8642 books match the query '20th century' and 1764 start with t

cover of The Old Formalism: Character and Contemporary American Poetry

The Old Formalism

Character and Contemporary American Poetry

Jonathan Holden

University of Arkansas Press, 1999

Our appreciation of American poetry is as influenced by the personas presented in the poems as by public perception of the poets themselves. Emily Dickinson peeking from behind a doorway with large dark eyes is an indelible image superimposed over her spare, enigmatic poems. The grand gestures of Walt Whitman's voice have much to do with our reading of "Song of Myself." And we cannot hear "Mending Wall" or "Mowing" without thinking of the image of the rustic, sly farmer-poet that Robert Frost so carefully cultivated. The moral authority of the poet reveals itself through the poems as well, and it is crucial to the meaning of the poem, Holden argues, if art is to elevate life. Part 1 of The Old Formalism,"The Practice," is a close study of some of the conventions and developments in contemporary American poetry, with such topics as "sex and poetry" "rhetoricity," and "sensibility." Holden shows lucidly how character—or lack of it—is revealed in poetry. In "Personae," the second part, he gives a studied reading of a group of several admired poets, such as Richard Hugo, Mary Kinzie, Ted Kooser, and William Stafford. Holden uses biographical references and personal contacts with the poets to strengthen the notion of character revealed in poetry. This book takes a decided stand in the ongoing debate of the past two decades about the relationship of American poetry to American culture. In an age when image dominates word, and the business of poetry is nearly as celebrity-laden as Hollywood, Holden takes us past the media glitz, backstage where the poems are waiting to be read. Quite simply, in a clear, incisive manner, he teaches us how to read well again.
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cover of The Old Guard and the Avant-Garde: Modernism in Chicago, 1910-1940

The Old Guard and the Avant-Garde

Modernism in Chicago, 1910-1940

Edited by Sue Ann Prince

University of Chicago Press, 1990

"The Old Guard and the Avant-Garde: Modernism in Chicago, 1910-1940 brings together the history and the critical reaction to the new developments in art and design, places them in the context of conservative yet innovative Chicago at the turn of the century, and explores the tensions between tradition and innovation. The individual essays present the best in specialized current research, yet one can clearly understand the impact of modernism on the broader intellectual and cultural life of the city. I eagerly await as cohesive and thorough an analysis of the subject for New York."—David Sokol, University of Chicago

"This is fresh and fascinating research about the ups and downs of modernism in Chicago, a city where art students reportedly once hung Matisse in effigy. Regional studies like this one broaden our understanding of how the art world has worked outside of New York and gives depth to a story we know too narrowly. Applause all the way around."—Wanda M. Corn, Stanford University
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cover of The Old-Time Saloon: Not Wet - Not Dry, Just History

The Old-Time Saloon

Not Wet - Not Dry, Just History

George Ade

University of Chicago Press, 2016

Fancy a tipple? Then pull up a stool, raise a glass, and dip into this delightful paean to the grand old saloon days of yore. Written by Chicago-based journalist, playwright, and all-round wit George Ade in the waning years of Prohibition, The Old-Time Saloon is both a work of propaganda masquerading as “just history” and a hilarious exercise in nostalgia. Featuring original, vintage illustrations along with a new introduction and notes from Bill Savage, Ade's book takes us back to the long-gone men’s clubs of earlier days, when beer was a nickel, the pretzels were polished, and the sardines were free.
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cover of The Omega Workshops

The Omega Workshops

Judith Collins

University of Chicago Press, 1984

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cover of The One Voice of James Dickey: His Letters and Life, 1942-1969

The One Voice of James Dickey

His Letters and Life, 1942-1969

Edited & Commentary by Gordon Van Ness

University of Missouri Press, 2003

In The One Voice of James Dickey, Gordon Van Ness skillfully documents James Dickey’s growth from a callow teen interested primarily in sports to a mature poet who possessed literary genius and who deliberately advanced himself and his career. The letters from 1942 through 1969 depict Dickey gradually establishing a self-identity, deciding to write, struggling to determine a subject matter and style, working determinedly to gain initial recognition, and eventually seeking out the literary establishment to promote himself and his views on poetry. The letters also portray a complex personality with broad interests, acute intelligence, and heightened imagination as well as a deep need to re-create his past and assume various roles in the present.
From Dickey’s extensive correspondence, Van Ness has selected not only those letters that best reveal the chronological development of Dickey’s career and his conscious efforts to chart its course, but also those that portray his other interests and depict the various features of his personality. The letters are grouped by decade, with each period placed in perspective by a critical introduction. The introductory sections offer a psychological understanding of Dickey’s personality by identifying the needs and fears that affected his actions. They also explain the American literary and cultural scene that Dickey confronted as he matured. Together, the letters and commentary yield a sense of Dickey’s complex personality—both the man as a writer and the writer as a man—while arguing that he remained “one voice.”
Because how a writer writes—the appearance of a writer’s words on a page—makes a statement, the letters are reproduced here without alterations. There are no silent deletions or revisions; the original spelling and punctuation have been preserved. Dickey’s letters gathered in The One Voice of James Dickey portray a poet’s consciousness, chronicling its growth and revealing its breadth. They do not contain the whole truth, but they are what we have.
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cover of The One Voice of James Dickey: His Letters and Life, 1970-1997

The One Voice of James Dickey

His Letters and Life, 1970-1997

Edited & Commentary by Gordon Van Ness

University of Missouri Press, 2005

This book completes and complements the first volume of the letters and life of James Dickey. Picking up where the previous volume left off, The One Voice of James Dickey: His Letters and Life, 1970–1997 chronicles Dickey’s career from the unparalleled success of his novel Deliverance in 1970 through his poetic experimentation in such books as The Eye Beaters, Blood, Victory, Madness, Buckhead and Mercy and Puella until his death in 1997. A prolific correspondent, Dickey tried to write at least three letters a day, and these letters provide a unique way for Gordon Van Ness to portray the vast and varied panorama of Dickey’s life.
            The letters are grouped by decade largely because Dickey’s life was so very different in the seventies, eighties, and nineties. The chapter titles and their progression, as in the first volume, reflect Dickey’s sense that his life and career were a kind of warfare and that he was on a mission. A final section, “Debriefings,” offers a concise overview of Dickey’s full career. In earlier chapters, letters to people as varied as Saul Bellow, Arthur Schlesinger, and Robert Penn Warren indicate Dickey’s belief that this correspondence was a valuable networking tool, likely to open up new opportunities, while other letters, such as ones to Dickey’s oldest son, Christopher, expose the tender aspects of the author’s character.
            No other critical study so well projects the development of Dickey’s career while simultaneously exhibiting the diversity of his interests and the often-conflicting sides of his personality. In the strictest sense, this volume is not a life-in-letters, but it does provide a general sense of Dickey’s comings, goings, and doings. Van Ness’s selection of letters suggests an acute understanding of Dickey, and his editorial commentary examines and reveals Dickey’s brilliance.
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cover of The Open Mind: Cold War Politics and the Sciences of Human Nature

The Open Mind

Cold War Politics and the Sciences of Human Nature

Jamie Cohen-Cole

University of Chicago Press, 2013

The Open Mind chronicles the development and promulgation of a scientific vision of the rational, creative, and autonomous self, demonstrating how this self became a defining feature of Cold War culture. Jamie Cohen-Cole illustrates how from 1945 to 1965 policy makers and social critics used the idea of an open-minded human nature to advance centrist politics. They reshaped intellectual culture and instigated nationwide educational reform that promoted more open, and indeed more human, minds. The new field of cognitive science was central to this project, as it used popular support for open-mindedness to overthrow the then-dominant behaviorist view that the mind either could not be studied scientifically or did not exist. Cognitive science also underwrote the political implications of the open mind by treating it as the essential feature of human nature.     
           
