8642 books match the query '20th century' and 1764 start with t

cover of The Land Remembers: The Story of a Farm and Its People

The Land Remembers

The Story of a Farm and Its People

Ben Logan, with an introduction by Curt Meine

University of Wisconsin Press, 2017

This beloved American memoir is about a farm and its people, recollections of a boyhood in Wisconsin's Driftless region. Ben Logan grew up on Seldom Seen Farm with his three brothers, father, mother, and hired hand Lyle. The boys discussed and argued and joked over the events around their farm, marked the seasons by the demands of the land, and tested each other and themselves.
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cover of The Land of My Fathers: A Son's Return to the Basque Country

The Land of My Fathers

A Son's Return to the Basque Country

Robert Laxalt

University of Nevada Press, 2024

In 1960, renowned Nevada writer Robert Laxalt moved himself and his family to a small Basque village in the French Pyrenees. The son of Basque emigrants, Laxalt wanted to learn as much as he could about the ancient and mysterious people from which he was descended and about the country from which his parents came. Thanks to his Basque surname and a wide network of family connections, Laxalt was able to penetrate the traditional reserve of the Basques in a way that outsiders rarely can. In the process, he gained rare insight into the nature of the Basques and the isolated, beautiful mountain world where they have lived for uncounted centuries. Based on Laxalt’s personal journals of this and a later sojourn in 1965, The Land of My Fathers is a moving record of a people and their homeland. Through Laxalt’s perceptive eyes and his wife Joyce’s photographs, we observe the Basques’ market days and festivals, join their dove hunts and harvests, share their humor and history, their deep sense of nationalism, their abiding pride in their culture and their homes, and discover the profound sources of the Basques’ strength and their endurance as a people. Photography by Joyce Laxalt.

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cover of The Last "Darky": Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora

The Last "Darky"

Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora

Louis Chude-Sokei

Duke University Press, 2006

The Last “Darky” establishes Bert Williams, the comedian of the late nineteenth century and early twentieth, as central to the development of a global black modernism centered in Harlem’s Renaissance. Before integrating Broadway in 1910 via a controversial stint with the Ziegfeld Follies, Williams was already an international icon. Yet his name has faded into near obscurity, his extraordinary accomplishments forgotten largely because he performed in blackface. Louis Chude-Sokei contends that Williams’s blackface was not a display of internalized racism nor a submission to the expectations of the moment. It was an appropriation and exploration of the contradictory and potentially liberating power of racial stereotypes.

Chude-Sokei makes the crucial argument that Williams’s minstrelsy negotiated the place of black immigrants in the cultural hotbed of New York City and was replicated throughout the African diaspora, from the Caribbean to Africa itself. Williams was born in the Bahamas. When performing the “darky,” he was actually masquerading as an African American. This black-on-black minstrelsy thus challenged emergent racial constructions equating “black” with African American and marginalizing the many diasporic blacks in New York. It also dramatized the practice of passing for African American common among non-American blacks in an African American–dominated Harlem. Exploring the thought of figures such as Booker T. Washington, W. E. B. Du Bois, Marcus Garvey, and Claude McKay, Chude-Sokei situates black-on-black minstrelsy at the center of burgeoning modernist discourses of assimilation, separatism, race militancy, carnival, and internationalism. While these discourses were engaged with the question of representing the “Negro” in the context of white racism, through black-on-black minstrelsy they were also deployed against the growing international influence of African American culture and politics in the twentieth century.

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cover of The Last Colonial Massacre: Latin America in the Cold War

The Last Colonial Massacre

Latin America in the Cold War

Greg Grandin

University of Chicago Press, 2004

After decades of bloody revolutions and political terror, many scholars and politicians lament the rise and brief influence of the left in Latin America; since the triumph of Castro they have accused the left there of rejecting democracy, embracing Communist totalitarianism, and prompting both revolutionary violence and a right-wing backlash. The Last Colonial Massacre challenges these views.

Using Guatemala as a case study, Greg Grandin argues that the Cold War in Latin America was a struggle not between American liberalism and Soviet Communism but between two visions of democracy. The main effect of United States intervention in Latin America, Grandin shows, was not the containment of Communism but the elimination of home-grown concepts of social democracy.

Through unprecedented archival research and gripping personal testimonies, Grandin uncovers the hidden history of the Latin American Cold War: of hidebound reactionaries intent on holding on to their own power and privilege; of Mayan Marxists, blending indigenous notions of justice with universal ideas of freedom and equality; and of a United States supporting new styles of state terror throughout the continent. Drawing from declassified U.S. documents, Grandin exposes Washington's involvement in the 1966 secret execution of more than thirty Guatemalan leftists, which, he argues, prefigured the later wave of disappearances in Chile and Argentina.

Impassioned but judicious, The Last Colonial Massacre is history of the highest order—a work that will dramatically recast our understanding of Latin American politics and the triumphal role of the United States in the Cold War and beyond.
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cover of The Last Colonial Massacre: Latin America in the Cold War, Updated Edition

The Last Colonial Massacre

Latin America in the Cold War, Updated Edition

Greg Grandin

University of Chicago Press, 2011

After decades of bloodshed and political terror, many lament the rise of the left in Latin America. Since the triumph of Castro, politicians and historians have accused the left there of rejecting democracy, embracing communist totalitarianism, and prompting both revolutionary violence and a right-wing backlash. Through unprecedented archival research and gripping personal testimonies, Greg Grandin powerfully challenges these views in this classic work. In doing so, he uncovers the hidden history of the Latin American Cold War: of hidebound reactionaries holding on to their power and privilege; of Mayan Marxists blending indigenous notions of justice with universal ideas of equality; and of a United States supporting new styles of state terror throughout the region.

With Guatemala as his case study, Grandin argues that the Latin American Cold War was a struggle not between political liberalism and Soviet communism but two visions of democracy—one vibrant and egalitarian, the other tepid and unequal—and that the conflict’s main effect was to eliminate homegrown notions of social democracy. Updated with a new preface by the author and an interview with Naomi Klein, The Last Colonial Massacre is history of the highest order—a work that will dramatically recast our understanding of Latin American politics and the role of the United States in the Cold War and beyond.

“This work admirably explains the process in which hopes of democracy were brutally repressed in Guatemala and its people experienced a civil war lasting for half a century.”—International History Review

 

“A richly detailed, humane, and passionately subversive portrait of inspiring reformers tragically redefined by the Cold War as enemies of the state.”—Journal of American History

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cover of The Last Consolation Vanished: The Testimony of a Sonderkommando in Auschwitz

The Last Consolation Vanished

The Testimony of a Sonderkommando in Auschwitz

Zalmen Gradowski

University of Chicago Press, 2022

A unique and haunting first-person Holocaust account by Zalmen Gradowski, a Sonderkommando prisoner killed in Auschwitz.

On October 7, 1944, a group of Jewish prisoners in Auschwitz obtained explosives and rebelled against their Nazi murderers. It was a desperate uprising that was defeated by the end of the day. More than four hundred prisoners were killed. Filling a gap in history, The Last Consolation Vanished is the first complete English translation and critical edition of one prisoner’s powerful account of life and death in Auschwitz, written in Yiddish and buried in the ashes near Crematorium III.
 
Zalmen Gradowski was in the Sonderkommando (special squad) at Auschwitz, a Jewish prisoner given the unthinkable task of ushering Jewish deportees into the gas chambers, removing their bodies, salvaging any valuables, transporting their corpses to the crematoria, and destroying all evidence of their murders. Sonderkommandos were forcibly recruited by SS soldiers; when they discovered the horror of their assignment, some of them committed suicide or tried to induce the SS to kill them. Despite their impossible situation, many Sonderkommandos chose to resist in two interlaced ways: planning an uprising and testifying. Gradowski did both, by helping to lead a rebellion and by documenting his experiences. Within 120 scrawled notebook pages, his accounts describe the process of the Holocaust, the relentless brutality of the Nazi regime, the assassination of Czech Jews, the relationships among the community of men forced to assist in this nightmare, and the unbearable separation and death of entire families, including his own. Amid daily unimaginable atrocities, he somehow wrote pages that were literary, sometimes even lyrical—hidden where and when one would least expect to find them.
 
