1713 books match the query '21St Century' and 315 start with t

cover of The Fundamentals of Campaign Finance in the U.S.: Why We Have the System We Have

The Fundamentals of Campaign Finance in the U.S.

Why We Have the System We Have

Diana Dwyre and Robin Kolodny

University of Michigan Press, 2024

Before the U.S. campaign finance system can be fixed, we first have to understand why it has developed into the system as it exists today. The nature of democracy itself, the American capitalist economic system, the content of the U.S. Constitution and how it is interpreted, the structure of our governmental institutions, the competition for governmental power, and the behavior of campaign finance actors have all played a role in shaping the system.

The Fundamentals of Campaign Finance in the U.S. takes care to situate the campaign finance system in the context of the broader U.S. political and economic system. Dwyre and Kolodny offer readers a brief tour through the development of the campaign finance regulatory structure, highlighting the Supreme Court’s commitment to free speech over political equality from Buckley v. Valeo (1976) through the passage of the Bipartisan Campaign Reform Act (BCRA, 2002). They also examine the driving force behind campaign finance reform—corruption—through historical, transactional, and institutional perspectives. While diving into the insufficiency of the disclosure and enforcement of campaign finance laws and calling attention to multiple federal agencies, including the Securities and Exchange Commission, the Federal Communications Commission, the Internal Revenue Service, and (principally) the Federal Election Commission, the authors show how a narrow view on campaign finance makes change difficult and why reforms often have limited success. By examining the fundamentals, Dwyre and Kolodny show the difficulties of changing a political system whose candidates have always relied on private funding of campaigns to one that guarantees free speech rights while minimizing concerns of corruption.
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cover of The Future of Fallout, and Other Episodes in Radioactive World-Making

The Future of Fallout, and Other Episodes in Radioactive World-Making

Joseph Masco

Duke University Press, 2020

In The Future of Fallout, and Other Episodes in Radioactive World-Making Joseph Masco examines the strange American intimacy with and commitment to existential danger. Tracking the simultaneous production of nuclear emergency and climate disruption since 1945, he focuses on the psychosocial accommodations as well as the technological revolutions that have produced these linked planetary-scale disasters. Masco assesses the memory practices, visual culture, concepts of danger, and toxic practices that, in combination, have generated a U.S. national security culture that promises ever more safety and comfort in everyday life but does so only by generating and deferring a vast range of violences into the collective future. Interrogating how this existential lag (i.e., the material and conceptual fallout of the twentieth century in the form of nuclear weapons and petrochemical capitalism) informs life in the twenty-first century, Masco identifies key moments when other futures were still possible and seeks to activate an alternative, postnational security political imaginary in support of collective life today.
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cover of The Gee Years, 2007–2013

The Gee Years, 2007–2013

Herbert B. Asher

The Ohio State University Press, 2022

The Gee Years, 2007–2013 chronicles E. Gordon Gee’s second tenure as president of The Ohio State University and the fourteenth in the university’s history. With previous posts at Vanderbilt, Brown, Colorado, West Virginia, and a previous term at Ohio State, Gee is the longest continually serving college president in the country. His second tenure with Ohio State boasted overall fundraising at record highs, created a $100 million fund for student scholarships, called for affordability for college education for Ohioans which helped to shift study body demographics, and led the charge for restructuring the state of Ohio’s funding of higher education. Part of Gee’s close circle, Herbert B. Asher writes from firsthand experience to relate the major events, developments, and successes of the university from Gee’s recruitment through the president’s departure. The Gee Years reflects on a leader who left an indelible impression on The Ohio State University.
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cover of The Golden Shovel Anthology: New Poems Honoring Gwendolyn Brooks

The Golden Shovel Anthology

New Poems Honoring Gwendolyn Brooks

Peter Kahn

University of Arkansas Press, 2017

“Throughout this anthology, more than 60 other well-known Brooks poems can be read the same way, with lines from ‘The Mother’ and ‘The Bean Eaters’ tripping down the right-hand side of the page. The anthology ends with ‘Non-Brooks Golden Shovels’ and ‘Variations and Expansions on the Form.’ The cross-section of poets with varying poetics and styles gathered here is only one of the many admirable achievements of this volume.”
—Claudia Rankine, The New York Times, August 2017

“The editors, including tireless poetry advocate Kahn, of this unique, new addition to the Gwendolyn Brooks legacy put together a richly diverse set of poets working with the most unusual and fertile new poetic form created in recent years. National Book Award winner Terrance Hayes invented the Golden Shovel, which he illuminates in his stirring foreword, writing, “Because where do poems come from if not other poems?” In a Golden Shovel poem, the last words in each line are taken from a Brooks poem. A veritable who’s who of contemporary poets tried their hands at this encoded homage, including Billy Collins, Mark Doty, Rita Dove, Nikki Giovanni, Joy Harjo, Billy Lombardo, Sharon Olds, Alberto Ríos, Tracy K. Smith, and Timothy Yu. Beautifully introduced by Patricia Smith, this is a beguiling and mind-expanding anthology shaped by formal expertise and deep appreciation for the complexity and resonance of Brooks’ work and profoundly nurturing influence. In all, a substantial and dynamic contribution to American literature.”

—Booklist, May 2017


"Gwendolyn Brooks was the first black writer to receive the Pulitzer Prize for poetry back in 1950. A new book honors her work in using a form called the golden shovel, developed by poet Terrance Hayes. In The Golden Shovel Anthology, poets select a line from a poem of Brooks’s and use it as the closing line or lines in a poem of their own. The result is an expansive and extraordinary assemblage edited by poets Peter Kahn, Ravi Shankar, and Patricia Smith.”

—Nina MacLaughlin, Boston Globe, March 2017


The Golden Shovel Anthology celebrates the life and work of poet and civil rights icon Gwendolyn Brooks through a dynamic new poetic form, the Golden Shovel, created by National Book Award–winner Terrance Hayes.

The last words of each line in a Golden Shovel poem are, in order, words from a line or lines taken from a Brooks poem. The poems are, in a way, secretly encoded to enable both a horizontal reading of the new poem and vertical reading down the right-hand margin of Brooks’s original. An array of writers—including Pulitzer Prize winners, T. S. Eliot Prize winners, National Book Award winners, and National Poet Laureates—have written poems for this exciting new anthology: Rita Dove, Billy Collins, Nikki Giovani, Sharon Olds, Tracy K. Smith, Mark Doty, Sharon Draper, and Julia Glass are just a few of the contributing poets.