While the open mind unified America in the first two decades after World War II, between 1965 and 1975 battles over the open mind fractured American culture as the ties between political centrism and the scientific account of human nature began to unravel. During the late 1960s, feminists and the New Left repurposed Cold War era psychological tools to redefine open-mindedness as a characteristic of left-wing politics. As a result, once-liberal intellectuals became neoconservative, and in the early 1970s, struggles against open-mindedness gave energy and purpose to the right wing.
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cover of The Open-Ended City: David Dillon on Texas Architecture

The Open-Ended City

David Dillon on Texas Architecture

By Kathryn E. Holliday; foreword by Robert Decherd

University of Texas Press, 2019

Texas Historical Commission Award of Excellence in Media Achievement, Texas Historical Commission

In 1980, David Dillon launched his career as an architectural critic with a provocative article that asked “Why Is Dallas Architecture So Bad?” Over the next quarter century, he offered readers of the Dallas Morning News a vision of how good architecture and planning could improve quality of life, combatting the negative effects of urban sprawl, civic fragmentation, and rapacious real estate development typical in Texas cities. The Open-Ended City gathers more than sixty key articles that helped establish Dillon’s national reputation as a witty and acerbic critic, showing readers why architecture matters and how it can enrich their lives.

Kathryn E. Holliday discusses how Dillon connected culture, commerce, history, and public life in ways that few columnists and reporters ever get the opportunity to do. The articles she includes touch on major themes that animated Dillon’s writing: downtown redevelopment, suburban sprawl, arts and culture, historic preservation, and the necessity of aesthetic quality in architecture as a baseline for thriving communities. While the specifics of these articles will resonate with those who care about Dallas, Fort Worth, and other Texas cities, they are also deeply relevant to all architects, urbanists, and citizens who engage in the public life and planning of cities. As a collection, The Open-Ended City persuasively demonstrates how a discerning critic helped to shape a landmark city by shaping the conversation about its architecture.

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cover of The Ordeal of the Jungle: Race and the Chicago Federation of Labor, 1903–1922

The Ordeal of the Jungle

Race and the Chicago Federation of Labor, 1903–1922

David Bates

Southern Illinois University Press, 2019

Between 1910 and 1920, the Chicago Federation of Labor (CFL) inaugurated a massive organizing drive in the city’s meatpacking and steel industries. Although the CFL sought legitimately progressive goals, worked earnestly to organize an interracial union, and made major inroads among both black and white workers, their efforts resulted in a bitter defeat. David Bates provides a clear picture of how even the most progressive of intentions can be ground to a halt.
 
By organizing workers into neighborhood locals, which connected workplace struggles to ethnic and religious identities, the CFL facilitated a surge in the organization’s membership, particularly among African American workers, and afforded the federation the opportunity to aggressively confront employers. The CFL’s innovative structure, however, was ultimately its demise. Linking union locals to neighborhoods proved to be a form of de facto segregation. Over time union structures, rank-and-file conflicts, and employer resistance combined to turn the union’s hopeful calls for solidarity into animosity and estrangement. Tensions were exacerbated by violent shop floor confrontations and exploded in the bloody 1919 Chicago Race Riot. By the early 1920s, the CFL had collapsed.
 
The Ordeal of the Jungle explores the choices of a variety of people while showing a complex, overarching interplay of black and white workers and their employers. In addition to analyzing union structures and on-the-ground relations between workers, Bates synthesizes and challenges previous scholarship on interracial organizing to explain the failure of progressive unionism in Chicago.
 
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cover of The Oriental Obscene: Violence and Racial Fantasies in the Vietnam Era

The Oriental Obscene

Violence and Racial Fantasies in the Vietnam Era

Sylvia Shin Huey Chong

Duke University Press, 2011

The Oriental Obscene is a sophisticated analysis of Americans’ reactions to visual representations of the Vietnam War, such as the photograph of the “napalm girl,” news footage of the Tet Offensive, and feature films from The Deer Hunter to Rambo: First Blood Part II. Sylvia Shin Huey Chong combines psychoanalytic and film theories with U.S. cultural history to explain what she terms the oriental obscene: racialized fantasies that Americans derived largely from images of Asians as the perpetrators or victims of extreme violence. Chong contends that these fantasies helped Americans to process the trauma of the Vietnam War, as well as the growth of the Asian American population after the Immigration and Nationality Act of 1965 and the postwar immigration of Southeast Asian refugees. The oriental obscene animated a wide range of political narratives, not only the movements for and against the war, but causes as diverse as the Black Power movement, law-and-order conservatism, second-wave feminism, and the nascent Asian American movement. During the Vietnam era, pictures of Asian bodies were used to make sense of race, violence, and America’s identity at home and abroad.
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cover of The Origins of Bioethics: Remembering When Medicine Went Wrong

The Origins of Bioethics

Remembering When Medicine Went Wrong

John A. Lynch

Michigan State University Press, 2019

The Origins of Bioethics argues that what we remember from the history of medicine and how we remember it are consequential for the identities of doctors, researchers, and patients in the present day. Remembering when medicine went wrong calls people to account for the injustices inflicted on vulnerable communities across the twentieth century in the name of medicine, but the very groups empowered to create memorials to these events often have a vested interest in minimizing their culpability for them. Sometimes these groups bury this past and forget events when medical research harmed those it was supposed to help. The call to bioethical memory then conflicts with a desire for “minimal remembrance” on the part of institutions and governments. The Origins of Bioethics charts this tension between bioethical memory and minimal remembrance across three cases—the Tuskegee Syphilis Study, the Willowbrook Hepatitis Study, and the Cincinnati Whole Body Radiation Study—that highlight the shift from robust bioethical memory to minimal remembrance to forgetting.
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cover of The Origins of Catholic Evolutionism, 1831-1950

The Origins of Catholic Evolutionism, 1831-1950

Kenneth W. Kemp

Catholic University of America Press, 2025

The history of the Catholic Church’s response to evolutionary biology has often been badly misrepresented as antagonistic. In fact, its response is better characterized as a long process of accommodation. This work is a comprehensive introduction to the work of the Catholic scientists and theologians who worked out the details of that accommodation. Few Catholics found the evolutionary origin of plant and animal species theologically objectionable. None thought that evolutionary processes provided a sufficient account of the origin of the first human beings. Catholics differed over whether those processes played a role in the origin of the first human body. Catholic evolutionism began with the work of four nineteenth-century scientists who might be called the pioneers of Catholic evolutionism—Belgian geologist Jean-Baptiste d’Omalius d’Halloy, English anatomist George Mivart, Italian anatomist Filippo De Filippi, and French paleontologist Albert Gaudry. The next generations of Catholic evolutionists, writing in the period from about 1890 -1940, included scientists (Jesuit entomologists Erich Wasmann and Felix Rüschkamp) as well as priests who focused more exclusively on the question of compatibility (Dalmace Leroy, John Zahm, Henry de Dorlodot, and Ernest Messenger). Among the scientists might also be included French paleontologist Pierre Teilhard de Chardin, who made some contributions to the general idea of the compatibility of evolutionary biology and Catholic theology, but who eventually veered off in the direction of a comprehensive evolutionary theology of nature the details of which are beyond the scope of this book. Catholic anti-evolutionists made efforts to have the Church prohibit works of Catholic evolutionism that, in their judgment gave evolutionary processes too great a rôle in the formation of the human body or that relied on problematic principles of hermeneutics. Efforts on the former front were eventually blocked by Pope Pius XI. The first magisterial statement on the question came, however, only in 1950, with Pope Pius XII’s encyclical Humani generis, which provisionally declared the orthodoxy of evolutionary accounts of the origin of the human body. In addition to providing details about Catholic evolutionists and the magisterium, the book also reviews the treatment of the new ideas in Catholic encyclopedias, periodicals, and textbooks. Although written in the first instance as a work of scholarship, the book was also written with attention to the needs of scientists, priests, and members of the general public who are interested in the question.
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cover of The Origins of Cool in Postwar America

The Origins of Cool in Postwar America

Joel Dinerstein

University of Chicago Press, 2017

Cool. It was a new word and a new way to be, and in a single generation, it became the supreme compliment of American culture. The Origins of Cool in Postwar America uncovers the hidden history of this concept and its new set of codes that came to define a global attitude and style. As Joel Dinerstein reveals in this dynamic book, cool began as a stylish defiance of racism, a challenge to suppressed sexuality, a philosophy of individual rebellion, and a youthful search for social change.

