8642 books match the query '20th century' and 1764 start with t
Saulius Geniusas
Ohio University Press, 2020
The Phenomenology of Pain is the first book-length investigation of its topic to appear in English. Groundbreaking, systematic, and illuminating, it opens a dialogue between phenomenology and such disciplines as cognitive science and cultural anthropology to argue that science alone cannot clarify the nature of pain experience without incorporating a phenomenological approach. Building on this premise, Saulius Geniusas develops a novel conception of pain grounded in phenomenological principles: pain is an aversive bodily feeling with a distinct experiential quality, which can only be given in original first-hand experience, either as a feeling-sensation or as an emotion.
Geniusas crystallizes the fundamental methodological principles that underlie phenomenological research. On the basis of those principles, he offers a phenomenological clarification of the fundamental structures of pain experience and contests the common conflation of phenomenology with introspectionism. Geniusas analyzes numerous pain dissociation syndromes, brings into focus the de-personalizing and re-personalizing nature of chronic pain experience, and demonstrates what role somatization and psychologization play in pain experience. In the process, he advances Husserlian phenomenology in a direction that is not explicitly worked out in Husserl’s own writings.
Robert Huber
Temple University Press, 2006
Charles R. Embry
University of Missouri Press, 2018
Throughout his philosophical career, Eric Voegelin had much to say about literature in both his published work and his private letters. Many of his most trenchant comments regarding the analysis of literature appear in his correspondence with critic Robert Heilman, and, through his familiarity with that exchange, Charles Embry has gained extraordinary insight into Voegelin’s literary views.
The Philosopher and the Storyteller is the first book-length study of the literary dimensions of Voegelin’s philosophy—and the first to use his philosophy to read specific novels. Bringing to bear a thorough familiarity with both Voegelin and great literature, Embry shows that novels—like myths, philosophy, and religious texts—participate in the human search for the truth of existence, and that reading literature within a Voegelinian framework exposes the existential and philosophical dimensions of those works.
Embry focuses on two key elements of Voegelin’s philosophy as important for reading literature: metaxy, the in-between of human consciousness, and metalepsis, human participation in the community of being. He shows how Voegelin’s philosophy in general is rooted in literary-symbolic interpretation and, therefore, provides a foundation for the interpretation of literature. And finally he explores Voegelin’s insistence that the soundness of literary criticism lies in the consciousness of the reader.
Embry then offers Voegelinian readings that vividly illustrate the principles of this approach. First he considers Graham Swift’s Waterland as an example of the human search for meaning in the modern world, then he explores the deformation and recovery of reality in Heimito von Doderer’s long and complex novel The Demons, and finally he examines how Flannery O’Connor’s The Violent Bear It Away mythically expresses the flux of divine presence in what Voegelin calls the Time of the Tale.
The Philosopher and the Storyteller unites fiction and philosophy in the common quest to understand our nature, our world, and our cosmos. A groundbreaking exploration of the connection between Voegelin and twentieth-century literature, this book opens a new window on the philosopher’s thought and will motivate readers to study other novels in light of this approach.
John McCumber
University of Chicago Press, 2016
edited by Leonard Harris
Temple University Press, 1991
This collection of essays by American philosopher Alain Locke (1885-1954) makes readily available for the first time his important writings on cultural pluralism, value relativism, and critical relativism. As a black philosopher early in this century, Locke was a pioneer: having earned both undergraduate and doctoral degrees at Harvard, he was a Rhodes scholar at Oxford, studied at the University of Berlin, and chaired the Philosophy Department at Howard University for almost four decades. He was perhaps best known as a leading figure in the Harlem Renaissance.
Locke’s works in philosophy—many previously unpublished—conceptually frame the Harlem Renaissance and New Negro movement and provide an Afro-American critique of pragmatism and value absolutism, and also offer a view of identity, communicative competency, and contextualism. In addition, his major works on the nature of race, race relations, and the role of race-conscious literature are presented to demonstrate the application of his philosophy. Locke’s commentaries on the major philosophers of his day, including James, Royce, Santayana, Perry, and Ehrenfels help tell the story of his relationship to his former teachers and his theoretical affinities.