The October 7th rebellion was completely crushed and Gradowski was killed in the process, but his testimony lives on. His extraordinary and moving account, accompanied by a foreword and afterword by Philippe Mesnard and Arnold I. Davidson, is a voice speaking to us from the past on behalf of millions who were silenced. Their story must be shared.
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cover of The Last Days of St. Pierre: The Volcanic Disaster That Claimed 30,000 Lives

The Last Days of St. Pierre

The Volcanic Disaster That Claimed 30,000 Lives

Ernest Zebrowski, Jr.

Rutgers University Press, 2002

On May 8, 1902, Mont Pelée on the island of Martinique exploded. A deadly cloud of steam and ash churned through plantations and villages, flattened the grand city of St. Pierre, then thundered into the bay where it sank eighteen ships and hundreds of smaller craft. Within a minute or two, nearly 30,000 humans died. The splintered rubble of their homes and belongings burned for three days, and the world began to understand the awesome power of nuées ardentes, glowing avalanches of hot gas and debris that sweep down the slopes of volcanoes, instantly steaming to death anything in its path. The enormous death toll was particularly tragic because it was avoidable. Had it not been for an unfortunate combination of scientific misjudgment and political hubris, most of the victims would have escaped.

In The Last Days of St. Pierre, Ernest Zebrowski Jr. counts down the days leading up to the catastrophe, and unfolds a tale intertwining human foolishness and heroism with the remarkable forces of nature. Illustrations contrast life in Martinique before and after the eruption, and eyewitness accounts bring the story to life.

Although it seems a long time since the destruction of St. Pierre, it is a mere blink of an eye in our planet’s geological history. Mont Pelée will erupt again, as will Vesuvius, Krakatau, St. Helens, Thera, and most other infamously fatal volcanoes, and human lives will again be threatened. The St. Pierre disaster has taught us much about the awesome power of volcanic forces and the devastation they can bring.

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cover of The Last Dinosaur Book: The Life and Times of a Cultural Icon

The Last Dinosaur Book

The Life and Times of a Cultural Icon

W. J. T. Mitchell

University of Chicago Press, 1998

For animals that have been dead millions of years, dinosaurs are extraordinarily pervasive in our everyday lives. Appearing in ads, books, movies, museums, television, toy stores, and novels, they continually fascinate both adults and children. How did they move from natural extinction to pop culture resurrection? What is the source of their powerful appeal? Until now, no one has addressed this question in a comprehensive way. In this lively and engrossing exploration of the animal's place in our lives, W.J.T. Mitchell shows why we are so attached to the myth and the reality of the "terrible lizards."

Mitchell aims to trace the cultural family tree of the dinosaur, and what he discovers is a creature of striking flexibility, linked to dragons and mammoths, skyscrapers and steam engines, cowboys and Indians. In the vast territory between the cunning predators of Jurassic Park and the mawkishly sweet Barney, from political leviathans to corporate icons, from paleontology to Barnum and Bailey, Mitchell finds a cultural symbol whose plurality of meaning and often contradictory nature is emblematic of modern society itself. As a scientific entity, the dinosaur endured a near-eclipse for over a century, but as an image it is enjoying its widest circulation. And it endures, according to Mitchell, because it is uniquely malleable, a figure of both innovation and obsolescence, massive power and pathetic failure—the totem animal of modernity.

Drawing unforeseen and unusual connections at every turn between dinosaurs real and imagined, The Last Dinosaur Book is the first to delve so deeply, so insightfully, and so enjoyably into our modern dino-obsession.



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cover of The Last Empire: Thirty Years of Portuguese Decolonization

The Last Empire

Thirty Years of Portuguese Decolonization

António Costa Pinto

Intellect Books, 2003

This book is the result of a conference organised by the Contemporary Portuguese Political History Research Centre (CPHRC) and the University of Dundee that took place during September 2000. The purpose of this conference, and the resulting book, was to bring together various experts in the field to analyse and debate the process of Portuguese decolonisation, which was then 25 years old, and the effects of this on the Portuguese themselves. For over one century, the Portuguese state had defined its foreign policy on the basis of its vast empire &endash; this was the root of its 'Atlanticist' vision. The outbreak of war of liberation in its African territories, which were prompted by the new international support for self determination in colonised territories, was a serious threat that undermined the very foundations of the Portuguese state. This book examines the nature of this threat, how the Portuguese state initially attempted to overcome it by force, and how new pressures within Portuguese society were given space to emerge as a consequence of the colonial wars.

This is the first book that takes a multidisciplinary look at both the causes and the consequences of Portuguese decolonisation &endash; and is the only one that places the loss of Portugal's Eastern Empire in the context of the loss of its African Empire. Furthermore, it is the only English language book that relates the process of Portuguese decolonisation with the search for a new Portuguese vision of its place in the world.


This book is intended for anyone who is interested in regime change, decolonisation, political revolutions and the growth and development of the European Union. It will also be useful for those who are interested in contemporary developments in civil society and state ideologies. Given that a large part of the book is dedicated to the process of change in the various countries of the former Portuguese Empire, it will also be of interest to students of Africa. It will be useful to those who study decolonisation processes within the other former European Empires, as it provides comparative detail. The book will be most useful to academic researchers and students of comparative politics and area studies.

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cover of The Last Eyewitnesses, Volume 2: The Children of the Holocaust Speak

The Last Eyewitnesses, Volume 2

The Children of the Holocaust Speak

Jakub Gutenbaum and Agnieszka Latala

Northwestern University Press, 2005

The memoirs of Jews who were children during the Nazi occupation of Poland

This book serves as a memorial to loved ones who do not even have a grave, as well as a tribute to those who risked their lives and families to save a Jewish child. A wide variety of experiences during the Nazi occupation of Poland are related with wrenching simplicity and candor, experiences that illustrate horrors and deprivation, but also present examples of courage and compassion.

These recollections-whether of hiding in forests or camouflaged bunkers, fighting with groups of partisans, enduring the horrors of concentration camps, or living in fear under disguised identities-serve as eloquent testimony to the depth, diversity, and richness of humanity under siege and offer a powerful lesson for future generations. Written by people who remained in Poland after the war, these accounts convey a great immediacy; the authors are not removed from the environment in which these experiences took place. The psychological impact on these child survivors and the difficulties they encountered even after the war are very poignant. The passing years have brought urgency to the publication of these stories, as those who wrote them are the last surviving eyewitnesses of these tumultuous events.
 
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cover of The Last Eyewitnesses: Children of the Holocaust Speak

The Last Eyewitnesses

Children of the Holocaust Speak

Wiktoria Sliwowska

Northwestern University Press, 1998

These testimonies, submitted by individual authors and not originally intended for publication, were assembled as a historical record by the Association of the Children of the Holocaust in Poland. While evil and brutal anti-Semitism are described, the accounts also reveal the great risks taken by courageous individuals in order to save Jewish children.
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cover of The Last Fine Time

The Last Fine Time

Verlyn Klinkenborg

University of Chicago Press, 2004

By turns, an elegy, a celebration, and a social history, The Last Fine Time is a tour de force of lyrical style. Verlyn Klinkenborg chronicles the life of a family-owned restaurant in Buffalo, New York, from its days as a prewar Polish tavern to its reincarnation as George & Eddie's, a swank nightspot serving highballs and French-fried shrimp to a generation of optimistic and prosperous Americans. In the inevitable dimming of the neon sign outside the restaurant, we see both the passing of an old world way of life and the end to the postwar exuberance that was Eddie Wenzek's "last fine time."
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cover of The Last Generation: Work and Life in the Textile Mills of Lowell, Massachusetts, 1910-1960

The Last Generation

Work and Life in the Textile Mills of Lowell, Massachusetts, 1910-1960

Mary H. Blewett

University of Massachusetts Press, 1990

Oral histories of many of the last generation of Lowell, MA, textile mill workers preceded by two introductory sections. The first presents the historic setting of economic development and subsequent decline of the textile industry in Lowell. The second is a brief explanation of the production process wherein the last generation of mill workers expended so many of their skills and so much of their energy.

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cover of The Last Gladiator: William Muldoon and the Making of American Sports

The Last Gladiator

William Muldoon and the Making of American Sports

Scott Beekman

University of Texas Press, 2025

2026 Honorable Mention in Monographs, North American Society for Sport History (NASSH)

The incredible career of the forgotten but foundational pro wrestler who shaped American sports culture. 

