662 books match the query 'China' and 145 start with t

cover of The Future of the South China Sea: Disputes and Negotiations

The Future of the South China Sea

Disputes and Negotiations

Jiye Kim

University of Michigan Press, 2026

For over seventy years, China has steadfastly asserted its sovereignty over the South China Sea, transforming these waters into a flashpoint of international tension and a focal point of global diplomacy. The Future of the South China Sea intricately explores China’s motivations, unveiling its ambitions in the South China Sea that are anything but static. Despite the prevailing narrative that frames China’s objectives as monolithic and unchanging, its underlying interests in the region have fluctuated in both content and urgency, driven by economic imperatives, historical legacies, domestic pressures, and broader international security concerns.

By incorporating negotiation records, such as the 1958 Declaration on China’s Territorial Sea, the 1992 ASEAN Declaration, and the 2005 Tripartite Agreement, Jiye Kim traces how China reshapes its interests into negotiation agendas, providing critical insights into the nation’s diplomacy and making a significant contribution to an existing literature on the South China Sea that has been largely dominated by analyses of great power rivalry. This book sheds light on China’s underlying interests as living and adaptable entities, providing scholars with a detailed, evidence-based understanding of the complexities that define one of the world’s most contested maritime regions.
 
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cover of The Giant Pandas of Wolong

The Giant Pandas of Wolong

George B. Schaller, Hu Jinchu, Pan Wenshi, and Zhu Jing

University of Chicago Press, 1985

The giant panda is threatened with extinction. Only about a thousand survive in the wild in China, about half of them protected in reserves. In an effort to save this remarkable species, the government of China and the World Wildlife Fund began cooperative research in 1980. The Giant Pandas of Wolong is not only the first report of this joint venture but also the first detailed account of the panda's natural history. It describes the environment, distribution, life cycle, and daily and seasonal activities of pandas in the wild.

Although giant pandas have few natural enemies, the periodic die-off of bamboo, their main food, threatens their survival. In order to understand the panda's vital link to bamboo, the research team has explored many aspects of the animal's life, collecting information on both wild and captive pandas. Though a herbivore, the panda retains the simple digestive tract of a carnivore. Unable to digest cellulose in plants, it receives relatively little nutrition from the bamboo it eats. As a result, it must eat many kilograms of bamboo each day, foraging for fourteen hours or more throughout a day and night.

Known to the Chinese for several thousand years as daxiongmao, "large bear-cat," the giant panda has defied easy classification. The authors review anatomical, biochemical, behavioral, and paleontological evidence, concluding that the animal is neither bear nor raccoon but belongs in a separate family, perhaps with the small red panda.

The giant panda has captured the imagination of the public more than any other animal. By presenting their groundbreaking and crucial research to the public, the authors of The Giant Pandas of Wolong hope to spur further research and action that will help this precious animal survive.
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cover of The Global White Snake

The Global White Snake

Liang Luo

University of Michigan Press, 2021

The Global White Snake examines the Chinese White Snake legends and their extensive, multidirectional travels within Asia and across the globe. Such travels across linguistic and cultural boundaries have generated distinctive traditions as the White Snake has been reinvented in the Chinese, Japanese, Korean, and English-speaking worlds, among others. Moreover, the inter-Asian voyages and global circulations of the White Snake legends have enabled them to become repositories of diverse and complex meanings for a great number of people, serving as reservoirs for polyphonic expressions ranging from the attempts to consolidate authoritarian power to the celebrations of minority rights and activism.
 
The Global White Snake uncovers how the White Snake legend often acts as an unsettling narrative of radical tolerance for hybrid sexualities, loving across traditional boundaries, subverting authority, and valuing the strange and the uncanny. A timely mediation and reflection on our contemporary moment of continued struggle for minority rights and social justice, The Global White Snake revives the radical anti-authoritarian spirit slithering under the tales of monsters and demons, love and lust, and reminds us of the power of the fantastic and the fabulous in inspiring and empowering personal and social transformations. 
 
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cover of The Great Global Transformation: The United States, China, and the Remaking of the World Economic Order

The Great Global Transformation

The United States, China, and the Remaking of the World Economic Order

Branko Milanovic

University of Chicago Press, 2026

From the essential chronicler of the world economy, a portrait of the Great Powers in transition.

The world’s two great economic powers are on opposite trajectories. In the United States, decades of neoliberal policies produced a small class of rich elites and gutted the middle class. In China, the same global forces have created a massive new upper class. The result is the greatest reshuffling of global incomes since the Industrial Revolution—a dramatic shakeup of each country’s political order. As the two powers retreat from one another, the implications for their futures, and for the world economy, are uncertain.

In The Great Global Transformation, acclaimed economist Branko Milanovic draws on original research to chart how these seismic shifts will shape the next century of the global economy. As both the US and China retreat into protectionism, Milanovic shows how a new and multipolar world order will follow—and how rising nationalism will have dramatically different effects on the two countries. And he shows us the fight ahead: as plutocracy returns, global war threatens, and a new system silently shapes our nations, driving populist discontent to the breaking point.

A worthy successor to Capitalism, Alone and his other landmark works, Milanovic’s new book announces the arrival of a new era he terms “national market liberalism,” in which liberalism survives in domestic economies, but not necessarily in the social arena. The Great Global Transformation is Milanovic’s indispensable account of the new twenty-first century now underway.
 
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cover of The Great Global Transformation: The United States, China, and the Remaking of the World Economic Order

The Great Global Transformation

The United States, China, and the Remaking of the World Economic Order

Branko Milanovic

University of Chicago Press, 2026

From the essential chronicler of the world economy, a portrait of the Great Powers in transition.

The world’s two great economic powers are on opposite trajectories. In the United States, decades of neoliberal policies produced a small class of rich elites and gutted the middle class. In China, the same global forces have created a massive new upper class. The result is the greatest reshuffling of global incomes since the Industrial Revolution—a dramatic shakeup of each country’s political order. As the two powers retreat from one another, the implications for their futures, and for the world economy, are uncertain.

In The Great Global Transformation, acclaimed economist Branko Milanovic draws on original research to chart how these seismic shifts will shape the next century of the global economy. As both the US and China retreat into protectionism, Milanovic shows how a new and multipolar world order will follow—and how rising nationalism will have dramatically different effects on the two countries. And he shows us the fight ahead: as plutocracy returns, global war threatens, and a new system silently shapes our nations, driving populist discontent to the breaking point.

A worthy successor to Capitalism, Alone and his other landmark works, Milanovic’s new book announces the arrival of a new era he terms “national market liberalism,” in which liberalism survives in domestic economies, but not necessarily in the social arena. The Great Global Transformation is Milanovic’s indispensable account of the new twenty-first century now underway.
 