Through eye-opening portraits of iconic figures, Dinerstein illuminates the cultural connections and artistic innovations among Lester Young, Humphrey Bogart, Robert Mitchum, Billie Holiday, Frank Sinatra, Jack Kerouac, Albert Camus, Marlon Brando, and James Dean, among others. We eavesdrop on conversations among Jean-Paul Sartre, Simone de Beauvoir, and Miles Davis, and on a forgotten debate between Lorraine Hansberry and Norman Mailer over the "white Negro" and black cool. We come to understand how the cool worlds of Beat writers and Method actors emerged from the intersections of film noir, jazz, and existentialism. Out of this mix, Dinerstein sketches nuanced definitions of cool that unite concepts from African-American and Euro-American culture: the stylish stoicism of the ethical rebel loner; the relaxed intensity of the improvising jazz musician; the effortless, physical grace of the Method actor. To be cool is not to be hip and to be hot is definitely not to be cool.

This is the first work to trace the history of cool during the Cold War by exploring the intersections of film noir, jazz, existential literature, Method acting, blues, and rock and roll. Dinerstein reveals that they came together to create something completely new—and that something is cool.
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cover of The Origins of Israel, 1882–1948: A Documentary History

The Origins of Israel, 1882–1948

A Documentary History

Eran Kaplan

University of Wisconsin Press, 2011

In 1880 the Jewish community in Palestine encompassed some 20,000 Orthodox Jews; within sixty-five years it was transformed into a secular proto-state with well-developed political, military, and economic institutions, a vigorous Hebrew-language culture, and some 600,000 inhabitants. The Origins of Israel, 1882–1948: A Documentary History chronicles the making of modern Israel before statehood, providing in English the texts of original sources (many translated from Hebrew and other languages) accompanied by extensive introductions and commentaries from the volume editors.

This sourcebook assembles a diverse array of 62 documents, many of them unabridged, to convey the ferment, dissent, energy, and anxiety that permeated the Zionist project from its inception to the creation of the modern nation of Israel. Focusing primarily on social, economic, and cultural history rather than Zionist thought and diplomacy, the texts are organized in themed chapters. They present the views of Zionists from many political and religious camps, factory workers, farm women, militants, intellectuals promoting the Hebrew language and arts—as well as views of ultra-Orthodox anti-Zionists. The volume includes important unabridged documents from the origins of the Arab-Israeli conflict that are often cited but are rarely read in full. The editors, Eran Kaplan and Derek J. Penslar, provide both primary texts and informative notes and commentary, giving readers the opportunity to encounter voices from history and make judgments for themselves about matters of world-historical significance.


Best Special Interest Books, selected by the Public Library Reviewers

Best Books for General Audiences, selected by the American Association of School Librarians
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cover of The Origins of Modern Polish Democracy

The Origins of Modern Polish Democracy

M. B. B. Biskupski

Ohio University Press, 2010

The Origins of Modern Polish Democracy is a series of closely integrated essays that traces the idea of democracy in Polish thought and practice. It begins with the transformative events of the mid-nineteenth century, which witnessed revolutionary developments in the socioeconomic and demographic structure of Poland, and continues through changes that marked the postcommunist era of free Poland.

The idea of democracy survived in Poland through long periods of foreign occupation, the trials of two world wars, and years of Communist subjugation. Whether in Poland itself or among exiles, Polish speculation about the creation of a liberal-democratic Poland has been central to modern Polish political thought. This volume is unique in that is traces the evolution of the idea of democracy, both during the periods when Poland was an independent country—1918-1939—and during the periods of foreign occupation before 1918 through World War II and the Communist era. For those periods when Poland was not free, the volume discusses how the idea of democracy evolved among exile and underground Polish circles.

This important work is the only single-volume English-language history of modern Polish democratic thought and parliamentary systems and represents the latest scholarly research by leading specialists from Europe and North America.

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cover of The Origins of the Dual City: Housing, Race, and Redevelopment in Twentieth-Century Chicago

The Origins of the Dual City

Housing, Race, and Redevelopment in Twentieth-Century Chicago

Joel Rast

University of Chicago Press, 2019

Chicago is celebrated for its rich diversity, but, even more than most US cities, it is also plagued by segregation and extreme inequality. More than ever, Chicago is a “dual city,” a condition taken for granted by many residents. In this book, Joel Rast reveals that today’s tacit acceptance of rising urban inequality is a marked departure from the past. For much of the twentieth century, a key goal for civic leaders was the total elimination of slums and blight. Yet over time, as anti-slum efforts faltered, leaders shifted the focus of their initiatives away from low-income areas and toward the upgrading of neighborhoods with greater economic promise. As misguided as postwar public housing and urban renewal programs were, they were born of a long-standing reformist impulse aimed at improving living conditions for people of all classes and colors across the city—something that can’t be said to be a true priority for many policymakers today. The Origins of the Dual City illuminates how we normalized and became resigned to living amid stark racial and economic divides.
 
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cover of The Orwell Mystique: A Study in Male Ideology

The Orwell Mystique

A Study in Male Ideology

Daphne Patai

University of Massachusetts Press, 1984

The Orwell Mystique: A Study in Male Ideology is a pioneering work of feminist literary criticism that subjects the life and writing of George Orwell (1903–1950) to a sustained and rigorous feminist analysis. Published in 1984—the same year as the famous date in Orwell's most celebrated dystopian novel—the book examines all of Orwell's major novels, essays, and journalism and argues that his widely celebrated reputation for moral authority and plain-speaking democratic decency is fundamentally undercut by a pervasive and condescending attitude toward women.

Author Daphne Patai contends that Orwell's work is saturated with a male ideology so deeply embedded as to be largely invisible to mainstream criticism, which had long treated Orwell as an exemplar of intellectual honesty and political courage while overlooking the gender assumptions that structure his writing. Drawing on feminist theory and close textual analysis, Patai systematically traces the ways in which Orwell's androcentrism—his tendency to place men and male experience at the center of human life—shapes not only his fiction but also his essays, autobiographical writings, and political commentary.

The book is organized around a series of thematic and textual investigations. An introductory chapter establishes what Patai calls “the Orwell myth”—the cultural phenomenon by which Orwell's personal authority as a moral and political guide has been constructed and sustained. Subsequent chapters examine specific dimensions of Orwell's work and biography, including his experience of empire and the masculine codes embedded in his writings about colonialism; his treatments of vagabondage, manual labor, and working-class masculinity (notably in works such as Down and Out in Paris and London and The Road to Wigan Pier); and the androcentrism running through Nineteen Eighty-Four, in which Patai argues that the novel's treatment of women, sexuality, and the body reflects deeply patriarchal assumptions. The book also addresses Orwell's essays and journalism, situating his gender ideology within the broader context of mid-twentieth-century British patriarchal culture.

At the time of its publication, The Orwell Mystique was one of the first book-length feminist examinations of Orwell, and it generated significant scholarly debate. It remains an important and frequently cited work in both Orwell studies and feminist literary criticism.

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cover of The Osage Rose

The Osage Rose

Tom Holm

University of Arizona Press, 2008

Corrupt lawmen, insatiable businessmen, and an oil boom on Indian land. This is the milieu in which Tom Holm sets his gritty and provocative detective novel.

Life is looking easy for J. D. Daugherty, a crusty ex-cop who has set up his own PI firm in Tulsa, Oklahoma, just after World War I. J. D. expects to make a straightforward living off the intrigues of the city’s wealthy socialites, but then Rose Chichester, a privileged young white woman, runs off with Tommy Ruffle, a young Indian who is heir to Osage oil. Hired by Rose’s father to track down the young pair, J. D. and his associate, a Cherokee named Hoolie Smith, find themselves caught in the cross fire of a deadly scheme. When Tommy turns up murdered and with Rose still missing, J. D. and Hoolie must navigate a twisting maze of deception, race riots, and gun battles in their unrelenting search for the truth—a search that ultimately leads to an intimate secret no one suspected.

