335 books match the query 'Caribbean & Latin American Studies' and 69 start with t
H. Adlai Murdoch
Rutgers University Press, 2021
Peter Guardino
Duke University Press, 2005
Guardino makes extensive use of archival materials, including judicial transcripts and newspaper accounts, to illuminate the dramatic contrasts between the local politics of the city and of the countryside, describing in detail how both sets of citizens spoke and acted politically. He contends that although it was the elites who initiated the national change to republicanism, the transition took root only when engaged by subalterns. He convincingly argues that various aspects of the new political paradigms found adherents among even some of the most isolated segments of society and that any subsequent failure of electoral politics was due to an absence of pluralism rather than a lack of widespread political participation.
Peter M. Beattie
Duke University Press, 2001
Schmidt, Hans
Rutgers University Press, 1995
Thomas Matusiak
University of Minnesota Press, 2026
The violence of the cinematic cut in twentieth-century Latin American film
Splice, montage, close-up: modern cinema routinely presents bodies in pieces. Not unlike the guillotine, argues Thomas Matusiak, these techniques have served both overt and symbolic political ends as they accomplish and project the efficient production of severed bodies. In The Visual Guillotine, Matusiak traces the use of cinematic tools of dismemberment in twentieth-century Latin American film to theorize the symbolic and material violence of the cut.
A robust genealogy of Latin American cinematic politics, The Visual Guillotine encompasses national filmmaking traditions; radical and reactionary political registers; and the proliferated aesthetics of narrative, documentary, experimental, and expanded cinema through an innovative critical viewing practice. From the national cinemas of the 1930s to the decapitation videos produced in the Mexican narco-conflict and beyond, Matusiak shows how the cinematic cut has been employed to inspire terror as well as invoke and critique a range of political programs.
A refreshing dialogue between film theory and Latin American cultural studies, The Visual Guillotine offers a new way for film to conceptualize politics. In our present political moment, with rapidly generated and circulated visual media central to a resurgent leftist-populist battle against oligarchy and authoritarianism, this book calls for readers to reassess their viewing position when confronted with violent imagery.
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By Robert S. Carlsen, with a contribution by Martín Prechtel
University of Texas Press, 2011
This compelling ethnography explores the issue of cultural continuity and change as it has unfolded in the representative Guatemala Mayan town Santiago Atitlán. Drawing on multiple sources, Robert S. Carlsen argues that local Mayan culture survived the Spanish Conquest remarkably intact and continued to play a defining role for much of the following five centuries. He also shows how the twentieth-century consolidation of the Guatemalan state steadily eroded the capacity of the local Mayas to adapt to change and ultimately caused some factions to reject—even demonize—their own history and culture. At the same time, he explains how, after a decade of military occupation known as la violencia, Santiago Atitlán stood up in unity to the Guatemalan Army in 1990 and forced it to leave town.
This new edition looks at how Santiago Atitlán has fared since the expulsion of the army. Carlsen explains that, initially, there was hope that the renewed unity that had served the town so well would continue. He argues that such hopes have been undermined by multiple sources, often with bizarre outcomes. Among the factors he examines are the impact of transnational crime, particularly gangs with ties to Los Angeles; the rise of vigilantism and its relation to renewed religious factionalism; the related brutal murders of followers of the traditional Mayan religion; and the apocalyptic fervor underlying these events.
Alma Guillermoprieto
Duke University Press, 2025
Stephan Palmié
University of Chicago Press, 2023
Carlos Sandoval-Garcia
Ohio University Press, 2004
During the last two decades, a decline in public investment has undermined some of the national values and institutions of Costa Rica. The resulting sense of dislocation and loss is usually projected onto Nicaraguan “immigrants.”
Threatening Others: Nicaraguans and the Formation of National Identities in Costa Rica explores the representation of the Nicaraguan “other” in the Costa Rican imagery. It also seeks to address more generally why the sense of national belonging constitutes a crucial identification in contemporary societies. Interdisciplinary and based on extensive fieldwork, it looks critically at the “exceptionalism” that Costa Ricans take for granted and view as a part of their national identity.
Carlos Sandoval-García argues that Nicaraguan immigrants, once perceived as a “communist threat,” are now victims of an invigorated, racialized politics in which the Nicaraguan nationality has become an offense in itself.
Threatening Others is a deeply searching book that will interest scholars and students in Latin American studies and politics, cultural studies, and ethnic studies.
Mattoso, Katia M de Queiros
Rutgers University Press, 1986
Randall, Margaret
Rutgers University Press, 2009
Randall gives readers an inside look at her children's education, the process through which new law was enacted, the ins and outs of healthcare, employment, internationalism, culture, and ordinary people's lives. She explores issues of censorship and repression, describing how Cuban writers and artists faced them. She recounts one of the country's last beauty pageants, shows us a night of People's Court, and takes us with her when she shops for her family's food rations. Key figures of the revolution appear throughout, and Randall reveals aspects of their lives never before seen.
More than fifty black and white photographs, most by the author, add depth and richness to this astute and illuminating memoir. Written with a poet's ear, depicted with a photographer's eye, and filled with a feminist vision, To Change the Worldùneither an apology nor gratuitous attackùadds immensely to the existing literature on revolutionary Cuba.
Courtney Desiree Morris
Rutgers University Press, 2023
By Leigh Binford
University of Texas Press, 2013
From its inception in 1966, the Canadian Seasonal Agricultural Worker Program (SAWP) has grown to employ approximately 20,000 workers annually, the majority from Mexico. The program has been hailed as a model that alleviates human rights concerns because, under contract, SAWP workers travel legally, receive health benefits, contribute to pensions, are represented by Canadian consular officials, and rate the program favorably. Tomorrow We’re All Going to the Harvest takes us behind the ideology and examines the daily lives of SAWP workers from Tlaxcala, Mexico (one of the leading sending states), observing the great personal and family price paid in order to experience a temporary rise in a standard of living. The book also observes the disparities of a gutted Mexican countryside versus the flourishing agriculture in Canada, where farm labor demand remains high.
Drawn from extensive surveys and nearly two hundred interviews, ethnographic work in Ontario (destination of over 77 percent of migrants in the author’s sample), and quantitative data, this is much more than a case study; it situates the Tlaxcala-Canada exchange within the broader issues of migration, economics, and cultural currents. Bringing to light the historical genesis of “complementary” labor markets and the contradictory positioning of Mexican government representatives, Leigh Binford also explores the language barriers and nonexistent worker networks in Canada, as well as the physical realities of the work itself, making this book a complete portrait of a provocative segment of migrant labor.
M. Myrta Leslie Santana
University of Michigan Press, 2025
Kevin Glynn
Rutgers University Press, 2025

Erin Graff Zivin
Duke University Press, 2027
Edited by Marc Becker, Margaret Power, Tony Wood, and Jacob A. Zumoff
University of Illinois Press, 2023
Contributors: Marc Becker, Jacob Blanc, Tanya Harmer, Patricia Harms, Lazar Jeifets, Victor Jeifets, Adriana Petra, Margaret M. Power, Frances Peace Sullivan, Tony Wood, Kevin A. Young, and Jacob Zumoff

Daniel da Silva
Duke University Press, 2027
Andrea Mendoza
Duke University Press, 2026