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cover of The Great Separation: The Chinese Cultural Revolution and the Political Origins of Ordoeconomism

The Great Separation

The Chinese Cultural Revolution and the Political Origins of Ordoeconomism

Xiaohong Xu Edited by Roi Livne, Robert Jansen and Yang Zhang

University of Michigan Press, 2026

With a keen attention to how culture and elite conflict shape politics, The Great Separation upends deterministic understandings of the Chinese Cultural Revolution and the market reforms that followed. This ambitious posthumous volume by sociologist Xiaohong Xu turns the existing scholarship on China’s “neoliberalism” on its head by demonstrating that the effort to separate mass politics from economic policy had its origins well before the Reform and Opening-up era. 

Over the course of the Cultural Revolution, unfolding factional dynamics and interpretive struggles enabled Chairman Mao and his radical colleagues to mobilize workers to advance their own political goals while neutralizing the masses’ economic demands, symbolically separating the political from the economic. This set the stage for a more thoroughgoing depoliticization of the economy after 1989, when China faced challenges from students and workers whose economic grievances had rapidly morphed into political demands for democracy. The result was what Xu calls ordoeconomism: an ideology that valorizes economic development, rejects mass politics, and views the state as the apolitical guardian of the economy. As Xu demonstrates, while ordoeconomism may share some affinities with neoliberalism, it is a distinctively Chinese approach that must be understood on its own terms.

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cover of The Haunted Monastery: A Judge Dee Mystery

The Haunted Monastery

A Judge Dee Mystery

Robert van Gulik

University of Chicago Press, 1961

A delightfully clever and cozy mystery starring the beloved detective Judge Dee, whom the Los Angeles Times ranked with Sherlock Holmes

Judge Dee and his entourage, seeking refuge from a mountain storm, become trapped in a Taoist monastery, where the Abbott Jade mysteriously dies after delivering an ecstatic sermon. The monks call it a supernatural experience, but the judge calls it murder. Recalling the allegedly accidental deaths of three young women in the same monastery, Judge Dee seeks clues in the eyes of a cat to solve cases of impersonation and murder. A painting by one of the victims reveals the truth about the killings, propelling the judge on a quest for justice and revenge.

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cover of The High Road to China: George Bogle, the Panchen Lama, and the First British Expedition to Tibet

The High Road to China

George Bogle, the Panchen Lama, and the First British Expedition to Tibet

Kate Teltscher

Northwestern University Press, 2008

Touching, humorous, and illuminating, this travelogue takes readers back in time to a remarkable, world-shaping moment. With rich language and the help of a remarkable journal, author Kate Teltscher traces two extraordinary journeys across some of the harshest and highest terrain in the world: the first British expedition to Tibet and the Panchen Lama’s state visit to mark the Emperor’s seventieth birthday. In the late eighteenth century, with their empire expanding, the British sought a commercial opening to China. European traders were banned from China, but the cunning British East India Company saw a possible advocate in the Panchen Lama, the spiritual leader of the Buddhist people of Tibet. In the hopes of gaining access to Peking, they sent a young Scot named George Bogle as their envoy.

Bogle was able to gain an audience with the Panchen Lama, and in him he found much more than a business partner; the Incarnate Lama was a friendly man who loved to discuss politics, science, art, and culture. Bogle gradually became less of a tourist and less of a colonist, growing comfortable and happy the longer he spent in Tibet even as his mission to open China failed. All the while, he kept a detailed journal—his prose by turn playful, self-deprecating, grandiose, and shrewd—and this revelatory document gives readers an exhilarating front seat to the beginnings of international relationships that exert their effects even now.

Teltscher’s portrayal of Bogle’s unique diplomatic relationship with the holy man is an admission that history is made by people—and people have emotions, flaws, and feelings that enrich and affect history.
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cover of The Himalayan Journey of Walter N. Koelz: The University of Michigan Himalayan Expedition

The Himalayan Journey of Walter N. Koelz

The University of Michigan Himalayan Expedition

Carla M. Sinopoli

University of Michigan Press, 2013

In the fall of 1932, University of Michigan naturalist Walter N. Koelz traveled to northwest India to lead a scientific collecting expedition in the rugged Himalayan regions of Western Tibet. Some eighteen months later he returned to the United States with a remarkable collection of biological specimens and an array of objects—Buddhist paintings, ritual objects, textiles, and household goods—acquired from monasteries, households, and merchants. This book presents the diary entries Koelz wrote at the end of each day throughout his expedition, recounting in detail each day’s travels, bookended by a chapter contextualizing his acquisition of sacred Buddhist objects and an appendix that presents previously unpublished thangka paintings that he collected.

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cover of The Holy Land Reborn: Pilgrimage and the Tibetan Reinvention of Buddhist India

The Holy Land Reborn

Pilgrimage and the Tibetan Reinvention of Buddhist India

Toni Huber

University of Chicago Press, 2008

The Dalai Lama has said that Tibetans consider themselves “the child of Indian civilization” and that India is the “holy land” from whose sources the Tibetans have built their own civilization. What explains this powerful allegiance to India? In The Holy Land Reborn¸ Toni Huber investigates how Tibetans have maintained a ritual relationship to India, particularly by way of pilgrimage, and what it means for them to consider India as their holy land.
Focusing on the Tibetan creation and recreation of India as a destination, a landscape, and a kind of other, in both real and idealized terms, Huber explores how Tibetans have used the idea of India as a religious territory and a sacred geography in the development of their own religion and society. In a timely closing chapter, Huber also takes up the meaning of India for the Tibetans who live in exile in their Buddhist holy land.
A major contribution to the study of Buddhism, The Holy Land Reborn describes changes in Tibetan constructs of India over the centuries, ultimately challenging largely static views of the sacred geography of Buddhism in India.
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cover of The Huawei Model: The Rise of China's Technology Giant

The Huawei Model

The Rise of China's Technology Giant

Yun Wen

University of Illinois Press, 2020

In 2019, the United States' trade war with China expanded to blacklist the Chinese tech titan Huawei Technologies Co. Ltd. The resulting attention showed the information and communications technology (ICT) firm entwined with China's political-economic transformation. But the question remained: why does Huawei matter?

Yun Wen uses the Huawei story as a microcosm to understand China's evolving digital economy and the global rise of the nation's corporate power. Rejecting the idea of the transnational corporation as a static institution, she explains Huawei's formation and restructuring as a historical process replete with contradictions and complex consequences. She places Huawei within the international political economic framework to capture the dynamics of power structure and social relations underlying corporate China's globalization. As she explores the contradictions of Huawei's development, she also shows the ICT firm's complicated interactions with other political-economic forces.

Comprehensive and timely, The Huawei Model offers an essential analysis of China's dynamic development of digital economy and the global technology powerhouse at its core.

