Robert S. Erikson and Christopher Wlezien
University of Chicago Press, 2012
Daniel W. Drezner
University of Chicago Press, 2020
Edited by Cass R. Sunstein and Richard A. Epstein
University of Chicago Press, 2001
Howard Gillman
University of Chicago Press, 2001
Jack R. Gannon
Gallaudet University Press, 2009
Allison M. Prasch
University of Chicago Press, 2023
Michael R. Canfield
University of Chicago Press, 2015
Thomas Bailey and Katherine Joslin
University Press of New England, 2018
William E. Bartelt
Indiana Historical Society Press, 2008
Ernest Harsch
Ohio University Press, 2014
James Cannon
University of Michigan Press, 1998
Jože Pirjevec, Foreword by Emily Greble
University of Wisconsin Press, 2018
Dana Gorzelany-Mostak
University of Michigan Press, 2023
From Bill Clinton playing his saxophone on The Arsenio Hall Show to Barack Obama referencing Jay-Z’s song “Dirt Off Your Shoulder,” politicians have used music not only to construct their personal presidential identities but to create the broader identity of the American presidency. Through music, candidates can appear relatable, show cultural competency, communicate values and ideas, or connect with a specific constituency. On a less explicit level, episodes such as Clinton’s sax-playing and Obama’s shoulder brush operate as aural and visual articulations of race and racial identity. But why do candidates choose to engage with race in this manner? And why do supporters and detractors on YouTube and the Twittersphere similarly engage with race when they create music videos or remixes in homage to their favorite candidates?
With Barack Obama, Ben Carson, Kamala Harris, and Donald Trump as case studies, Tracks on the Trail: Popular Music, Race, and the US Presidency sheds light on the factors that motivate candidates and constituents alike to articulate race through music on the campaign trail and shows how the racialization of sound intersects with other markers of difference and ultimately shapes the public discourse surrounding candidates, popular music, and the meanings attached to race in the 21st century. Gorzelany-Mostak explores musical engagement broadly, including official music in the form of candidate playlists and launch event setlists, as well as unofficial music in the form of newly composed campaign songs, mashups, parodies, and remixes.
Edited & Commentaries by Robert H. Ferrell
University of Missouri Press, 1991
As assistant press secretary to President Harry S. Truman, Eben A. Ayers brought with him twenty-six years of experience as a newspaperman. He knew when he had a good story and knew how to record it. His private diary, which he kept unbeknownst to his associates, tells the inside story of the Truman White House clearly, colorfully, and with an acute sense of history.
Robert J. Donovan
University of Missouri Press, 1996