Tom Holm writes a true private-eye mystery, yet he entwines the story’s layers of conspiracy and deceit with the realities of prejudice and hatred that existed during the early years of Oklahoma statehood. Rooted firmly in its time, Holm’s well-researched novel tells a complex and compelling story of individuals struggling to find justice at any cost in a world still caught between modernity and its Wild West legacy.
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cover of The Other Americans in Paris: Businessmen, Countesses, Wayward Youth, 1880-1941

The Other Americans in Paris

Businessmen, Countesses, Wayward Youth, 1880-1941

Nancy L. Green

University of Chicago Press, 2014

While Gertrude Stein hosted the literati of the Left Bank, Mrs. Bates-Batcheller, an American socialite and concert singer in Paris, held sumptuous receptions for the Daughters of the American Revolution in her suburban villa. History may remember the American artists, writers, and musicians of the Left Bank best, but the reality is that there were many more American businessmen, socialites, manufacturers’ representatives, and lawyers living on the other side of the River Seine.  Be they newly minted American countesses married to foreigners with impressive titles or American soldiers who had settled in France after World War I with their French wives, they provide a new view of the notion of expatriates.

Nancy L. Green thus introduces us for the first time to a long-forgotten part of the American overseas population—predecessors to today’s expats—while exploring the politics of citizenship and the business relationships, love lives, and wealth (and poverty for some) of Americans who staked their claim to the City of Light. The Other Americans in Paris shows that elite migration is a part of migration tout court and that debates over “Americanization” have deep roots in the twentieth century.
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cover of The Other Presences: Reading Literature Other-Wise after the Transnational Turn in American Studies

The Other Presences

Reading Literature Other-Wise after the Transnational Turn in American Studies

Florian Tatschner

Dartmouth College Press, 2019

Florian Tatschner examines an alternative mode of reading fictional texts in the context of North American literature through “reading other-wise”: a mode of reading that regards the other in narratives not merely as a discursive construct of alterity, but as a presencing of otherness that resists discursive fixity. Waldenfels’s phenomenology constitutes the foundational approach of this work, and Lyotard’s poststructuralist philosophy of language, with its distinction between discursivity and figurality, offers a suitable framework for negotiating the relation between otherness and alterity. Drawing on the increasingly significant term “presence” in connection with phenomenon of otherness, Tatschner attempts to close a scholarly gap in the discourse on aesthetics regarding cultural difference as well as the relation between presence and aesthetics in American studies.
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cover of The Other Renaissance: Italian Humanism between Hegel and Heidegger

The Other Renaissance

Italian Humanism between Hegel and Heidegger

Rocco Rubini

University of Chicago Press, 2014

A natural heir of the Renaissance and once tightly conjoined to its study, continental philosophy broke from Renaissance studies around the time of World War II. In The Other Renaissance, Rocco Rubini achieves what many have attempted to do since: bring them back together. Telling the story of modern Italian philosophy through the lens of Renaissance scholarship, he recovers a strand of philosophic history that sought to reactivate the humanist ideals of the Renaissance, even as philosophy elsewhere progressed toward decidedly antihumanist sentiments.
           
Bookended by Giambattista Vico and Antonio Gramsci, this strand of Renaissance-influenced philosophy rose in reaction to the major revolutions of the time in Italy, such as national unity, fascism, and democracy. Exploring the ways its thinkers critically assimilated the thought of their northern counterparts, Rubini uncovers new possibilities in our intellectual history: that antihumanism could have been forestalled, and that our postmodern condition could have been entirely different. In doing so, he offers an important new way of thinking about the origins of modernity, one that renews a trust in human dignity and the Western legacy as a whole.
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cover of The Other Side of Grief: The Home Front and the Aftermath in American Narratives of the Vietnam War

The Other Side of Grief

The Home Front and the Aftermath in American Narratives of the Vietnam War

Maureen Ryan

University of Massachusetts Press, 2008

The lingering aftereffects of the Vietnam War resonate to this day throughout American society: in foreign policy, in attitudes about the military and war generally, and in the contemporary lives of members of the so-called baby boom generation who came of age during the 1960s and early 1970s. While the best-known personal accounts of the war tend to center on the experience of combat, Maureen Ryan's The Other Side of Grief examines the often overlooked narratives—novels, short stories, memoirs, and films—that document the war's impact on the home front. 

In analyzing the accounts of Vietnam veterans, women as well as men, Ryan focuses on the process of readjustment, on how the war continued to insinuate itself into their lives, their families, and their communities long after they returned home. She looks at the writings of women whose husbands, lovers, brothers, and sons served in Vietnam and whose own lives were transformed as a result. She also appraises the experiences of the POWs who came to be embraced as the war's only heroes; the ordeal of Vietnamese refugees who fled their “American War” to new lives in the United States; and the influential movement created by those who committed themselves to protesting the war. 

The end result of Ryan's investigations is a cogent synthesis of the vast narrative literature generated by the Vietnam War and its aftermath. Together those stories powerfully demonstrate how deeply the legacies of the war penetrated American culture and continue to reverberate still.

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cover of The Other Side of the Popular: Neoliberalism and Subalternity in Latin America

The Other Side of the Popular

Neoliberalism and Subalternity in Latin America

Gareth Williams

Duke University Press, 2002

Drawing on deconstruction, postcolonial theory, cultural studies, and subaltern studies, The Other Side of the Popular is as much a reflection on the limitations and possibilities for thinking about the politics of Latin American culture as it is a study of the culture itself. Gareth Williams pays particular attention to the close relationship between complex cultural shifts and the development of the neoliberal nation-state. The modern Latin American nation, he argues, was built upon the idea of "the people," a citizenry with common interests transcending demographic and cultural differences. As nations have weakened in relation to the global economy, this moment—of the popular as the basis of nation-building—has passed, causing seismic shifts in the relationships between governments and cultural formations. Williams asserts that these changed relationships necessitate the rethinking of fundamental concepts such as "the popular" and "the nation." He maintains that the perspective of subalternity is vital to this theoretical project because it demands the reimagining of the connections between critical reason and its objects of analysis.

Williams develops his argument through studies of events highlighting Latin America’s uneasy, and often violent, transition to late capitalism over the past thirty years. He looks at the Chiapas rebellion in Mexico, genocide in El Salvador, the Sendero in Peru, Chile’s and Argentina’s transitions to democratic governments, and Latin Americans’ migration northward. Williams also reads film, photography, and literary works, including Ricardo Piglia’s The Absent City and the statements of a young Salvadoran woman, the daughter of ex-guerrilleros, living in South Central Los Angeles.

The Other Side of the Popular is an incisive interpretation of Latin American culture and politics over the last few decades as well as a thoughtful meditation on the state of Latin American cultural studies.

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cover of The Ottoman Army 1914 - 1918: Disease and Death on the Battlefield

The Ottoman Army 1914 - 1918

Disease and Death on the Battlefield

Hikmet Ozdemir

University of Utah Press, 2008

Utah Series in Middle East Studies

What kind of relationship exists between wars and epidemics? It is widely held that epidemics affected the outcomes of many wars and, until World War II, more victims of war died of disease than of battle wounds. Many disease vectors are present in times of conflict, including mass movements of people across borders and increased contact between persons of different geographic regions, yet disease is rarely treated in depth in histories of war.

Hikmet Özdemir’s The Ottoman Army, 1914–1918 provides extensive documentation of disease and death across the Ottoman Empire during World War I, when epidemic diseases annihilated armies and caused civilians to perish en masse. Drawing on hospital records and information on regional disease prevalence, Özdemir examines the effects that disease and epidemic had on the outcome of the war.

The information on disease mortality explains much that has never been properly understood about wartime events and government actions, events that only begin to make sense when the disease factor is considered. Rich in detail, this is an extremely valuable book that illuminates a facet of the war that has not been adequately considered until now.
[more]
cover of The Ox-Bow Man: A Biography Of Walter Van Tilburg Clark

The Ox-Bow Man

A Biography Of Walter Van Tilburg Clark

Jackson J. Benson

University of Nevada Press, 2006

Walter Van Tilburg Clark, author of the classic novel The Ox-Bow Incident, was one of the West’s most important literary figures, a writer who contributed mightily to the tradition of viewing the West realistically and not through the veil of myth and romance. As a comparatively young man, he published three novels and a collection of short stories, then remained almost silent for the rest of his life, the victim of a paralyzing case of writer’s block. Now Jackson J. Benson, one of the country’s foremost literary biographers, has produced the first full-length biography of this brilliant, enigmatic, and ultimately tragic figure. Based on widely scattered sources—personal papers and correspondence; interviews with family members, friends, and others; and Clark’s unpublished stories and poems—Benson’s biography focuses on Clark’s intellectual and literary life as a writer, teacher, and westerner. Benson masterfully balances his engaging account of the experiences, people, and settings of Clark’s life with a penetrating examination of his complex psyche and the crippling perfectionism that virtually ended Clark’s career, as well as offering up a thoughtful assessment of Clark’s place in Western writing. In these pages, Clark lives again, a warm, complex, and ultimately anguished human being. Benson’s remarkably astute and sensitive biography is destined to be the book that readers and researchers consult first for information about this major western writer.

