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A paragon of cinema criticism for decades, Roger Ebert—with his humor, sagacity, and no-nonsense thumb—achieved a renown unlikely ever to be equaled. His tireless commentary has been greatly missed since his death, but, thankfully, in addition to his mountains of daily reviews, Ebert also left behind a legacy of lyrical long-form writing. And with Two Weeks in the Midday Sun, we get a glimpse not only into Ebert the man, but also behind the scenes of one of the most glamorous and peculiar of cinematic rituals: the Cannes Film Festival.

More about people than movies, this book is an intimate, quirky, and witty account of the parade of personalities attending the 1987 festival—Ebert’s twelfth, and the fortieth anniversary of the event. A wonderful raconteur with an excellent sense of pacing, Ebert presents lighthearted ruminations on his daily routine and computer troubles alongside more serious reflection on directors such as Fellini and Coppola, screenwriters like Charles Bukowski, actors such as Isabella Rossellini and John Malkovich, the very American press agent and social maverick Billy “Silver Dollar” Baxter, and the stylishly plunging necklines of yore. He also comments on the trajectory of the festival itself and the “enormous happiness” of sitting, anonymous and quiet, in an ordinary French café. And, of course, he talks movies.

Illustrated with Ebert’s charming sketches of the festival and featuring both a new foreword by Martin Scorsese and a new postscript by Ebert about an eventful 1997 dinner with Scorsese at Cannes, Two Weeks in the Midday Sun is a small treasure, a window onto the mind of this connoisseur of criticism and satire, a man always so funny, so un-phony, so completely, unabashedly himself.

Two Women in the Klondike created a sensation when it was first published in 1899. The idea that two well-bred socialites could survive the dangers of the north thrilled nineteenth-century readers from San Francisco to New York.

When Mary Hitchcock heard about the discovery of gold in the Klondike in 1898, she left her privileged city life for the wilds of Alaska, planning to stake her own claims. She persuaded her friend Edith Van Buren to accompany her, and the two began preparations for "roughing it." The "necessities" that they brought up the Yukon River to Dawson City, Canada, included a portable bowling alley, an ice cream maker, a Great Dane named Ivan, and a full-size circus tent.

Hitchcock relates the struggles, surprises, and pleasures of traveling in the late nineteenth century in her trademark style. She describes in diary form the people she met and her impressions of rural Alaska and Dawson City. Invaluable for its detailed descriptions of manners, food, and personalities, Hitchcock's account of the Klondike Gold Rush is an outrageous adventure for general readers, armchair travelers, and anyone interested in the lives of American women in the late 1800s.

This new, abridged version includes a map of Hitchcock's northern travels and an introduction by Terrence Cole, professor of history at the University of Alaska Fairbanks.

The Great Schism (1378–1417) divided Western Christendom into two groups: those who recognized a pope in Rome and those who recognized one in Avignon. It was a crisis of authority that brought with it spiritual anxiety and political uproar. This book presents the responses of two fascinating women whose experiences demonstrate the impact of the Schism on ordinary Christians. Constance de Rabastens (active 1384–1386), who lived in a village in rural Languedoc, had dramatic visions indicting the Avignon pope Clement VII, despite his being recognized in her region. Ursulina of Parma (1375–1408), a diminutive young woman from an urban milieu in Italy, believed that she was commanded by Christ to engage in shuttle diplomacy between the Roman and Avignon papacies in order to end the Schism. Two Women of the Great Schism translates an account of Constance’s visionary experiences as recorded by her confessor Raymond de Sabanac and a posthumous biography of Ursulina by Simone Zanacchi, a pious abbot who wrote some sixty years after his subject’s death. These texts bring to life the extraordinary spiritual and political engagement of two late medieval women who refused to be passive bystanders as rival papal factions tore Christendom apart.

Frank Bergon’s astonishing portrayals of people in California’s San Joaquin Valley reveal a country where the culture of a vanishing West lives on in many twenty-first-century Westerners, despite the radical technological transformations around them. All are immigrants, migrants, their children, or their grandchildren whose lives intertwine with the author’s, including several races and ethnicities: Chicanos, Mexicans, African Americans, Italians, Asians, Native Americans, Scots-Irish descendants of Steinbeck’s Okies, and Basques of the author’s own heritage.

Bergon presents a powerful array of rural and small-town Westerners who often see themselves as part of a region and a way of life most Americans aren’t aware of or don’t understand, their voices unheard, their stories untold. In these essays, Westerners from the diverse heritage of the San Joaquin Valley include California’s legendary Fred Franzia, the maker of the world’s best-selling Charles Shaw wines dubbed “Two-Buck Chuck,” and Darrell Winfield, a Dust Bowl migrant and lifelong working cowboy who for more than thirty years reigned as the iconic Marlboro Man. Their voices help us understand the complexities of today’s rural West, where Old West values intersect with New West realities. This is the West (and America today)—a region in conflict with itself.
 

Marvin Schwartz chronicles the story of Tyson Foods and its impact on both the business community and the poultry market in America in an entertaining and enlightening tribute to the Tyson vision and success.