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1272 books match the query 'Asia' and 289 start with t

cover of The Cham of Vietnam: History, Society and Art

The Cham of Vietnam

History, Society and Art

Edited by Bruce Lockhart and Tran Ky Phuong

National University of Singapore Press, 2011

The Cham people once inhabited and ruled over a large stretch of what is now the central Vietnamese coast. The Indianized civilization of this Austronesian-speaking group flourished between roughly the third and fifteenth centuries, and they competed with the Vietnamese and Khmers for influence in mainland Southeast Asia, but the Cham territories eventually became part of modern Vietnam. Written by specialists in history, archaeology, anthropology, art history, and linguistics, the essays in The Cham of Vietnam contribute to a revisionist overview of Cham history by re-assessing the ways the Cham have been studied by different generations of scholars of what "Champa" has represented over the centuries of its history. Several chapters focus on archaeological work in central Vietnam and position recent discoveries within the broader framework of Cham history, but there are also discussions of Cham economy, society and culture. Through this study of a people that did not become a nation-state, the book provides penetrating insights into the history of Vietnam and on the broader dynamic of Southeast Asian history.
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cover of The China Sketchbook

The China Sketchbook

I. Allan Sealy

Seagull Books, 2016

A camera makes enemies; a sketchbook, friends. Firm in this belief, Irwin Allan Sealy carried to China just his pen and a book of blank pages. When the literary conference that took him there ended and his fellow writers returned to India, Sealy stayed on to travel the railroads of the north in search of a town reminiscent of his Himalayan hometown and a man who might resemble himself. Sign language, good will, and plain luck see him through, but in a northern mining town known for its ancient Buddhist cave sculptures, Sealy finally comes to the conclusion that his other was unreachable, his hometown was one of a kind, and his only hope was a pen, allowing him to record his memories, sketches, and adventures along the way.

Sealy is known for both his fiction and his travelogue From Yukon to Yukatan: A Western Journey. This facsimile edition of The China Sketchbook, however, adds a special dimension to a travel narrative—the sketches and scribbles give readers a more immediate and unrestrained insight into the mind of a very fine writer and chart an unusual and quirky travel diary.
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cover of The Chinese Postmodern: Trauma and Irony in Chinese Avant-Garde Fiction

The Chinese Postmodern

Trauma and Irony in Chinese Avant-Garde Fiction

Xiaobin Yang

University of Michigan Press, 2002

The Chinese Postmodern is a pioneering study of today's Chinese experimental fiction, exploring the works of such major writers as Can Xue, Ge Fei, Ma Yuan, Mo Yan, Xu Xiaohe, and Yu Hua from the perspective of cultural and literary postmodernity. Focusing on the interplay between historical psychology and representational mode, and between political discourse and literary rhetoric, it examines the problem of Chinese postmodernity against the background of the cultural-political reality of twentieth-century China.
The book seeks to redefine Chinese modernity and postmodernity through the analyses of both orthodox and avant-garde works. In doing so, the author draws on a number of theories, psychoanalysis and deconstruction in particular, revealing the hidden connection between the deconstructive mode of writing and the experience of history after trauma and showing how avant-garde literature brings about a varied literary paradigm that defies the dominant, subject-centered one in twentieth-century China.
The distinctiveness of The Chinese Postmodern is also found in its portrayal of the changes of literary paradigms in modern Chinese literature. By way of characterizing avant-garde fiction, it provides an overview of twentieth-century Chinese literature and offers a theorization of the intellectual history of modern China. Other issues concerning literary theory are explored, including the relationships between postmodernity and totalitarian discourse, between historical trauma and literary writing, and between psychic trauma and rhetorical irony. This book will appeal to readers in the fields of Chinese literature and culture, modern Chinese history, literary theory, and comparative literature.
Xiaobin Yang is Croft Assistant Professor, University of Mississippi.
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cover of The Chinese in Maritime Southeast Asia: Trade and Merchant Communities in 17th-century Insulindia

The Chinese in Maritime Southeast Asia

Trade and Merchant Communities in 17th-century Insulindia

Marie-Sybille de Vienne

National University of Singapore Press, 2025

An in-depth exploration of the Dutch East-India Company and what its history reveals about the Chinese community in the Dutch East Indies.

Connections between Asian and European markets increased dramatically in the seventeenth century, indicating a turning point in the global history of trade.  The Dutch East-India Company (or VOC) was central to this process; however, counter to the VOC’s aims, the winners of the game in maritime Southeast Asia were often Chinese merchants. As this book shows, at the time, these merchants were the only economic agents capable of trading both in major Southeast Asian commercial hubs and developing exchanges with China and Japan. The Chinese operated with a flexibility of means and a fluidity of management that allowed them to react rapidly and quickly gain returns on investment. In Batavia, as in other Southeast Asian emporiums, the increasingly numerous and diverse Chinese elites assumed direct responsibility for the management of their community; this made them the most important non-European free community in the city during the second half of the seventeenth century.

The Chinese in Maritime Southeast Asia tells this remarkable story through an examination of the VOC’s abundant sources, which record relations between the Chinese minority and the Dutch rulers who relied upon them.
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cover of The Cinema of Naruse Mikio: Women and Japanese Modernity

The Cinema of Naruse Mikio

Women and Japanese Modernity

Catherine Russell

Duke University Press, 2008

One of the most prolific and respected directors of Japanese cinema, Naruse Mikio (1905–69) made eighty-nine films between 1930 and 1967. Little, however, has been written about Naruse in English, and much of the writing about him in Japanese has not been translated into English. With The Cinema of Naruse Mikio, Catherine Russell brings deserved critical attention to this under-appreciated director. Besides illuminating Naruse’s contributions to Japanese and world cinema, Russell’s in-depth study of the director sheds new light on the Japanese film industry between the 1930s and the 1960s.

Naruse was a studio-based director, a company man renowned for bringing films in on budget and on time. During his long career, he directed movies in different styles of melodrama while displaying a remarkable continuity of tone. His films were based on a variety of Japanese literary sources and original scripts; almost all of them were set in contemporary Japan. Many were “women’s films.” They had female protagonists, and they depicted women’s passions, disappointments, routines, and living conditions. While neither Naruse or his audiences identified themselves as “feminist,” his films repeatedly foreground, if not challenge, the rigid gender norms of Japanese society. Given the complex historical and critical issues surrounding Naruse’s cinema, a comprehensive study of the director demands an innovative and interdisciplinary approach. Russell draws on the critical reception of Naruse in Japan in addition to the cultural theories of Harry Harootunian, Miriam Hansen, and Walter Benjamin. She shows that Naruse’s movies were key texts of Japanese modernity, both in the ways that they portrayed the changing roles of Japanese women in the public sphere and in their depiction of an urban, industrialized, mass-media-saturated society.

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cover of The Cinema of Wang Bing: Chinese Documentary between History and Labor

The Cinema of Wang Bing

Chinese Documentary between History and Labor

Bruno Lessard

Hong Kong University Press, 2023

An examination of the films of Chinese documentarian Wang Bing.

In The Cinema of Wang Bing, Bruno Lessard examines documentarian Wang Bing’s most important films. He focuses on the two obsessions at the heart of Wang’s oeuvre—the legacy of Maoist China in the present and the transformation of labor since China’s entry into the market economy—and how the crucial figures of survivor and worker are represented on screen. Bruno Lessard argues that Wang is a minjian (grassroots) intellectual whose films document the impact of Mao’s Great Leap Forward on Chinese collective memory and register the repercussions of China’s turn to neoliberalism on workers in the post-Reform era. Bringing together Chinese documentary studies and China studies, Lessard shows how Wang’s practice reflects the minjian ethos when documenting the survivors of the Great Famine and those who have not benefitted from China’s neoliberal policies—from laid-off workers to migrant workers. The films discussed include some of Wang’s most celebrated works such as West of the Tracks and Dead Souls, as well as neglected documentaries such as Coal Money and Bitter Money.
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cover of The Classical Gardens of Shanghai

The Classical Gardens of Shanghai

Shelly Bryant

Hong Kong University Press, 2016

In The Classical Gardens of Shanghai, Shelly Bryant looks at five of Shanghai’s remaining classical gardens through their origins, changing fortunes, restorations, and links to a wider Chinese aesthetic. Shanghai’s classical gardens are as much text as space; they exist in art, poetry, and literature as much as in stone, rock, and earth. But these gardens have not remained static entities. Rather, they have been remodelled constantly since their inception. This book reflects this process within the constancy of traditional Chinese horticulture and reveals Shanghai’s remaining classical gardens as places representing wealth and social status, social and dynastic shifts, through falling family fortunes and political revolutions to search for a recovery of China’s ancient culture in the modern day.
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cover of The Comfort Women of Singapore in History and Memory

The Comfort Women of Singapore in History and Memory

Kevin Blackburn

National University of Singapore Press, 2022

A balanced, sensitive study of the history of comfort women in Singapore during World War II.
 