[more]
cover of The Papers of Clarence Mitchell Jr., Volume I: 1942–1943

The Papers of Clarence Mitchell Jr., Volume I

1942–1943

Clarence Mitchell Jr.

Ohio University Press, 2005

Clarence Mitchell Jr. was the driving force in the movement for passage of civil rights laws in America. The foundation for Mitchell’s struggle was laid during his tenure at the Fair Employment Practice Committee, where he led implementation of President Roosevelt’s policy barring racial discrimination in employment in the national defense and war industry programs. Mitchell’s FEPC reports and memoranda chart the beginning of the modern civil rights movement.

The first two volumes of a projected five-volume documentary edition of The Papers of Clarence Mitchell Jr. illuminate the FEPC’s work as a federal affirmative-action agency and the government’s struggle to enforce the nation’s antidiscrimination policy in industry, federal agencies, and labor unions.

Subsequent volumes will trace Mitchell’s successive enlistment of seven presidents in establishing and enforcing a permanent national nondiscrimination policy. Through his efforts, Congress passed the 1957, 1960, and 1964 Civil Rights Acts prohibiting discrimination in public accommodations, federal spending, and employment based on race, color, sex, and national origin; the 1965 Voting Rights Act; and the 1968 Fair Housing Act.

Editor Denton L. Watson introduces and annotates Mitchell’s writings, providing context and insight for students and scholars of civil rights history, government, law, and sociology.

[more]
cover of The Papers of Clarence Mitchell Jr., Volume II: 1944–1946

The Papers of Clarence Mitchell Jr., Volume II

1944–1946

Clarence Mitchell Jr.

Ohio University Press, 2005

Clarence Mitchell Jr. was the driving force in the movement for passage of civil rights laws in America. The foundation for Mitchell’s struggle was laid during his tenure at the Fair Employment Practice Committee, where he led implementation of President Roosevelt’s policy barring racial discrimination in employment in the national defense and war industry programs. Mitchell’s FEPC reports and memoranda chart the beginning of the modern civil rights movement.

The first two volumes of a projected five-volume documentary edition of The Papers of Clarence Mitchell Jr. illuminate the FEPC’s work as a federal affirmative-action agency and the government’s struggle to enforce the nation’s antidiscrimination policy in industry, federal agencies, and labor unions.

Subsequent volumes will trace Mitchell’s successive enlistment of seven presidents in establishing and enforcing a permanent national nondiscrimination policy. Through his efforts, Congress passed the 1957, 1960, and 1964 Civil Rights Acts prohibiting discrimination in public accommodations, federal spending, and employment based on race, color, sex, and national origin; the 1965 Voting Rights Act; and the 1968 Fair Housing Act.

Editor Denton L. Watson introduces and annotates Mitchell’s writings, providing context and insight for students and scholars of civil rights history, government, law, and sociology.

[more]
cover of The Papers of Clarence Mitchell Jr., Volume V: The Struggle to Pass the 1957 Civil Rights Act, 1955–1958

The Papers of Clarence Mitchell Jr., Volume V

The Struggle to Pass the 1957 Civil Rights Act, 1955–1958

Clarence Mitchell Jr.

Ohio University Press, 2021

Volume V of The Papers of Clarence Mitchell Jr. records the successful effort to pass the 1957 Civil Rights Act: the first federal civil rights legislation since 1875.

Prior to the US Supreme Court’s landmark 1954 decision in Brown v. Board of Education, the NAACP had faced an impenetrable wall of opposition from southerners in Congress. Basing their assertions on the court’s 1896 “separate but equal” decision in Plessy v. Ferguson, legislators from the South maintained that their Jim Crow system was nondiscriminatory and thus constitutional. In their view, further civil rights laws were unnecessary. In ruling that legally mandated segregation of public schools was unconstitutional, the Brown decision demolished the southerners’ argument. Mitchell then launched the decisive stage of the struggle to pass modern civil rights laws.

The passage of the Civil Rights Act of 1957 was the first comprehensive lobbying campaign by an organization dedicated to that purpose since Reconstruction. Coming on the heels of the Brown decision, the 1957 law was a turning point in the struggle to accord Black citizens full equality under the Constitution. The act’s passage, however, was nearly derailed in the Senate by southern opposition and Senator Strom Thurmond’s record-setting filibuster, which lasted more than twenty-four hours. Congress later weakened several provisions of the act but—crucially—it broke a psychological barrier to the legislative enactment of such measures.

The Papers of Clarence Mitchell Jr. is a detailed record of the NAACP leader’s success in bringing the legislative branch together with the judicial and executive branches to provide civil rights protections during the twentieth century.

[more]
cover of The Papers of Clarence Mitchell Jr., Volume VI: The Struggle to Pass the 1960 Civil Rights Act, 1959–1960

The Papers of Clarence Mitchell Jr., Volume VI

The Struggle to Pass the 1960 Civil Rights Act, 1959–1960

Clarence Mitchell Jr.

Ohio University Press, 2021

The Civil Rights Act of 1960 aimed to close loopholes in its 1957 predecessor that had allowed continued voter disenfranchisement for African Americans and for Mexicans in Texas.

In early 1959, the newly seated Eighty-Sixth Congress had four major civil rights bills under consideration. Eventually consolidated into the 1960 Civil Rights Act, their purpose was to correct the weaknesses in the 1957 law. Mitchell’s papers from 1959 to 1960 show the extent to which congressional resistance to the passage of meaningful civil rights laws contributed to the lunch counter sit-ins in Greensboro, North Carolina, and to subsequent demonstrations. The papers reveal how the repercussions of these events affected the NAACP’s work in Washington and how, despite their dislike of demonstrations, NAACP officials used them to intensify the civil rights struggle.

Among the act’s seven titles were provisions authorizing federal inspection of local voter registration rolls and penalties for anyone attempting to interfere with voters on the basis of race or color. The law extended the powers of the US Commission on Civil Rights and broadened the legal definition of the verb to vote to encompass all elements of the process: registering, casting a ballot, and properly counting that ballot. Ultimately, Mitchell considered the 1960 act unsuccessful because Congress had failed to include key amendments that would have further strengthened the 1957 act. In the House, representatives used parliamentary tactics to stall employment protections, school desegregation, poll-tax elimination, and other meaningful civil rights reforms. The fight would continue.

The Papers of Clarence Mitchell Jr. series is a detailed record of the NAACP leader’s success in bringing the legislative branch together with the judicial and executive branches to provide civil rights protections during the twentieth century.

[more]
cover of The Party Decides: Presidential Nominations Before and After Reform

The Party Decides

Presidential Nominations Before and After Reform

Marty Cohen, David Karol, Hans Noel, and John Zaller

University of Chicago Press, 2008

Throughout the contest for the 2008 Democratic presidential nomination, politicians and voters alike worried that the outcome might depend on the preferences of unelected superdelegates. This concern threw into relief the prevailing notion that—such unusually competitive cases notwithstanding—people, rather than parties, should and do control presidential nominations. But for the past several decades, The Party Decides shows, unelected insiders in both major parties have effectively selected candidates long before citizens reached the ballot box.