The poems found here will inspire a diversity of readers, teachers, and writers of poetry while at the same time providing remarkable access for newcomers, making it ideal for classrooms. The Golden Shovel Anthology will also honor Brooks with publication in 2017, the centenary of her birth.

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cover of The Golden Shovel Anthology: New Poems Honoring Gwendolyn Brooks

The Golden Shovel Anthology

New Poems Honoring Gwendolyn Brooks

Peter Kahn

University of Arkansas Press, 2019

“The cross-section of poets with varying poetics and styles gathered here is only one of the many admirable achievements of this volume.”
—Claudia Rankine in the New York Times


The Golden Shovel Anthology celebrates the life and work of poet and civil rights icon Gwendolyn Brooks through a dynamic new poetic form, the Golden Shovel, created by National Book Award–winner Terrance Hayes.

An array of writers—including winners of the Pulitzer Prize, the T. S. Eliot Prize, and the National Book Award, as well as a couple of National Poets Laureate—have written poems for this exciting new anthology: Rita Dove, Billy Collins, Danez Smith, Nikki Giovanni, Sharon Olds, Tracy K. Smith, Mark Doty, Sharon Draper, Richard Powers, and Julia Glass are just a few of the contributing poets.

This second edition includes Golden Shovel poems by two winners and six runners-up from an international student poetry competition judged by Nora Brooks Blakely, Gwendolyn Brooks’s daughter. The poems by these eight talented high school students add to Ms. Brooks’s legacy and contribute to the depth and breadth of this anthology.
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cover of The Goodman Theatre's Festival Latino: Six Plays

The Goodman Theatre's Festival Latino

Six Plays

Henry D Godinez and Ramón H Rivera-Servera

Northwestern University Press, 2013

Drawn from the first ten years of the Goodman Theatre’s renowned biennial festival of Latino plays, the works in this collection expand the definition of Latino theater, resisting the confines of a particular language, locale, or assumed audience. Instead of focusing on similarities that outline the boundaries of Latino identity, these plays look outward, representing the multiplicity of actual Latino experience. The plays were written and performed sometimes in English and sometimes in Spanish; their stories are set in heterogeneous milieus; they’re directed at both Latino and non-Latino audiences; and they incorporate cultural or theatrical elements from vastly different traditions. As a group, these plays indicate the extraordinary range of the festival’s offerings and show how it has contributed to a more complex notion of what Latino theater is and can be.
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cover of The Grand Teton Reader

The Grand Teton Reader

Robert W. Righter

University of Utah Press, 2021

Grand Teton National Park draws more than three million visitors annually in search of wildlife, outdoor adventure, solitude, and inspiration. This collection of writings showcases the park’s natural and human histories through stories of drama and beauty, tragedy and triumph.
 
Editor Robert Righter has selected thirty-five contributors whose work takes readers from the Tetons’ geological origins to the time of Euro-American encroachment and the park’s politically tumultuous creation. Selections range from Laine Thom’s Shoshone legend of the Snake River and Owen Wister’s essay “Great God! I’ve Just Killed a Bear,” to Grace Gallatin Seton-Thompson’s humorous yet fearful account of crossing the Snake River, and William Owen’s first attempt to climb the Grand Teton. Conservationists, naturalists, and environmentalists are also represented: Terry Tempest Williams chronicles her multiyear encounter with her “Range of Memory,” and Olaus and Mardy Murie recount the difficulties of “park-making” in an often-hostile human environment.

Anyone seeking a deeper understanding of the park’s wild beauty and controversial past will want to read these stories by people who lived it.
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cover of The Gratis Economy: Privately Provided Public Goods

The Gratis Economy

Privately Provided Public Goods

András Kelen

Central European University Press, 2002

A work in the relatively new field of economic sociology, this highly unconventional book deals with the logics of toll-free services and generalizes the notion of voluntary work toward encompassing everything that can be obtained free of charge in the world. The author claims that the publicity-driven gratis economy -– perhaps the greatest wealth-creator in history -– is integrating into the conventional non-profit sector. Kelen’s exploration of the gratis economy covers the three basic institutional sectors: nonprofit/voluntary, business and government. The ‘New Economy’ offers a wide range of services seemingly for free, but the costs are still supposed to be borne by some actors of the economy. The message of the book is very important: the motives of the gratis giving of goods or services can always be identified and could be explained either by ‘motivated giving’ or by ‘hidden marketing’. These motives often lie outside of the scope of traditional economics and may have strong political, sociological and/or psychological connotations. The Gratis Economy will be of interest to professors and students of applied economics and business schools, sociologists, to the e-business community, marketing practitioners, webspinners, infonauts, netizens, software developers and decision-makers of electronic media.
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cover of The Great Refusal: Herbert Marcuse and Contemporary Social Movements

The Great Refusal

Herbert Marcuse and Contemporary Social Movements

Andrew Lamas

Temple University Press, 2016

Herbert Marcuse examined the subjective and material conditions of radical social change and developed the "Great Refusal," a radical concept of "the protest against that which is." The editors and contributors to the exciting new volume The Great Refusal provide an analysis of contemporary social movements around the world with particular reference to Marcuse's revolutionary concept. The book also engages-and puts Marcuse in critical dialogue with-major theorists including Slavoj Žižek and Michel Foucault, among others.

The chapters in this book analyze different elements and locations of the contemporary wave of struggle, drawing on the work and vision of Marcuse in order to reveal, with a historical perspective, the present moment of resistance. Essays seek to understand recent uprisings-such as the Zapatistas in Mexico, the Arab Spring, and the Occupy movement-in the context of Marcuse's powerful conceptual apparatus.

The Great Refusal also charts contemporary social movements against global warming, mass incarceration, police brutality, white supremacy, militarization, technological development, and more, to provide insights that advance our understanding of resistance today.

Contributors include: Kevin B. Anderson, Stanley Aronowitz, Joan Braune, Jenny Chan, Angela Y. Davis, Arnold L. Farr, Andrew Feenberg, Michael Forman, Christian Fuchs, Stefan Gandler, Christian Garland, Toorjo Ghose, Imaculada Kangussu, George Katsiaficas, Douglas Kellner, Sarah Lynn Kleeb, Filip Kovacevic, Lauren Langman, Heather Love, Peter Marcuse, Martin J. Beck Matuštík, Russell Rockwell, AK Thompson, Marcelo Vieta, and the editors.