“Comfort women” or ianfu is the euphemism used by the Japanese military for the women they compelled to do sex work in the Second World War, and has become the term generally used in English to discuss the subject. The role of comfort women in the Japanese empire during World War II remains an important and emotional topic around the world. Most scholarship concentrates on Korean comfort women, with less on their counterparts in Japan, China, and Taiwan, and even less on Southeast Asia. That gap persists despite widespread knowledge of the elaborate series of comfort stations, or comfort houses, that were organized by the Japanese administration across Singapore during the Occupation from 1942 to 1945. So why, the author asks, did no former comfort women from Singapore come forward and tell their stories when others across Asia began to do publicly in the 1990s? 

To understand this silence, this book offers a detailed examination of the sex industry serving the Japanese military during the wartime occupation of Singapore: the comfort stations, managers, procuresses, girls, and women who either volunteered or were forced into service and in many cases sexual slavery. Kevin Blackburn then turns from history to the public presence of the comfort women in Singapore’s memory, including newspapers, novels, plays, television, and touristic heritage sites, showing how comfort women became known in Singapore during the 1990s and 2000s. Bringing great care, balance, and sensitivity to a difficult subject, Blackburn helps to fill an important gap in our understanding of this period.
 

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cover of The Comfort Women: Sexual Violence and Postcolonial Memory in Korea and Japan

The Comfort Women

Sexual Violence and Postcolonial Memory in Korea and Japan

C. Sarah Soh

University of Chicago Press, 2008

A powerful debunking of simplistic views of a wartime tragedy

In an era marked by atrocities perpetrated on a grand scale, the tragedy of the so-called comfort women—mostly Korean women forced into prostitution by the Japanese army—endures as one of the darkest events of World War II. These women have usually been labeled victims of a war crime, a simplistic view that makes it easy to pin blame on the policies of imperial Japan and therefore easier to consign the episode to a war-torn past. In this revelatory study, C. Sarah Soh provocatively disputes this master narrative.
            Soh reveals that the forces of Japanese colonialism and Korean patriarchy together shaped the fate of Korean comfort women—a double bind made strikingly apparent in the cases of women cast into sexual slavery after fleeing abuse at home. Other victims were press-ganged into prostitution, sometimes with the help of Korean procurers. Drawing on historical research and interviews with survivors, Soh tells the stories of these women from girlhood through their subjugation and beyond to their efforts to overcome the traumas of their past. Finally, Soh examines the array of factors— from South Korean nationalist politics to the aims of the international women’s human rights movement—that have contributed to the incomplete view of the tragedy that still dominates today.

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cover of The Common Cause: Postcolonial Ethics and the Practice of Democracy, 1900-1955

The Common Cause

Postcolonial Ethics and the Practice of Democracy, 1900-1955

Leela Gandhi

University of Chicago Press, 2014

Europeans and Americans tend to hold the opinion that democracy is a uniquely Western inheritance, but in The Common Cause, Leela Gandhi recovers stories of an alternate version, describing a transnational history of democracy in the first half of the twentieth century through the lens of ethics in the broad sense of disciplined self-fashioning. Gandhi identifies a shared culture of perfectionism across imperialism, fascism, and liberalism—an ethic that excluded the ordinary and unexceptional. But, she also illuminates an ethic of moral imperfectionism, a set of anticolonial, antifascist practices devoted to ordinariness and abnegation that ranged from doomed mutinies in the Indian military to Mahatma Gandhi’s spiritual discipline.
 
Reframing the way we think about some of the most consequential political events of the era, Gandhi presents moral imperfectionism as the lost tradition of global democratic thought and offers it to us as a key to democracy’s future. In doing so, she defends democracy as a shared art of living on the other side of perfection and mounts a postcolonial appeal for an ethics of becoming common.
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cover of The Commonwealth of Empire: A History of the Burma Corporation and the Bawdwin Mining Complex in British Colonial Burma

The Commonwealth of Empire

A History of the Burma Corporation and the Bawdwin Mining Complex in British Colonial Burma

David Baillargeon

University of Nevada Press, 2026

The Commonwealth of Empire explores the overlooked history of the Bawdwin mining complex in Burma's Northern Shan States, focusing on its development during the British colonial period. Drawing on global and imperial history, author David Baillargeon showcases how industrial-scale mining transformed Bawdwin into a hub of commerce and migration, especially under the Burma Corporation in the early twentieth century. By the 1920s, Bawdwin had become one of the largest industrial sites in the world, staffed by a multinational workforce from South, Southeast, and East Asia, and managed by foreign engineers from the United States and Australia. Known as the “Commonwealth of Namtu” for its diverse workforce, the site exemplifies how colonial and corporate interests overlapped, and how such commercial spaces were shaped, contested, and reimagined locally. In telling the stories of the diverse agents and workers who developed the site and made it their home, The Commonwealth of Empire uncovers how and why a space like Bawdwin has been forgotten over time, interrogating its marginalization in national and regional histories and linking such forgetting to the nature of Britain's colonial project.

Baillargeon argues that recovering such forgotten histories requires moving beyond nation-based frameworks and embracing methods that illuminate the global forces behind colonial enterprises. In doing so, the book offers opportunities to decolonize histories and spaces of occupation that fit uneasily into existing frameworks of empire and nation.

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cover of The Community of Nuchi Du Takara ("Life Is the Ultimate Treasure") in Postwar Okinawa: Local Subjectivity within and against Empire

The Community of Nuchi Du Takara ("Life Is the Ultimate Treasure") in Postwar Okinawa

Local Subjectivity within and against Empire

Masamichi (Marro) Inoue

University of Michigan Press, 2025

Against the background of the prolonged US military presence in post–World War II Okinawa, The Community of Nuchi Du Takara (“Life Is the Ultimate Treasure”) in Postwar Okinawa explores the conflict between Okinawa and the US-Japan alliance. Developing the local notion of nuchi du takara into an analytical concept, Inoue examines how Okinawan activists, artists, writers, and other social actors have resisted US military presence, particularly the planned construction of a new military facility in northern Okinawa. The concept of nuchi du takara also helps Inoue explore complex negotiations Okinawa has had with Washington and Tokyo beyond resistance and protest, a process that involves developing a local communal capacity to embrace diverse and often contradictory attitudes toward the US military. Inoue’s grounded investigation underscores the possibility of small yet significant, incremental social changes from below, a possibility that ultimately points toward the World Republic—an international politics built upon peace, democracy, and shared affluence—against the sovereignty of global capitalism.
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cover of The Compensations of Plunder: How China Lost Its Treasures

The Compensations of Plunder

How China Lost Its Treasures

Justin M. Jacobs

University of Chicago Press, 2020

From the 1790s until World War I, Western museums filled their shelves with art and antiquities from around the world. These objects are now widely regarded as stolen from their countries of origin, and demands for their repatriation grow louder by the day. In The Compensations of Plunder, Justin M. Jacobs brings to light the historical context of the exodus of cultural treasures from northwestern China. Based on a close analysis of previously neglected archives in English, French, and Chinese, Jacobs finds that many local elites in China acquiesced to the removal of art and antiquities abroad, understanding their trade as currency for a cosmopolitan elite. In the decades after the 1911 Revolution, however, these antiquities went from being “diplomatic capital” to disputed icons of the emerging nation-state. A new generation of Chinese scholars began to criminalize the prior activities of archaeologists, erasing all memory of the pragmatic barter relationship that once existed in China. Recovering the voices of those local officials, scholars, and laborers who shaped the global trade in antiquities, The Compensations of Plunder brings historical grounding to a highly contentious topic in modern Chinese history and informs heated debates over cultural restitution throughout the world.
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cover of The Complete Lives of Camp People: Colonialism, Fascism, Concentrated Modernity