Tracing the evolution of presidential nominations since the 1790s, this volume demonstrates how party insiders have sought since America’s founding to control nominations as a means of getting what they want from government. Contrary to the common view that the party reforms of the 1970s gave voters more power, the authors contend that the most consequential contests remain the candidates’ fights for prominent endorsements and the support of various interest groups and state party leaders. These invisible primaries produce frontrunners long before most voters start paying attention, profoundly influencing final election outcomes and investing parties with far more nominating power than is generally recognized.
[more]
cover of The Party Line: A Full-Length Play

The Party Line

A Full-Length Play

Roger L Simon

St. Augustine's Press, 2013

THE PARTY LINE is a historical drama. Using real and fictional characters, it intermingles the story of Walter Duranty – the New York Times’ Pulitzer Prize-winning Moscow correspondent in the 1930s – with the more contemporary story of Dutch politician Pim Fortuyn who was assassinated in 2002, on the eve of becoming prime minister. Sheryl Longin and Roger L. Simon have accomplished a breathtaking feat in their imaginative and topical play, The Party Line. The title, as students of Communism know, refers to one’s adherence to the current position on an issue as outlined by the Communist Party in its heyday. . . .
[more]
cover of The Passing of an Illusion: The Idea of Communism in the Twentieth Century

The Passing of an Illusion

The Idea of Communism in the Twentieth Century

François Furet

University of Chicago Press, 1999

François Furet was acknowledged as the twentieth century's preeminent historian of the French Revolution. But years before his death, he turned his attention to the consequences and aftermath of another critical revolution—the Communist revolution. The result, Le passé d'une illusion, is a penetrating history of the ideological passions that have fueled and characterized the modern era.

"This may well be the most illuminating study ever devoted to the question of appeal exerted not only by Communism but also by the Nazi and other fascist varieties of totalitarianism in this century."—Hilton Kramer, New Criterion

"A subtle, nuanced but gripping study of the most pervasive and destructive illusion in the 20th century." —Kirkus Reviews, starred review

"The Passing of an Illusion . . . is both a profound work of intellectual history that takes its place alongside other great studies of the leftist heresy . . . and a relentless diagnosis of the self-subversive risks that are inherent in democratic regimes. "—Roger Kaplan, Washington Times

" A remarkable book. . . . Stimulating and challenging. . . . A man widely read in several languages, Furet clearly knew his way around 20th-century Europe, even unto the dark alleys that figure on no existing map. "—Mark Falcoff, Commentary

"A history of ideas, this work is not for the faint of heart, yet those who challenge it will discover a signal contribution to the literature of Communism."—Booklist

"Imperious and stunningly confident, grand in conception and expansive in manner, packed with fascinating detail and often incisive judgements."—John Dunn, Times Higher Education Supplement

"The Passing of an Illusion is brilliant, and one would be hard pressed to find better writing of history than the first chapter, which traces the roots of modern political thinking back to the nineteenth century."—J. Arch Getty, Atlantic Monthly

"A brilliant and important book. . . . The publication of the American edition makes accessible to the general reader the most thought-provoking historical assessment of communism in Europe to appear since its collapse."—Jeffrey Herf, Wall Street Journal

François Furet (1927-1997), educator and author, was a Chevalier of the Legion of Honor and was elected, in 1997, to become one of the "Forty Immortals" of the Académie Française, the highest intellectual honor in France. His many books include Interpreting the French Revolution, Marx and the French Revolution, and Revolutionary France. Deborah Furet, his widow, collaborated with him on many projects.
[more]
cover of The Passions of Peter Sellars: Staging the Music

The Passions of Peter Sellars

Staging the Music

Susan McClary

University of Michigan Press, 2019

Recognized as one of the most innovative and influential directors of our time, Peter Sellars has produced acclaimed—and often controversial—versions of many beloved operas and oratorios. He has also collaborated with several composers, including John C. Adams and Kaija Saariaho, to create challenging new operas. The Passions of Peter Sellars follows the development of his style, beginning with his interpretations of the Mozart-Da Ponte operas, proceeding to works for which he assembled the libretti and even the music, and concluding with his celebrated stagings of Bach’s passions with the Berlin Philharmonic.

Many directors leave the musical aspects of opera entirely to the singers and conductor. Sellars, however, immerses himself in the score, and has created a distinctive visual vocabulary to embody musical gesture on stage, drawing on the energies of the music as he shapes characters, ensemble interaction, and large-scale dramatic trajectories. As a leading scholar of gender and music, and the history of opera, Susan McClary is ideally positioned to illuminate Sellars’s goal to address both the social tensions embodied in these operas as well as the spiritual dimensions of operatic performance. McClary considers Sellars’s productions of Mozart’s Le nozze di Figaro, Don Giovanni, and Così fan tutte; Handel’s Theodora; Messiaen’s Saint François d’Assise; John C. Adams’s Nixon in China, The Death of Klinghoffer, El Niño, and Doctor Atomic; Kaija Saariaho’s L’amour de loin, La Passion de Simone, and Only the Sound Remains; Purcell’s The Indian Queen; and Bach’s passions of Saint Matthew and Saint John. Approaching Sellars’s theatrical strategies from a musicological perspective, McClary blends insights from theater, film, and literary scholarship to explore the work of one of the most brilliant living interpreters of opera.
[more]
cover of The Passport as Home: Comfort in Rootlessness

The Passport as Home

Comfort in Rootlessness

Andrei S. Markovits

Central European University Press, 2021

A Scholar's Quest for Home and Identity

Experience the remarkable story of a Romanian-born, Hungarian-speaking Jewish professor. From Vienna to Columbia and Harvard, he navigates a life marked by rootlessness, seeking comfort and purpose. His journey unfolds against the backdrop of five decades, two continents, and significant political and cultural changes.

As we follow his pursuit of a home, we gain insight into the critical developments of post-1945 Europe and America. Markovits's emigration experiences, first from Romania to Vienna and later from Vienna to New York, shed light on the challenges he faced.

His journey offers a panoramic view of the forces shaping the latter half of the 20th century. Despite America's flaws, he finds it a beacon of academic excellence, intellectual openness, cultural diversity, and religious tolerance—qualities that Europe lacked.


Explore the complexities of identity, culture, and the universal search for belonging in this captivating narrative.

[more]
cover of The Past in the Present: Women's Higher Education in the Twentieth-Century American South

The Past in the Present

Women's Higher Education in the Twentieth-Century American South

Amy T. McCandless

University of Alabama Press, 1999

The history of higher education in the 20th-century South, like the history of the region, both mirrors and diverges from the national pattern. Not surprisingly the region’s demographic, economic, social, political, and cultural characteristics have accounted for many of the variations between the education of southern women and women in the rest of the nation.
 
Southern students, McCandless finds, have generally been more Protestant, more rural, more conservative, and less affluent than their northern and western counterparts. Southern institutions have been slower to raise matriculation and graduation standards and to revise the classical curriculum. Southern administrators and legislators have opposed coeducation and integration longer and harder than college officials elsewhere. Certain types of institutions, such as all-black colleges, public women’s colleges, and separate agricultural colleges, have been more prevalent in the South. Although many of these differences are not gender-specific, all have contributed to the distinctive educational experience of women in this region.
 
Much has been written on the distinctiveness of this region, but virtually nothing has been published on the education of women in the South. By focusing on both black and white women at a wide variety of institutions and drawing on oral interviews and campus publications as well as traditional histories, McCandless is able to construct a more detailed picture of women’s collegiate experiences in the 20th-century South than those provided by general studies that rely primarily on materials from the North and Midwest.
[more]
cover of The Patriotic Consensus: Unity, Morale, and the Second World War in Winnipeg

The Patriotic Consensus

Unity, Morale, and the Second World War in Winnipeg

Jody Perrun

University of Manitoba Press, 2014

When the Second World War broke out, Winnipeg was Canada’s fourth-largest city, home to strong class and ethnic divisions, and marked by a vibrant tradition of political protest. Citizens demonstrated their support for the war effort through their wide commitment to initiatives such as Victory Loan campaigns or calls for voluntary community service. But given Winnipeg’s diversity, was the Second World War a unifying event for Winnipeg residents? In The Patriotic Consensus, Jody Perrun explores the wartime experience of ordinary Winnipeggers through their responses to recruiting, the treatment of minorities, and the adjustments made necessary by family separation.
[more]
cover of The Peace That Never Was: A History of the League of Nations