In his substantial Introduction and interpretive concluding chapter, Leonard Harris describes Locke’s life, evaluates his role as an American philosopher and theoretician of the Harlem Renaissance, situates him in the pragmatist tradition, and outlines his affinities with modern deconstructionist ideas. A chronology of the philosopher’s life and bibliography of his works are also provided. Although much has been written about Alain Locke, this is the first book to focus on his philosophical contributions.
Justin Court
University of Michigan Press, 2026
Gene K. Rinkel and Margaret E. Rinkel
University of Illinois Press, 2000
John R. Bawden
University of Alabama Press, 2016
Understanding the military generation that transformed modern Chile.
Chilean soldiers in the twentieth century appear in most historical accounts, if they appear at all, as decontextualized figures or simply as a single man: Augusto Pinochet. In his incisive study The Pinochet Generation: The Chilean Military in the Twentieth Century, John R. Bawden provides compelling new insights into the era and posits that Pinochet and his men were responsible for two major transformations in Chile’s constitution as well as the political and economic effects that followed.
Determined to refocus what he sees as a “decontextualized paucity” of historical information on Chile’s armed forces, Bawden offers a new perspective to explain why the military overthrew the government in 1973 as well as why and how Chile slowly transitioned back to a democracy at the end of the 1980s. Standing apart from other views, Bawden insists that the Chilean military’s indigenous traditions and customs did more than foreign influences to mold their beliefs and behavior leading up to the 1973 coup of Salvador Allende.
Drawing from defense publications, testimonial literature, and archival materials in both the United States and Chile, The Pinochet Generation characterizes the lens through which Chilean officers saw the world, their own actions, and their place in national history. This thorough analysis of the Chilean services’ history, education, values, and worldview shows how this military culture shaped Chilean thinking and behavior, shedding light on the distinctive qualities of Chile’s armed forces, the military’s decision to depose Allende, and the Pinochet dictatorship’s resilience, repressiveness, and durability.
Bawden’s account of Chile’s vast and complex military history of the twentieth century will appeal to political scientists, historians, faculty and graduate students interested in Latin America and its armed forces, students of US–Latin American diplomacy, and those interested in issues of human rights.
Carl Smith
University of Chicago Press, 2006
Arguably the most influential document in the history of urban planning, Daniel Burnham’s 1909 Plan of Chicago, coauthored by Edward Bennett and produced in collaboration with the Commercial Club of Chicago, proposed many of the city’s most distinctive features, including its lakefront parks and roadways, the Magnificent Mile, and Navy Pier. Carl Smith’s fascinating history reveals the Plan’s central role in shaping the ways people envision the cityscape and urban life itself.
Smith’s concise and accessible narrative begins with a survey of Chicago’s stunning rise from a tiny frontier settlement to the nation’s second-largest city. He then offers an illuminating exploration of the Plan’s creation and reveals how it embodies the renowned architect’s belief that cities can and must be remade for the better. The Plan defined the City Beautiful movement and was the first comprehensive attempt to reimagine a major American city. Smith points out the ways the Plan continues to influence debates, even a century after its publication, about how to create a vibrant and habitable urban environment.
Richly illustrated and incisively written, his insightful book will be indispensable to our understanding of Chicago, Daniel Burnham, and the emergence of the modern city.
Eric Bentley
University of Minnesota Press, 2010
Rosemarie Tichler
Northwestern University Press, 2012
By Charles Burkhart
University of Texas Press, 1987
When British writers Philip Larkin and Lord David Cecil named Barbara Pym one of the twentieth century's most underrated authors in a 1977 Times Literary Supplement survey, they started a Barbara Pym revival that continued unabated in Great Britain and the United States. Barbara Pym's delightful tales of jumble sales and parish meetings, her ironic insights into the relationships between women and men, have won a devoted following. Indeed she is often compared to that most accomplished author of comedies of manners, Jane Austen.