The Complete Lives of Camp People

Colonialism, Fascism, Concentrated Modernity

Rudolf Mrázek

Duke University Press, 2020

In The Complete Lives of Camp People Rudolf Mrázek presents a sweeping study of the material and cultural lives of twentieth-century concentration camp internees and the multiple ways in which their experiences speak to the fundamental logics of modernity. Mrázek focuses on the minutiae of daily life in two camps: Theresienstadt, a Nazi “ghetto” for Jews near Prague, and the Dutch “isolation camp” Boven Digoel—which was located in a remote part of New Guinea between 1927 and 1943 and held Indonesian rebels who attempted to overthrow the colonial government. Drawing on a mix of interviews with survivors and their descendants, archival accounts, ephemera, and media representations, Mrázek shows how modern life's most mundane tasks—buying clothes, getting haircuts, playing sports—continued on in the camps, which were themselves designed, built, and managed in accordance with modernity's tenets. In this way, Mrázek demonstrates that concentration camps are not exceptional spaces; they are the locus of modernity in its most distilled form.
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cover of The Coolie Speaks: Chinese Indentured Laborers and African Slaves in Cuba

The Coolie Speaks

Chinese Indentured Laborers and African Slaves in Cuba

Lisa Yun

Temple University Press, 2009

Introducing radical counter-visions of race and slavery, and probing the legal and philosophical questions raised by indenture, The Coolie Speaks offers the first critical reading of a massive testimony case from Cuba in 1874. From this case, Yun traces the emergence of a "coolie narrative" that forms a counterpart to the "slave narrative." The written and oral testimonies of nearly 3,000 Chinese laborers in Cuba, who toiled alongside African slaves, offer a rare glimpse into the nature of bondage and the tortuous transition to freedom. Trapped in one of the last standing systems of slavery in the Americas, the Chinese described their hopes and struggles, and their unrelenting quest for freedom.

Yun argues that the testimonies from this case suggest radical critiques of the "contract" institution, the basis for free modern society. The example of Cuba, she suggests, constitutes the early experiment and forerunner of new contract slavery, in which the contract itself, taken to its extreme, was wielded as a most potent form of enslavement and complicity. Yun further considers the communal biography of a next-generation Afro-Chinese Cuban author and raises timely theoretical questions regarding race, diaspora, transnationalism, and globalization.

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cover of The Corporation That Changed the World: How the East India Company Shaped the Modern Multinational

The Corporation That Changed the World

How the East India Company Shaped the Modern Multinational

Nick Robins

Pluto Press, 2012

"A powerful analysis of the rise and fall of the British East India Company, a private company that conquered a subcontinent and subjugated an entire people."—Huw Bowen, Swansea University

"Elegantly written and sharply argued, Nick Robins' gripping account of the rise and fall of the English East India Company brings to life a crucial episode in the history of globalization."—Sankar Muthu, University of Chicago

The English East India Company was the mother of the modern multinational. Its trading empire encircled the globe, importing Asian luxuries such as spices, textiles, and teas. But it also conquered much of India with its private army and broke open China's markets with opium. The Company's practices shocked its contemporaries and still reverberate today, offering lessons about unfettered capitalism, corporate responsibility, and the legacy of colonialism.

The Corporation That Changed the World is the first book to reveal the Company's enduring legacy as a corporation. This expanded edition explores how the four forces of scale, technology, finance, and regulation drove its spectacular rise and fall. For decades, the Company was simply too big to fail, and stock market bubbles, famines, drug-running, and even duels between rival executives are to be found in this new account.
 
Table of Contents:
Introduction
Chronology
1 The Hidden Wound
2 The Imperious Company
3 Out of the Shadows
4 The Bengal Revolution
5 The Great East Indian Crash
6 Regulating the Company
7 Justice Will Be Done
8 The Toxic Exchange
10 The Unfettered Business
Epilogue

For Robins, the Company's story provides vital lessons on both the role of corporations in world history and the steps required to make global business accountable today.
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cover of The Courtesan's Memory, Voice, and Late Ming Drama

The Courtesan's Memory, Voice, and Late Ming Drama

Peng Xu

University of Michigan Press, 2025

Peng Xu’s The Courtesan’s Memory, Voice, and Late Ming Drama argues that courtesans of the era played an active role in the theater and their impact manifested in Chinese literary history, albeit concealed or erased. In the late Ming dynasty (1368–1644), theater was dominated by male performers with professional actresses largely absent from the stage, unlike in the Yuan dynasty (1271–1368), where women performed without restriction in theater troupes. Despite the prevailing assumption that women played no part in the theatrical movement, The Courtesan’s Memory, Voice, and Late Ming Drama illuminates how courtesans, as serious theater artists and playwrights, left a significant mark on the male-dominated dramatic and literary landscapes.

This study profoundly remaps the textbook narratives of gender bias, challenges modern prejudices prevalent in the literary history of Chinese drama, and reveals how theatrical conditions and writing styles shifted to accommodate courtesan performances. Utilizing a wide range of sources such as scripts, city guides, biographies, diaries, letters, wood-block illustrations, and paintings, this study distinguishes itself from earlier studies of Chinese courtesans by not thematizing courtesans for their allegorical values, but rather pinpointing their agency in shaping the features of Chinese theater and recognizing courtesans as a source of creativity and development in the medium. Xu’s focus on courtesan performance culture allows for fresh readings of canonical Chinese plays, opening up new ways of understanding the history of Chinese drama written by women, thus deviating from standard historiography based solely on the writings of men.

 
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cover of The Cow in the Elevator: An Anthropology of Wonder

The Cow in the Elevator

An Anthropology of Wonder

Tulasi Srinivas

Duke University Press, 2018

In The Cow in the Elevator Tulasi Srinivas explores a wonderful world where deities jump fences and priests ride in helicopters to present a joyful, imaginative, yet critical reading of modern religious life. Drawing on nearly two decades of fieldwork with priests, residents, and devotees, and her own experience of living in the high-tech city of Bangalore, Srinivas finds moments where ritual enmeshes with global modernity to create wonder—a feeling of amazement at being overcome by the unexpected and sublime. Offering a nuanced account of how the ruptures of modernity can be made normal, enrapturing, and even comical in a city swept up in globalization's tumult, Srinivas brings the visceral richness of wonder—apparent in creative ritual in and around Hindu temples—into the anthropological gaze. Broaching provocative philosophical themes like desire, complicity, loss, time, money, technology, and the imagination, Srinivas pursues an interrogation of wonder and the adventure of writing true to its experience. The Cow in the Elevator rethinks the study of ritual while reshaping our appreciation of wonder's transformative potential for scholarship and for life.
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cover of The Crafting of the 10,000 Things: Knowledge and Technology in Seventeenth-Century China

The Crafting of the 10,000 Things

Knowledge and Technology in Seventeenth-Century China

Dagmar Schäfer

University of Chicago Press, 2011

The last decades of the Ming dynasty, though plagued by chaos and destruction, saw a significant increase of publications that examined advances in knowledge and technology. Among the numerous guides and reference books that appeared during this period was a series of texts by Song Yingxing (1587–1666?), a minor local official living in southern China. His Tiangong kaiwu, the longest and most prominent of these works, documents the extraction and processing of raw materials and the manufacture of goods essential to everyday life, from yeast and wine to paper and ink to boats, carts, and firearms.