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cover of The Imperial Style of Inquiry in Twentieth-Century China: The Emergence of New Approaches

The Imperial Style of Inquiry in Twentieth-Century China

The Emergence of New Approaches

Donald J. Munro

University of Michigan Press, 1996

How have traditional Chinese ways of thinking affected problem solving in this century? The traditional, imperial style of inquiry is associated with the belief that the universe is a coherent, internally structured unity understandable through the similarly structured human mind. It involves a reliance on antecedent and authoritarian models, coupled with an introspective focus in investigations, at some cost to objective fact gathering.
In contrast, emergent forms of inquiry are guided by the values of individual autonomy and new perspectives on objectivity. In the 1930s and 1940s, some liberal educators held the model of Western science in great esteem, and some scientists practicing objective inquiry helped to create an awareness in the urban areas of inquiry not directed by political values.
Drawing on philosophical, social science, and popular culture materials, Donald Munro shows that the two strains coexisted in twentieth century China as mixed motives. Many important figures were motivated by a desire to act consistently with the social values associated with the premodern or received view of knowledge and inquiry. At the same time, these people often had other motives, such as utilitarian values, efficiency, and entrepreneurship. Munro argues that while many competing positions can coexist in the same person, the seeds of the positive, instrumental value of individual autonomy in Chinese inquiry are beginning to compete in both scholarly and popular culture with other, older approaches.
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cover of The Impotence Epidemic: Men's Medicine and Sexual Desire in Contemporary China

The Impotence Epidemic

Men's Medicine and Sexual Desire in Contemporary China

Everett Yuehong Zhang

Duke University Press, 2015

Since the 1990s China has seen a dramatic increase in the number of men seeking treatment for impotence. Everett Yuehong Zhang argues in The Impotence Epidemic that this trend represents changing public attitudes about sexuality in an increasingly globalized China. In this ethnography he shifts discussions of impotence as a purely neurovascular phenomenon to a social one. Zhang contextualizes impotence within the social changes brought by recent economic reform and through the production of various desires in post-Maoist China. Based on interviews with 350 men and their partners from Beijing and Chengdu, and concerned with de-mystifying and de-stigmatizing impotence, Zhang suggests that the impotence epidemic represents not just trauma and suffering, but also a contagion of individualized desire and an affirmation for living a full life. For Zhang, studying male impotence in China is one way to comprehend the unique experience of Chinese modernity.
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cover of The Invention of Madness: State, Society, and the Insane in Modern China

The Invention of Madness

State, Society, and the Insane in Modern China

Emily Baum

University of Chicago Press, 2018

Throughout most of history, in China the insane were kept within the home and treated by healers who claimed no specialized knowledge of their condition. In the first decade of the twentieth century, however, psychiatric ideas and institutions began to influence longstanding beliefs about the proper treatment for the mentally ill. In The Invention of Madness, Emily Baum traces a genealogy of insanity from the turn of the century to the onset of war with Japan in 1937, revealing the complex and convoluted ways in which “madness” was transformed in the Chinese imagination into “mental illness.”
​
Focusing on typically marginalized historical actors, including municipal functionaries and the urban poor, The Invention of Madness shifts our attention from the elite desire for modern medical care to the ways in which psychiatric discourses were implemented and redeployed in the midst of everyday life. New meanings and practices of madness, Baum argues, were not just imposed on the Beijing public but continuously invented by a range of people in ways that reflected their own needs and interests. Exhaustively researched and theoretically informed, The Invention of Madness is an innovative contribution to medical history, urban studies, and the social history of twentieth-century China.
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cover of The Journey to the West, Revised Edition, Volume 1

The Journey to the West, Revised Edition, Volume 1

Translated and Edited by Anthony C. Yu

University of Chicago Press, 2012

Read the legendary Chinese classic that inspired the hit game Black Myth: Wukong!

Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy.

With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible.

One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.

 

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cover of The Journey to the West, Revised Edition, Volume 2

The Journey to the West, Revised Edition, Volume 2

Translated and Edited by Anthony C. Yu

University of Chicago Press, 2012

Read the legendary Chinese classic that inspired the hit game Black Myth: Wukong!

Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy.

With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible.

One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.

 

[more]
cover of The Journey to the West, Revised Edition, Volume 3

The Journey to the West, Revised Edition, Volume 3

Translated and Edited by Anthony C. Yu

University of Chicago Press, 2012

Read the legendary Chinese classic that inspired the hit game Black Myth: Wukong!

Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy.

With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible. 

One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.

 

[more]
cover of The Journey to the West, Revised Edition, Volume 4

The Journey to the West, Revised Edition, Volume 4

Translated and Edited by Anthony C. Yu

University of Chicago Press, 2012

Read the legendary Chinese classic that inspired the hit game Black Myth: Wukong!

Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy.

With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible.

One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.

 

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cover of The King of China

The King of China

Tilman Rammstedt

Seagull Books, 2019

When Keith Stapperpfennig and his family give their grandfather the trip of a lifetime—an all expenses paid holiday to any destination in the world—the eccentric old man arbitrarily chooses China, and he asks Keith to accompany him. But when Keith loses all the money for the journey at a casino, he goes into hiding—mostly under his desk—and his grandfather—equally uninterested in actually traveling to China—heads down the road to engage in a similar subterfuge.

And it is here that the novel opens, two men in hiding, mere miles apart. But when his grandfather dies unexpectedly, Keith is left to continue the farce alone. With the aid of a guidebook, Keith writes a series of letters home to his brothers and sisters, detailing their imaginary travels and the bizarre sights they see. These start off harmlessly, but before long he starts adding invented details: non-stop dental hygiene shows on television, dog vaccinations at the post office—and the letters get longer and longer. Engaging, strange, and ultimately moving, this hilarious novel from Tilman Rammstedt won him the prestigious Ingeborg Bachmann Prize in 2008 and confirmed him as one of Germany’s most compelling writers.
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cover of The Lacquer Screen: A Chinese Detective Story

The Lacquer Screen

A Chinese Detective Story

Robert van Gulik

University of Chicago Press, 1962

A fiendishly clever, yet cozy entry in the much-loved mystery series starring Judge Dee, whom the Los Angeles Times ranked with Sherlock Holmes

Early in his career, Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears he is losing his mind and will murder his own wife. Meanwhile, a banker has inexplicably killed himself, and a lovely lady has allowed Dee's lieutenant, Chiao Tai, to believe she is a courtesan. Dee and Chiao Tai go incognito among a gang of robbers to solve this mystery, and find the leader of the robbers is more honorable than the magistrate.