The Pleasure of Miss Pym is a critical study of Pym as comic writer and of the links between her life and autobiographical writings and her fiction, written with a liveliness of style and tone that matches Pym's own. Not only does Charles Burkhart provide perceptive discussions of Pym's life and novels, he also illuminates the worldview represented in her work, the unique nature of her comedy, her religion, her place within the history of the novel, and her penetrating insights into male-female relationships. All of Pym's work, including the 1986 posthumous publication, An Academic Question, is intelligently surveyed here. Scholars of contemporary English literature will derive both instruction and pleasure from this elegantly written study, as will Pym's admiring readers, for whom it is also intended.
George Lamming
University of Michigan Press, 1992
Seth Perlow
University of Minnesota Press, 2018
An enlightening examination of the relationship between poetry and the information technologies increasingly used to read and write it
Many poets and their readers believe poetry helps us escape straightforward, logical ways of thinking. But what happens when poems confront the extraordinarily rational information technologies that are everywhere in the academy, not to mention everyday life?
Examining a broad array of electronics—including the radio, telephone, tape recorder, Cold War–era computers, and modern-day web browsers—Seth Perlow considers how these technologies transform poems that we don’t normally consider “digital.” From fetishistic attachments to digital images of Emily Dickinson’s manuscripts to Jackson Mac Low’s appropriation of a huge book of random numbers originally used to design thermonuclear weapons, these investigations take Perlow through a revealingly eclectic array of work, offering both exciting new voices and reevaluations of poets we thought we knew.
With close readings of Gertrude Stein, Frank O’Hara, Amiri Baraka, and many others, The Poem Electric constructs a distinctive lineage of experimental writers, from the 1860s to today. Ultimately, Perlow mounts an important investigation into how electronic media allows us to distinguish poetic thought from rationalism. Posing a necessary challenge to the privilege of information in the digital humanities, The Poem Electric develops new ways of reading poetry, alongside and against the electronic equipment that is now ubiquitous in our world.
Michael O'Sullivan
Central European University Press, 2023
For long periods in history, the Austrian capital found itself on the geographical edge of western civilisation. Yet from the 18th century on, Vienna has been a vibrant centre of European culture. This city is the scene of the formidable meeting of the two outstanding intellectuals that are at the core of this book.
The warm relationship between W.H. Auden, the celebrated British-American poet (1907–1973), and his fellow expatriate, the Welsh-Austrian journalist, translator and writer Stella Musulin (1915–1996) lasted while Auden resided in the nearby small town of Kirchstetten starting in 1958. It was here that the poet was laid to rest in the autumn of 1973. This book is based on the unpublished letters of Auden to Musulin and her private journals.
The study of this inspiring material yields new insights into Auden’s last, prolific, creative period and underscores the ‘Austrian Auden.’ In addition, Michael O’Sullivan pays tribute to the closest ‘Austrian’ friend of the poet. Baroness Stella von Musulin was an intellectual whose two books for Faber & Faber are acknowledged as classics: Vienna in the Age of Metternich and Austria: People & Landscape (with a foreword by Auden). The author situates the close relationship of two individuals in the context of Austria’s complex political, social, and cultural history in the Cold War years.
Edited by Margaret Sandburg
University of Illinois Press, 1987
Friedebert Tuglas
Central European University Press, 2007
Kenneth Dodson. Edited by Richard Dodson. Foreword by Penelope Niven
University of Illinois Press, 2006
Carl Sandburg first encountered Kenneth Dodson through a letter written at sea during World War II. Though Dodson wrote the letter to his wife, Letha, Sandburg read it in tears and told her, "I've got to meet this man." Composed primarily of their correspondence that continued until Sandburg's death in 1967, The Poet and the Sailor is a chronicle of the deep friendship that followed. Ranging over anything they found important, from writing to health and humor, the letters are arranged by Richard Dodson and are accompanied by a foreword from Sandburg's noted biographer, Penelope Niven.