William Muldoon was an infamous athlete whose prowess, savvy, and chicanery across his six-decade career led him to wealth, cultural importance, and political power. Muldoon, the child of poor Irish immigrants, began wrestling in the 1870s and quickly became one of the most famous athletes of the post–Civil War era. He started acting and modeling as his popularity grew, making him one of the first sports stars to achieve crossover success. After a triumphant stint rehabilitating fallen boxing heavyweight champion John L. Sullivan in 1889, he retired from the ring and began a new career as a fitness impresario, founding an elite gymnasium and remaking himself as a health authority in the press. He became trainer to the rich, famous, and politically powerful, which led to his appointment as chair of the New York State Athletic Commission in the 1920s. From this position, Muldoon exerted his influence over the rules of boxing and wrestling and weaponized his power to maintain segregation in sport.

The Last Gladiator is a deep, insightful dive into Muldoon’s life and impact, demonstrating the significance of this often-controversial figure in the development of American sports, professional wrestling, and physical and popular culture.

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cover of The Last Good Neighbor: Mexico in the Global Sixties

The Last Good Neighbor

Mexico in the Global Sixties

Eric Zolov

Duke University Press, 2020

In The Last Good Neighbor Eric Zolov presents a revisionist account of Mexican domestic politics and international relations during the long 1960s, tracing how Mexico emerged from the shadow of FDR's Good Neighbor policy to become a geopolitical player in its own right during the Cold War. Zolov shows how President Adolfo López Mateos (1958–1964) leveraged Mexico's historical ties with the United States while harnessing the left's passionate calls for solidarity with developing nations in a bold attempt to alter the course of global politics. During this period, Mexico forged relationships with the Soviet Bloc, took positions at odds with US interests, and entered the scene of Third World internationalism. Drawing on archival research from Mexico, the United States, and Britain, Zolov gives a broad perspective on the multitudinous, transnational forces that shaped Mexican political culture in ways that challenge standard histories of the period.
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cover of The Last Great Senator: Robert C. Byrd's Encounters with Eleven U.S. Presidents

The Last Great Senator

Robert C. Byrd's Encounters with Eleven U.S. Presidents

David Corbin

West Virginia University Press, 2015

No person involved in so much history received so little attention as the late Robert C. Byrd, the longest-serving U.S. senator. In The Last Great Senator, David A. Corbin examines Byrd’s complex and fascinating relationships with eleven presidents of the United States, from Eisenhower to Obama. Furthermore, Byrd had an impact on nearly every significant event of the last half century, including the Cold War, the civil rights movement, the Vietnam War, Kennedy’s New Frontier, the Watergate scandal, the Reagan Revolution, the impeachment of President Clinton, and the Iraq War. Holding several Senate records, Byrd also cast more votes than any other U.S. senator. 

In his sweeping portrait of this eloquent and persuasive man’s epic life and career, Corbin describes Senator Byrd’s humble background in the coalfields of southern West Virginia (including his brief membership in the Ku Klux Klan). He covers Byrd’s encounters and personal relationship with each president and his effect on events during their administrations. Additionally, the book discusses Byrd’s interactions with other notable senators, including Lyndon B. Johnson, Richard Russell, Mike Mansfield, and especially Robert and Edward Kennedy. Going beyond the boundaries of West Virginia and Capitol Hill, The Last Great Senator presents Byrd in a larger historical context, where he rose to the height of power in America.

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cover of The Last Half-Century: Societal Change and Politics in America

The Last Half-Century

Societal Change and Politics in America

Morris Janowitz

University of Chicago Press, 1978

The Last Half-Century represents the culmination of a lifetime of scholarship by Morris Janowitz. In this comprehensive and systematic analysis of the major trends in American society during the past fifty years, he probes the weakening of popular party affiliations and the increased inability of elected representatives to rule. Centering his work on the crucial concept of social control, Janowitz orders and assesses a vast amount of empirical research to clarify the failure of basic social institutions to resolve our chronic conflicts.

For Janowitz, social control denotes a society's capacity to regulate itself within a moral framework that transcends simple self-interest. He poses urgent questions: Why has social control been so drastically weakened in our advanced industrial society? And what strategies can we use to strengthen it again?

The expanation rests in part on the changes in social structure which make it more and more complicated for citizens to calculate their political self-interest. At the same time, complex economic and defense problems also strain an already overburdened legislative system, making effective, responsive political rule increasingly difficult.

Janowitz concludes by assessing the response of the social sciences to the pressing problem of social control and asserts that new forms of citizen participation in the government must be found.
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cover of The Last Happy Occasion

The Last Happy Occasion

Alan Shapiro

University of Chicago Press, 1996

The Last Happy Occasion is the coming-of-age story of an American Jew and aspiring writer in the sixties and seventies. In this memoir in six movements, Alan Shapiro recalls how poetry helped him make sense of his own and other people's lives. Events unfold, including his sister's death, that make him reconsider the transformative power of art and accept the limitations of poetry in confronting the untransformable pain of mortal loss.

A refreshingly honest, lovingly crafted work, The Last Happy Occasion is a treasure map for anyone interested in exploring the intersections of life and art.
Nominated for the 1996 National Book Critics Circle Award.
 
"[Shapiro] seeks what lies at the deepest level of the human heart to mitigate his—and our—separateness from others."—Chase Collins, Chicago Tribune Books

"The Last Happy Occasion is touching and intelligent, emotionally satisfying and eloquent testimony to the power of poetry to instruct, heal and inspire."—Emily Barton, New York Times Book Review

"Shapiro, not unlike Auden, doses his wordplay with a certain sly irony. . . . We come away from Shapiro's book with an intimate appreciation of the little subversions that poetry can work in one's life."—Jonathan Kirsch, Los Angeles Times

"He is an acute observer of moments, people, art and language. And he packs even seemingly simple stories with many layers of meaning. . . . He shows us the power and importance of transformative art in life."—Publishers Weekly, starred review

"The literary criticism is sharp, but what enthralls the reader more is Shapiro's humorous but honest perspective on his younger self, a perspective that is critical without being condescending."—Heller McAlpin, Newsday

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cover of The Last Jews in Baghdad: Remembering a Lost Homeland

The Last Jews in Baghdad

Remembering a Lost Homeland

By Nissim Rejwan

University of Texas Press, 2004

Once upon a time, Baghdad was home to a flourishing Jewish community. More than a third of the city's people were Jews, and Jewish customs and holidays helped set the pattern of Baghdad's cultural and commercial life. On the city's streets and in the bazaars, Jews, Muslims, and Christians—all native-born Iraqis—intermingled, speaking virtually the same colloquial Arabic and sharing a common sense of national identity. And then, almost overnight it seemed, the state of Israel was born, and lines were drawn between Jews and Arabs. Over the next couple of years, nearly the entire Jewish population of Baghdad fled their Iraqi homeland, never to return.

In this beautifully written memoir, Nissim Rejwan recalls the lost Jewish community of Baghdad, in which he was a child and young man from the 1920s through 1951. He paints a minutely detailed picture of growing up in a barely middle-class family, dealing with a motley assortment of neighbors and landlords, struggling through the local schools, and finally discovering the pleasures of self-education and sexual awakening. Rejwan intertwines his personal story with the story of the cultural renaissance that was flowering in Baghdad during the years of his young manhood, describing how his work as a bookshop manager and a staff writer for the Iraq Times brought him friendships with many of the country's leading intellectual and literary figures. He rounds off his story by remembering how the political and cultural upheavals that accompanied the founding of Israel, as well as broad hints sent back by the first arrivals in the new state, left him with a deep ambivalence as he bid a last farewell to a homeland that had become hostile to its native Jews.

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cover of The Last Miner: A Memoir of Alta's Final Mining Expeditions

The Last Miner

A Memoir of Alta's Final Mining Expeditions

Dick Fluehe with Dan Schilling

University of Utah Press, 2025

Explore Utah’s legendary lost and hidden silver mines with the last miner

The Last Miner is a captivating memoir chronicling the final days of mining exploration in Utah’s legendary Little Cottonwood Canyon during the 1950s. Through the eyes of Dick Fluehe, the last living miner to traverse these haunted, silver-laden tunnels, readers are immersed in a forgotten world beneath the internationally renowned Alta and Snowbird ski areas. With a knowledge as deep as the mines themselves, Dick recounts tales of collapsed shafts, gloriously jeweled stopes, and colorful personalities, such as “Swingin’ Door,” “Slick,” and “The Bull,” who lived and died pursuing ore.