 
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cover of The Libertine's Friend: Homosexuality and Masculinity in Late Imperial China

The Libertine's Friend

Homosexuality and Masculinity in Late Imperial China

Giovanni Vitiello

University of Chicago Press, 2011

Delving into three hundred years of Chinese literature, from the mid-sixteenth century to the mid-nineteenth, The Libertine’s Friend uncovers the complex and fascinating history of male homosexual and homosocial relations in the late imperial era. Drawing particularly on overlooked works of pornographic fiction, Giovanni Vitiello offers a frank exploration of the importance of same-sex love and eroticism to the evolution of masculinity in China.

Vitiello’s story unfolds chronologically, beginning with the earliest sources on homoeroticism in pre-imperial China and concluding with a look at developments in the twentieth century. Along the way, he identifies a number of recurring characters—for example, the libertine scholar, the chivalric hero, and the lustful monk—and sheds light on a set of key issues, including the social and legal boundaries that regulated sex between men, the rise of male prostitution, and the aesthetics of male beauty. Drawing on this trove of material, Vitiello presents a historical outline of changing notions of male homosexuality in China, revealing the integral part that same-sex desire has played in its culture.

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cover of The Lost Chance in China and the Rise of Cold War Populism

The Lost Chance in China and the Rise of Cold War Populism

Stephen J. Hartnett

Michigan State University Press, 2025

The Lost Chance in China and the Rise of Cold War Populism offers a rollicking retelling of the fate of America’s diplomats stationed in China during World War II and the start of the Chinese Civil War, documenting how their efforts to find peace in China clashed with the anti-Communist network of right-wing advocates known as the China Lobby. Fueled by America’s end-of-the-war fury over the loss of China to Mao and the Communists, the on-the-ground experts in Asia lost the public relations battle to Cold War populists, who pushed a toxic version of public anger that built the rhetorical foundation of McCarthyism. Hartnett diagnoses the moment’s political battles by mapping a series of interlocking dispositions, emotion-based reactions that short-circuited critical thinking and empathy, instead feeding strident anti-Communism, xenophobia, and class-based resentments. Hartnett’s masterwork offers a haunting prehistory to our contemporary moment, when populism again stokes outrage and fear at the cost of nuanced international understanding.
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cover of The Magic of Concepts: History and the Economic in Twentieth-Century China

The Magic of Concepts

History and the Economic in Twentieth-Century China

Rebecca E. Karl

Duke University Press, 2017

In The Magic of Concepts Rebecca E. Karl interrogates "the economic" as concept and practice as it was construed historically in China in the 1930s and again in the 1980s and 1990s. Separated by the Chinese Revolution and Mao's socialist experiments, each era witnessed urgent discussions about how to think about economic concepts derived from capitalism in modern China. Both eras were highly cosmopolitan and each faced its own global crisis in economic and historical philosophy: in the 1930s, capitalism's failures suggested that socialism offered a plausible solution, while the abandonment of socialism five decades later provoked a rethinking of the relationship between history and the economic as social practice. Interweaving a critical historiography of modern China with the work of the Marxist-trained economist Wang Yanan, Karl shows how "magical concepts" based on dehistoricized Eurocentric and capitalist conceptions of historical activity that purport to exist outside lived experiences have erased much of the critical import of China's twentieth-century history. In this volume, Karl retrieves the economic to argue for a more nuanced and critical account of twentieth-century Chinese and global historical practice.
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cover of The Man Who Stayed Behind

The Man Who Stayed Behind

Sidney Rittenberg and Amanda Bennett

Duke University Press, 2001

The Man Who Stayed Behind is the remarkable account of Sidney Rittenberg, an American who was sent to China by the U.S. military in the 1940s. A student activist and labor organizer who was fluent in Chinese, Rittenberg became caught up in the turbulence that engulfed China and remained there until the late 1970s. Even with access to China’s highest leaders as an American communist, however, he was twice imprisoned for a total of sixteen years.
Both a memoir and a documentary history of the Chinese revolution from 1949 through the Cultural Revolution, The Man Who Stayed Behind provides a human perspective on China’s efforts to build a new society. Critical of both his own mistakes and those of the Communist leadership, Rittenberg nevertheless gives an even-handed account of a country that is now free of internal war for the first time in a hundred years.
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cover of The Mandarin and the Cadre: China’s Political Cultures

The Mandarin and the Cadre

China’s Political Cultures

Lucian W. Pye

University of Michigan Press, 2000

Combining political psychology with his own insights into Chinese culture, Pye addresses perplexing but profoundly important questions about Chinese political behavior and makes fundamental contributions both to our understanding of the political culture of China and to the theory of political culture itself.
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cover of The Many Names of Anonymity: Portraitists of the Canton Trade

The Many Names of Anonymity

Portraitists of the Canton Trade

Winnie Wong

University of Chicago Press, 2025

Explores how the function, norms, and meaning of artists’ names in Chinese modernity have been misunderstood.
 
Challenging contemporary procedures for establishing attribution, chronology, and authenticity in Chinese art, Winnie Wong explores the means, methods, and stakes of recovering the names of an anonymous community of artists. To examine how Western art history has misconstrued and miscategorized names and identities in Chinese art, she looks to conflicting features of modernity: the European attachment of singular names to individuals and their works, and the Chinese use of socially contingent names that often are not attached to material labor and sometimes operate against it. Wong charts the genealogy of this naming problem by bringing to life the artists of the Qing Empire’s trade with Europeans at the port of Guangzhou, centering on a group of portraitists known by names that were recorded in a pidgin language: Chin Qua, Chit Qua, Spoilum, Lam Qua, and Ting Qua.
 
Many of these paintings survive today, yet scholars have identified only a handful of the painters’ identities. Pushing against Western norms that have shaped our understanding of authorship, Wong reveals that these artists shared names, created works in multiples, and signed their pieces with different names or none at all. This lavishly illustrated volume explores portraiture across media, including unfired clay, reverse painting on glass, watercolor on paper, oil on canvas, and the daguerreotype, to propose new ways of studying anonymity, copying, and the emergence of author names in the Sino-European visual culture of the long eighteenth century. 
 
[more]
cover of The Meaning of Money in China and the United States: The 1986 Lewis Henry Morgan Lectures

The Meaning of Money in China and the United States

The 1986 Lewis Henry Morgan Lectures

Emily Martin

HAU, 2015

When Emily Martin delivered the annual Lewis Henry Morgan Lectures at the University of Rochester in 1986, she took as her subject the meaning of money in China and the United States. Though the topic is of perennial interest—and never more so than in our era, when economic forecasts of China’s growing economy generate shallow news stories and public fear—the lectures were never edited for publication, so their rich analysis has been unavailable to anthropologists ever since.

With this book—the first volume in a collaboration between Hau Books and the University of Rochester—Martin’s lectures are brought back, fully edited and richly illustrated. A new introduction by Martin herself brings her analysis wholly up to date, while an afterword by Jane I. Guyer and Sidney Mintz discusses Martin’s work, influence, and legacy. The Meaning of Money in China and the United States will instantly assume its rightful place as a classic in the field, with Martin’s insights as germane and productive as they were nearly thirty years ago.