Mecca Jamilah Sullivan
University of Illinois Press, 2021
From Audre Lorde, Ntozake Shange, and Bessie Head, to Zanele Muholi, Suzan-Lori Parks, and Missy Elliott, Black women writers and artists across the African Diaspora have developed nuanced and complex creative forms. Mecca Jamilah Sullivan ventures into the unexplored spaces of black women’s queer creative theorizing to learn its languages and read the textures of its forms. Moving beyond fixed notions, Sullivan points to a space of queer imagination where black women invent new languages, spaces, and genres to speak the many names of difference. Black women’s literary cultures have long theorized the complexities surrounding nation and class, the indeterminacy of gender and race, and the multiple meanings of sexuality. Yet their ideas and work remain obscure in the face of indifference from Western scholarship.
Innovative and timely, The Poetics of Difference illuminates understudied queer contours of black women’s writing.
Judith Nantell
Bucknell University Press, 2020
Marjorie Perloff
Northwestern University Press, 1999
Conrad Steel
University of Iowa Press, 2024
Jonathan Levin
Duke University Press, 1999
Edited by Stephanie Sandler, Maria Khotimsky, Margarita Krimmel, and Oleg Novikov
University of Wisconsin Press, 2019
Jerome McGann
University of Alabama Press, 2007
A preeminent critic maps the frontier of contemporary poetry.
In this book, Jerome McGann argues that contemporary language-oriented writing implies a marked change in the way we think about our poetic tradition on one hand and in the future of criticism on the other. He focuses on Walter Benjamin and Gertrude Stein as important intellectual resources because both see the history of poetry as a crisis of the present rather than as a legacy of the past. The crisis appears as a poetic deficit in contemporary culture, where values of politics and morality are judged prima facie more important than aesthetic values. McGann argues for the fundamental relevance of the aesthetic dimension and the contemporary relevance of cultural works of the past.
McGann moves through several broad categories in his examination of contemporary poetry, including the ways in which poetry must be abstract, change, and give pleasure. The author draws on sources ranging from the poetry of Bruce Andrews and Robert Duncan to Looney Tunes cartoons. The experimental move in contemporary poetry, McGann contends, is an emergency signal for readers and critics as much as it is for writers and poets, a signal that calls us to rethink the aesthetics of criticism. The interpretation of literary works has been dominated by enlightenment models—the expository essay and monograph—for almost two hundred years. With the emergence of new media, especially digital culture, the limitations of those models have grown increasingly apparent.
The Point Is To Change It explores alternative critical methods and provides a powerful call to reinvent our modes of investigation in order to escape the limitations of our inherited academic models. The goal of this process is to widen existing cracks or create new ones because, as McGann points out via the lyrics of Leonard Cohen, "That's how the light gets in."
Sam Rosenfeld
University of Chicago Press, 2017

George N. Dove
University of Wisconsin Press, 1982
Anna D. Jaroszynska-Kirchmann
University of Illinois Press, 2015
Anna D. Jaroszyńska-Kirchmann mines seven decades' worth of thoughts expressed by Ameryka-Echo readers to chronicle the ethnic press's role in the immigrant experience. Open and unedited debate harkened back to homegrown journalistic traditions, and Jaroszyńska-Kirchmann opens up the nuances of an editorial philosophy that cultivated readers as content creators. As she shows, ethnic publications in the process forged immigrant social networks and pushed notions of education and self-improvement throughout Polonia. Paryski, meanwhile, built a publishing empire that earned him the nickname ""The Polish Hearst.""
Detailed and incisive, The Polish Hearst opens the door on the long-overlooked world of ethnic publishing and the amazing life of one of its towering figures.
Fritz Trümpi
University of Chicago Press, 2016
Introductions and Analyses by Susan Duffy
Southern Illinois University Press, 2000
Among the most influential poets of the Harlem Renaissance, Langston Hughes is perhaps best remembered for the innovative use of jazz rhythms in his writing. While his poetry and essays received much public acclaim and scholarly attention, Hughes’ dramas are relatively unknown. Only five of the sixty-three plays Hughes scripted alone or collaboratively have been published (in 1963).