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cover of The Great White Way: Race and the Broadway Musical

The Great White Way

Race and the Broadway Musical

Hoffman, Warren

Rutgers University Press, 2014

Broadway musicals are one of America’s most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation?

The Great White Way is the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from Show Boat (1927) to The Scottsboro Boys (2011). Musicals mirror their time periods and reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences. While the musical is informed by the cultural contributions of African Americans and Jewish immigrants, Hoffman argues that ultimately the history of the American musical is the history of white identity in the United States.

Presented chronologically, The Great White Way shows how perceptions of race altered over time and how musicals dealt with those changes. Hoffman focuses first on shows leading up to and comprising the Golden Age of Broadway (1927–1960s), then turns his attention to the revivals and nostalgic vehicles that defined the final quarter of the twentieth century. He offers entirely new and surprising takes on shows from the American musical canon—Show Boat (1927), Oklahoma! (1943), Annie Get YourGun (1946), The Music Man (1957), West Side Story (1957), A Chorus Line (1975), and 42nd Street (1980), among others.

New archival research on the creators who produced and wrote these shows, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, and Edward Kleban, will have theater fans and scholars rethinking forever how they view this popular American entertainment.

[more]
cover of The Great White Way: Race and the Broadway Musical

The Great White Way

Race and the Broadway Musical

Warren Hoffman

Rutgers University Press, 2020

Broadway musicals are one of America’s most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation?

Now in a new second edition, The Great White Way is the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from Show Boat (1927) to Hamilton (2015). This revised edition includes a new introduction and conclusion, updated chapters, as well as a brand-new chapter that looks at the blockbuster musicals The Book of Mormon and Hamilton.

Musicals mirror their time periods and reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences. While the musical is informed by the cultural contributions of African Americans and Jewish immigrants, Hoffman argues that ultimately the history of the American musical is the history of white identity in the United States.

Presented chronologically, The Great White Way shows how perceptions of race altered over time and how musicals dealt with those changes. Hoffman focuses first on shows leading up to and comprising the Golden Age of Broadway (1927–1960s), then turns his attention to the revivals and nostalgic vehicles that defined the final quarter of the twentieth century. He offers entirely new and surprising takes on shows from the American musical canon—Show Boat (1927), Oklahoma! (1943), Annie Get Your Gun (1946), The Music Man (1957), West Side Story (1957), A Chorus Line (1975), and 42nd Street (1980), among others. In addition to a new chapter on Hamilton and The Book of Mormon, this revised edition brings The Great White Way fully into the twenty-first century with an examination of jukebox musicals and the role of off-Broadway and regional theaters in the development of the American musical.

New archival research on the creators who produced and wrote these shows, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, and Edward Kleban, will have theater fans and scholars rethinking forever how they view this popular American entertainment.

 
[more]
cover of The Hardest Journey Home: A True Story of Loss and Duty during the Iraq War

The Hardest Journey Home

A True Story of Loss and Duty during the Iraq War

Donleigh O. Gaunky

Westholme Publishing, 2017

Pulled Out of a Combat Deployment, the Author Escorted His Younger Brother's Body Home from War 

“Sergeant Donleigh Gaunky’s moving memoir speaks to everyone who has lost a loved one in defense of our great nation. It serves as a reminder that freedom is not free, and it is our responsibility to continue to care for our service members, veterans, and their families. I am touched that Fisher House provided a refuge for Sergeant Gaunky during such a difficult journey.”—Ken Fisher, Chairman and CEO, Fisher House Foundation
 
“Fewer and fewer Americans have any close association with anyone serving in the Armed Forces. Donleigh Gaunky offers a heart-rending glimpse into his family as he, and they, grapple with the loss of Donleigh’s brother on a battlefield in Iraq. Every American should read this and, in so doing, learn what “Thank You for Your Service” really means.”
—Gen. Carter F. Ham, USA, Ret., President and CEO, Association of the United States Army

In November 2005, while analyzing live action reports at his base in Baghdad, Iraq, Donleigh O. Gaunky froze. His younger brother Alex’s unit had been hit by the enemy. Almost immediately, arrangements were made for Donleigh to meet his wounded brother in Germany, but Alex succumbed to his injuries before he arrived. Instead, Donleigh was asked to assume the role of remains escort. Most of the time a remains escort is picked at random from the appropriate branch of service or is someone with a relationship to the deceased, most often from the soldier’s own unit. Rarely—if ever in modern times—is the escort a family member. In The Hardest Journey Home: A True Story of Loss and Duty During the Iraq War, Donleigh O. Gaunky describes the events that unfolded over the course of a few days, from the front line in Iraq to the Landstuhl military hospital in Germany to their small town in Wisconsin, where he arrived with his brother’s body on Thanksgiving Day. In an effort to keep his mind off the tragedy and remain focused on his task, the author describes the proto­col for escorting a body home—paperwork, appropriate attire, the proper use of the flag, when and where to salute—as well as how his divorced parents coped with the loss of one of their four sons serving in the military. Relying on commercial flights to bring Alex home, there was no military reception when they first landed in the United States and the author learned how little his brother’s sacrifice meant on a national level. But he was uplifted by his town’s response to his family’s loss when they unexpectedly lined the streets to pay their respects to one of their own. An important and moving story, The Hardest Journey Home reveals the human cost of a long, seemingly invisible war. 
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cover of The Harmonization of Civil and Commercial Law in Europe

The Harmonization of Civil and Commercial Law in Europe

Gian Antonio Benacchio

Central European University Press, 2005

The "Europeanization" of European private law has recently received much scrutiny and attention. Harmonizing European systems of law represents one of the greatest challenges of the 21st century. In effect, it is the adaptation of national laws into a new supra-national law, a process that signifies the beginning of a new age in Europe. This volume seeks to frame the creation of a new European Common Law in the context of recent events in European integration.Engaged in timely and cutting edge research, the authors cast into fine relief the building of a European Common Law. The work is envisioned as a guide and written in a research friendly style that includes text inserts and an extensive bibliography. In particular, this book seeks to orient lawmakers, as well as those individuals interested in EU law, in the intricacies of consumer protection, contractual law, timesharing, and other important aspects in the harmonization of domestic and EU law books. The detailed analysis and research this volume accomplishes is invaluable to those scholars and lawmakers who are the next generation of European leaders.
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cover of The Hero and the Victim: Narratives of Criminality in Iraq War Fiction

The Hero and the Victim

Narratives of Criminality in Iraq War Fiction

Gregory Brazeal

Lever Press, 2024

Two decades after the US invasion of Iraq in 2003, a canon of American literature about the war has begun to emerge. Gregory Brazeal’s The Hero and the Victim situates Iraq War fiction in war literature’s broader history. In contrast to the emphasis of most pre-modern war literature on the figure of the warrior-as-hero, and the growing modern emphasis on the figure of the soldier-as-victim, Iraq War fiction reflects the troubled emergence of a new narrative: the story of the ordinary soldier as a wrongdoer or even criminal. To a greater extent than earlier literature about American wars, Iraq War fiction is haunted by depictions of moral injury and expressions of unresolved guilt. 