[more]
cover of The Ming Dynasty: Its Origins and Evolving Institutions

The Ming Dynasty

Its Origins and Evolving Institutions

Charles O. Hucker

University of Michigan Press, 1978

In the latter half of the fourteenth century, at one end of the Eurasian continent, the stage was not yet set for the emergence of modern nation-states. At the other end, the Chinese drove out their Mongol overlords, inaugurated a new native dynasty called Ming (1368–1644), and reasserted the mastery of their national destiny. It was a dramatic era of change, the full significance of which can only be perceived retrospectively.
With the establishment of the Ming dynasty, a major historical tension rose into prominence between more absolutist and less absolutist modes of rulership. This produced a distinctive style of rule that modern students have come to call Ming despotism. It proved a capriciously absolutist pattern for Chinese government into our own time. [1, 2 ,3]
[more]
cover of The Monkey and The Tiger: Judge Dee Mysteries

The Monkey and The Tiger

Judge Dee Mysteries

Robert van Gulik

University of Chicago Press, 1965

A pair of clever, cozy mysteries starring the beloved detective Judge Dee, whom the Los Angeles Times ranked with Sherlock Holmes

The Monkey and The Tiger includes two detective stories, "The Morning of the Monkey" and "The Night of the Tiger." In the first, a gibbon drops an emerald in the open gallery of Dee's official residence, leading the judge to discover a strangely mutilated body in the woods—and how it got there. In the second, Dee is traveling to the imperial capital to assume a new position when he is separated from his escort by a flood. Marooned in a large country house surrounded by fierce bandits, Dee confronts an apparition that helps him solve a mystery.
[more]
cover of The Neighborhood: Space, State, and Daily Life in a Manchurian City

The Neighborhood

Space, State, and Daily Life in a Manchurian City

Nianshen Song

University of Chicago Press, 2025

This masterful blend of history and urban storytelling brings to life the people and politics that shaped a single neighborhood in a Manchurian city across several centuries.
 
What can one neighborhood reveal about the making of a modern nation? The Neighborhood deciphers the unexpected significance of Xita, a half-square-mile quarter in Shenyang, in Northeast China. As the historian Nianshen Song shows, over nearly four centuries, Xita has been shaped and reshaped by empire, war, migration, and urban transformation. Remarkably, the history of this small area mirrors large-scale changes, including and especially China’s metamorphosis from a multiethnic Eurasian empire to a postindustrial society.
 
Song begins with Xita’s origins as a Qing-era Tibetan Buddhist center, following the lives of Mongol lamas and their imperial patrons. He tracks the neighborhood through the tumultuous twentieth century, when competing Russian and Japanese railway empires fueled its industrial growth, and Japanese colonizers turned it into a showcase for their imperial ambitions. Later, Xita became a vital enclave for Korea’s diaspora before emerging in the post-Mao era as a neon-lit hub of commerce and entertainment.
 
A thoroughly researched microhistory, The Neighborhood reveals how global forces play out in everyday spaces. By studying the emperors, warlords, merchants, laborers, and migrants who shaped Xita, Song presents a captivating and original perspective for understanding China’s past—not from the top down, but through the streets and people who lived it.
 
[more]
cover of The Otherness of Self: A Genealogy of Self in Contemporary China

The Otherness of Self

A Genealogy of Self in Contemporary China

Xin Liu

University of Michigan Press, 2002

An exploration of the conflict between traditional Chinese ideology and modern Chinese business practice
[more]
cover of The Outsiders: The Western Experience in India and China

The Outsiders

The Western Experience in India and China

Rhoads Murphey

University of Michigan Press, 1977

This book examines how Western traders, missionaries, officials, and imperial powers encountered, interpreted, and attempted to influence India and China, highlighting the cultural misunderstandings and unequal power dynamics that shaped East-West relations.

[more]
cover of The Painting of T'ang Yin

The Painting of T'ang Yin

Anne De Coursey Clapp

University of Chicago Press, 1991

+This richly illustrated volume documents the art and fully examines the career of the sixteenth-century Chinese master T'ang Yin. One of the four great painters of the middle Ming period, the ambitious T'ang Yin rose above the merchant class into which he was born to become a member of the elite scholarly circle in the city of Suchou. Deprived by accident of his academic degrees and so forced to paint for a living, T'ang Yin became a social anomaly whose style of life cut across the conventions of his time. His experiences throw into sharp relief the realities faced by a Chinese painter who was both elite Confucian scholar and professional painter.

Anne De Coursey Clapp's work also explores larger issues of Ming painting raised by the artist's turbulent career. She describes the social and intellectual values exalted in Ming Suchou, its system of patronage, the contrast between the professional and amateur artist, and the formative influence of twelfth-century Sung dynasty styles on Suchou painters. Clapp shows how T'ang Yin's artistic inventions were made in the course of leading the revival of Sung dynasty styles in Suchou: tracing T'ang Yin's early studies of ancient and contemporary masters, she describes how he reworked an antique style, converting it into a vehicle of expression that reached fruition in a long series of fresh and powerful paintings of landscapes and birds-and-flowers. In the process, she revises the distorted version of middle Ming painting written by later Chinese art theorists to justify their own social and artistic values, noting especially the role of art patrons and their effect on artistic production.

Clapp analyzes the increasing currency of painting as a means of social exchange in ancient China. In particular, she identifies commemorative painting as a major genre of the later dynasties and explores the role it played in the oeuvres of professional masters with its humanistic implications for the Chinese view of the ideal scholarly man. Her broad view of T'ang Yin's career shows him divided between the professional and amateur camps of his time: in landscape and figural subjects he was aligned with the professionals; in flower subjects with the amateurs. Clap argues that the uneven distribution of styles and genres between this master who was subject to the market, and those who were independent of it, suggests that T'ang deliberately tried to expand the range of his paintings in order to appeal to buyers in the lower educational and social strata. Illustrated by some of T'ang Yin's most celebrated paintings and by some which are published for the first time, her work is of tremendous importance to art, literary, and cultural historians of Ming China.