Edited by New York Times bestselling author Dan Schilling, The Last Miner offers a unique, firsthand account of the treacherous, adventurous, and humorous lives of mid-century miners. Both thrilling and insightful, this memoir is the mining equivalent of a float down the Mississippi with Mark Twain and an unprecedented insight into the history of American West mining.
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cover of The Last Mixtape: Physical Media and Nostalgic Cycles

The Last Mixtape

Physical Media and Nostalgic Cycles

Seth Long

University of Chicago Press, 2025

A reflection on the evolution of physical media into metaphor, through the history of music curation.
 
Obsolescence makes the heart grow fonder, at least in the case of the mixtape. Not all technologies are so lucky. Some (say, wax cylinders) fade almost completely from cultural memory. A lucky few pass into metaphor: we still “hang up” our smartphones, “cut” film, and “patch” computer code. As digital streaming completes the obsolescence of physical media, what will become of the humble cassette?

In The Last Mixtape, Seth Long offers a microhistory of music curation, anchored by the cassette, from which he explores the meanings of obsolescence, ownership, nostalgia, and the speed of cultural change. A moving meditation on our relationship with music, memory, and curation in the digital century, Long ultimately calls for a return to the media ecology represented by the mixtape: a world in which media is cheap and abundant but tactile and meaningfully engaged.
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cover of The Last Ottoman Wars: The Human Cost, 1877–1923

The Last Ottoman Wars

The Human Cost, 1877–1923

Jeremy Salt

University of Utah Press, 2019

During the last half century of its existence, the Ottoman Empire and the lands around its borders were places of constant political turmoil and unceasing military action. The enormous costs of war were paid not only by politicians and soldiers, but by the Ottoman civilian population as well. This book examines the hardships that ordinary people, Muslim and Christian alike, endured during decades of warfare.     
 
Jeremy Salt brings to the surface previously ignored facts that disrupt the conventional narrative of an ethno-religious division between Muslim perpetrators and Christian victims of violence. Salt shows instead that all major ethno-religious groups—including Armenians, Turks, Kurds, and Greeks—were guilty of violent acts. The result is a more balanced picture of European involvement in the Ottoman Empire and the Balkans, one that highlights the destructive role of British Prime Minister David Lloyd George and other European leaders grabbing for Ottoman resources up to the end of World War I. The effects of these events are felt to the present day.
 
This extraordinary story centers not on military campaigns but on ordinary civilians whose lives were disrupted and in many cases destroyed by events over which they had no control. Disease, malnutrition, massacre and inter-communal fighting killed millions of people during the First World War alone. Until now this epic saga of human suffering has remained a story largely untold.
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cover of The Last Physician: Walker Percy and the Moral Life of Medicine

The Last Physician

Walker Percy and the Moral Life of Medicine

Carl Elliott and John Lantos, eds.

Duke University Press, 1999

Walker Percy brought to his novels the perspective of both a doctor and a patient. Trained as a doctor at Columbia University, he contracted tuberculosis during his internship as a pathologist at Bellevue Hospital and spent the next three years recovering, primarily in TB sanitoriums. This collection of essays explores not only Percy’s connections to medicine but also the underappreciated impact his art has had—and can have—on medicine itself.
The contributors—physicians, philosophers, and literary critics—examine the relevance of Percy’s work to current dilemmas in medical education and health policy. They reflect upon the role doctors and patients play in his novels, his family legacy of depression, how his medical background influenced his writing style, and his philosophy of psychiatry. They contemplate the private ways in which Percy’s work affected their own lives and analyze the author’s tendency to contrast the medical-scientific worldview with a more spiritual one. Assessing Percy’s stature as an author and elucidating the many ways that reading and writing can combine with diagnosing and treating to offer an antidote to despair, they ask what it means to be a doctor, a writer, and a seeker of cures and truths—not just for the body but for the malaise and diseased spirituality of modern times.
This collection will appeal to lovers of literature as well as medical professionals—indeed, anyone concerned with medical ethics and the human side of doctoring.

Contributors. Robert Coles, Brock Eide, Carl Elliott, John D. Lantos, Ross McElwee, Richard Martinez, Martha Montello, David Schiedermayer, Jay Tolson, Bertram Wyatt-Brown, Laurie Zoloth-Dorfman

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cover of The Last Selection: A Child's Journey through the Holocaust

The Last Selection

A Child's Journey through the Holocaust

Goldie Szachter Kalib

University of Massachusetts Press, 1991

Just before the end of the Holocaust, Dr. Josef Mengele made “the last selection.” Goldie Szachter Kalib, then a 13-year old Jewish girl from Bodzentyn, Poland, and her mother were part of that selection. In The Last Selection: A Child's Journey through the Holocaust, Goldie describes her life during World War II. She includes accounts about her charming childhood in Bodzentyn, Poland, her experiences hiding with a Polish Christian family, her time in the slave camp and then Auschwitz, life in the gas chamber, her experiences in Bergen-Belsen, and finally liberation. Portions of The Last Selection: A Child's Journey through the Holocaust were used in the ABC Daytime Emmy-Award winning movie on children in the Holocaust.

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cover of The Last Soldiers of the King: Life in Wartime Italy, 1943-1945

The Last Soldiers of the King

Life in Wartime Italy, 1943-1945

Eugenio Corti & Translated by Manuela Arundel

University of Missouri Press, 2003

In the sequel to the highly acclaimed Few Returned, Eugenio Corti, one of Italy’s most distinguished postwar writers, continues his poignant account of his experiences as an Italian soldier in the Second World War. In the earlier book, Corti, a twenty-one-year-old lieutenant of artillery, recounts the horrifying experience of the soldiers who were sent to Russia to fight alongside their German ally. On the River Don, the Red Army surrounded Corti and the other members of the Italian force. Of the 30,000 men in the Thirty-fifth Corps, Corti was one of only an estimated 4,000 soldiers to survive the ordeal. Mussolini’s dreams of empire were shattered, and his ill-fated Eighth Army no longer existed.
In 1943, after recurrent military defeats, the Italian government and its king, Victor Emmanuel III, forced Mussolini to resign. Italy then signed an armistice with the Allies and ended its alliance with Germany. The Germans immediately occupied northern Italy, which the Axis still held, and reinstated Mussolini in the north. Some Italians remained loyal to fascism; many others aligned themselves with the Allies, who were now advancing in southern Italy. Corti’s sympathies were with the Allies, and after a harrowing escape from the German-occupied north, he rejoined the Italian Army fighting on the side of the king. The Last Soldiers of the King is Corti’s account of the Italian Army’s experiences fighting the Germans during the remainder of the war.
In this unforgettable narrative, Corti depicts the war from the perspective of the average Italian soldier, capturing its boredom and absurdity along with brief periods of savagery, terror, and death. Painting vivid pictures of the sights, sounds, and smells of war, he shows how these men fought alongside the Allies against the Germans. They fought without hatred, driven by a sense of duty and love for their country and a desire to quickly put an end to a war that was destroying so many lives. Corti superbly relates the wandering of the remnant of Italian officers and men as they sought to reestablish themselves as Italian soldiers. The Last Soldiers of the King tells the story of a proud people forced to endure death, poverty, and the virtual destruction of their nation.
[more]
cover of The Last Superpower Summits: Reagan, Gorbachev and Bush. Conversations that Ended the Cold War.

The Last Superpower Summits

Reagan, Gorbachev and Bush. Conversations that Ended the Cold War.