            
In The Crafting of the 10,000 Things, Dagmar Schäfer probes this fascinating text and the legacy of its author to shed new light on the development of scientific thinking in China, the purpose of technical writing, and its role in and effects on Chinese history. Meticulously unfolding the layers of Song’s personal and cultural life, Schäfer chronicles the factors that motivated Song to transform practical knowledge into written culture. She then examines how Song gained, assessed, and ultimately presented knowledge, and in doing so articulates this era’s approaches to rationality, truth, and belief in the study of nature and culture alike.  Finally, Schäfer places Song’s efforts in conjunction with the work of other Chinese philosophers and writers, before, during, and after his time, and argues that these writings demonstrate collectively a uniquely Chinese way of authorizing technology as a legitimate field of scholarly concern and philosophical knowledge.


Offering an overview of a thousand years of scholarship, The Crafting of the 10,000 Things explains the role of technology and crafts in a culture that had an outstandingly successful tradition in this field and was a crucial influence on the technical development of Europe on the eve of the Industrial Revolution.

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cover of The Crisis of Secularism in India

The Crisis of Secularism in India

Anuradha Dingwaney Needham and Rajeswari Sunder Rajan, eds.

Duke University Press, 2007

While secularism has been integral to India’s democracy for more than fifty years, its uses and limits are now being debated anew. Signs of a crisis in the relations between state, society, and religion include the violence directed against Muslims in Gujarat in 2002 and the precarious situation of India’s minority religious groups more generally; the existence of personal laws that vary by religious community; the affiliation of political parties with fundamentalist religious organizations; and the rallying of a significant proportion of the diasporic Hindu community behind a resurgent nationalist Hinduism. There is a broad consensus that a crisis of secularism exists, but whether the state can resolve conflicts and ease tensions or is itself part of the problem is a matter of vigorous political and intellectual debate. In this timely, nuanced collection, twenty leading Indian cultural theorists assess the contradictory ideals, policies, and practices of secularism in India.

Scholars of history, anthropology, religion, politics, law, philosophy, and media studies take on a broad range of concerns. Some consider the history of secularism in India; others explore theoretical issues such as the relationship between secularism and democracy or the shortcomings of the categories “majority” and “minority.” Contributors examine how the debates about secularism play out in schools, the media, and the popular cinema. And they address two of the most politically charged sites of crisis: personal law and the right to practice and encourage religious conversion. Together the essays inject insightful analysis into the fraught controversy about the shortcomings and uncertain future of secularism in the world today.

Contributors. Flavia Agnes, Upendra Baxi, Shyam Benegal, Akeel Bilgrami, Partha Chatterjee, V. Geetha, Sunil Khilnani, Nivedita Menon, Ashis Nandy, Anuradha Dingwaney Needham, Gyanendra Pandey, Gyan Prakash, Arvind Rajagopal, Paula Richman, Sumit Sarkar, Dwaipayan Sen, Rajeswari Sunder Rajan, Shabnum Tejani, Romila Thapar, Ravi S. Vasudevan, Gauri Viswanathan

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cover of The Cult of Draupadi, Volume 1: Mythologies: From Gingee to Kuruksetra

The Cult of Draupadi, Volume 1

Mythologies: From Gingee to Kuruksetra

Alf Hiltebeitel

University of Chicago Press, 1988

This is the first volume of a three-volume work on the little-known South Indian folk cult of the goddess Draupadi and on the classical epic, the Mahabharata, that the cult brings to life in mythic, ritual, and dramatic forms. Draupadi, the chief heroine of the Sanskrit Mahābhārata, takes on many unexpected guises in her Tamil cult, but her dimensions as a folk goddess remain rooted in a rich interpretive vision of the great epic. By examining the ways that the cult of Draupadi commingles traditions about the goddess and the epic, Alf Hiltebeitel shows the cult to be singularly representative of the inner tensions and working dynamics of popular devotional Hinduism. 


Volume 1 focuses on the Draupadī cult’s own double mythology, moving from its stories about Draupadī’s “primal temple” near the capital of the medieval South Indian Kingdom of Gingee to its version of the Mahābhārata war on the North Indian plain of Kurukṣetra. Throughout, Hiltebeitel intertwines “regional” data, gathered from both oral and written sources, with the “epic,” drawn from the cult’s own performative traditions as well as from classical versions of the Mahābhārata in both Tamil and Sanskrit. Pivotal to the overlap of these Gingee and Kurukṣetra mythologies are two folk figures unknown to classical epic traditions: Draupadī’s two guardians, Pōttu Rāja and Muttāl Rāvuttaṉ.
 

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cover of The Cult of Draupadi, Volume 2: On Hindu Ritual and the Goddess

The Cult of Draupadi, Volume 2

On Hindu Ritual and the Goddess

Alf Hiltebeitel

University of Chicago Press, 1991

A groundbreaking work in the history of popular devotional Hinduism 
 
This is the second volume of a two-volume work on the little-known South Indian folk cult of the goddess Draupadi and on the classical epic, the Mahabharata, that the cult brings to life in mythic, ritual, and dramatic forms. Draupadi, the chief heroine of the Sanskrit Mahabharata, takes on many unexpected guises in her Tamil cult, but her dimensions as a folk goddess remain rooted in a rich interpretive vision of the great epic. By examining the ways that the cult of Draupadi commingles traditions about the goddess and the epic, Alf Hiltebeitel shows the cult to be singularly representative of the inner tensions and working dynamics of popular devotional Hinduism. 

Volume 2 looks at the cultic rituals and argues that these rituals cannot be interpreted independent of other Hindu traditions. Hiltebeitel draws upon his recent fieldwork to demonstrate the remarkable regional and local variations in the practice of the Draupadī cult rituals, from the core area around the ancient center of gingee to the thanjavur area just to the south. He brings to the forefront the differences between the complex rituals of cities, towns, and villages and discusses variations related to their proximity to the central temple in gingee and to the castes from which their customs are derived. using as its model the festival of the Tindivanam temple, Hiltebeitel’s study follows the order of the festival itself and investigates in turn the festival’s four interrelated arenas: the Draupadī temple, a drama stage, a ritual battlefield (paṭukaḷam), and a firewalking area. He explains how the Draupadī festival orchestrates movements back and forth between these arenas to produce a “ritual of battle” in which Draupadī emerges as the victorious goddess.
 

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cover of The Culture of Japanese Fascism

The Culture of Japanese Fascism

Alan Tansman, ed.

Duke University Press, 2009

This bold collection of essays demonstrates the necessity of understanding fascism in cultural terms rather than only or even primarily in terms of political structures and events. Contributors from history, literature, film, art history, and anthropology describe a culture of fascism in Japan in the decades preceding the end of the Asia-Pacific War. In so doing, they challenge past scholarship, which has generally rejected descriptions of pre-1945 Japan as fascist. The contributors explain how a fascist ideology was diffused throughout Japanese culture via literature, popular culture, film, design, and everyday discourse. Alan Tansman’s introduction places the essays in historical context and situates them in relation to previous scholarly inquiries into the existence of fascism in Japan.

Several contributors examine how fascism was understood in the 1930s by, for example, influential theorists, an antifascist literary group, and leading intellectuals responding to capitalist modernization. Others explore the idea that fascism’s solution to alienation and exploitation lay in efforts to beautify work, the workplace, and everyday life. Still others analyze the realization of and limits to fascist aesthetics in film, memorial design, architecture, animal imagery, a military museum, and a national exposition. Contributors also assess both manifestations of and resistance to fascist ideology in the work of renowned authors including the Nobel-prize-winning novelist and short-story writer Kawabata Yasunari and the mystery writers Edogawa Ranpo and Hamao Shirō. In the work of these final two, the tropes of sexual perversity and paranoia open a new perspective on fascist culture. This volume makes Japanese fascism available as a critical point of comparison for scholars of fascism worldwide. The concluding essay models such work by comparing Spanish and Japanese fascisms.