"In this important work, Anne de Coursey Clapp has drawn a clear picture of T'ang Yin's life, patronage relationships, and contribution to the history of Chinese painting. In the person of T'ang Yin, she has chosen an ideal focus around which to examine some of the misleading stereotypes
which have distorted our understanding of Chinese painting since the seventeenth century. Marked by analytical clarity and scrupulous scholarship, her work is a welcome addition to the few works in English on individual Chinese artists."—Louise Yuhas, Occidental College
[more]
cover of The Pawnshop in China

The Pawnshop in China

Yang Chao-yu; Translated by T. S. Whelan

University of Michigan Press, 1979

The Ch’ing dynasty witnessed a phenomenal rise in the number of pawnshops in China. By the early nineteenth century there were almost 25,000 of them, and pawnbroking yielded a higher rate of return on investment than did land. The Ch’ing also saw this industry in decline, its exponential growth a victim of the Taiping Rebellion and rapidly developing Shansi banks. Yet, in republican times the pawnshop was still common in city and countryside alike. Furthermore, it was to live on after Liberation. But when the People’s Bank of China opened Citizens’ Petty Loan Offices in the early 1950s in order to furnish workers and peasant with low-interest loans, and when the transformation of private enterprise occurred in 1956, the last of the pawnbrokers, holding out in urban areas such as Shanghai, were forced to close their doors, and the pawnshop ceased to exist on the mainland. Its life had spanned almost fifteen hundred years. On Taiwan, however, the institution survives—there were 750 pawnshops on the island in 1974—as it does in most overseas Chinese communities.
This volume is a translation of Yang’s Chung-kuo tien-tang yeh, which examines pawnshops during late imperial and Republican China. T. S. Whelan provides a historical introduction and critical annotations.
[more]
cover of The People's Peking Man: Popular Science and Human Identity in Twentieth-Century China

The People's Peking Man

Popular Science and Human Identity in Twentieth-Century China

Sigrid Schmalzer

University of Chicago Press, 2008

In the 1920s an international team of scientists and miners unearthed the richest evidence of human evolution the world had ever seen: Peking Man. After the communist revolution of 1949, Peking Man became a prominent figure in the movement to bring science to the people. In a new state with twin goals of crushing “superstition” and establishing a socialist society, the story of human evolution was the first lesson in Marxist philosophy offered to the masses. At the same time, even Mao’s populist commitment to mass participation in science failed to account for the power of popular culture—represented most strikingly in legends about the Bigfoot-like Wild Man—to reshape ideas about human nature.

The People’s Peking Man is a skilled social history of twentieth-century Chinese paleoanthropology and a compelling cultural—and at times comparative—history of assumptions and debates about what it means to be human. By focusing on issues that push against the boundaries of science and politics, The People’s Peking Man offers an innovative approach to modern Chinese history and the history of science.
 
[more]
cover of The Phantom of the Temple: A Judge Dee Mystery

The Phantom of the Temple

A Judge Dee Mystery

Robert van Gulik

University of Chicago Press, 1966

A diabolically clever puzzle mystery that could only be solved by Judge Dee, a detective the Los Angeles Times ranked with Sherlock Holmes

Judge Dee presided over his imperial Chinese court with a unique brand of Confucian justice. A near mythic figure in China, he distinguished himself as a tribunal magistrate, inquisitor, and public avenger. Long after his death, accounts of his exploits were celebrated in Chinese folklore, and later immortalized by Robert van Gulik in his electrifying mysteries.

In The Phantom of the Temple, three separate puzzles—the disappearance of a wealthy merchant's daughter, twenty missing bars of gold, and a decapitated corpse—are pieced together by the clever judge to solve three murders and one complex, gruesome plot.
[more]
cover of The Phoenix Mosque and the Persians of Medieval Hangzhou

The Phoenix Mosque and the Persians of Medieval Hangzhou

Edited by George Lane

Gingko, 2018

In the early 1250s, Möngke Khan, grandson and successor of the mighty Mongol emperor, Genghis Khan, sent out his younger brothers Qubilai and Hulegu to consolidate his power. Hulegu was welcomed into Iran while his older brother, Qubilai, continued to erode the power of the Song emperors of southern China. In 1276, he finally forced their submission and peacefully occupied the Song capital, Hangzhou. The city enjoyed a revival as the cultural capital of a united China and was soon filled with traders, adventurers, artists, entrepreneurs, and artisans from throughout the great Mongol Empire—including a prosperous, influential, and seemingly welcome community of Persians. In 1281, one of the Persian settlers, Ala al-Din, built the Phoenix Mosque in the heart of the city where it still stands today. This study of the mosque and the Ju-jing Yuan cemetery, which today is a lake-side public park, casts light on an important and transformative period in Chinese history, and perhaps the most important period in Chinese-Islamic history. The book is published in the Persian Studies Series of the British Institute of Persian Studies (BIPS) edited by Charles Melville.
[more]
cover of The Pliant Public: Ideology and Public Opinion in China

The Pliant Public

Ideology and Public Opinion in China

Jason Y. Wu

University of Michigan Press, 2027

The Chinese Communist Party has long depended on ideology to set the agenda, communicate its priorities, and legitimize its rule. The Pliant Public argues that for Chinese citizens, however, ideology is in short supply. Surveys show that public opinion is depolarized. Ordinary people have little sense of what ideological labels like “left” and “right” mean, and most of the people who put themselves on the right have the scale backwards. Since a depolarized public is ill-equipped to check the state, China’s leaders can make massive changes to government policy without triggering much backlash. 

But depolarization does not always strengthen the state. When citizens lack clear ideological commitments, it is easier for them to set aside their differences. If China’s leaders lost their performance legitimacy, then depolarization could facilitate a broader challenge to party rule.

[more]
cover of The Politics of Common Reading: Vernacular Knowledge and Everyday Technics in China, 1894–1954

The Politics of Common Reading

Vernacular Knowledge and Everyday Technics in China, 1894–1954

Joan Judge

University of Chicago Press, 2025

Examines the transformation of vernacular knowledge during a pivotal period of modern Chinese history, 1894 to 1954.
 
What did common readers read in the midst of the revolutions that punctuated China’s long Republic (1894–1954)? How did they manage the often-unprecedented challenges of the era? What did they know and how did they know it?
 
In The Politics of Common Reading, Joan Judge traces the unfolding of a consequential politics of accommodation that engaged commoners as knowers rather than as an unenlightened mass. A response to the institutional failures of the era, this politics was enacted through an informal knowledge infrastructure comprised of low-budget publishers, rustic bookstalls, and a piecemeal national network. As yet unstudied, this infrastructure produced and circulated up to ten times the number of books as official, mainstream channels.
 
A corpus of some five hundred of these cheap collections of recipes and techniques serves as the basis for this book. Judge focuses on four challenges common readers faced: how to cure an opium addiction, avoid an electric shock, prevent a cholera infection, and graft a plant. She further draws on government, archival, periodical, and fiction materials in devising composites of individual common readers so that we can better know them: details of the crises they faced, the remedies they tried, and the knowledge they relied on as they decocted cures and applied technologies. She argues that the acts of conciliation and assemblage these readers engaged in shaped the broader epistemic terrain from which historical change was actualized in China’s century of revolution.