The emphasis on soldier criminality in Iraq War fiction can be partly explained by the rise of moral cosmopolitanism and its blurring of the traditional conceptual lines between war and crime. The anti-war literature of the twentieth century often presented fallen soldiers on both sides equally as victims and viewed the distinction between heroes and villains as part of the illusion that battlefield experience strips away. Written in the long shadow of Nuremberg, Iraq War fiction grapples with the possibility that the soldiers on one’s own side may not be the heroes in the story, or even the victims, but participants in a wrong, and perhaps even complicit in crimes. The Hero and the Victim contributes to the ongoing, public reexamination of American traditions by confronting a topic that has, up to now, been largely untouched: the moral celebration of military service. 

The Hero and the Victim explores the theme of soldier criminality through close readings of several works by American authors, including Kevin Powers’s The Yellow Birds, Phil Klay’s Redeployment, Helen Benedict’s Sand Queen, Chris Kyle’s American Sniper, and Roy Scranton’s War Porn. This volume will be an essential text for students of American literature, historians of war culture, and any scholar interested in representations of the Iraq War.
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cover of The Homesick Phone Book: Addressing Rhetorics in the Age of Perpetual Conflict

The Homesick Phone Book

Addressing Rhetorics in the Age of Perpetual Conflict

Cynthia Haynes

Southern Illinois University Press, 2016

Winner, RSA Book Award, 2017

Terrorist attacks, war, and mass shootings by individuals occur on a daily basis all over the world. In The Homesick Phone Book, author Cynthia Haynes examines the relationship of rhetoric to such atrocities. Aiming to disrupt conventional modes of rhetoric, logic, argument, and the teaching of writing, Haynes illuminates rhetoric’s ties to horrific acts of violence and the state of perpetual conflict around the world, both in the Holocaust era and more recently.

Each chapter, marked by a physical address, functions as a kind of expanded phone book entry, with a discussion of violent events at a particular location giving way to explorations of larger questions related to rhetoric and violence. At the core of the work is Haynes’s call for a writing pedagogy based on abstraction that would allow students to appeal to emotional and ethical grounds in composing arguments. Written in a lyrical style, the book weaves rhetorical theories, poetics, philosophy, works of art, and personal experience into a complex, compelling, and innovative mode of writing.

Ultimately, The Homesick Phone Book demonstrates how scholars of rhetoric and writing studies can break their dependence on conventional argument and logic to discover what might be possible if we dive into and become lost within the very concepts and events that frighten and terrorize us.
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cover of The Humana Festival: The History of New Plays at Actors Theatre of Louisville

The Humana Festival

The History of New Plays at Actors Theatre of Louisville

Jeffrey Ullom

Southern Illinois University Press, 2008

Far from the glittering lights of Broadway, in a city known more for its horse racing than its artistic endeavors, an annual festival in Louisville, Kentucky, has transformed the landscape of the American theater. The Actors Theatre of Louisville—the Tony Award–winning state theater of Kentucky—in 1976 successfully created what became the nation's most respected new-play festival, the Humana Festival of New American Plays.

The Humana Festival: The History of New Plays at Actors Theatre of Louisville examines the success of the festival and theater’s Pulitzer Prize–winning productions that for decades have reflected new-play trends in regional theaters and on Broadway—the result of the calculated decisions, dogged determination, and good luck of its producing director, Jon Jory.

The volume details how Actors Theatre of Louisville was established, why the Humana Festival became successful in a short time, and how the event’s success has been maintained by the Louisville venue that has drawn theater critics from around the world for more than thirty years.

Author Jeffrey Ullom charts the theater’s early struggles to survive, the battles between troupe leaders, and the desperate measures to secure financial support from the Louisville community. He examines how Jory established and expanded the festival to garner extraordinary local support, attract international attention, and entice preeminent American playwrights to premier their works in the Kentucky city.

In The Humana Festival, Ullom provides a broad view of new-play development within artistic, administrative, and financial contexts. He analyzes the relationship between Broadway and regional theaters, outlining how the Humana Festival has changed the process of new-play development and even Broadway’s approach to discovering new work, and also highlights the struggles facing regional theaters across the country as they strive to balance artistic ingenuity and economic viability.

Offering a rare look at the annual event, The Humana Festival provides the first insider’s view of the extraordinary efforts that produced the nation’s most successful new-play festival.

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cover of The Hungarian Patient: Social Opposition to an Illiberal Democracy

The Hungarian Patient

Social Opposition to an Illiberal Democracy

Jon Van Til

Central European University Press, 2015

This book presents compelling essays by leading Hungarian and foreign authors on the variety of social movements and parties that seek influence and power in a Hungary mired in deep and manifold crisis. The main question the volume tries to answer is: what can we expect after the fall of the semi-authoritarian Orbán regime in Hungary. Who will be the new players? What are their backgrounds? What are their political and social ideals, intentions and methods? The studies in the first section of the volume provide the reader with the reasons of the emergence of these new movements: a deep analysis of the historical, political and cultural background of the current situation. The second part contains essays and case studies which challenge the movements and parties involved to look beyond their current ineffectiveness, and to find ways of meeting the challenges that would allow them to exercise responsible and effective leadership in their time and place. This collection would be the first of the kind both in the field of movement theory/history and democracy studies because it reflects on very recent developments not researched in the international scholarly literature. One would not be able to understand contemporary Hungarian society without reading it before the 2014 elections.
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cover of The Idea of Haiti: Rethinking Crisis and Development

The Idea of Haiti

Rethinking Crisis and Development

Millery Polyné

University of Minnesota Press, 2013


After Haiti was struck by a devastating earthquake on January 12, 2010, aid workers and offers of support poured in from around the world. Tellingly, though, news reports on the catastrophe and relief efforts frequently included a pejorative description of the country that outsiders were determined to rebuild: the troubled island nation, a nation plagued by political violence. There was much talk of inventing a “new” Haiti, which would presumably mimic Western modes of development and thus mitigate political instability and crisis.


