By Julie Wernersbach and Carolyn Tracy; photography by Carolyn Tracy
University of Texas Press, 2017
Daryl Smith
University of Iowa Press, 2010
Although less than 3 percent of the original vast landscape survives, the tallgrass prairie remains a national treasure, glowing with a vast array of colorful wildflowers in spring and summer, enriched by the warm reds and browns of grasses in fall and winter. This comprehensive manual, crafted by the staff of the Tallgrass Prairie Center at the University of Northern Iowa, will be an essential companion for everyone dedicated to planning, developing, and maintaining all types of prairie restorations and reconstructions in the tallgrass prairie region of Iowa, northern Illinois, northwestern Indiana, southwestern Wisconsin, southwestern Minnesota, eastern South Dakota, eastern Nebraska, northwestern Missouri, and northeastern Kansas.
Focusing on conservation plantings, prairie recovery, native landscaping in yards and at schools, roadside plantings, and pasture renovations, the authors—who collectively have more than a hundred years of experience with prairie restoration—have created a manual that will be particularly useful to landowners, conservation agency personnel, ecosystem managers, native-seeding contractors, prairie enthusiasts, teachers, and roadside managers. A wealth of color and black-and-white photographs taken in the field as well as checklists and tables support the detailed text, which also includes useful online and print sources and references, a glossary, and lists of common and scientific names of all plant species discussed.
The text is divided into five parts. Part I, Reconstruction Planning, provides an overall summary of the entire process, information about securing good-quality seed, and the design of seed mixes. In Part II, Implementing Reconstruction, the authors consider ways to prepare and seed the site, manage the site in its first growing season, identify seedlings, and evaluate success. Part III, Prairie Restoration and Management, deals with identifying and assessing prairie remnants, working toward a predetermined restoration goal, and managing restored prairie remnants and completed reconstructions, including prescribed burning. Chapters in Part IV, Special Cases, discuss the uses of prairie in public spaces, roadside vegetation management, and landscaping on a smaller scale in yards and outdoor classrooms. Part V, Native Seed Production, describes the processes of harvesting, drying, cleaning, and storing native seed as well as propagating and transplanting native seedlings.
Although we cannot recreate the original blacksoil prairie, tallgrass prairie restoration offers the opportunity to reverse environmental damage and provide for the recovery of vital aspects of this lost ecosystem. Anyone in the Upper Midwest who wishes to improve water quality, reduce flood damage, support species diversity, preserve animal habitats, and enjoy the changing panorama of grasses and wildflowers will benefit from the clear, careful text and copious illustrations in this authoritative guide.
Dave Williams
University of Iowa Press, 2010
Settlers crossing the tallgrass prairie in the early 1800s were greeted by a seemingly endless landscape of wildflowers and grasses, one of the most diverse ecosystems on our planet. Today, although the tallgrass prairie has been reduced to a tiny percentage of its former expanse, people are working to restore and reconstruct prairie communities. This lavishly illustrated guide to seeds and seedlings, crafted by Tallgrass Prairie Center botanist Dave Williams and illustrator Brent Butler, will insure that everyone from urban gardeners to grassland managers can properly identify and germinate seventy-two species of tallgrass wildflowers and grasses in eastern North Dakota, eastern South Dakota, southwestern Minnesota, southwestern Wisconsin, northern Illinois, northwestern Indiana, Iowa, eastern Nebraska, eastern Kansas, northwestern Missouri, and eastern Oklahoma.
Williams has created a brilliant, nearly foolproof system of identification and verification. Two primary keys lead to eleven secondary keys that link to characteristic groups of tallgrass plants: seven groups for wildflowers and four groups for grasses. To identify a seedling, use the primary key to discover its place in the secondary key, then turn to that characteristic group to find your seedling. Circles on each full seedling photograph correspond to close-up photographs; triangles on these close-ups illustrate information in the text to further pinpoint identification. Drawings of leaves illuminate exact identification, and enlarged photographs of each seed provide yet another way to confirm identification.
Thousands of seeds were sprouted in the Tallgrass Prairie Center’s greenhouse to provide seedlings close in size and development to those grown in the field near the end of their first season; research and photography took place over four years. Williams’s text for each species includes a thorough description, a comparison of similar species, and guidance for germination and growth. A complete glossary supports the text, which is concise but detailed enough to be accessible to beginning prairie enthusiasts.