[more]
cover of The Power of Tiananmen: State-Society Relations and the 1989 Beijing Student Movement

The Power of Tiananmen

State-Society Relations and the 1989 Beijing Student Movement

Dingxin Zhao

University of Chicago Press, 2001

In the spring of 1989 over 100,000 students in Beijing initiated the largest student revolt in human history. Television screens across the world filled with searing images from Tiananmen Square of protesters thronging the streets, massive hunger strikes, tanks set ablaze, and survivors tending to the dead and wounded after a swift and brutal government crackdown.

Dingxin Zhao's award-winning The Power of Tiananmen is the definitive treatment of these historic events. Along with grassroots tales and interviews with the young men and women who launched the demonstrations, Zhao carries out a penetrating analysis of the many parallel changes in China's state-society relations during the 1980s. Such changes prepared an alienated academy, gave rise to ecology-based student mobilization, restricted government policy choices, and shaped student emotions and public opinion, all of which, Zhao argues, account for the tragic events in Tiananmen.
[more]
cover of The Question of Women in Chinese Feminism

The Question of Women in Chinese Feminism

Tani E. Barlow

Duke University Press, 2004

The Question of Women in Chinese Feminism is a history of thinking about the subject of women in twentieth-century China. Tani E. Barlow illustrates the theories and conceptual categories that Enlightenment Chinese intellectuals have developed to describe the collectivity of women. Demonstrating how generations of these theorists have engaged with international debates over eugenics, gender, sexuality, and the psyche, Barlow argues that as an Enlightenment project, feminist debate in China is at once Chinese and international. She reads social theory, psychoanalytic thought, literary criticism, ethics, and revolutionary political ideologies to illustrate the range and scope of Chinese feminist theory’s preoccupation with the problem of gender inequality. She reveals how, throughout the cataclysms of colonial modernity, revolutionary modernization, and market socialism, prominent Chinese feminists have gathered up the remainders of the past and formed them into social and ethical arguments, categories, and political positions, ceaselessly reshaping progressive Enlightenment sexual liberation theory.
[more]
cover of The Red Pavilion: A Judge Dee Mystery

The Red Pavilion

A Judge Dee Mystery

Robert van Gulik

University of Chicago Press, 1961

Three fiendish murders challenge the beloved detective Judge Dee, whom the Los Angeles Times ranked with Sherlock Holmes

A chance encounter with Autumn Moon, the most powerful courtesan on Paradise Island, leads Judge Dee to investigate three deaths. Although he finally teases the true story from a tangled history of passion and betrayal, Dee is saddened by the perversion, corruption, and waste of the world "of flowers and willows" that thrives on prostitution.
[more]
cover of The Religion of Falun Gong

The Religion of Falun Gong

Benjamin Penny

University of Chicago Press, 2012

In July 1999, a mere seven years after the founding of the religious movement known as the Falun Gong, the Chinese government banned it. Falun Gong is still active in other countries, and its suppression has become a primary concern of human rights activists and is regularly discussed in dealings between the Chinese government and its Western counterparts. But while much has been written on Falun Gong’s relation to political issues, no one has analyzed in depth what its practitioners actually believe and do.

The Religion of Falun Gong remedies that omission, providing the first serious examination of Falun Gong teachings. Benjamin Penny argues that in order to understand Falun Gong, one must grasp the beliefs, practices, and texts of the movement and its founder, Li Hongzhi. Contextualizing Li’s ideas in terms of the centuries-long Chinese tradition of self-cultivation and the cultural world of 1980s and ’90s China—particularly the upwelling of biospiritual activity and the influx of translated works from the Western New Age movement—Penny shows how both have influenced Li’s writings and his broader view of the cosmos. An illuminating look at this controversial movement, The Religion of Falun Gong opens a revealing window into the nature and future of contemporary China.
[more]
cover of The Religious Question in Modern China

The Religious Question in Modern China

Vincent Goossaert and David A. Palmer

University of Chicago Press, 2011

Recent events—from strife in Tibet and the rapid growth of Christianity in China to the spectacular expansion of Chinese Buddhist organizations around the globe—vividly demonstrate that one cannot understand the modern Chinese world without attending closely to the question of religion. The Religious Question in Modern China highlights parallels and contrasts between historical events, political regimes, and cultural movements to explore how religion has challenged and responded to secular Chinese modernity, from 1898 to the present.

Vincent Goossaert and David A. Palmer piece together the puzzle of religion in China not by looking separately at different religions in different contexts, but by writing a unified story of how religion has shaped, and in turn been shaped by, modern Chinese society. From Chinese medicine and the martial arts to communal temple cults and revivalist redemptive societies, the authors demonstrate that from the nineteenth century onward, as the Chinese state shifted, the religious landscape consistently resurfaced in a bewildering variety of old and new forms. The Religious Question in Modern China integrates historical, anthropological, and sociological perspectives in a comprehensive overview of China’s religious history that is certain to become an indispensible reference for specialists and students alike.

[more]
cover of The Return of Ideology: The Search for Regime Identities in Postcommunist Russia and China

The Return of Ideology

The Search for Regime Identities in Postcommunist Russia and China

Cheng Chen

University of Michigan Press, 2016

As a nation makes the transition from communism to democracy or another form of authoritarianism, its regime must construct not only new political institutions, but also a new political ideology that can guide policy and provide a sense of mission. The new ideology is crucial for legitimacy at home and abroad, as well as the regime’s long-term viability. In The Return of Ideology, Cheng Chen compares post-communist regimes, with a focus on Russia under Putin and post-Deng China, investigating the factors that affect the success of an ideology-building project and identifies the implications for international affairs.

Successful ideology-building requires two necessary—but not sufficient—conditions. The regime must establish a coherent ideological repertoire that takes into account the nation’s ideological heritage and fresh surges of nationalism. Also, the regime must attract and maintain a strong commitment to the emerging ideology among the political elite.

Drawing on rich primary sources, including interviews, surveys, political speeches, writings of political leaders, and a variety of publications, Chen identifies the major obstacles to ideology-building in modern Russia and China and assesses their respective long-term prospects. Whereas creating a new regime ideology has been a protracted and difficult process in China, it has been even more so in Russia. The ability to forge an ideology is not merely a domestic concern for these two nations, but a matter of international import as these two great powers move to assert and extend their influence in the world.

[more]
cover of The Rise of Cantonese Opera

The Rise of Cantonese Opera

Wing Chung Ng

University of Illinois Press, 2015

Defined by its distinct performance style, stage practices, and regional and dialect based identities, Cantonese opera originated as a traditional art form performed by itinerant companies in temple courtyards and rural market fairs.
 