As contributors to this wide-ranging book reveal, Haiti has long been marginalized as an embodiment of alterity, as the other, and the idea of a new Haiti is actually nothing new. An investigation of the notion of newness through the lenses of history and literature, urban planning, religion, and governance, The Idea of Haiti illuminates the politics and the narratives of Haiti’s past and present. The essays, which grow from original research and in-depth interviews, examine how race, class, and national development inform the policies that envision re-creating the country.


Together the contributors address important questions: How will the present narratives of deviance affect international relief and rebuilding efforts? What do Haitians themselves think about Haiti, old and new? What are the potential complications and weakness of aid strategies during these trying times? And what do we mean by crisis in Haiti?


Contributors: Yveline Alexis, Rutgers U; Wein Weibert Arthus, State U of Haiti; Greg Beckett, Bowdoin College; Alex Dupuy, Wesleyan U; Harley F. Etienne, U of Michigan; Robert Fatton Jr., U of Virginia; Sibylle Fischer, New York U; Elizabeth McAlister, Wesleyan U; Nick Nesbitt, Princeton U; Karen Richman, U of Notre Dame; Mark Schuller, York College (CUNY); Patrick Sylvain, Brown U; Évelyne Trouillot, State U of Haiti; Tatiana Wah, Columbia U.


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cover of The Impasse of the Latin American Left

The Impasse of the Latin American Left

Franck Gaudichaud, Massimo Modonesi, and Jeffery R. Webber

Duke University Press, 2022

In The Impasse of the Latin American Left, Franck Gaudichaud, Massimo Modonesi, and Jeffery R. Webber explore the region’s Pink Tide as a political, economic, and cultural phenomenon. At the turn of the twenty-first century, Latin American politics experienced an upsurge in progressive movements, as popular uprisings for land and autonomy led to the election of left and center-left governments across Latin America. These progressive parties institutionalized social movements and established forms of state capitalism that sought to redistribute resources and challenge neoliberalism. Yet, as the authors demonstrate, these governments failed to transform the underlying class structures of their societies or challenge the imperial strategies of the United States and China. Now, as the Pink Tide has largely receded, the authors offer a portrait of this watershed period in Latin American history in order to evaluate the successes and failures of the left and to offer a clear-eyed account of the conditions that allowed for a right-wing resurgence.
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cover of The In-Betweens: A Lyrical Memoir

The In-Betweens

A Lyrical Memoir

Davon Loeb

West Virginia University Press, 2023

“Utterly captivating and resonant.” —Chicago Review of Books
“Gorgeously told.” —Philadelphia Inquirer

“Resonant. . . . Engagingly delivered, candid reflections on heritage and identity.” —Kirkus Reviews

The In-Betweens tells the story of a biracial boy becoming a man, all the while trying to find himself, trying to come to terms with his white family, and trying to find his place in American society. A rich narrative in the tradition of Justin Torres’s We the Animals and Bryan Washington’s Memorial, Davon Loeb’s memoir is relevant to the country’s current climate and is part of the necessary rewrite of the nation’s narrative and identity.

The son of a Black mother with deep family roots in Alabama and a white Jewish man from Long Island, Loeb grows up in a Black family in the Pine Barrens of New Jersey as one of the few nonwhite children in their suburban neighborhood. Despite his many and ongoing efforts to fit in, Loeb acutely feels his difference—he is singled out in class during Black History Month; his hair doesn’t conform to the latest fad; coaches and peers assume he is a talented athlete and dancer; and on the field trip to the Holocaust Museum, he is the Black Jew. But all is not struggle. In lyrical vignettes, Loeb vibrantly depicts the freedom, joys, and wonder of childhood; the awkwardness of teen years, first jobs, first passions. Loeb tells an individual story universally, and readers, regardless of subjectivity and relation, will see themselves throughout The In-Betweens.

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cover of The Inability to Love: Jews, Gender, and America in Recent German Literature

The Inability to Love

Jews, Gender, and America in Recent German Literature

Agnes C. Mueller

Northwestern University Press, 2014

The Inability to Love borrows its title from Alexander and Margarete Mitscherlich’s 1967 landmark book The Inability to Mourn, which discussed German society’s lack of psychological reckoning with the Holocaust. Challenging that notion, Agnes Mueller turns to recently published works by prominent contemporary German, non-Jewish writers to examine whether there has been a thorough engagement with German history and memory. She focuses on literature that invokes Jews, Israel, and the Holocaust. Mueller’s aim is to shed light on pressing questions concerning German memories of the past, and on German images of Jews in Germany at a moment that s ideologically and historically fraught.


[more]
cover of The International Jewish Labor Bund after 1945: Toward a Global History

The International Jewish Labor Bund after 1945

Toward a Global History

Slucki, David

Rutgers University Press, 2012

The Jewish Labor Bund was one of the major political forces in early twentieth-century Eastern Europe. But the decades after the Second World War were years of enormous difficulty for Bundists. Like millions of other European Jews, they faced the challenge of resurrecting their lives, so gravely disrupted by the Holocaust. Not only had the organization lost many members, but its adherents were also scattered across many continents. In this book, David Slucki charts the efforts of the surviving remnants of the movement to salvage something from the wreckage.

Covering both the Bundists who remained in communist Eastern Europe and those who emigrated to the United States, France, Australia, and Israel, the book explores the common challenges they faced—building transnational networks of friends, family, and fellow Holocaust survivors, while rebuilding a once-local movement under a global umbrella. This is a story of resilience and passion—passion for an idea that only barely survived Auschwitz.

[more]
cover of The Iowa Anthology of New American Poetries

The Iowa Anthology of New American Poetries

Reginald Shepherd

University of Iowa Press, 2004

This landmark collection features emerging poets who combine a commitment to innovation and experimentation with a love for the lyric tradition, whose poetry transcends “mainstream” and avant-garde practice to create new and exciting poetic territories.

These new American poetries for the twenty-first century and beyond reach back toward the Modernists and even earlier lyric poetries (such as those of Wyatt, Donne, Keats, and Dickinson) and, simultaneously, reach forward to poetic possibilities not yet realized or even imagined. Most of the poets included here have won publication prizes, awards, and fellowships, and some have had their work anthologized. Others are at earlier stages of recognition but have published in major journals. All are writing highly accomplished work that will soon find a wider audience.

