor of Literature: Democracy and Literary Culture in Modern Chile

The Labor of Literature

Democracy and Literary Culture in Modern Chile

Jane D. Griffin

University of Massachusetts Press, 2016

By producing literature in nontraditional forms—books made of cardboard trash, posters in subway stations, miniature shopping bags, digital publications, and even children's toys—Chileans have made and circulated literary objects in defiance of state censorship and independent of capitalist definitions of value. In The Labor of Literature Jane D. Griffin studies amateur and noncommercial forms of literary production in Chile that originated in response to authoritarian state politics and have gained momentum throughout the postdictatorship period. She argues that such forms advance a model of cultural democracy that differs from and sometimes contradicts the model endorsed by the state and the market.

By examining alternative literary publications, Griffin recasts the seventeen-year Pinochet dictatorship as a time of editorial experimentation despite widespread cultural oppression and shows how grassroots cultural activism has challenged government-approved corporate publishing models throughout the postdictatorship period. Griffin's work also points to the growing importance of autogestión, or do-it-yourself cultural production, where individuals combine artisanal forms with new technologies to make and share creative work on a global scale.
[more]