The National Security Archive Savranskaya

Central European University Press, 2017

This book publishes for the first time in print every word the American and Soviet leaders – Ronald Reagan, Mikhail Gorbachev, and George H.W. Bush – said to each other in their superpower summits from 1985 to 1991. Obtained by the authors through the Freedom of Information Act in the U.S., from the Gorbachev Foundation and the State Archive of the Russian Federation in Moscow, and from the personal donation of Anatoly Chernyaev, these previously Top Secret verbatim transcripts combine with key declassified preparatory and after-action documents from both sides to create a unique interactive documentary record of these historic highest-level talks – the conversations that ended the Cold War. The summits fueled a process of learning on both sides, as the authors argue in contextual essays on each summit and detailed headnotes on each document. Geneva 1985 and Reykjavik 1986 reduced Moscow's sense of threat and unleashed Reagan's inner abolitionist. Malta 1989 and Washington 1990 helped dampen any superpower sparks that might have flown in a time of revolutionary change in Eastern Europe, set off by Gorbachev and by Eastern Europeans (Solidarity, dissidents, reform Communists). The high level and scope of the dialogue between these world leaders was unprecedented, and is likely never to be repeated.
[more]
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The Last Thing

Leopold Lahola

Karolinum Press, 2025

An English translation of Slovak Jewish writer Leopold Lahola’s collection of short stories that face the atrocities and paradoxes of World War II.

Slovak Jewish writer Leopold Lahola was able to escape deportation to a concentration camp and fight in the resistance only to find himself forced into exile by the postwar communist regime. He emerged from obscurity during the brief thaw of the Prague Spring, when he was able to return to his homeland and thrive as a playwright and film director. It was also in 1968 that his short story collection The Last Thing appeared in Slovakia. The collection’s title proved sadly prophetic with the author suffering a fatal heart attack in January 1968, just before his 50th birthday and as his short stories finally appeared in book form.

The nine stories which make up The Last Thing range from the prewar rise of fascism and its dangers for the Jewish community through the concentration camps and the partisan fight against the Germans, concluding in the devastating awareness of all that had been lost and destroyed in the war. Lahola is a master of writing outside of conventional tropes, exploring moral ambivalences where others work within the comforts of good versus evil. He punctures the standard historical image of the partisan fighters by depicting their heroism along with their cruelty and pettiness while also showing how often bravery and madness, kindness and stupidity can coexist. Lahola has written a World War II story collection whose translation will offer not only a compelling read but starkly new perspectives on the tragedy and grandeur of that momentous time in history.
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cover of The Last of the Great Observatories: Spitzer and the Era of Faster, Better, Cheaper at NASA

The Last of the Great Observatories

Spitzer and the Era of Faster, Better, Cheaper at NASA

George H. Rieke

University of Arizona Press, 2006

The Spitzer Space Observatory, originally known as the Space Infrared Telescope Facility (SIRTF), is the last of the four “Great Observatories”, which also include the Hubble Space Telescope, the Chandra X-ray Observatory, and the Compton Gamma Ray Observatory. Developed over twenty years and dubbed the “Infrared Hubble", Spitzer was launched in the summer of 2003 and has since contributed significantly to our understanding of the universe.

George Rieke played a key role in Spitzer and now relates the story of how that observatory was built and launched into space. Telling the story of this single mission within the context of NASA space science over two turbulent decades, he describes how, after a tortuous political trail to approval, Spitzer was started at the peak of NASA’s experiment with streamlining and downsizing its mission development process, termed “faster better cheaper.” Up to its official start and even afterward, Spitzer was significant not merely in terms of its scientific value but because it stood at the center of major changes in space science policy and politics. Through interviews with many of the project participants, Rieke reconstructs the political and managerial process by which space missions are conceived, approved, and developed. He reveals that by the time Spitzer had been completed, a number of mission failures had undermined faith in “faster-better-cheaper” and a more conservative approach was imposed. Rieke examines in detail the premises behind “faster better cheaper,” their strengths and weaknesses, and their ultimate impact within the context of NASA’s continuing search for the best way to build future missions.

Rieke’s participant’s perspective takes readers inside Congress and NASA to trace the progress of missions prior to the excitement of the launch, revealing the enormously complex and often disheartening political process that needs to be negotiated. He also shares some of the new observations and discoveries made by Spitzer in just its first year of operation. As the only book devoted to the Spitzer mission, The Last of the Great Observatories is a story at the nexus of politics and science, shedding new light on both spheres as it contemplates the future of mankind’s exploration of the universe.
[more]
cover of The Latin American Literary Boom and U.S. Nationalism during the Cold War

The Latin American Literary Boom and U.S. Nationalism during the Cold War

Deborah Cohn

Vanderbilt University Press, 2012

During the 1960s and 1970s, when writers such as Julio Cortazar, Carlos Fuentes, Gabriel Garcia Marquez, and Mario Vargas Llosa entered the international literary mainstream, Cold War cultural politics played an active role in disseminating their work in the United States. Deborah Cohn documents how U.S. universities, book and journal publishers, philanthropic organizations, cultural centers, and authors coordinated their efforts to bring Latin American literature to a U.S. reading public during this period, when interest in the region was heightened by the Cuban Revolution. She also traces the connections between the endeavors of private organizations and official foreign policy goals.


The high level of interest in Latin America paradoxically led the U.S. government to restrict these authors' physical presence in the United States through the McCarranWalter Act's immigration blacklist, even as cultural organizations cultivated the exchange of ideas with writers and sought to market translations of their work for the U.S. market.

[more]
cover of The Launching of Duke University, 1924–1949

The Launching of Duke University, 1924–1949

Robert F. Durden

Duke University Press, 1993

In this rich and authoritative history, distinguished historian Robert F. Durden tells the story of the formation of Duke University, beginning with its creation in 1924 as a new institution organized around Trinity College. As Durden reveals, this narrative belongs first and foremost to Duke University's original President, William Preston Few, whose visionary leadership successfully launched the building of the first voluntarily supported research university in the South. In focusing on Duke University's most formative and critical years—its first quarter century—Durden commemorates Few's remarkable successes while recognizing the painful realities and uncertainties of a young institution.
Made possible by a gift from James B. Duke, the wealthiest member of the family that had underwritten Trinity College since 1890, Duke University was organized with Few as president. Few's goal was to turn Duke into a world-class institution of higher education and these early years saw the development of much of what we know as Duke University today. Drawing on extensive archival material culled over a ten-year period, Durden discusses the building of the Medical Center, the rebuilding of the School of Law, the acquisition of the Duke Forest and development of the School of Forestry, the nurturing of the Divinity School, and the enrichment of the Graduate School of Arts and Sciences.
It was also during this period, as Durden details, that such treasures as the Sarah P. Duke Gardens were created, as well as some near treasures, as seen by the failed attempt to start an art museum. Although the story of the birth of this University belongs largely to William Preston Few, other people figure prominently and are discussed at length. Alice Baldwin, who led in the establishment of the Woman's College, emerges as a fascinating figure, as do William H. Wannamaker, James B. Duke, William Hanes Ackland, Robert L. Flowers, Justin Miller, and Wilburt Cornell Davision, among others.
Although impressive growth occurred in Duke's formative years, tensions also arose. The need to strike an institutional balance between the twin demands of teaching and research, of regional versus national status, combined with continual shortages of funds, created occasional obstacles. The problem of two sets of trustees, one for the university and another for the Duke Endowment, loomed largest of all. As Few himself said, during these early years Duke successfully embarked on a long journey, for it was not until after World War II that Duke University consolidated the growth begun in the inter-war years.
An important contribution to the history of Southern higher education as well as to Duke University, this book will be of great interest to historians, alumni, and friends of Duke University alike.
[more]
cover of The Lava of This Land: South African Poetry 1960-1996

The Lava of This Land

South African Poetry 1960-1996

Denis Hirson

Northwestern University Press, 1997

The lava of change has spilled over South Africa again as apartheid as ended. What sort of social and artistic emerges as it cools? This anthology, containing more than two hundred poems by over fifty poets, spans five distinct historical periods in the contemporary development of South Africa, from the 1960s Durban worker strikes to the dismantling of apartheid in the 1990s. Most of the poems have been written in English, but forty-eight have been translated from Afrikaans, Zulu, Xhosa, and /Xam, a Bushman linguistic group. Inspired by music, by the language of the streets, by the sensual and the erotic, and by social, political, and economic turmoil, these poems showcase a remarkable complexity of literary traditions. They provide a fascinating and moving rendering of South Africa's hybrid language and unique worldview.
[more]
cover of The Lavender Scare: The Cold War Persecution of Gays and Lesbians in the Federal Government

The Lavender Scare

The Cold War Persecution of Gays and Lesbians in the Federal Government

David K. Johnson

University of Chicago Press, 2003

The McCarthy era is generally considered the worst period of political repression in recent American history. But while the famous question, "Are you now or have you ever been a member of the Communist Party?" resonated in the halls of Congress, security officials were posing another question at least as frequently, if more discreetly: "Information has come to the attention of the Civil Service Commission that you are a homosexual. What comment do you care to make?"