One distinguishing feature of this collection is the inclusion of substantial artistic statements from each contributor, in which the poets discuss their works, their influences, their aims, and their poetics. These statements are invaluable in giving readers a point of entry to the poems and can contribute to the development of a conversation among American poets that transcends questions of “craft” to address fundamental issues of poetry as an artistic practice.

Shepherd, a leading poet, essayist, and literary critic, is uniquely situated to bring us this important collection: young enough to feel the spirit of newer poets and yet established enough to bring a more experienced eye and a wider view to this groundbreaking project.The Iowa Anthology of New American Poetries highlights some of the most exciting, vital, and productive tendencies in contemporary American poetry and will be a significant milestone for students and teachers of poetry as well as for the general reader.

[more]
cover of The Journey into Adulthood in Uncertain Times

The Journey into Adulthood in Uncertain Times

Robert Crosnoe

Russell Sage Foundation, 2025

Concerns about the welfare of young adults have received increasing public attention. Numerous magazine and newspaper articles ask “Are young adults failing to launch?” and “Are global crises creating generations of lost youth?” These questions are driven by worries that young people are either unable or unwilling to transition to adulthood, even when they have aged past traditional definitions of childhood and adolescence. In The Journey into Adulthood in Uncertain Times, sociologists Robert Crosnoe and Shannon E. Cavanagh examine whether young people today are either refusing or failing to grow up.

Drawing on both quantitative and qualitative survey data over five decades, Crosnoe and Cavanagh find that young adults are, in fact, waiting longer to take on “real” adult roles, such as worker or parent. However, this is not out of a reluctance to grow up. Instead, increased inequality and changes in the economy have forced young people to adapt their lives in new ways. Young adults are now spending more time in school, have more trouble finding their footing in the labor force, and consequently postpone getting married and having children. They also mix and match roles in more complicated ways now than in the past—going back and forth between school and work over longer periods of time or disconnecting parenthood from their romantic relationships. While the period from late teens to mid-twenties does look different now than in the past, the change has been slow and steady rather than a dramatic shift due to social crises. The Great Recession, for example, had a more muted effect on young people’s social and economic attainment and family formation than fears of a lost generation would suggest. 

Crosnoe and Cavanagh find that while the panic over young adults today may be somewhat overblown, this conclusion should not obscure some clear concerns. Young adults do struggle with their social and emotional wellbeing. They are more depressed than their counterparts in previous generations, drink less alcohol in ways that suggest less engagement with social life, and express deep distrust of social institutions and the idea of the American Dream. The authors argue that worries about the state of young adulthood today should trigger more reflection about how to support young people rather than how to fix them.

The Journey into Adulthood in Uncertain Times is a comprehensive and illuminating examination of the challenges faced by contemporary young adults.
 
[more]
cover of The King of China

The King of China

Tilman Rammstedt

Seagull Books, 2019

When Keith Stapperpfennig and his family give their grandfather the trip of a lifetime—an all expenses paid holiday to any destination in the world—the eccentric old man arbitrarily chooses China, and he asks Keith to accompany him. But when Keith loses all the money for the journey at a casino, he goes into hiding—mostly under his desk—and his grandfather—equally uninterested in actually traveling to China—heads down the road to engage in a similar subterfuge.

And it is here that the novel opens, two men in hiding, mere miles apart. But when his grandfather dies unexpectedly, Keith is left to continue the farce alone. With the aid of a guidebook, Keith writes a series of letters home to his brothers and sisters, detailing their imaginary travels and the bizarre sights they see. These start off harmlessly, but before long he starts adding invented details: non-stop dental hygiene shows on television, dog vaccinations at the post office—and the letters get longer and longer. Engaging, strange, and ultimately moving, this hilarious novel from Tilman Rammstedt won him the prestigious Ingeborg Bachmann Prize in 2008 and confirmed him as one of Germany’s most compelling writers.
[more]
cover of The Laissez-Faire Peasant: Post-Socialist Rural Development in Serbia

The Laissez-Faire Peasant

Post-Socialist Rural Development in Serbia

Jovana Dikovic

University College London, 2025

What if rural progress isn’t about government intervention but about the self-reliance and ingenuity of peasants themselves?

The Laissez-Faire Peasant: Post-Socialist Rural Development in Serbia subverts conventional wisdom on rural development by shifting the focus from state-led planning to the agency of peasants themselves. Rejecting the notion that rural populations are passive victims of top-down policies, Jovana Dikovic presents a compelling ethnographic study of three Serbian villages, where autonomy and local cooperation drive economic and social resilience. She introduces the concept of the “laissez-faire peasant”—a figure who thrives outside rigid government schemes, shaping rural development on their own terms. By examining the friction between state policies and the everyday strategies of rural communities, Dikovic uncovers how peasant autonomy not only resists external intervention but fosters sustainable and self-sufficient growth.

The first in-depth study of contemporary Serbian peasantry, this book reframes rural life as a site of innovation rather than stagnation. An area of interest for scholars of post-socialist transitions, rural development, and economic anthropology, The Laissez-Faire Peasant provides a new lens on how rural communities survive and adapt in a rapidly changing world.
[more]
cover of The Legacy of Division: East and West after 1989

The Legacy of Division

East and West after 1989

Ferenc Laczó

Central European University Press, 2020

This volume examines the legacy of the East–West divide since the implosion of the communist regimes in Europe. The ideals of 1989 have largely been frustrated by the crises and turmoil of the past decade. The liberal consensus was first challenged as early as the mid-2000s. In Eastern Europe, grievances were directed against the prevailing narratives of transition and ever sharper ethnic-racial antipathies surfaced in opposition to a supposedly postnational and multicultural West. In Western Europe, voices regretting the European Union's supposedly careless and premature expansion eastward began to appear on both sides of the left–right and liberal–conservative divides. The possibility of convergence between Europe's two halves has been reconceived as a threat to the European project.

In a series of original essays and conversations, thirty-three contributors from the fields of European and global history, politics and culture address questions fundamental to our understanding of Europe today: How have perceptions and misperceptions between the two halves of the continent changed over the last three decades? Can one speak of a new East–West split? If so, what characterizes it and why has it reemerged? The contributions demonstrate a great variety of approaches, perspectives, emphases, and arguments in addressing the daunting dilemma of Europe's assumed East–West divide.

[more]
cover of The Little Death of Self: Nine Essays toward Poetry

The Little Death of Self

Nine Essays toward Poetry

Marianne Boruch

University of Michigan Press, 2017

A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.
 