Contributors. Noriko Aso, Michael Baskett, Kim Brandt, Nina Cornyetz, Kevin M. Doak, James Dorsey, Aaron Gerow, Harry Harootunian, Marilyn Ivy, Angus Lockyer, Jim Reichert, Jonathan Reynolds, Ellen Schattschneider, Aaron Skabelund, Akiko Takenaka, Alan Tansman, Richard Torrance, Keith Vincent, Alejandro Yarza

[more]
cover of The Dance That Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia

The Dance That Makes You Vanish

Cultural Reconstruction in Post-Genocide Indonesia

Rachmi Diyah Larasati

University of Minnesota Press, 2013


Indonesian court dance, a purportedly pure and untouched tradition, is famed throughout the world for its sublime calm and stillness. Yet this unyieldingly peaceful surface conceals a time of political repression and mass killing. Between 1965 and 1966, some one million Indonesians—including a large percentage of the country’s musicians, artists, and dancers—were killed, arrested, or disappeared as Suharto established a virtual dictatorship that ruled for the next thirty years.


In The Dance That Makes You Vanish, an examination of the relationship between female dancers and the Indonesian state since 1965, Rachmi Diyah Larasati elucidates the Suharto regime’s dual-edged strategy: persecuting and killing performers perceived as communist or left leaning while simultaneously producing and deploying “replicas”—new bodies trained to standardize and unify the “unruly” movements and voices of those vanished—as idealized representatives of Indonesia’s cultural elegance and composure in bowing to autocratic rule. Analyzing this history, Larasati shows how the Suharto regime’s obsessive attempts to control and harness Indonesian dance for its own political ends have functioned as both smoke screen and smoke signal, inadvertently drawing attention to the site of state violence and criminality by constantly pointing out the “perfection” of the mask that covers it.


Reflecting on her own experiences as an Indonesian national troupe dancer from a family of persecuted female dancers and activists, Larasati brings to life a powerful, multifaceted investigation of the pervasive use of culture as a vehicle for state repression and the global mass-marketing of national identity.


[more]
cover of The Death and Life of Chinese Civil Society

The Death and Life of Chinese Civil Society

Mujun Zhou

University of Michigan Press, 2026

The Death and Life of Chinese Civil Society examines how a group of Chinese intellectual elites referred to as the liberals or ziyou pai edified the civil society project beginning in the 1990s to build an independent space to constrain state power, increase political participation, and promote China’s democratization. In the early 2000s, activists in movements such as the environmental and the AIDS movements identified with the liberals and regarded their activism as part of the project of building civil society. However, since the late 2000s the liberals’ influence has gradually declined. In prominent social movements in the 2010s such as the labor and feminist movements, activists have openly criticized the liberal interpretation of civil society and regarded liberals’ civil society agenda as irrelevant. 

Mujun Zhou employs the concept of interstitial space, or the space where the exercise of power has not been fully institutionalized, to examine the history of the civil society project over the past three decades and its changing relationship with other social movements. Zhou suggests that by advocating for civil society the liberals gained allies and thematized many social problems rising during China’s economic reform; however, liberals’ activism also produced new forms of power inequalities.
 
[more]
cover of The Deer and the Tiger

The Deer and the Tiger

George B. Schaller

University of Chicago Press, 1984

A classic work of natural history by a legendary, National Book Award-winning scientist and ecologist 
 
The Deer and the Tiger is Geporge B. Schaller's detailed account of the ecology and behavior of Bengal tigers and four species of the hoofed mammals on which they prey, based on extensive field observations in India's Kanha National Park. Like all of Schaller's classic books, it combines rich scientific knowledge with a remarkable ability to convey scene, setting, and incident. The result is a riveting account of wildlife in a region few of us will ever get to visit in person. 
 
[more]
cover of The Deoliwallahs: The True Story of the 1962 Chinese Indian Internment

The Deoliwallahs

The True Story of the 1962 Chinese Indian Internment

Joy Ma

Rutgers University Press, 2026

The Deoliwallahs sheds light on a lesser-known chapter of Indian history—the internment of Chinese Indians following the 1962 Sino-Indian War. During the war, around 3,000 Indians of Chinese descent were detained in a camp in Deoli, Rajasthan, under suspicion of espionage. Many of these individuals had deep roots in India, with families that had lived there for generations. The book recounts their harrowing experiences, including abrupt arrests, harsh conditions in the camp, and the emotional toll of being ostracized by their own country.

Alternating between historical context and the personal stories of survivors, authors Joy Ma and Dilip D'Souza weave together a compelling and emotional account of a nearly forgotten community of people interned against their will. The book draws parallels with other instances of internment, such as the Japanese American experience during World War II, highlighting the universal themes of identity, citizenship, and the consequences of fear-driven policies.

A documentary, Voices of Deoli (2025), directed by Lulu Men with author Joy Ma serving as executive producer, along with Michael Cheng and Neela D’Souza, also shares the stories of survivors and, like the book, serves as a powerful reminder of the fragility of rights and the impact of prejudice.
 

[more]
cover of The Dervish Bowl: The Many Lives of Arminius Vambéry

The Dervish Bowl

The Many Lives of Arminius Vambéry

Anabel Loyd

Haus Publishing, 2025

A narrative of the life of Arminius Vámbéry.

Who was Arminius Vámbéry? A poverty-stricken, Jewish autodidact; a linguist, traveler, and writer—or a sometime Zionist, inspiration for Dracula’s nemesis, and British secret agent? Vámbéry wrote his own story many times over, and it was these often highly embroidered accounts of journeys through Persia and Central Asia that saw him acclaimed in Victorian England as an intrepid explorer and daring adventurer. Against the backdrop of the “Great Game,” in which Russia and Britain jostled for territory, influence, and control of the borders and gateways to India and its wealth, Vámbéry played the roles of hero and double-dealer, of fascinated witness and imperialist charlatan.

The Dervish Bowl is the story of these competing narratives and a compelling investigation of both the ever-changing persona Vámbéry created for himself and the man who emerges from his private correspondence and the accounts of both his friends and his enemies, many of whom were themselves major players in the geopolitical adventures of the volatile nineteenth century—a time when Britain’s ambitions for her empire were at their height, yet nothing and no one was quite as they seemed.
 
[more]
cover of The Desperate Diplomat: Saburo Kurusu's Memoir of the Weeks before Pearl Harbor

The Desperate Diplomat

Saburo Kurusu's Memoir of the Weeks before Pearl Harbor

Edited by J. Garry Clifford and Masako R. Okura

University of Missouri Press, 2014

On December 7, 1941, the course of U.S. history changed forever with the bombing of Pearl Harbor. Three weeks prior, Japanese Special Envoy to the United States Saburo Kurusu visited Washington in an attempt to further peace talks between Japan and America and spare his country the loss he knew would occur if a war began. But as he reported, “Working for peace is not as simple as starting a war.” For more than seventy years, many have unfairly viewed Kurusu and his visit as part of the Pearl Harbor plot. Editors J. Garry Clifford and Masako R. Okura seek to dispel this myth with their edition of Kurusu’s memoir, The Desperate Diplomat.
Kurusu published his personal memoir in 1952, in Japanese, describing his efforts to prevent war between the two nations, his total lack of knowledge regarding the Pearl Harbor attack, and what “might have been” had he been successful in his endeavor for peace, while offering an exclusive perspective on the Japanese reaction to the attack. However, the information contained in his memoir was unavailable to most of the world, save those fluent in Japanese, because it had never been published in another language. With the discovery of Kurusu’s own English memoir, his story can finally be told to a wider audience.
Clifford and Okura have used both the Japanese and English memoirs and added an introduction and annotations to Kurusu’s story, making The Desperate Diplomat an essential look at an event that remains controversial in the history of both nations. Anyone who takes interest in the history of Pearl Harbor cannot afford to omit this previously unavailable information from their library.
[more]
cover of The Devil's Handwriting: Precoloniality and the German Colonial State in Qingdao, Samoa, and Southwest Africa

The Devil's Handwriting

Precoloniality and the German Colonial State in Qingdao, Samoa, and Southwest Africa