Historian David K. Johnson here relates the frightening, untold story of how, during the Cold War, homosexuals were considered as dangerous a threat to national security as Communists. Charges that the Roosevelt and Truman administrations were havens for homosexuals proved a potent political weapon, sparking a "Lavender Scare" more vehement and long-lasting than McCarthy's Red Scare. Relying on newly declassified documents, years of research in the records of the National Archives and the FBI, and interviews with former civil servants, Johnson recreates the vibrant gay subculture that flourished in New Deal-era Washington and takes us inside the security interrogation rooms where thousands of Americans were questioned about their sex lives. The homosexual purges ended promising careers, ruined lives, and pushed many to suicide. But, as Johnson also shows, the purges brought victims together to protest their treatment, helping launch a new civil rights struggle.

The Lavender Scare shatters the myth that homosexuality has only recently become a national political issue, changing the way we think about both the McCarthy era and the origins of the gay rights movement. And perhaps just as importantly, this book is a cautionary tale, reminding us of how acts taken by the government in the name of "national security" during the Cold War resulted in the infringement of the civil liberties of thousands of Americans.
[more]
cover of The Lavender Scare: The Cold War Persecution of Gays and Lesbians in the Federal Government

The Lavender Scare

The Cold War Persecution of Gays and Lesbians in the Federal Government

David K. Johnson

University of Chicago Press, 2023

A new edition of a classic work of history, revealing the anti-homosexual purges of midcentury Washington.

In The Lavender Scare, David K. Johnson tells the frightening story of how, during the Cold War, homosexuals were considered as dangerous a threat to national security as Communists. Charges that the Roosevelt and Truman administrations were havens for homosexuals proved a potent political weapon, sparking a “Lavender Scare” more vehement and long-lasting than Joseph McCarthy’s Red Scare. Drawing on declassified documents, years of research in the records of the National Archives and the FBI, and interviews with former civil servants, Johnson recreates the vibrant gay subculture that flourished in midcentury Washington and takes us inside the security interrogation rooms where anti-homosexual purges ruined the lives and careers of thousands of Americans. This enlarged edition of Johnson’s classic work of history—the winner of numerous awards and the basis for an acclaimed documentary broadcast on PBS—features a new epilogue, bringing the still-relevant story into the twenty-first century.
[more]
cover of The Laws of Cool: Knowledge Work and the Culture of Information

The Laws of Cool

Knowledge Work and the Culture of Information

Alan Liu

University of Chicago Press, 2004

Knowledge work is now the reigning business paradigm and affects even the world of higher education. But what perspective can the knowledge of the humanities and arts contribute to a world of knowledge work whose primary mission is business? And what is the role of information technology as both the servant of the knowledge economy and the medium of a new technological cool? In The Laws of Cool, Alan Liu reflects on these questions as he considers the emergence of new information technologies and their profound influence on the forms and practices of knowledge.
[more]
cover of The League of Nations

The League of Nations

Ruth Henig

Haus Publishing, 2010

Ninety years ago, the League of Nations convened for the first time hoping to create a safeguard against destructive, world-wide war by settling disputes through diplomacy. This book looks at how the League was conceptualized and explores the multifaceted body that emerged. This new form for diplomacy was used in ensuing years to counter territorial ambitions and restrict armaments, as well as to discuss human rights and refugee issues. The League’s failure to prevent World War II, however, would lead to its dissolution and the subsequent creation of the United Nations. As we face new forms of global crisis, this timely book asks if the UN’s fate could be ascertained by reading the history of its predecessor.
[more]
cover of The Lean Lands

The Lean Lands

By Agustin Yáñez

University of Texas Press, 1968

What was it that flew over with such a terrifying roar? Was it, as many said, the devil, or was it that thing a few had heard of, a flying machine? And those electric lights at Jacob Gallo’s farm, were they witchcraft or were they science?

The theme of this harshly powerful novel is the impact of modern technology and ideas on a few isolated, tradition-bound hamlets in the aftermath of the Mexican Revolution of 1910. The old ways are represented by Epifanio Trujillo, the cacique of the region, now ailing and losing his grip on things; by ancient Madre Matiana, the region’s midwife, healer, counselor, and oracle; by penniless Rómulo and his wife Merced. “Progress” is represented by Don Epifanio’s bastard son Jacob, who acquired money and influence elsewhere during the Revolution and who now, against his father’s will, brings electricity, irrigation, fertilizers, and other modernities to the lean lands—together with armed henchmen. The conflict between the old and the new builds slowly and inexorably to a violent climax that will long remain in the reader’s memory.

The author has given psychological and historical depth to his story by alternating the passages of narrative and dialogue with others in which several of the major characters brood on the past, the present, and the future. For instance, Matiana, now in her eighties, touchingly remembers how she was married and widowed before she had reached her seventeenth birthday. This dual technique is superbly handled, so that people and events have both a vivid actuality and an inner richness of meaning. The impact of the narrative is intensified by the twenty-one striking illustrations by Alberto Beltrán.

[more]
cover of The Left Bank: Writers, Artists, and Politics from the Popular Front to the Cold War

The Left Bank

Writers, Artists, and Politics from the Popular Front to the Cold War

Herbert Lottman

University of Chicago Press, 1998

This story begins in the Paris of the 1930s, when artists and writers stood at the center of the world stage. In the decade that saw the rise of the Nazis, much of the thinking world sought guidance from this extraordinary group of intellectuals. Herbert Lottman's chronicle follows the influential players—Gide, Malraux, Sartre, de Beauvoir, Koestler, Camus, and their pro-Fascist counterparts—through the German occupation, Liberation, and into the Cold War, when the struggle between superpowers all but drowned out their voices.

"Surprisingly fresh and intense. . . . A retrospective travelogue of the Left Bank in the days when it was the setting for almost all French intellectual activity. . . . Absorbing."—Naomi Bliven, New Yorker

"As an introduction to a period in French history already legendary, The Left Bank is superb."—Michael Dirda, Washington Post Book World

"An intellectual history. A history of the interaction between politics and letters. And a rumination on the limitless credulity of intellectuals."—Christopher Hitchens, New Statesman


[more]
cover of The Legacy of Edward W. Said

The Legacy of Edward W. Said

William V. Spanos

University of Illinois Press, 2008

With the untimely death of Edward W. Said in 2003, various academic and public intellectuals worldwide have begun to reassess the writings of this powerful oppositional intellectual. Figures on the neoconservative right have already begun to discredit Said’s work as that of a subversive intent on slandering America’s benign global image and undermining its global authority. On the left, a significant number of oppositional intellectuals are eager to counter this neoconservative vilification, proffering a Said who, in marked opposition to the “anti-humanism” of the great poststructuralist thinkers who were his contemporaries--Jacques Derrida, Jean-Francois Lyotard, Jacques Lacan, Louis Althusser, and Michel Foucault--reaffirms humanism and thus rejects poststructuralist theory.

In this provocative assessment of Edward Said’s lifework, William V. Spanos argues that Said’s lifelong anti-imperialist project is actually a fulfillment of the revolutionary possibilities of poststructuralist theory. Spanos examines Said, his legacy, and the various texts he wrote--including Orientalism,Culture and Imperialism, and Humanism and Democratic Criticism--that are now being considered for their lasting political impact.