The line between poetry (the delicate, surprising not-quite) and the essay (the emphatic so-there!) is thin, easily crossed. Both welcome a deep mulling-over, endlessly mixing image and idea and running with scissors; certainly each distrusts the notion of premise or formulaic progression. Marianne Boruch’s essays in The Little Death of Self emerged by way of odd details or bothersome questions that would not quit—Why does the self grow smaller as the poem grows enormous? Why does closure in a poem so often mean keep going? Must we stalk the poem or does the poem stalk us until the world clicks open?

Boruch’s intrepid curiosity led her to explore fields of expertise about which she knew little: aviation, music, anatomy, history, medicine, photography, fiction, neuroscience, physics, anthropology, painting, and drawing. There’s an addiction to metaphor here, an affection for image, sudden turns of thinking, and the great subjects of poetry: love, death, time, knowledge. There’s amazement at the dumb luck of staying long enough in an inkling to make it a poem at all. Poets such as Keats, Stevens, Frost, Plath, Auden, and Bishop, along with painters, inventors, doctors, scientists, composers, musicians, neighbors, friends, and family—all traffic blatantly or under the surface—and one gets a glimpse of such fellow travelers now and then.

 
[more]
cover of The Long 1989: Decades of Global Revolution

The Long 1989

Decades of Global Revolution

Kyrill Kunakhovich

Central European University Press, 2019

The fall of communism in Europe is now the frame of reference for any mass mobilization, from the Arab Spring to the Occupy movement to Brexit. Even thirty years on, 1989 still figures as a guide and motivation for political change. It is now a platitude to call 1989 a "world event," but the chapters in this volume show how it actually became one. 
The authors of these nine essays consider how revolutionary events in Europe resonated years later and thousands of miles away: in China and South Africa, Chile and Afghanistan, Turkey and the USA. They trace the circulation of people, practices, and concepts that linked these countries, turning local developments into a global phenomenon. At the same time, they examine the many shifts that revolution underwent in transit. All nine chapters detail the process of mutation, adaptation, and appropriation through which foreign affairs found new meanings on the ground. They interrogate the uses and understandings of 1989 in particular national contexts, often many years after the fact. Taken together, this volume asks how the fall of communism in Europe became the basis for revolutionary action around the world, proposing a paradigm shift in global thinking about revolution and protest.
[more]
cover of The Long 2020

The Long 2020

Richard Grusin

University of Minnesota Press, 2022

Sharply intelligent, often personal reflections on the global crises of 2020 that are still ongoing

By all accounts, 2020 was the longest year in recent memory, as people in the United States and across the globe careened from one unfolding catastrophe to another. The consequences of this devastating year are sure to impact the planet for decades, if not centuries, to come. This collection considers the question of that long 2020 from the perspective of the lived experience of the year, its long and deep roots in various human and nonhuman pasts, and the transformation of our sense of the future.

The Long 2020 assembles a strikingly interdisciplinary group of scholars and thinkers to address how the many crises of 2020—epidemiological, political, ecological, and social—have unfolded, examining both their origins as well as their ongoing effects. The contributors address questions of time, history, and scale as they have played out, and continue to play out; the relationship between home and environment, with a focus on architecture, breathing, and human–nonhuman relations; and the experience of cultural, political, and social life, deploying cultural and political theory to explore questions of race, gender and sexuality, and democracy.

The global pandemic has still not abated, reflecting the need to rethink our interrelatedness to viruses and other species. In bringing together this diverse group of authors, The Long 2020 offers a variety of perspectives on the impacts of that fraught year, the effects of which continue to permeate daily life.

Contributors: Stacy Alaimo, U of Oregon; Elisabeth Anker, George Washington U; Janelle Baker, Athabasca U, Alberta, Canada; Daniel A. Barber, U of Pennsylvania Weitzman School of Design; Adia Benton, Northwestern U; Levi R. Bryant, Collin College; Beatriz Colomina, Princeton U; William E. Connolly, Johns Hopkins U; Cary Gabriel Costello, U of Wisconsin–Milwaukee; Megan Craig, Stony Brook U; Wai Chee Dimock, Harvard U; Paulla Ebron, Stanford U; Nirmala Erevelles, U of Alabama; Roderick A. Ferguson, Yale U; Rosa E. Ficek, U of Puerto Rico at Cayey; Stefanie Fishel, U of the Sunshine Coast in Queensland; Jonathan Flatley, Wayne State U; Jennifer Gabrys, U of Cambridge;  David Gissen, Parsons School of Design and the New School, New York; Dehlia Hannah, The Royal Danish Academy of Fine Arts; Karen Ho, U of Minnesota; Bonnie Honig, Brown U; Frédéric Keck, Laboratory of Social Anthropology (CNRS Paris); Eben Kirksey, Deakin Institute in Melbourne, Australia; Bernard C. Perley, U of British Columbia, Vancouver; Tom Rademacher; Renya Ramirez, U of California, Santa Cruz; Zoe Todd (Métis); Anna Tsing, U of California, Santa Cruz; Sarah E. Vaughn, U of California, Berkeley; Rebecca Wanzo, Washington U; McKenzie Wark, Eugene Lang College, New York City.

[more]
cover of The Long War on Drugs

The Long War on Drugs

Anne L. Foster

Duke University Press, 2023

Since the early twentieth century, the United States has led a global prohibition effort against certain drugs in which production restriction and criminalization are emphasized over prevention and treatment as means to reduce problematic usage. This “war on drugs” is widely seen to have failed, and periodically decriminalization and legalization movements arise. Debates continue over whether the problems of addiction and crime associated with illicit use of drugs stem from their illegal status or the nature of the drugs themselves. In The Long War on Drugs Anne L. Foster explores the origin of the punitive approach to drugs and its continued appeal despite its obvious flaws. She provides a comprehensive overview, focusing not only on a political history of policy developments but also on changes in medical practices and understanding of drugs. Foster also outlines the social and cultural changes prompting different attitudes about drugs; the racial, environmental, and social justice implications of particular drug policies; and the international consequences of US drug policy.
[more]
cover of The Making of a Chicano Militant: Lessons from Cristal