George Steinmetz

University of Chicago Press, 2007

Germany’s overseas colonial empire was relatively short lived, lasting from 1884 to 1918. During this period, dramatically different policies were enacted in the colonies: in Southwest Africa, German troops carried out a brutal slaughter of the Herero people; in Samoa, authorities pursued a paternalistic defense of native culture; in Qingdao, China, policy veered between harsh racism and cultural exchange.
Why did the same colonizing power act in such differing ways? In The Devil’s Handwriting, George Steinmetz tackles this question through a brilliant cross-cultural analysis of German colonialism, leading to a new conceptualization of the colonial state and postcolonial theory. Steinmetz uncovers the roots of colonial behavior in precolonial European ethnographies, where the Hereros were portrayed as cruel and inhuman, the Samoans were idealized as “noble savages,” and depictions of Chinese culture were mixed. The effects of status competition among colonial officials, colonizers’ identification with their subjects, and the different strategies of cooperation and resistance offered by the colonized are also scrutinized in this deeply nuanced and ambitious comparative history.
[more]
cover of The Dianshizhai Pictorial: Shanghai Urban Life, 1884–1898

The Dianshizhai Pictorial

Shanghai Urban Life, 1884–1898

Ye Xiaoqing

University of Michigan Press, 2003

While twentieth-century Shanghai has received extensive scholarly treatment, the nineteenth century has remained understudied, even though it encompasses the first half-century of Shanghai's growth as a treaty port and the early years of Chinese-foreign contact. Published in the last quarter of the nineteenth century, the Dianshizhai Pictorial provides a record of the new urban popular culture that emerged in Shanghai's foreign settlements during this period.
In this study, Ye Xiaoqing provides a comprehensive view into the Dianshizhai's detailed illustrations of everyday life at home, in commercial establishments, and in Shanghai's public areas. Her introduction to more than one hundred drawings points to the social background, lifestyle, and intellectual outlook of the Dianshizhai's literati writers and artists, the weakness of gentry control in the foreign settlements, and the commercialization and “modern” material culture that made Shanghai distinctive. The drawings and commentaries of the Dianshizhai contrast the settlements with “traditional” culture and urban life in the adjacent Chinese city and vividly convey items of interest—from the quotidian to the bizarre—highlighting local fascination with and anxiety at the rapid changes in Shanghai's increasingly cosmopolitan society.
[more]
cover of The Dictator's Dilemma at the Ballot Box: Electoral Manipulation, Economic Maneuvering, and Political Order in Autocracies

The Dictator's Dilemma at the Ballot Box

Electoral Manipulation, Economic Maneuvering, and Political Order in Autocracies

Masaaki Higashijima

University of Michigan Press, 2022

Contrary to our stereotypical views, dictators often introduce elections in which they refrain from employing blatant electoral fraud. Why do electoral reforms happen in autocracies? Do these elections destabilize autocratic rule? The Dictator’s Dilemma at the Ballot Box argues that strong autocrats who can garner popular support become less dependent on coercive electioneering strategies. When autocrats fail to design elections properly, elections backfire in the form of coups, protests, and the opposition’s stunning election victories. The book’s theoretical implications are tested on a battery of cross-national analyses with newly collected data on autocratic elections and in-depth comparative case studies of the two Central Asian republics of Kazakhstan and Kyrgyzstan.

[more]
cover of The Ecology and Conservation of Asian Hornbills: Farmers of the Forest

The Ecology and Conservation of Asian Hornbills

Farmers of the Forest

Margaret F. Kinnaird and Timothy G. O'Brien

University of Chicago Press, 2008

Hornbills are among the world’s most distinct birds. Easily recognized by their oversized beaks adorned with large casques, they range from Africa to India and throughout Asia. One of the oldest bird orders, they have been known to mankind for millennia and loom large in the mythology of indigenous cultures of tropical Asia. In the past thirty years, ecologists have uncovered many fascinating aspects of hornbill biology, from their unique nest-sealing behavior to their roles as farmers of the forest.

Building on fourteen years of research, Margaret F. Kinnaird and Timothy G. O’Brien offer in Ecology and Conservation of Asian Hornbills the most up-to-date information on the evolution, reproduction, feeding ecology, and movement patterns of thirty-one species of Asian hornbills. The authors address questions of ecological functionality, ecosystem services, and keystone relationships, as well as the disturbing influence of forest loss and fragmentation on hornbills. Complemented by superb full-color images by renowned photographer Tim Laman that provide rare glimpses of hornbills in their native habitat and black-and-white illustrations by Jonathan Kingdon that highlight the intriguing aspects of hornbill behavior, Ecology and Conservation of Asian Hornbills will stand tall in the pantheon of natural history studies for years to come.
[more]
cover of The Economic History of Singapore

The Economic History of Singapore

Keen Meng Choy and Ichiro Sugimoto

National University of Singapore Press, 2026

A macroeconomic history of Singapore, one of the world’s most prosperous economies, spanning over 700 years. 

What explains Singapore’s economic success? What are the factors behind the many changes it has negotiated over the centuries, first as a regional trading port in the fourteenth century, then as an entrepôt and staple port in the British empire, and finally moving to independence, export-led industrialization, and global-city status as one of the world's most prosperous economies? This comprehensive economic history of Singapore is the first to integrate a long-term view, taking a narrative but analytical approach. At the same time, the book does not lose sight of individuals, firms, and families, and the way economic changes have affected the well-being of Singapore’s people. The Economic History of Singapore also considers recent challenges faced by the country, such as balancing the needs of the nation-state and the global city and managing worsening income distribution.
[more]
cover of The Emperor’s New Epistemology: Music, Empire, and Empiricism in Early Modern China

The Emperor’s New Epistemology

Music, Empire, and Empiricism in Early Modern China

Lester Hu

University of Chicago Press, 2027

An innovative account of listening and empire-building in 17th- and 18th-century China.

The Emperor’s New Epistemology explores how listening shaped knowledge and empire-building in seventeenth- and eighteenth-century China. As the Manchu dynasty expanded deep into Inner Asian territories deemed foreign by the majority-Han population, the Qing Empire’s musical culture encompassed the sounds of Mongols, Uyghurs, and Tibetans, as well as Western music brought by Jesuit and other Christian missionaries. Lester Hu reveals that this diversity transformed not only Qing court culture but the very grounds on which knowledge and power could be established.

In one revealing episode from 1692, the Kangxi Emperor (1654–1722) misinterpreted a key term of Classical Chinese music after studying European music with the Jesuits. Hu situates this anecdote within the political, social, and epistemic shifts that transformed late-imperial China. As Hu shows, listening was an instrument of Qing imperial authority: Knowledge about music, language, and even the universe could only be verified through the emperor’s ears. Furthermore, listening facilitated new theories of empirical knowledge, which both lent themselves to Qing-imperial ideology and generated new epistemic tensions. By exploring their echoes in similar shifts in early modern Europe, Hu’s book brings a global perspective to the study of music in the early modern world and reconsiders the transcendental ground on which such comparative and intercultural knowledge is possible.

[more]
cover of The Empire of the Steppes: A History of Central Asia

The Empire of the Steppes

A History of Central Asia

Grousset, René

Rutgers University Press, 1970

While the early history of the steppe nomads is shrouded in obscurity, this obscurity lifts somewhat after their contact with cultures possessing written histories. But even when information about them becomes relatively more plentiful, linguistic ocmplexities make its interpretation extremely difficult. Thus, while the number of specialized studies devoted to them is impressive, general works embracing the many disciplines involved, or syntheses on a grand scale encompassing the sprawling history of these peoples, are exceedingly scarce. Among these very few, The Empire of the Steppes is outstanding. The aim of this first English-language edition has been to make available a major work useful to the general reader as well as to the specialist, above all an edition which retains the majestic sweep and grandeur, as well as the overriding intellectual grasp, of Grousset's original. 

Hailed as a masterpiece when first published in 1939, this great work of synthesis rapidly became indispensable to scholars fluent in French. Now, after a decade of preparation, this unique history of Central Asia is available in English, in a felicitous translation by Naomi Walford from the 1952 French edition, the last published in Grousset's lifetime. Nineteen maps have been expressly prepared for the Rutgers edition, and a comprehensive 54-page index has been added. In addition, specialists have checked the text, notes, and bibliographical references to bring this vast work into conformity with present-day academic standards. 
[more]
cover of The Empress and the Dragon Throne: Imperial Women of the Early Ming Dynasty

The Empress and the Dragon Throne

Imperial Women of the Early Ming Dynasty

Ellen Soulliere

Hong Kong University Press, 2025

How empresses and consorts were indispensable to the Ming dynasty and its politics and governance.