Published here, for the first time, are four of Hughes’ most poignant, poetic, and political dramas, Scottsboro Limited, Harvest (also known as Blood on the Fields), Angelo Herndon Jones, and De Organizer. Each play reflects Hughes’ remarkable professionalism as a playwright as well as his desire to dramatize the social history of the African American experience, especially in the context of the labor movements of the 1930s and their attempts to attract African American workers. Hughes himself counted prominent members of these leftist groups among his close friends and patrons; he formed a theater group with Whittaker Chambers, prompting an FBI investigation of Hughes and his writing in the 1930s. These plays, while easily read as idealistic propaganda pieces for the left, are nonetheless reflective of Hughes’ other more influential and studied works.
The first scholar to offer a systematic study of Hughes’ plays, Susan Duffy provides an informed introduction as well as a detailed analysis of each of the four plays. Duffy also establishes that De Organizer, a collaboration with noted jazz pianist and composer James P. Johnson (who also wrote its score) was indeed performed by the Labor Stage.
By making these forgotten texts available, and by presenting them within a scholarly discussion of 1930s leftist political movements, Duffy seeks to spark a renewed interest in Langston Hughes as an American playwright and political figure.
Richard A. Pride
University of Illinois Press, 2002
Exploring who benefits and who pays when different narratives are accepted as true, Pride offers a step-by-step account of how Mobile's culture changed each time a new and more forceful narrative was used to justify inequality. More than a retelling of Mobile's story of desegregation, The Political Use of Racial Narratives promotes the value of rhetorical and narrative analysis in the social sciences and history.
edited by Velina Hasu Houston
Temple University Press, 1993
This anthology of work by three Asian American women playwrights—Wakako Yamauchi, Genny Lim, and Velina Hasu Houston—features pioneering contemporary writers who have made their mark in regional and ethnic theatres throughout the United States. In her introduction, Houston observes that the Asian American woman playwright is compelled "to mine her soul" and express the angst, fear, and rage that oppression has wrought while maintaining her relationship with America as a good citizen.
The plays are rich with cultural and political substance and have a feminist concern about women's spirit, intellect, and lives. They portray Asian and Asian American women who challenge the cultural and sexual stereotypes of the Asian female. Yamauchi's two plays deal with how easily a country can dishonor its citizens. In "12-1-A," a Japanese American family is incarcerated during World War II in an Arizona camp where Yamauchi herself was interned. "The Chairman's Wife" dramatizes the life of Madame Mao Tse Tung through the lens of events at Tien An Men Square in 1989. Lim's "Bitter Cane" is about the exploitation of Chinese laborers who were recruited to work the Hawaiian sugar cane plantations. In "Asa Ga Kimashita" ("Morning Has Broken"), Houston explores a Japanese woman's interracial romance in postwar Japan and the influence of traditional patriarchy on the lives of Japanese women.
These plays will entertain and enlighten, enrage and profoundly move audiences. With honesty, imagination and courage, each grapples with the politics of life.
In the series Asian American History and Culture, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Võ.
Joan Judge
University of Chicago Press, 2025
Examines the transformation of vernacular knowledge during a pivotal period of modern Chinese history, 1894 to 1954.
What did common readers read in the midst of the revolutions that punctuated China’s long Republic (1894–1954)? How did they manage the often-unprecedented challenges of the era? What did they know and how did they know it?
In The Politics of Common Reading, Joan Judge traces the unfolding of a consequential politics of accommodation that engaged commoners as knowers rather than as an unenlightened mass. A response to the institutional failures of the era, this politics was enacted through an informal knowledge infrastructure comprised of low-budget publishers, rustic bookstalls, and a piecemeal national network. As yet unstudied, this infrastructure produced and circulated up to ten times the number of books as official, mainstream channels.
A corpus of some five hundred of these cheap collections of recipes and techniques serves as the basis for this book. Judge focuses on four challenges common readers faced: how to cure an opium addiction, avoid an electric shock, prevent a cholera infection, and graft a plant. She further draws on government, archival, periodical, and fiction materials in devising composites of individual common readers so that we can better know them: details of the crises they faced, the remedies they tried, and the knowledge they relied on as they decocted cures and applied technologies. She argues that the acts of conciliation and assemblage these readers engaged in shaped the broader epistemic terrain from which historical change was actualized in China’s century of revolution.