Anyone in the Upper Midwest who wishes to preserve the native vegetation of prairie remnants or reconstruct a tallgrass prairie of whatever size—from home gardens to schoolyards to roadsides to large acreages—will benefit from the hundreds of photographs and drawings and the precise text in this meticulously prepared guide.
Cindy Crosby
Northwestern University Press, 2017
Mike Bunn
University of Alabama Press, 2025
Where nature meets history—explore Alabama’s hidden river legacy.
The Tensaw River introduces one of the American South’s richest and most fertile natural features. Author Mike Bunn is director of Historic Blakeley State Park, which is nestled in a prominent bend of the majestic Tensaw River. Reading Bunn is like sailing with a knowledgeable captain along the river’s natural and cultural byways as he offers a treasury of stories and facts that illuminate the river’s astonishing flora and fauna and the sweep of human history along the river’s ageless, meandering waterways.
Forming the eastern boundary of the expansive Mobile-Tensaw Delta, the Tensaw has had little industrial development. Left largely undisturbed, the river still flows free and bountiful into the grand estuary of Mobile Bay in ways and along vistas that would be recognizable to Native Americans centuries ago and to pioneers who arrived before Alabama became a state.
Bunn’s unforgettable stories in The Tensaw River trace the construction and occupation of the Bottle Creek site, an important mound complex built by Southeastern Native Americans a millennia ago. Nearby Blakeley is a spectral antebellum ghost town whose lost memories also tease the imagination. During the Civil War, the boom of artillery fire in the battle that sealed the fate of the city of Mobile echoed along the bends in the Tensaw.
Located near popular Gulf Coast travel destinations, the Tensaw’s forty-one-mile-long “Forgotten Cultural Heritage Corridor” is a gateway to the enchanting beauty of—and humankind’s enduring relationship to—the landscape of the American South.

Gail Wells
Oregon State University Press, 1999
Longo, Stefano B
Rutgers University Press, 2015
Ann Elias
University of Chicago Press, 2026
An underwater look at Sydney that surfaces new and unfamiliar histories of people, objects, spaces, and environmental and social change.
The Underharbor places the ocean at the center of a cultural history of Sydney, Australia, a place built on and around seawater, where the community is linked historically, emotionally, and psychologically to the water. Drawing on a series of vignettes that focus on Sydney’s underwater dimensions—including the harbor’s relationship to technological modernity, Indigenous ideas and practices, artistic experimentation, and scientific inquiry—Ann Elias creates a unique portrait of a city and its past. By shifting the terrestrial perspective to the subaquatic, Elias uncovers an area filled with political meaning, poetic significance, and ideological struggles.
Few harbors are as researched as Sydney’s, where fishing, exploration, colonialism, warfare, science, and industry all shaped cultural ideas about underwater space. Between 1850 to 1950, only a few groups of people had access to the remote underharbor: Indigenous divers and First Nations peoples, who were dispossessed by colonizers; divers working primarily to further the maritime industrialization of the growing city and to salvage objects from the harbor floor; researchers in the emerging field of marine science who dove for first-hand observation; and beachcombers, naturalists, and dredgers who got to know the underharbor by bringing it to the surface. Through press stories, models, illustrations, maps, and photographic and cinematic representations, The Underharbor reveals how these watery visions of Sydney shifted over the course of a century.
Nicole Starosielski
Duke University Press, 2015
Maximilian Viatori
University of Arizona Press, 2023
Bruce A. Byers
Oregon State University Press, 2020
Edited by Donald C. Dearborn, Joseph Hall, and Laura Sewall
University of Massachusetts Press, 2027
Arguing that resilient coasts emerge from collaborative, cross-disciplinary understanding rather than single-issue solutions
At the Bates-Morse Mountain Conservation Area, climate change impacts are visible to the attentive observer. High tides increasingly flood the causeway across the Sprague River Salt Marsh, large winter storms are reshaping the sand dunes at Seawall Beach, and the offshore waters of the Gulf of Maine are among the fastest-warming on the planet. Environmental change is not new there, nor is the impact of human activity, but different parts of this coastal system are changing at different rates, in different ways. Some components are potentially self-renewing, such as the barrier dune beach, while others, such as Piping Plover populations or the salt marshes, might be restored only with assistance. Unfortunately, other components may already be beyond help: the forest of pitch pines between the dunes and the marsh faces the dual threat of saltwater intrusion below ground and potential burial by migrating sands above.