The rulers of the Ming dynasty enacted paradigms of hierarchical order. Like imperial families, households, and courts in earlier Chinese dynasties, they articulated patriarchal, patrilineal, and patrilocal organizational principles as exemplars for families and institutions throughout the empire. Women made indispensable contributions to the development of these paradigms and principles and to the social, cultural, and political fabric of the family and the state. And yet, in the existing literature in Chinese and English women are often burdened with stereotypes, positioned as peripheral, or rendered almost invisible.

Reading available texts “against the grain,” and drawing on a trove of evidence from material culture, Soulliere shows how women defined a place for themselves in the multigenerational Ming imperial family, imperial household, and court. The Empress and the Dragon Throne spans the first Ming century from just before the founding of the dynasty in 1368 to the end of the Tianshun reign in 1465. This richly illustrated volume is a must-read for scholars, students, and anyone interested in learning about women’s lives during the Ming dynasty.
[more]
cover of The End of Area: Biopolitics, Geopolitics, History

The End of Area

Biopolitics, Geopolitics, History

Gavin Walker and Naoki Sakai, special issue editors

Duke University Press, 0

As technological innovation and cultural exchange challenge conventional borders, national identities, and notions of the nation-state, scholars have increasingly argued that the traditional concepts of “area” are ideological and political constructs tied to a schema of the world that no longer exists. This special issue of positions: asia critique posits that this “end of area” does not necessarily mean the end of area studies as a discipline. Rather, contributors suggest that “area” has detached itself from the realm of geopolitics and entered into the realm of biopolitics and biopower, which provides an opportunity to reevaluate and remap the goals of area studies. To address that change, this issue centers translation and the biopolitical as new theoretical mechanisms for area studies to order, combine, separate, and classify life. Topics include the concept of “area” itself; the philosophy of translation; reflections on Jean-François Lyotard, Jacques Derrida, and Edward Said; governmentality and biopower in the time of global capital; and biopolitical management of geocultural areas. 

Contributors:  Étienne Balibar, Ken C. Kawashima, Sandro Mezzadra, Tessa Morris-Suzuki, Naoki Sakai, Shu-Mei Shih, Jon Solomon, Tazaki Hideaki, Gavin Walker
[more]
cover of The End of Concern: Maoist China, Activism, and Asian Studies

The End of Concern

Maoist China, Activism, and Asian Studies

Fabio Lanza

Duke University Press, 2017

In 1968 a cohort of politically engaged young academics established the Committee of Concerned Asian Scholars (CCAS). Critical of the field of Asian studies and its complicity with the United States' policies in Vietnam, the CCAS mounted a sweeping attack on the field's academic, political, and financial structures. While the CCAS included scholars of Japan, Korea, and South and Southeast Asia, the committee focused on Maoist China, as it offered the possibility of an alternative politics and the transformation of the meaning of labor and the production of knowledge. In The End of Concern Fabio Lanza traces the complete history of the CCAS, outlining how its members worked to merge their politics and activism with their scholarship. Lanza's story exceeds the intellectual history and legacy of the CCAS, however; he narrates a moment of transition in Cold War politics and how Maoist China influenced activists and intellectuals around the world, becoming a central element in the political upheaval of the long 1960s.
[more]
cover of The End of Empires: African Americans and India

The End of Empires

African Americans and India

Gerald Horne

Temple University Press, 2009

In the past fifty years, according to Christine So, the narratives of many popular Asian American books have been dominated by economic questions-what money can buy, how money is lost, how money is circulated, and what labor or objects are worth. Focusing on books that have achieved mainstream popularity, Economic Citizens unveils the logic of economic exchange that determined Asian Americans’ transnational migrations and national belonging.

With penetrating insight, So examines literary works that have been successful in the U.S. marketplace but have been read previously by critics largely as narratives of alienation or assimilation, including Fifth Chinese Daughter, Flower Drum Song, Falling Leaves and Turning Japanese. In contrast to other studies that have focused on the marginalization of Asian Americans, Economic Citizens examines how Asian Americans have entered into the public sphere.

[more]
cover of The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies

The End of Japanese Cinema

Industrial Genres, National Times, and Media Ecologies

Alexander Zahlten

Duke University Press, 2017

In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies.

A Study of the Weatherhead East Asian Institute, Columbia University
[more]
cover of The End of Nomadism?: Society, State, and the Environment in Inner Asia

The End of Nomadism?

Society, State, and the Environment in Inner Asia

Caroline Humphrey and David Sneath

Duke University Press, 1999

Those who herd in the vast grassland region of Inner Asia face a precarious situation as they struggle to respond to the momentous political and economic changes of recent years. In The End of Nomadism? Caroline Humphrey and David Sneath confront the romantic, ahistorical myth of the wandering nomad by revealing the complex lives and the significant impact on Asian culture of these modern “mobile pastoralists.” In their examination of the present and future of pastoralism, the authors recount the extensive and quite sudden social, political, environmental, and economic changes of recent years that have forced these peoples to respond and evolve in order to maintain their centuries-old way of life.
Using extensive and detailed case studies comparing pastoralism in Siberian Russia, Mongolia, and Northwest China, Humphrey and Sneath explore the different paths taken by nomads in these countries in reaction to a changing world. In examining how each culture is facing not only different prospects for sustainability but also different environmental problems, the authors come to the surprising conclusion that mobility can, in fact, be compatible with a modern and urbanized world. While placing emphasis on the social and cultural traditions of Inner Asia and their fate in the post-Socialist economies of the present, The End of Nomadism? investigates the changing nature of pastoralism by focusing on key areas under environmental threat and relating the ongoing problems to distinctive socioeconomic policies and practices in Russia and China. It also provides lively contemporary commentary on current economic dilemmas by revealing in telling detail, for instance, the struggle of one extended family to make a living.
This book will interest Central Asian, Russian, and Chinese specialists, as well as those studying the environment, anthropology, sociology, peasant studies, and ecology.


[more]
cover of The End of Pax Americana: The Loss of Empire and Hikikomori Nationalism

The End of Pax Americana

The Loss of Empire and Hikikomori Nationalism

Naoki Sakai

Duke University Press, 2022

In The End of Pax Americana, Naoki Sakai focuses on U.S. hegemony's long history in East Asia and the effects of its decline on contemporary conceptions of internationality. Engaging with themes of nationality in conjunction with internationality, the civilizational construction of differences between East and West, and empire and decolonization, Sakai focuses on the formation of a nationalism of hikikomori, or “reclusive withdrawal”—Japan’s increasingly inward-looking tendency since the late 1990s, named for the phenomenon of the nation’s young people sequestering themselves from public life. Sakai argues that the exhaustion of Pax Americana and the post--World War II international order—under which Taiwan, South Korea, Hong Kong, and China experienced rapid modernization through consumer capitalism and a media revolution—signals neither the “decline of the West” nor the rise of the East, but, rather a dislocation and decentering of European and North American political, economic, diplomatic, and intellectual influence. This decentering is symbolized by the sense of the loss of old colonial empires such as those of Japan, Britain, and the United States.
[more]
cover of The Era of Great Disasters: Japan and Its Three Major Earthquakes

The Era of Great Disasters

Japan and Its Three Major Earthquakes

Makoto Iokibe; Translated by Tony Gonzalez

University of Michigan Press, 2020

The Era of Great Disasters examines modern disaster response in Japan, from the changing earthquake preparations and regulations, to immediate emergency procedures from the national, prefectural, and city levels, and finally the evolving efforts of rebuilding and preparing for the next great disaster in the hopes of minimizing their tragic effects. This book focuses on three major earthquakes from Japan’s modern history. The first is the 1923 Great Kantō Earthquake, which struck the capital region. The second is the 1995 Great Hanshin-Awaji Earthquake, affecting the area between Kobe and Osaka. The third is the 2011 Great East Japan Earthquake, the magnitude 9.0 quake that struck off the Pacific coast of the Tōhoku region, causing a devastating tsunami and the nuclear accident. While the events of (and around) each of these earthquakes are unique, Professor Iokibe brings his deep expertise and personal experience to each disaster, unveiling not only the disasters themselves but the humanity underneath. In each case, he gives attention and gratitude to those who labored to save lives and restore the communities affected, from the individuals on the scene to government officials and military personnel and emergency responders, in hope that we might learn from the past and move forward with greater wisdom, knowledge, and common purpose.
[more]
cover of The Evolution of Pragmatism in India: Ambedkar, Dewey, and the Rhetoric of Reconstruction

The Evolution of Pragmatism in India

Ambedkar, Dewey, and the Rhetoric of Reconstruction

Scott R. Stroud

University of Chicago Press, 2023

"A magnificent study" (New York Review of Books) of how the Indian reformer Bhimrao Ambedkar reimagined John Dewey’s pragmatism.
 