The Peace That Never Was

A History of the League of Nations

Ruth Henig

Haus Publishing, 2010

Ninety years ago, the League of Nations convened for the first time, hoping to create a safeguard against destructive, world-wide war by settling disputes through diplomacy. This book looks at how the League was conceptualized and explores the multifaceted body that emerged. This new form for diplomacy was used in ensuing years to counter territorial ambitions and restrict armaments, as well as to discuss human rights and refugee issues. The League’s failure to prevent World War II, however, would lead to its dissolution and the subsequent creation of the United Nations. As we face new forms of global crisis, this timely book asks if the UN’s fate could be ascertained by reading the history of its predecessor.
[more]
cover of The Pecan Orchard: Journey of a Sharecropper's Daughter

The Pecan Orchard

Journey of a Sharecropper's Daughter

Peggy Vonsherie Allen

University of Alabama Press, 2011

The true story of the struggle, survival, and ultimate success of a large black family in south Alabama who, in the middle decades of the 20th century, lifted themselves out of poverty to achieve the American dream of property ownership

This is a true story of the struggle, survival, and ultimate success of a large black family in south Alabama who, in the middle decades of the 20th century, lifted themselves out of poverty to achieve the American dream of property ownership. Descended from slaves and sharecroppers in the Black Belt region, this family of hard-working parents and their thirteen children is mentored by its matriarch, Moa, the author’s beloved great grandmother, who passes on to the family, along with other cultural wealth, her recipe for moonshine.

Without rancor or blame, and even with occasional humor, The Pecan Orchard offers a window into the inequities between blacks and whites in a small southern town still emerging from Jim Crow attitudes.

Told in clean, straightforward prose, the story radiates the suffocating midday heat of summertime cotton fields and the biting winter wind sifting through porous shanty walls. It conveys the implicit shame in “Colored Only” restrooms, drinking fountains, and eating areas; the beaming satisfaction of a job well done recognized by others; the “yessum” manners required of southern society; and the joyful moments, shared memories, and loving bonds that sustain—and even raise—a proud family.
[more]
cover of The Peculiar Revolution: Rethinking the Peruvian Experiment Under Military Rule

The Peculiar Revolution

Rethinking the Peruvian Experiment Under Military Rule

Edited by Carlos Aguirre and Paulo Drinot

University of Texas Press, 2017

On October 3, 1968, a military junta led by General Juan Velasco Alvarado took over the government of Peru. In striking contrast to the right-wing, pro–United States/anti-Communist military dictatorships of that era, however, Velasco’s “Revolutionary Government of the Armed Forces” set in motion a left-leaning nationalist project aimed at radically transforming Peruvian society by eliminating social injustice, breaking the cycle of foreign domination, redistributing land and wealth, and placing the destiny of Peruvians into their own hands. Although short-lived, the Velasco regime did indeed have a transformative effect on Peru, the meaning and legacy of which are still subjects of intense debate.

The Peculiar Revolution revisits this fascinating and idiosyncratic period of Latin American history. The book is organized into three sections that examine the era’s cultural politics, including not just developments directed by the Velasco regime but also those that it engendered but did not necessarily control; its specific policies and key institutions; and the local and regional dimensions of the social reforms it promoted. In a series of innovative chapters written by both prominent and rising historians, this volume illuminates the cultural dimensions of the revolutionary project and its legacies, the impact of structural reforms at the local level (including previously understudied areas of the country such as Piura, Chimbote, and the Amazonia), and the effects of state policies on ordinary citizens and labor and peasant organizations.

[more]
cover of The Pekin: The Rise and Fall of Chicago's First Black-Owned Theater

The Pekin

The Rise and Fall of Chicago's First Black-Owned Theater

Thomas Bauman

University of Illinois Press, 2014

In 1904, political operator and gambling boss Robert T. Motts opened the Pekin Theater in Chicago. Dubbed the "Temple of Music," the Pekin became one of the country's most prestigious African American cultural institutions, renowned for its all-black stock company and school for actors, an orchestra able to play ragtime and opera with equal brilliance, and a repertoire of original musical comedies.
 
A missing chapter in African American theatrical history, Bauman's saga presents how Motts used his entrepreneurial acumen to create a successful black-owned enterprise. Concentrating on institutional history, Bauman explores the Pekin's philosophy of hiring only African American staff, its embrace of multi-racial upper class audiences, and its ready assumption of roles as diverse as community center, social club, and fundraising instrument.
 
The Pekin's prestige and profitability faltered after Motts' death in 1911 as his heirs lacked his savvy, and African American elites turned away from pure entertainment in favor of spiritual uplift. But, as Bauman shows, the theater had already opened the door to a new dynamic of both intra- and inter-racial theater-going and showed the ways a success, like the Pekin, had a positive economic and social impact on the surrounding community.
[more]
cover of The People Are the News: Grant Pick’s Chicago Stories

The People Are the News

Grant Pick’s Chicago Stories

John Pick

Northwestern University Press, 2009

This distinctive collection features writings from Grant Pick’s long, distinguished career in literary journalism. Pick had a uniquely open eye and ear for people who were in difficult situations, doing extraordinary things, or both. Most of his stories focus on interesting but overlooked Chicagoans, like the struggling owner of a laundrymat on the west side or the successful doctor who, as he faced his own death from cancer, strove to enlighten his colleagues in the field of medicine. As only a lifetime Chicagoan could, he described in tender detail the worlds in which people lived or worked, providing a look not just at one city’s citizens but at humanity as a whole.

           
Pick’s widow and son curate this showcase of some of his most well-remembered work, such as “The Rag Man of Lincoln Park” and “Brother Bill.” In these and all of his other works, Pick wrote from the front lines, speaking to people whom others might encounter everyday but never really see. He faithfully characterized his subjects, never denying them dignity or value and never judging them. In the mirror he held up to his city, Chicago could see the shared humanity of all its citizens.

[more]
cover of The People Have Never Stopped Dancing: Native American Modern Dance Histories

The People Have Never Stopped Dancing

Native American Modern Dance Histories

Jacqueline Shea Murphy

University of Minnesota Press, 2007

During the past thirty years, Native American dance has emerged as a visible force on concert stages throughout North America. In this first major study of contemporary Native American dance, Jacqueline Shea Murphy shows how these performances are at once diverse and connected by common influences.

Demonstrating the complex relationship between Native and modern dance choreography, Shea Murphy delves first into U.S. and Canadian federal policies toward Native performance from the late nineteenth through the early twentieth centuries, revealing the ways in which government sought to curtail authentic ceremonial dancing while actually encouraging staged spectacles, such as those in Buffalo Bill’s Wild West shows. She then engages the innovative work of Ted Shawn, Lester Horton, and Martha Graham, highlighting the influence of Native American dance on modern dance in the twentieth century. Shea Murphy moves on to discuss contemporary concert dance initiatives, including Canada’s Aboriginal Dance Program and the American Indian Dance Theatre.

Illustrating how Native dance enacts, rather than represents, cultural connections to land, ancestors, and animals, as well as spiritual and political concerns, Shea Murphy challenges stereotypes about American Indian dance and offers new ways of recognizing the agency of bodies on stage.

Jacqueline Shea Murphy is associate professor of dance studies at the University of California, Riverside, and coeditor of Bodies of the Text: Dance as Theory, Literature as Dance.

[more]
cover of The People's Choice: Congressman Jim Jontz of Indiana

The People's Choice

Congressman Jim Jontz of Indiana

Ray Boomhower

Indiana Historical Society Press, 2012

This first-ever biography of Congressman Jim Jontz examines his remarkable long-shot political career and lifetime involvement in local, state, and national environmental issues. As a liberal Democrat (he preferred the terms progressive or populist) usually running in conservative districts, Jontz had political pundits predicting his defeat in every election only to see him celebrating another victory with his happy supporters, always clad in a scruffy plaid jacket with a hood from high school that he wore for good luck. “I always hope for the best and fight for the worst,” said Jontz. He won five terms as state representative for the Twentieth District (Benton, Newton, Warren, and White Counties), served two years in the Indiana Senate, and captured three terms in the U.S. Congress representing the sprawling Fifth Congressional District in northwestern Indiana that stretched from Lake County in the north to Grant County in the south. Jontz told a reporter that his political career had always “been based on my willingness and role as a spokesman for the average citizen.” In his career Jontz also led an unsuccessful campaign to stop the passage of the North American Free Trade Agreement with the Citizens Trade Campaign, helped protect the Endangered Species Act when it was under attack in the 1990s as director of the Endangered Species Coalition, campaigned to save old-growth forests as executive director of the Western Ancient Forest Campaign, and tried to foster progressive causes as president of the Americans for Democratic Action.
[more]
cover of The People's Porn: A History of Handmade Pornography in America

The People's Porn

A History of Handmade Pornography in America

Lisa Z. Sigel

Reaktion Books, 2020

The first history of American handmade and homemade pornography, The People’s Porn offers the backstory to the explosion of amateur pornography on the web. In doing so, it provides a much-needed counterweight to ahistorical and ideological arguments that dominate most discussions of pornography.
 