In The View from Morse Mountain, contributors invite readers into this system through an array of complementary inquiries into bedrock geology, carbon capture by salt marshes, dune movement, the physiology of trees, bird migration, perceptual psychology, and the overlays of Indigenous history and colonial settlement. Fostering adaptability, particularly in coastal systems, requires just such an integrated set of examinations and perspectives. This collection of expert analyses works to encourage place-based curiosity in anyone, both those familiar with this area of Maine and people beyond, helping them recognize both loss and resilience, and to deepen their love for the places they treasure.
Contributors include the volume editors as well as Emily Chandler, Caitlin Cleaver, Isobel Curtis, J. Dykstra Eusden Jr., Brett Huggett, Bev Johnson, Dana Oster, Mike Retelle, and Robert Strong.
Kevin M. Bailey
University of Chicago Press, 2015
Rob Blair
University Press of Colorado, 1996
The most complete work published on the natural history of southwest Colorado's majestic mountain system, The Western San Juan Mountains: Their Geology, Ecology, and Human History is designed to be used while exploring the scenic 235-mile paved San Juan Skyway, which passes through Durango, Silverton, Ouray, Telluride, Dolores, and Cortez.
The Western San Juan Mountains covers the physical environment, the biological communities, the human history, and points of interest represented on milepost signs along the highway. Some of the many topics covered include: how the San Juan Mountains were formed; why the landscape is so rugged and picturesque; why the vegetation changes from the lowlands to the alpine heights; energy and mineral resources of the area; why these mountains intrigued early explorers; factors that influence the unpredictable weather; and the first-known inhabitants.
The contributions to this guide include Fort Lewis College geologists, biologists, archaeologists, historians, and other specialists. Together they have amassed more than one hundred years of study based not only on previous work but on their own research.
This generously illustrated guidebook is aimed at all those who wish to understand this intricate mountain system in much greater detail than provided by most picture books.
Claudia Milian
University of Minnesota Press, 2026
A transatlantic, more-than-human exploration of LatinX presence, memory, and empire in the heart of Madrid
How does LatinXness begin in the Kingdom of Spain? In The X Catalogue, Claudia Milian offers a vade mecum of Madrid, exploring it as an ecological archive and former imperial metropolis. Approaching the “X” as metaphor, method, and philosophical practice, she extends inquiry beyond the human. Milian traces the “X” through transplanted life from the Americas: the roots of the ahuehuete tree (the Montezuma cypress), the engineering and renaming of the acocoxochitl (the dahlia), the “invasion” of the cotorras argentinas (Monk parakeets), and the exhibition of the caimán (the alligator) as a conquered object.
Critical theory and historical cultural studies meet to remap the Atlantic world through the “Xs” of arrival, circulation, and transformation. By examining how LatinXness inhabits the Spanish capital, Milian breaks open LatinX Spain and global LatinX studies. The X Catalogue resists containment, mirroring its objects of study and challenging categories such as native, foreign, or authentic. It advances a more-than-human, transatlantic understanding of LatinXness within empire studies, environmental humanities, and the critical study of tourism.
Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.
Stephen Daubert
Vanderbilt University Press, 2019
Michael J. Caduto
University Press of New England, 2016
Ralph W. Tiner
University of Massachusetts Press, 2013
Peter Wayne Moe
Oregon State University Press, 2021
Touching This Leviathan asks how we might come to know the unknowable—in this case, whales, animals so large yet so elusive, revealing just a sliver of back, a glimpse of a fluke, or a split-second breach before diving away.
Whale books often sit within disciplinary silos. Touching This Leviathan starts a conversation among them. Drawing on biology, theology, natural history, literature, and writing studies, Peter Wayne Moe offers a deep dive into the alluring and impalpable mysteries of Earth’s largest mammal.
Entertaining, thought-provoking, and swimming with intelligence and wit, Touching is Leviathan is creative nonfiction that gestures toward science and literary criticism as it invites readers into the belly of the whale.
Valerie P Cohen
University of Nevada Press, 2017
Peter Ashton and David Lee
University of Chicago Press, 2022
Maser, Chris
Rutgers University Press, 2008
Paul A. Formisano
University of Nevada Press, 2022