In The Evolution of Pragmatism in India, Scott R. Stroud delivers a comprehensive exploration of the influence of John Dewey’s pragmatism on Bhimrao Ambedkar, architect of the Republic of India’s constitution. Stroud traces Ambedkar’s development in Dewey’s Columbia University classes in 1913–1916 through his final years in 1950s India when he rewrote the story of Buddhism. Stroud examines pragmatism’s influence not only on the philosophical ideas underpinning Ambedkar’s fight against caste oppression but also how his persuasive techniques drew on pragmatism’s commitment to reconstruction and meliorism. At the same time, Stroud is careful to point out the ways that Ambedkar pushed back against Dewey’s paradigm and developed his own approach to challenges in India. The result is a nuanced study of one of the most important figures in Indian history.
[more]
cover of The Fable of the Keiretsu: Urban Legends of the Japanese Economy

The Fable of the Keiretsu

Urban Legends of the Japanese Economy

Yoshiro Miwa and J. Mark Ramseyer

University of Chicago Press, 2006

For Western economists and journalists, the most distinctive facet of the post-war Japanese business world has been the keiretsu, or the insular business alliances among powerful corporations. Within keiretsu groups, argue these observers, firms preferentially trade, lend money, take and receive technical and financial assistance, and cement their ties through cross-shareholding agreements. In The Fable of the Keiretsu, Yoshiro Miwa and J. Mark Ramseyer demonstrate that all this talk is really just urban legend.

In their insightful analysis, the authors show that the very idea of the keiretsu was created and propagated by Marxist scholars in post-war Japan. Western scholars merely repatriated the legend to show the culturally contingent nature of modern economic analysis. Laying waste to the notion of keiretsu, the authors debunk several related “facts” as well: that Japanese firms maintain special arrangements with a “main bank,” that firms are systematically poorly managed, and that the Japanese government guided post-war growth. In demolishing these long-held assumptions, they offer one of the few reliable chronicles of the realities of Japanese business.
[more]
cover of The Fate of Rural Hell: Asceticism and Desire in Buddhist Thailand

The Fate of Rural Hell

Asceticism and Desire in Buddhist Thailand

Benedict Anderson

Seagull Books, 2012

In 1975, when political scientist Benedict Anderson reached Wat Phai Rong Wua, a massive temple complex in rural Thailand conceived by Buddhist monk Luang Phor Khom, he felt he had wandered into a demented Disneyland. One of the world’s most bizarre tourist attractions, Wat Phai Rong Wua was designed as a cautionary museum of sorts; its gruesome statues depict violent and torturous scenes that showcase what hell may be like. Over the next few decades, Anderson, who is best known for his work, Imagined Communities, found himself transfixed by this unusual amalgamation of objects, returning several times to see attractions like the largest metal-cast Buddha figure in the world and the Palace of a Hundred Spires. The concrete statuaries and perverse art in Luang Phor’s personal museum of hell included, “side by side, an upright human skeleton in a glass cabinet and a life-size replica of Michelangelo’s gigantic nude David, wearing fashionable red underpants from the top of which poked part of a swollen, un-Florentine penis,” alongside dozens of statues of evildoers being ferociously punished in their afterlife.
 
In The Fate of Rural Hell, Anderson unravels the intrigue of this strange setting, endeavoring to discover what compels so many Thai visitors to travel to this popular spectacle and what order, if any, inspired its creation. At the same time, he notes in Wat Phai Rong Wua the unexpected effects of the gradual advance of capitalism into the far reaches of rural Asia.
 
Both a one-of-a-kind travelogue and a penetrating look at the community that sustains it, The Fate of Rural Hell is sure to intrigue and inspire conversation as much as Wat Phai Rong Wua itself.
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cover of The Fate of Rural Hell: Asceticism and Desire in Buddhist Thailand, New Edition

The Fate of Rural Hell

Asceticism and Desire in Buddhist Thailand, New Edition

Benedict Anderson

Seagull Books, 2016

A new edition of Benedict Anderson's masterpiece of political and social interpretation, which asks what a rural Thai “hell temple” reveals about Buddhism and modern life.

In 1975, political scientist Benedict Anderson encountered Wat Phai Rong Wua, a vast temple complex conceived by the monk Luang Phor Khom. Built as a cautionary museum, it uses striking tableaux, hell scenes, didactic statues, and eclectic displays, to imagine karmic consequence and to draw steady flows of Thai visitors.
Returning to the temple over several decades, Anderson treats the site as a travelogue, an ethnographic puzzle, and a social commentary. He asks what kinds of piety, hierarchy, and desire are staged there, and what local community sustains it. The temple also becomes his lens on how capitalism and rural change reshape religious practice in Thailand.

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cover of The Female as Subject: Reading and Writing in Early Modern Japan

The Female as Subject

Reading and Writing in Early Modern Japan

P. F. Kornicki, Mara Patessio, and G. G. Rowley, Editors

University of Michigan Press, 2010

The Female as Subject presents 11 essays by an international group of scholars from Europe, Japan, and North America examining what women of different social classes read, what books were produced specifically for women, and the genres in which women themselves chose to write. The authors explore the different types of education women obtained and the levels of literacy they achieved, and they uncover women’s participation in the production of books, magazines, and speeches. The resulting depiction of women as readers and writers is also enhanced by thirty black-and-white illustrations.
For too long, women have been largely absent from accounts of cultural production in early modern Japan. By foregrounding women, the essays in this book enable us to rethink what we know about Japanese society during these centuries. The result is a new history of women as readers, writers, and culturally active agents.
The Female as Subject is essential reading for all students and teachers of Japan during the Edo and Meiji periods. It also provides valuable comparative data for scholars of the history of literacy and the book in East Asia.
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cover of The Films of Bong Joon Ho

The Films of Bong Joon Ho

Nam Lee

Rutgers University Press, 2020

Bong Joon Ho won the Oscar® for Best Director for Parasite (2019), which also won Best Picture, the first foreign film to do so, and two other Academy Awards. Parasite was the first Korean film to win the Palme d’Or at Cannes. These achievements mark a new career peak for the director, who first achieved wide international acclaim with 2006’s monster movie The Host and whose forays into English-language film with Snowpiercer (2013) and Okja (2017) brought him further recognition.

As this timely book reveals, even as Bong Joon Ho has emerged as an internationally known director, his films still engage with distinctly Korean social and political contexts that may elude many Western viewers. The Films of Bong Joon Ho demonstrates how he hybridizes Hollywood conventions with local realities in order to create a cinema that foregrounds the absurd cultural anomie Koreans have experienced in tandem with their rapid economic development. Film critic and scholar Nam Lee explores how Bong subverts the structures of the genres he works within, from the crime thriller to the sci-fi film, in order to be truthful to Korean realities that often deny the reassurances of the happy Hollywood ending. With detailed readings of Bong’s films from Barking Dogs Never Bite (2000) through Parasite (2019), the book will give readers a new appreciation of this world-class cinematic talent.

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