[more]
cover of The Legacy of Kenneth Burke

The Legacy of Kenneth Burke

Herbert W. Simons

University of Wisconsin Press, 1989

Capturing the lively modernist milieu of Kenneth Burke’s early career in Greenwich Village, where Burke arrived in 1915 fresh from high school in Pittsburgh, this book discovers him as an intellectual apprentice conversing with “the moderns.” Burke found himself in the midst of an avant-garde peopled by Malcolm Cowley, Marianne Moore, Jean Toomer, Katherine Anne Porter, William Carlos Williams, Allen Tate, Hart Crane, Alfred Stieglitz, and a host of other fascinating figures.
    Burke himself, who died in 1993 at the age of 96, has been hailed as America’s most brilliant and suggestive critic and the most significant theorist of rhetoric since Cicero. Many schools of thought have claimed him as their own, but Burke has defied classification and indeed has often been considered a solitary, eccentric genius immune to intellectual fashions. But Burke’s formative work of the 1920s, when he first defined himself and his work in the context of the modernist conversation, has gone relatively unexamined.
    Here we see Burke living and working with the crowd of poets, painters, and dramatists affiliated with Others magazine, Stieglitz’s “291” gallery, and Eugene O’Neill’s Provincetown Players; the leftists associated with the magazines The Masses and Seven Arts; the Dadaists; and the modernist writers working on literary journals like The Dial, where Burke in his capacity as an associate editor saw T. S. Eliot’s “The Wasteland” into print for the first time and provided other editorial services for Thomas Mann, e.e. cummings, Ezra Pound, and many other writers of note. Burke also met the iconoclasts of the older generation represented by Theodore Dreiser and H. L. Mencken, the New Humanists, and the literary nationalists who founded Contact and The New Republic. Jack Selzer shows how Burke’s own early poems, fiction, and essays emerged from and contributed to the modernist conversation in Greenwich Village. He draws on a wonderfully rich array of letters between Burke and his modernist friends and on the memoirs of his associates to create a vibrant portrait of the young Burke’s transformation from aesthete to social critic.

[more]
cover of The Legendary Detective: The Private Eye in Fact and Fiction

The Legendary Detective

The Private Eye in Fact and Fiction

John Walton

University of Chicago Press, 2015

An in-depth study of private detective fiction within the context of popular culture.

“I’m in a business where people come to me with troubles. Big troubles, little troubles, but always troubles they don’t want to take to the cops.” That’s Raymond Chandler’s Philip Marlowe, succinctly setting out our image of the private eye. A no-nonsense loner, working on the margins of society, working in the darkness to shine a little light.
 
The reality is a little different—but no less fascinating. In The Legendary Detective, John Walton offers a sweeping history of the American private detective in reality and myth, from the earliest agencies to the hard-boiled heights of the 1930s and ’40s. Drawing on previously untapped archival accounts of actual detective work, Walton traces both the growth of major private detective agencies like Pinkerton, which became powerful bulwarks against social and labor unrest and the motley, unglamorous work of small-time operatives. He then goes on to show us how writers like Dashiell Hammett and editors of sensational pulp magazines like Black Mask embellished on actual experiences and fashioned an image of the PI as a compelling, even admirable, necessary evil, doing society’s dirty work while adhering to a self-imposed moral code. Scandals, public investigations, and regulations brought the boom years of private agencies to an end in the late 1930s, Walton explains, in the process fully cementing the shift from reality to fantasy.
 
Today, as the private detective has long since given way to security services and armed guards, the myth of the lone PI remains as potent as ever. No fan of crime fiction or American history will want to miss The Legendary Detective.
[more]
cover of The Lesbian Menace: Ideology, Identity, and the Representation of Lesbian Life

The Lesbian Menace

Ideology, Identity, and the Representation of Lesbian Life

Sherrie A. Inness

University of Massachusetts Press, 1997

Electroshock. Hysterectomy. Lobotomy. These are only three of the many “cures” to which lesbians have been subjected in this century. How does a society develop such a profound aversion to a particular minority? In what ways do images in the popular media perpetuate cultural stereotypes about lesbians, and to what extent have lesbians been able to subvert and revise those images? This book addresses these and other questions by examining how lesbianism has been represented in American popular culture in the twentieth century and how conflicting ideologies have shaped lesbian experiences and identity.

In the first section, “Inventing the Lesbian,” Sherrie A. Inness explores depictions of lesbians in popular texts aimed primarily at heterosexual consumers. She moves from novels of the 1920s to books about life at women's colleges and boarding schools, to such contemporary women's magazines as Cosmopolitan, Glamour, and Vogue.

In the next section, “Forms of Resistance,” Inness probes the ways in which lesbians have refashioned texts intended for a heterosexual audience or created their own narratives. One chapter shows how lesbian readers have reinterpreted the Nancy Drew mysteries, looking at them from a distinctly “queer” perspective. Another chapter addresses the changing portrayal of lesbians in children's books over the past two decades.

The last section, “Writing in the Margins,” scrutinizes the extent to which lesbians, themselves a marginalized group, have created a society that relegates some of its own members to the outskirts. Topics include the geographic politics of lesbianism, the complex issue of "passing," and the meaning of butch identity in twentieth-century lesbian culture.

[more]
cover of The Lettered Barriada: Workers, Archival Power, and the Politics of Knowledge in Puerto Rico

The Lettered Barriada

Workers, Archival Power, and the Politics of Knowledge in Puerto Rico

Jorell A. Meléndez-Badillo

Duke University Press, 2021

In The Lettered Barriada, Jorell A. Meléndez-Badillo tells the story of how a cluster of self-educated workers burst into Puerto Rico's world of letters and navigated the colonial polity that emerged out of the 1898 US occupation. They did so by asserting themselves as citizens, producers of their own historical narratives, and learned minds. Disregarded by most of Puerto Rico's intellectual elite, these workers engaged in dialogue with international peers and imagined themselves as part of a global community. They also entered the world of politics through the creation of the Socialist Party, which became an electoral force in the first half of the twentieth century. Meléndez-Badillo shows how these workers produced, negotiated, and deployed powerful discourses that eventually shaped Puerto Rico's national mythology. By following these ragtag intellectuals as they became politicians and statesmen, Meléndez-Badillo also demonstrates how they engaged in racial and gender silencing, epistemic violence, and historical erasures in the fringes of society. Ultimately, The Lettered Barriada is about the politics of knowledge production and the tensions between working-class intellectuals and the state.

Duke University Press Scholars of Color First Book Award recipient
[more]
cover of The Lettered Indian: Race, Nation, and Indigenous Education in Twentieth-Century Bolivia

The Lettered Indian

Race, Nation, and Indigenous Education in Twentieth-Century Bolivia

Brooke Larson

Duke University Press, 2024

Bringing into dialogue the fields of social history, Andean ethnography, and postcolonial theory, The Lettered Indian maps the moral dilemmas and political stakes involved in the protracted struggle over Indian literacy and schooling in the Bolivian Andes. Brooke Larson traces Bolivia’s major state efforts to educate its unruly Indigenous masses at key junctures in the twentieth century. While much scholarship has focused on “the Indian boarding school” and other Western schemes of racial assimilation, Larson interweaves state-centered and imperial episodes of Indigenous education reform with vivid ethnographies of Aymara peasant protagonists and their extraordinary pro-school initiatives. Exploring the field of vernacular literacy practices and peasant political activism, she examines the transformation of the rural “alphabet school” from an instrument of the civilizing state into a tool of Aymara cultural power, collective representation, and rebel activism. From the metaphorical threshold of the rural school, Larson rethinks the politics of race and indigeneity, nation and empire, in postcolonial Bolivia and beyond.
[more]
cover of The Lexington Six: Lesbian and Gay Resistance in 1970s America

The Lexington Six

Lesbian and Gay Resistance in 1970s America

Josephine Donovan

University of Massachusetts Press, 2020

Finalist for the 2021 Lambda Literary Awards

On September 23, 1970, a group of antiwar activists staged a robbery at a bank in Massachusetts, during which a police officer was killed. While the three men who participated in the robbery were soon apprehended, two women escaped and became fugitives on the FBI's Ten Most Wanted list, eventually landing in a lesbian collective in Lexington, Kentucky, during the summer of 1974. In pursuit, the FBI launched a massive dragnet. Five lesbian women and one gay man ended up in jail for refusing to cooperate with federal officials, whom they saw as invading their lives and community. Dubbed the Lexington Six, the group's resistance attracted national attention, inspiring a nationwide movement in other minority communities. Like the iconic Stonewall demonstrations, this gripping story of spirited defiance has special resonance in today's America. 

Drawing on transcripts of the judicial hearings, contemporaneous newspaper accounts, hundreds of pages of FBI files released to the author under the Freedom of Information Act, and interviews with many of the participants, Josephine Donovan reconstructs this fascinating, untold story. The Lexington Six is a vital addition to LGBTQ, feminist, and radical American history.

[more]
cover of The Liberation of Painting: Modernism and Anarchism in Avant-Guerre Paris

The Liberation of Painting

Modernism and Anarchism in Avant-Guerre Paris

Patricia Leighten

University of Chicago Press, 2013

The years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this provocative study of art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed by war fever and then forgotten.
             