Critics tend to focus on mass-produced materials and make claims about pornography as plasticized or commodified. In contrast, eminent historian Lisa Z. Sigel looks at what people made, rather than what they bought, revealing how people thought about sexuality for themselves. She also explores periods when these sexual artifacts were pilloried, ransacked, and destroyed, providing a unique document of rare nineteenth- and twentieth-century objects. Whalers and craftsmen, prisoners and activists, African Americans and feminists—all made their own pornography. Ranging across the full sweep of this output, The People’s Porn challenges preconceptions as it tells a new and fascinating story about American sexual history.
[more]
cover of The People's Uprising and the Fall of the Warsaw Ghetto, April 1942–June 1943

The People's Uprising and the Fall of the Warsaw Ghetto, April 1942–June 1943

Havi Ben-Sasson Dreifuss

Brandeis University Press, 2026

Examines the final years of the Warsaw ghetto, the uprising, and the varied, nuanced ways Jewish people resisted Nazi rule.
 
The People’s Uprising and the Fall of the Warsaw Ghetto, April 1942–June 1943 sheds light on the lives, choices, and experiences of the tens of thousands of Jews who were not part of the underground armed resistance but nonetheless supported the famed Warsaw Ghetto Uprising. This riveting and dramatic account focuses on the final year of the Warsaw ghetto, from the Great Deportation in the summer of 1942 through the suppression of the uprising in mid-1943. Drawing on powerful contemporary testimonies, diaries, and documents—many of them previously unexplored—Havi Ben-Sasson Dreifuss
reveals how members of the broader Jewish population struggled to survive, maintain family and community life, and make impossible moral decisions in the face of fear, hunger, and daily violence. Looking beyond the fighters themselves, the book offers a story of devastation, but also of resilience and human dignity.
 
Published in association with Yad Vashem.
[more]
cover of The Performing Self: Compositions and Decompositions in the Languages of Contemporary Life

The Performing Self

Compositions and Decompositions in the Languages of Contemporary Life

Poirier, Richard

Rutgers University Press, 1992

 .

[more]
cover of The Perils of Prosperity, 1914-1932

The Perils of Prosperity, 1914-1932

William E. Leuchtenburg

University of Chicago Press, 1993

This is an auto-narrated audiobook version of this book. 

Beginning with Woodrow Wilson and U.S. entry into World War I and closing with the Great Depression, The Perils of Prosperity traces the transformation of America from an agrarian, moralistic, isolationist nation into a liberal, industrialized power involved in foreign affairs in spite of itself.

William E. Leuchtenburg's lively yet balanced account of this hotly debated era in American history has been a standard text for many years. This substantial revision gives greater weight to the roles of women and minorities in the great changes of the era and adds new insights into literature, the arts, and technology in daily life. He has also updated the lists of important dates and resources for further reading.

“This book gives us a rare opportunity to enjoy the matured interpretation of an American Historian who has returned to the story and seen how recent decades have added meaning and vividness to this epoch of our history.”—Daniel J. Boorstin, from the Preface
[more]
cover of The Perils of Race-Thinking: A Portrait of Ales Hrdlicka

The Perils of Race-Thinking

A Portrait of Ales Hrdlicka

Mark A. Brandon

Central European University Press, 2023

Eugenics and scientific racism are experiencing a resurgence, and an understanding of the ideas of Aleš Hrdlička can help combat them. Today, the racial science of the early twentieth century is both untenable and contemptible. This book is about an arch figure of that period: Aleš Hrdlička served as Curator of Physical Anthropology at the prestigious Smithsonian Institution from 1910 to 1941. Although his ideas about race are today considered pseudoscience, the uncomfortable truth is that he was an internationally respected scientist in his own day.

The Perils of Race-Thinking advances a bold new interpretation of modern racial ideology by exploring Hrdlička’s intellectual world. Using previously untapped Czech-language sources, Brandon irrevocably alters the discussion about this important figure by placing Czech nationalism at the center of his racial thinking. Defying disciplinary categories, Perils of Race-Thinking joins critical analysis of this key American anthropologist with an incisive revisionist perspective of interwar Czechoslovakia to unearth transnational racial presumptions lurking behind the worst crimes of the twentieth century.

At the center of Hrdlička’s race beliefs was his commitment to Czech and Slovak unity and independence. From this center, his next level of concern was what he believed to be a millennial racial struggle between Germans and Slavs. On a global scale, he viewed the Slavs, and especially the Soviet Union, as a eugenic bastion of White strength holding off the “rising tide of color.”

Step by step, Perils of Race-Thinking mercilessly dismantles Hrdlička’s racial system and exposes it as mysticism dressed up in the language of science. Convinced that human individuals belonged “naturally” in racial groups, Hrdlička embraced a revolutionary program of reordering the globe according to a harrowing morality of “Darwinist” struggle. Yet despite a lifetime of measuring body parts, even Hrdlička could not decide how many races there were or how to tell them apart.

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cover of The Persistence of Dance: Choreography as Concept and Material in Contemporary Art

The Persistence of Dance

Choreography as Concept and Material in Contemporary Art

Erin Brannigan

University of Michigan Press, 2023

There is a category of choreographic practice with a lineage stretching back to mid-20th century North America that has re-emerged since the early 1990s: dance as a contemporary art medium. Such work belongs as much to the gallery as does video art or sculpture and is distinct from both performance art and its history as well as from theater-based dance. 

The Persistence of Dance: Choreography as Concept and Material in Contemporary Art clarifies the continuities and differences between the second-wave dance avant-garde in the 1950s‒1970s and the third-wave starting in the 1990s. Through close readings of key artists such as Maria Hassabi, Sarah Michelson, Boris Charmatz, Meg Stuart, Philipp Gehmacher, Adam Linder, Agatha Gothe-Snape, Shelley Lasica and Latai Taumoepeau, The Persistence of Dance traces the relationship between the third-wave and gallery-based work. Looking at these artists highlights how the discussions and practices associated with “conceptual dance” resonate with the categories of conceptual and post-conceptual art as well as with the critical work on the function of visual art categories. Brannigan concludes that within the current post-disciplinary context, there is a persistence of dance and that a model of post-dance exists that encompasses dance as a contemporary art medium.
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cover of The Persistence of Slavery: An Economic History of Child Trafficking in Nigeria

The Persistence of Slavery

An Economic History of Child Trafficking in Nigeria

Robin Phylisia Chapdelaine

University of Massachusetts Press, 2021

Despite efforts to abolish slavery throughout Africa in the nineteenth century, the coercive labor systems that constitute “modern slavery” have continued to the present day. To understand why, Robin Phylisia Chapdelaine explores child trafficking, pawning, and marriages in Nigeria's Bight of Biafra, and the ways in which British colonial authorities and Igbo, Ibibio, Efik, and Ijaw populations mobilized children's labor during the early twentieth century. Drawing on a wealth of primary sources that include oral interviews, British and Nigerian archival materials, newspaper holdings, and missionary and anthropological accounts, Chapdelaine argues that slavery's endurance can only be understood when we fully examine “the social economy of a child”—the broader commercial, domestic, and reproductive contexts in which children are economic vehicles.

The Persistence of Slavery provides an invaluable investigation into the origins of modern slavery and early efforts to combat it, locating this practice in the political, social, and economic changes that occurred as a result of British colonialism and its lingering effects, which perpetuate child trafficking in Nigeria today.

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