Nur Masalha
Pluto Press, 2003
The 1948 war ended in the expulsion of hundreds of thousands of Palestinians from their villages and homes. Israeli settlers moved in to occupy their land and the Palestinian refugees found themselves in refugee camps, or in neighbouring Arab countries. Today there are nearly four million Palestinian refugees -- and they want the right to go home. Their problem is the greatest and most enduring refugee problem in the world.
Since 1948 Israeli refugee policy has become a classic case of denial: the denial that Zionist "transfer committees" had operated between 1937 and 1948; denial of any wrong-doing or any historical injustice; denial of the "right of return"; denial of restitution of property and compensation; and indeed denial of any moral responsibility or culpability for the creation of the refugee problem.
The aim of this book is to analyze Israeli policies towards the Palestinian refugees as they evolved from the 1948 catastrophe (or nakba) to the present. It is the first volume to look in detail at Israeli law and policy surrounding the refugee question. Drawing on extensive primary sources and previously classified archive material, Masalha discusses the 1948 exodus; Israeli resettlement schemes since 1948; Israeli approaches to compensation and restitution of property; Israeli refugee policies towards the internally displaced (‘present absentees’); and Israeli refugee policies during the Madrid and Oslo negotiations.
Masalha asks what rights Palestinians possess under international law? How can a refugee population be compensated, and will they ever be able to return to their homes? Masalha questions the official Israeli position that the only solution to the problem is resettlement of the refugees in Arab states or elsewhere. This book is a valuable resource for anyone interested in the subject that lies at the heart of the ongoing conflict in the Middle East.
Mari K. Webel
Ohio University Press, 2019
A history of epidemic illness and political change, The Politics of Disease Control focuses on epidemics of sleeping sickness (human African trypanosomiasis) around Lake Victoria and Lake Tanganyika in the early twentieth century as well as the colonial public health programs designed to control them. Mari K. Webel prioritizes local histories of populations in the Great Lakes region to put the successes and failures of a widely used colonial public health intervention—the sleeping sickness camp—into dialogue with African strategies to mitigate illness and death in the past.
Webel draws case studies from colonial Burundi, Tanzania, and Uganda to frame her arguments within a zone of vigorous mobility and exchange in eastern Africa, where African states engaged with the Belgian, British, and German empires. Situating sleeping sickness control within African intellectual worlds and political dynamics, The Politics of Disease Control connects responses to sleeping sickness with experiences of historical epidemics such as plague, cholera, and smallpox, demonstrating important continuities before and after colonial incursion. African strategies to mitigate disease, Webel shows, fundamentally shaped colonial disease prevention programs in a crucial moment of political and social change.
Robert Griffith
University of Massachusetts Press, 1970
Winner of the Organization of American Historians’ Frederick Jackson Turner Award
Originally published in 1970, and now a classic in its field, The Politics of Fear traces the rise and fall of one of America’s most notorious political demagogues. Robert Griffith concludes that McCarthy’s enormous power owed less to the force of the senator’s unique personality than to the issues and symbols with which he identified and that McCarthy was the product, not the progenitor, of the postwar politics of anticommunism. For this edition, Griffith has provided a new introduction covering the recent literature on McCarthyism and the changing views on the topic.
Emilio de Antuñano
University of Texas Press, 2026
An examination of the central role and political power of informal neighborhoods in Mexico City.
At the beginning of the twentieth century, Mexico City was tightly bounded, with a population of about half a million people. By the end of that century, it was an unfathomable megalopolis of some 20 million. It had also become exhibit A in an “urban crisis” decried by demographers, NGOs, and the Mexican government. Mexico City’s greatest sin was its shantytowns—informal neighborhoods built in defiance of regulations and viewed as incurably disordered.
The Politics of Informality is an illuminating political and intellectual history, examining how these neighborhoods have figured in Mexican life and in the ideologies underlying urban planning. Prior to the Mexican Revolution of 1910, urban experts saw Mexico City as a tidy modern capital in-waiting. But during the interwar period, informal neighborhoods boomed, as working-class families asserted claims to housing under the revolution’s framework of citizenship and social justice. Then, amid Cold War realignments, a new cohort of urban experts pathologized Mexico City, turning it into a transnational laboratory for the study of poverty, migration, and overpopulation. Tracing a fascinating evolution, ThePolitics of Informality underscores the stubborn opposition between technocratic modernism and revolutionary, extralegal politics.