Leighten examines the circle of artists—Pablo Picasso, Juan Gris, František Kupka, Maurice de Vlaminck, Kees Van Dongen, and others—for whom anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether they worked on large-scale salon paintings, political cartoons, or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism. Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society—and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. According to anarchist theorists, art should expose the follies and iniquities of the present to the masses, but it should also be the untrammeled expression of the emancipated individual and open a path to a new social order. Revealing how these ideas generated some of modernism’s most telling contradictions among the prewar Parisian avant-garde, The Liberation of Painting restores revolutionary activism to the broader history of modern art.
[more]
cover of The Life and Poetry of Frank Stanford

The Life and Poetry of Frank Stanford

James McWilliams

University of Arkansas Press, 2025

Finalist, 2026 Pulitzer Prize (Biography)

Kirkus Reviews - Best of 2025, Nonfiction



"The full-throated biography fans have been yearning for.”
—Kirkus Starred Review, April 2025

"McWilliams does a remarkable job connecting Stanford’s poetry with his personal life, particularly his lifelong friendship with Irv Broughton, owner of a small press and Stanford’s first publisher; his penchant for love triangles; and how his need for connection fueled his poetry. The end of Stanford’s life, which saw him cohabiting with two women in different towns and running an independent press before his death by suicide at age 29, is rendered here in spellbinding detail. It’s a page-turner."
—Publishers Weekly Starred Review, July 2025

When twenty-nine-year-old Frank Stanford put three bullets in his chest on June 3, 1978, he ended a life that had been inextricably linked with poetry since childhood. Deeply influential but largely unknown outside his corner of the poetry world, this prodigy of the American South inspired a cult following that has kept his reputation and work flickering on the periphery of the American literary tradition ever since.

The Life and Poetry of Frank Stanford offers for the first time a comprehensive study of Stanford’s life and work, introducing to a broad readership poetry that remains both captivating to poets and, in its celebration of everyday experience over academic erudition, accessible to those who rarely read poetry.

Stanford’s poems range from one line to his 15,283-line epic, The Battlefield Where the Moon Says I Love You. The vital thread running through all of his poetry is an ear for language that vies with Walt Whitman in its expansiveness and generosity. Stanford’s omnivorous attraction to vernacular, particularly Black and rural vernacular, centered on an admiration for the marginalized and eccentric. Blending the Southern Gothic of Faulkner and O’Connor with a racially egalitarian vision, his poetry thrives on the stories and traditions of the oppressed and forgotten.
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The themes that preoccupied Stanford’s prolific output—language, sex, death, class, geography, commercialism, surrealism, film, race—also preoccupied the poet in his daily life, which was marked by heavy drinking, philandering, mental instability, emotional abuse, and, through it all, an inveterate desire for beauty. Constantly attentive to this tension, biographer James McWilliams traces the short and painfully complicated life of this hidden talent who left a lifetime’s worth of poetry that, through its grounding in the mundane, achieved a vision of the transcendent.
 

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cover of The Life and Science of Harold C. Urey

The Life and Science of Harold C. Urey

Matthew Shindell

University of Chicago Press, 2019

Harold C. Urey (1893–1981), whose discoveries lie at the foundation of modern science, was one of the most famous American scientists of the twentieth century. Born in rural Indiana, his evolution from small-town farm boy to scientific celebrity made him a symbol and spokesman for American scientific authority. Because he rose to fame alongside the prestige of American science, the story of his life reflects broader changes in the social and intellectual landscape of twentieth-century America. In this, the first ever biography of the chemist, Matthew Shindell shines new light on Urey’s struggles and achievements in a thoughtful exploration of the science, politics, and society of the Cold War era.
 
From Urey’s orthodox religious upbringing to his death in 1981, Shindell follows the scientist through nearly a century of American history: his discovery of deuterium and heavy water earned him the Nobel Prize in 1934, his work on the Manhattan Project helped usher in the atomic age, he initiated a generation of American scientists into the world of quantum physics and chemistry, and he took on the origin of the Moon in NASA’s lunar exploration program. Despite his success, however, Urey had difficulty navigating the nuclear age. In later years he lived in the shadow of the bomb he helped create, plagued by the uncertainties unleashed by the rise of American science and unable to reconcile the consequences of scientific progress with the morality of religion.
 
Tracing Urey’s life through two world wars and the Cold War not only conveys the complex historical relationship between science and religion in the twentieth century, but it also illustrates how these complexities spilled over into the early days of space science. More than a life story, this book immerses readers in the trials and triumphs of an extraordinary man and his extraordinary times.
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cover of The Life and Times of Louis Lomax: The Art of Deliberate Disunity

The Life and Times of Louis Lomax

The Art of Deliberate Disunity

Thomas Aiello

Duke University Press, 2021

Syndicated television and radio host. Serial liar. Pioneering journalist. Convicted criminal. Close ally of Malcolm X and Martin Luther King Jr. Publicity-seeking provocateur. Louis Lomax's life was a study in contradiction. In this biography, Thomas Aiello traces the complicated and fascinating arc of Lomax's life and career, showing how the contradictions, tumult, and inconsistencies that marked his life reflected those of 1960s America. Aiello takes readers from Lomax's childhood in the Deep South to his early confidence schemes to his emergence as one of the loudest and most influential voices of the civil rights movement. Regardless of what political position he happened to take at any given moment, Lomax preached “the art of deliberate disunity,” in which the path to democracy could only be achieved through a diversity of opinions. Engaging and broad in scope, The Life and Times of Louis Lomax is the definitive study of one of the civil rights era's most complicated, important, and overlooked figures.
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cover of The Life and Times of Richard J. Hughes: The Politics of Civility

The Life and Times of Richard J. Hughes

The Politics of Civility

Wefing, John B

Rutgers University Press, 2009

The Life and Times of Richard J. Hughes explores the influential public service of this two-term New Jersey governor. He was the only person in New Jersey history to serve as both governor and chief justice of the New Jersey Supreme Court.

This biography illuminates the governor's accomplishments between 1962 and 1970, including the creation of the Hackensack Meadowlands Commission, formation of the county college system, establishment of stringent antipollution laws, design of the public defender system, and the adoption of a New Jersey sales tax, as well as his pivotal role during the Newark riots. As chief justice, Hughes faced difficult issuesùschool funding, low and moderate income housing needs, freedom of speech, and his decision in the rightto-die case involving Karen Ann Quinlan. With a career characterized by liberal activism, Hughes also contributed nationally and internationally, from serving as host of the 1964 Democratic National Convention to monitoring elections in South Vietnam.

John B. Wefing's research includes interviews with prominent politicians and leaders who worked with Hughes at various points in his career. The result is a rich story of a public servant who possessed a true ability to work with members of both political parties and played a significant role in shaping modern New Jersey.

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cover of The Life of Kingsley Amis

The Life of Kingsley Amis

Zachary Leader

Northwestern University Press, 2011

Kingsley Amis was not only the finest comic novelist of his generation, but also a dominant figure in post–World War II British writing as a novelist, poet, critic, and polemicist. Zachary Leader’s definitive, authorized biography conjures in vivid detail the life of one of the most controversial figures of twentieth-century literature, renowned for his blistering intelligence, savage wit, and belligerent fierceness of opinion. 

In The Life of Kingsley Amis, Leader, the acclaimed editor of The Letters of Kingsley Amis, draws not only on published and unpublished works and correspondence, but also on interviews with a wide range of Amis’s friends, relatives, fellow writers, students, and colleagues, many of whom have never spoken publicly before. The result is a compulsively readable account of Amis’s childhood, school days, and life as a student at Oxford, teacher, critic, political and cultural commentator, professional author, husband, father, and lover. Neither evading nor sensationalizing the more salacious aspects of Amis’s life, Leader explores the writer’s phobias, self-doubts, and ambitions; the controversies in which he was embroiled; and the role that drink played in a life bedeviled by erotic entanglements, domestic turbulence, and personal disaster. 

Here is the biography that its subject deserves. Like Amis himself, it is incisive and unsentimental, deeply appreciative of aesthetic achievement, and a great source of amusing anecdotes. Dazzling for its thoroughness, psychological acuity, and elegant style, The Life of Kingsley Amis is exemplary: literary biography at its very best.
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