In the early 1900s, however, Cantonese opera began to capture mass audiences in the commercial theaters of Hong Kong and Guangzhou--a transformation that changed it forever. Wing Chung Ng charts Cantonese opera's confrontations with state power, nationalist discourses, and its challenge to the ascendancy of Peking opera as the country's preeminent "national theatre." Mining vivid oral histories and heretofore untapped archival sources, Ng relates how Cantonese opera evolved from a fundamentally rural tradition into urbanized entertainment distinguished by a reliance on capitalization and celebrity performers. He also expands his analysis to the transnational level, showing how waves of Chinese emigration to Southeast Asia and North America further re-shaped Cantonese opera into a vibrant part of the ethnic Chinese social life and cultural landscape in the many corners of a sprawling diaspora.
[more]
cover of The Rise of China and the Demise of the Capitalist World-Economy

The Rise of China and the Demise of the Capitalist World-Economy

Minqi Li

Pluto Press, 2008

China's increasing power in the global economy is destabilizing the established system. This book analyses the possible historical trajectories of China and the capitalist world-economy in the twenty-first century.

Minqi Li examines the future global prospects from the perspectives of Marxism, world-system theories, and ecological limits to growth. He argues that China is likely to exacerbate many of the major contradictions of world capitalism, which could lead to the demise of the existing world-system.

This is an essential text for students of political economy, economics and global politics.
[more]
cover of The Rise of the Chinese Empire: Frontier, Immigration, and Empire in Han China, 130 B.C.-A.D.157

The Rise of the Chinese Empire

Frontier, Immigration, and Empire in Han China, 130 B.C.-A.D.157

Chun-shu Chang

University of Michigan Press, 2007

The second and first centuries B.C. were a critical period in Chinese history—they saw the birth and development of the new Chinese empire and its earliest expansion and acquisition of frontier territories.

But for almost two thousand years, because of gaps in the available records, this essential chapter in the history was missing. Fortunately, with the discovery during the last century of about sixty thousand Han-period documents in Central Asia and western China preserved on strips of wood and bamboo, scholars have been able, for the first time, to put together many of the missing pieces.

In this second volume of his monumental history, Chun-shu Chang provides the first systematic reconstruction of the history of the acquisitions and colonization undertaken by the Chinese empire. In never before seen detail, Chang discusses the actions taken by the Chinese empire to develop the Han frontier: the government promoted massive immigration to the newly conquered virgin land; an innovative and complex garrison system was created; and civil institutions and a land system, as well as a regular imperial administration, were established over the region. Chang investigates the long and massive campaigns of the Han territorial expansion movement, considers the impact of early nation-building, and explores the formation and growth of the Chinese empire and its changing national identity. Chang’s comprehensive reconstruction of ancient and early Imperial Chinese history, based on literary, archaeological, and recently discovered ancient texts and classics, reveals the process and mechanics of the Han frontier development through an innovative and complex system of colonization, the core mechanics of the Han empire-building enterprise.

Chun-shu Chang is Professor of History at the University of Michigan and is the author, with Shelley Hsueh-lun Chang, of Crisis and Transformation in Seventeenth-Century China and Redefining History: Ghosts, Spirits, and Human Society in P’u Sung-ling’s World, 1640 – 1715.

"An extraordinary survey of the political and administrative history of early imperial China, which makes available a body of evidence and scholarship otherwise inaccessible to English-readers. The underpinning of research is truly stupendous.”
—Ray Van Dam, Professor, Department of History, University of Michigan

“Powerfully argues from literary and archaeological records that empire, modeled on Han paradigms, has largely defined Chinese civilization ever since.”

—Joanna Waley-Cohen, Professor, Department of History, New York University

[more]
cover of The Rise of the Chinese Empire: Nation, State, and Imperialism in Early China, ca. 1600 B.C.-A.D. 8

The Rise of the Chinese Empire

Nation, State, and Imperialism in Early China, ca. 1600 B.C.-A.D. 8

Chun-shu Chang

University of Michigan Press, 2006

The second and first centuries B.C. were a critical period in Chinese history—they saw the birth and development of the new Chinese empire and its earliest expansion and acquisition of frontier territories.  But for almost two thousand years, because of gaps in the available records, this essential chapter in the history was missing. Fortunately, with the discovery during the last century of about sixty thousand Han-period documents in Central Asia and western China preserved on strips of wood and bamboo, scholars have been able, for the first time, to put together many of the missing pieces.

In this first volume of his monumental history, Chun-shu Chang uses these newfound documents to analyze the ways in which political, institutional, social, economic, military, religious, and thought systems developed and changed in the critical period from early China to the Han empire (ca. 1600 B.C. – A.D. 220). In addition to exploring the formation and growth of the Chinese empire and its impact on early nation-building and later territorial expansion, Chang also provides insights into the life and character of critical historical figures such as the First Emperor (221– 210 B.C.) of the Ch’in and Wu-ti (141– 87 B.C.) of the Han, who were the principal agents in redefining China and its relationships with other parts of Asia. As never before, Chang’s study enables an understanding of the origins and development of the concepts of state, nation, nationalism, imperialism, ethnicity, and Chineseness in ancient and early Imperial China, offering the first systematic reconstruction of the history of Chinese acquisition and colonization.

 

Chun-shu Chang is Professor of History at the University of Michigan and is the author, with Shelley Hsueh-lun Chang, of Crisis and Transformation in Seventeenth-Century China and Redefining History: Ghosts, Spirits, and Human Society in P’u Sung-ling’s World, 1640 – 1715.

“An extraordinary survey of the political and administrative history of early imperial China, which makes available a body of evidence and scholarship otherwise inaccessible to English-readers. The underpinning of research is truly stupendous.”
—Ray Van Dam, Professor, Department of History, University of Michigan

“Powerfully argues from literary and archaeological records that empire, modeled on Han paradigms, has largely defined Chinese civilization ever since.”

—Joanna Waley-Cohen, Professor, Department of History, New York University

[more]
cover of The Rural Modern: Reconstructing the Self and State in Republican China

The Rural Modern

Reconstructing the Self and State in Republican China

Kate Merkel-Hess

University of Chicago Press, 2016

Discussions of China’s early twentieth-century modernization efforts tend to focus almost exclusively on cities, and the changes, both cultural and industrial, seen there. As a result, the communist peasant revolution appears as a decisive historical break. Kate Merkel-Hess corrects that misconception by demonstrating how crucial the countryside was for reformers in China long before the success of the communist revolution.
 
In The Rural Modern, Merkel-Hess shows that Chinese reformers and intellectuals created an idea of modernity that was not simply about what was foreign and new, as in Shanghai and other cities, but instead captured the Chinese people’s desire for social and political change rooted in rural traditions and institutions. She traces efforts to remake village education, economics, and politics, analyzing how these efforts contributed to a new, inclusive vision of rural Chinese life. Merkel-Hess argues that as China sought to redefine itself, such rural reform efforts played a major role, and tensions that emerged between rural and urban ways deeply informed social relations, government policies, and subsequent efforts to create a modern nation during the communist period.
[more]