Frederick J. Newmeyer
University of Chicago Press, 1986
James A. Tyner
West Virginia University Press, 2018
2019 Julian Minghi Distinguished Book Award winner
Scholars from a number of disciplines have, especially since the advent of the war on terror, developed critical perspectives on a cluster of related topics in contemporary life: militarization, surveillance, policing, biopolitics (the relation between state power and physical bodies), and the like. James A. Tyner, a geographer who has contributed to this literature with several highly regarded books, here turns to the bureaucratic roots of genocide, building on insight from Hannah Arendt, Zygmunt Bauman, and others to better understand the Khmer Rouge and its implications for the broader study of life, death, and power.
The Politics of Lists analyzes thousands of newly available Cambodian documents both as sources of information and as objects worthy of study in and of themselves. How, Tyner asks, is recordkeeping implicated in the creation of political authority? What is the relationship between violence and bureaucracy? How can documents, as an anonymous technology capable of conveying great force, be understood in relation to newer technologies like drones? What does data create and what does it destroy? Through a theoretically informed, empirically grounded study of the Khmer Rouge security apparatus, Tyner shows that lists and telegrams have often proved as deadly as bullet and bombs.
Edited by Jerold Duquette and Erin O'Brien
University of Massachusetts Press, 2022
Are claims of Massachusetts’s special and instructive place in American history and politics justified? Alternately described as a “city upon a hill” and “an organized system of hatreds,” Massachusetts politics has indisputably exerted an outsized pull on the national stage. The Commonwealth’s leaders often argue for the state’s distinct position within the union, citing its proud abolitionist history and its status as a policy leader on health care, gay marriage, and transgender rights, not to mention its fertile soil for budding national politicians. Detractors point to the state’s busing crisis, sky high levels of economic inequality, and mixed support for undocumented immigrants.
The Politics of Massachusetts Exceptionalism tackles these tensions, offering a collection of essays from public policy experts that address the state’s noteworthy contributions to the nation’s political history. This is a much-needed volume for Massachusetts policymakers, journalists, and community leaders, as well as those learning about political power at the state level, inside and outside of the classroom. Contributors include the editors as well as Maurice T. Cunningham, Lawrence Friedman, Shannon Jenkins, Luis F. Jiménez, and Peter Ubertaccio.
By Benjamin Márquez
University of Texas Press, 2021
Co-winner, Latino Politics Best Book Award, American Political Science Association
The first book about the Mexican American Legal Defense and Educational Fund, the influential work it has done for the Latina/o community, and the issues stemming from its dependence on large philanthropic organizations.
Founded in 1968, the Mexican American Legal Defense and Educational Fund (MALDEF) is the Latino equivalent to the NAACP: a source of legal defense for the Latina/o community in cases centered on education, state immigration laws, redistricting, employment discrimination, and immigrant rights. Unlike the NAACP, however, MALDEF was founded by Mexican American activists in conjunction with the larger philanthropic structure of the Ford Foundation—a relationship that has opened it up to controversy and criticism.
In the first book to examine this little-known but highly influential organization, Benjamin Márquez explores MALDEF’s history and shows how it has thrived and served as a voice for the Latina/o community throughout its six decades of operation. But he also looks closely at large-scale investments of the Ford Foundation, Rockefeller Foundation, and others, considering how their ties to MALDEF have influenced Mexican American and Latinx politics. Its story crafted from copious research into MALDEF and its benefactors, this book brings to light the influence of outside funding on the articulation of minority identities and the problems that come with creating change through institutional means.
Alan Wolfe
University of Chicago Press, 2018
Aubrey Gabel
Northwestern University Press, 2026
Showing the political importance of play in postwar French literature
In postwar France, authors approached writing ludically, placing rules and conditions on language and on the context of composition itself. They eliminated “e’s” and feminized texts; they traveled according to strict rules and invented outright silly public personas. The Politics of Play: Oulipo and the Legacy of French Literary Ludics is a comprehensive examination of how and why French authors turned to these ludic methods to grapple with their political moment.
These writers were responding to a range of historical upheavals, from the rise and fall of French feminist and Third-Worldist groups to the aftermath of international socialism both at home, in the former Parisian Belt and in France more broadly, and abroad, in post-Yugoslavia Balkan states and elsewhere. Juxtaposing an array of case studies and drawing on cross-disciplinary methodologies, Aubrey Gabel reads three generations of the formalist literary group Oulipo, including Raymond Queneau, Georges Perec, and Jacques Jouet, alongside writers not traditionally deemed ludic—or sometimes not even conventionally known as novelists—such as the lesbian activist-writer Monique Wittig and the editor François Maspero. Gabel argues that literary ludics serve as both an authorial strategy and a political form: playful methods allow writers not only to represent history in code but also to intervene creatively—as political actors—in the fraught social fields of midcentury France and beyond.
Edited by E. Ann Kaplan and George Levine
Rutgers University Press, 1997
Larry M. Bartels and Katherine J. Cramer
University of Chicago Press, 2026
How did we get to this point in American politics? Drawing on insights from an unprecedented decades-long study of ordinary Americans’ political lives, this book tells the story of how, why, and when our politics fractured.
Few time periods have been as defined by waves of monumental social change as the United States during the 1960s. Even today, almost sixty years later, the era is often depicted as a triumph of social progress. Yet, as Larry M. Bartels and Katherine J. Cramer show in The Politics of Social Change, it was Americans’ diverse reactions to the milestone events of the time—from the welcoming, to the fiercely resistant, to the largely oblivious—that planted the seeds of our current political turmoil.
Their masterful analysis draws on a unique historical resource: the longest-running systematic tracking of individual Americans’ political attitudes and behavior ever attempted. The study began in 1965 when researchers interviewed hundreds of high school students across the country and then periodically reinterviewed them over the next three decades. Bartels and Cramer supplement this historical record with in-depth interviews with dozens of the original students, painting a detailed picture of the generation’s individual and collective political development. By tracing the responses of the Class of ’65 to major events of their political lifetimes—including the Civil Rights and Women’s Rights movements, the Vietnam War, the shifting role of religion, escalating economic inequality, immigration, and the rise of Donald Trump—Bartels and Cramer shed new light on the evolution of public opinion and the unsteady progress of American democracy.
Ana María Reyes
Duke University Press, 2019
Gordon E. Harvey
University of Alabama Press, 2015
Michele H. Bogart
University of Chicago Press, 2006
Since its founding in 1898, the Art Commission of the City of New York (ACNY) has served as the city’s aesthetic gatekeeper, evaluating all works of art intended for display on city property. And over the years, the commission’s domain has expanded dramatically to include everything from parks and courthouses to trash cans and sidewalks. In ThePolitics of Urban Beauty, Michele H. Bogart argues that this unprecedented authority has made the commission host to some complex negotiations—involving artists, architects, business leaders, activists, and politicians—about not only the role of art in urban design, but also the shape and meaning of the city and its public spaces.
A former vice president of the ACNY, Bogart tells its story here from an insider’s perspective, tracing the commission’s history from its origins as an outgrowth of progressive reform to its role in New York’s reconstruction after 9/11. Drawing on archival correspondence, drawings, and photographs from commission collections, Bogart presents bracing examples of works—ranging from New Deal murals to Louis Kahn’s unbuilt Memorial to Six Million Jewish Martyrs—that illuminate the ACNY’s subtle yet powerful role in shaping New York’s identity.
The Politics of Urban Beauty is thus a fascinating history of a New York art world that paralleled—and sometimes unpredictably intersected with—the more familiar realm of prominent architects, painters, galleries, and museums. Bogart’s fresh view adds a critical dimension to our understanding of “the city beautiful” and makes an important and lively contribution to the study of art history, urban design, and New York City itself.
Stephen C. Sturgeon
University of Arizona Press, 2002
Victor Margolin
University of Chicago Press, 2002