The Making of a Chicano Militant

Lessons from Cristal

Jose Angel Gutierrez

University of Wisconsin Press, 1999

    Texas, for years, was a one-party state controlled by white democrats. In 1962, a young eighteen-year-old heard the first rumblings of Chicano community organization in the barrios of Cristal. The rumor in the town was that five Mexican Americans were going to run for all five seats on the city council. But first, poor citizens had to find a way to pay the $1.75 poll tax. Money had to be raised—through bake sales of tamales, cake walks, and dances. So began the political activism of José Angel Gutiérrez.
    Gutiérrez's autobiography, The Making of a Chicano Militant, is the first insider's view of the important political and social events within the Mexican American communities in South Texas during the 1960s and 1970s. A controversial and dynamic political figure during the height of the Chicano movement, Gutiérrez offers an absorbing personal account of his life at the forefront of the Mexican-American civil rights movement—first as a Chicano and then as a militant.
    Gutiérrez traces the racial, ethnic, economic, and social prejudices facing Chicanos with powerful scenes from his own life: his first summer job as a tortilla maker at the age of eleven, his racially motivated kidnapping as a teenager, and his coming of age in the face of discrimination as a radical organizer in college and graduate school. When Gutiérrez finally returned to Cristal, he helped form the Mexican American Youth Organization and, subsequently the Raza Unida Party to confront issues of ethnic intolerance in his community. His story is soon to be a classic in the developing literature of Mexican American leaders.

[more]
cover of The Making of the Middle Class: Toward a Transnational History

The Making of the Middle Class

Toward a Transnational History

A. Ricardo López and Barbara Weinstein, eds.

Duke University Press, 2012

In this important and timely collection of essays, historians reflect on the middle class: what it is, why its struggles figure so prominently in discussions of the current economic crisis, and how it has shaped, and been shaped by, modernity. The contributors focus on specific middle-class formations around the world—in Africa, Asia, Europe, the Middle East, and the Americas—since the mid-nineteenth century. They scrutinize these formations in relation to the practices of modernity, to professionalization, to revolutionary politics, and to the making of a public sphere. Taken together, their essays demonstrate that the historical formation of the middle class has been constituted transnationally through changing, unequal relationships and shifting racial and gender hierarchies, colonial practices, and religious divisions. That history raises questions about taking the robustness of the middle class as the measure of a society's stability and democratic promise. Those questions are among the many stimulated by The Making of the Middle Class, which invites critical conversation about capitalism, imperialism, postcolonialism, modernity, and our neoliberal present.

Contributors
. Susanne Eineigel, Michael A.Ervin, Iñigo García-Bryce, Enrique Garguin, Simon Gunn, Carol E. Harrison, Franca Iacovetta, Sanjay Joshi, Prashant Kidambi, A. Ricardo López, Gisela Mettele, Marina Moskowitz, Robyn Muncy, Brian Owensby, David S. Parker, Mrinalini Sinha, Mary Kay Vaughan, Daniel J. Walkowitz, Keith David Watenpaugh, Barbara Weinstein, Michael O. West
[more]
cover of The Many Faces of Political Islam, Second Edition: Religion and Politics in Muslim Societies

The Many Faces of Political Islam, Second Edition

Religion and Politics in Muslim Societies

Mohammed Ayoob and Danielle N. Lussier

University of Michigan Press, 2020

Analysts and pundits from across the American political spectrum describe Islamic fundamentalism as one of the greatest threats to modern, Western-style democracy. Yet very few non-Muslims would be able to venture an accurate definition of political Islam. Fully revised and updated, The Many Faces of Political Islam thoroughly analyzes the many facets of this political ideology and shows its impact on global relations.

 

[more]
cover of The Many Faces of Political Islam: Religion and Politics in the Muslim World

The Many Faces of Political Islam

Religion and Politics in the Muslim World

Mohammed Ayoob

University of Michigan Press, 2009

Analysts and pundits from across the American political spectrum describe Islamic fundamentalism as one of the greatest threats to modern, Western-style democracy. Yet very few non-Muslims would be able to venture an accurate definition of political Islam. Mohammed Ayoob's The Many Faces of Political Islam thoroughly describes the myriad manifestations of this rising ideology and analyzes its impact on global relations.
 
"In this beautifully crafted and utterly compelling book, Mohammed Ayoob accomplishes admirably the difficult task of offering a readily accessible yet nuanced and comprehensive analysis of an issue of enormous political importance. Both students and specialists will learn a great deal from this absolutely first-rate book."
---Peter J. Katzenstein, Walter S. Carpenter, Jr. Professor of International Studies and Stephen H. Weiss Presidential Teaching Fellow, Cornell University
 
"Dr. Ayoob addresses the nuances and complexities of political Islam---be it mainstream, radical, or militant---and offers a road map of the pivotal players and issues that define the movement. There is no one as qualified as Mohammed Ayoob to write a synthesis of various manifestations of political Islam. His complex narrative highlights the changes and shifts that have taken place within the Islamist universe and their implications for internal Muslim politics and relations between the world of Islam and the Christian world."
---Fawaz A. Gerges, Carnegie Scholar, and holds the Christian A. Johnson Chair in International Affairs and Middle Eastern Studies, Sarah Lawrence College
 
"Let's hope that many readers---not only academics but policymakers as well---will use this invaluable book."
---François Burgat, Director, French National Centre for Scientific Research (CNRS) and the Institute for Research and Study on the Arab and Muslim World (IREMAM), Aix-en-Provence, France
 
"This is a wonderful, concise book by an accomplished and sophisticated political scientist who nonetheless manages to convey his interpretation of complex issues and movements to even those who have little background on the subject. It is impressive in its clarity, providing a badly needed text on political Islam that's accessible to college students and the general public alike."
---Shibley Telhami, Anwar Sadat Professor for Peace and Development, University of Maryland, and Senior Fellow, Brookings Institution
 
Mohammed Ayoob is University Distinguished Professor of International Relations with a joint appointment in James Madison College and the Department of Political Science at Michigan State University. He is also Coordinator of the Muslim Studies Program at Michigan State University.
[more]
cover of The Many Futures of Work: Rethinking Expectations and Breaking Molds

The Many Futures of Work

Rethinking Expectations and Breaking Molds

Edited by Peter A. Creticos, Larry Bennett, Laura Owen, Costas Spirou, and Maxine Morphis-Riesbeck

Temple University Press, 2021

What will work eventually look like? This is the question at the heart of this timely collection. The editors and contributors—a mix of policy experts, academics, and advocates—seek to reframe the typical projections of the “future” of work. They examine the impact of structural racism on work, the loss of family‑sustaining jobs, the new role of gig work, growing economic inequality, barriers to rewarding employment such as age, gender, disability, and immigration status, and the business policies driving these ongoing challenges. 

Together the essays present varied and practical insights into both U.S. and global trends, discuss the role of labor activism in furthering economic justice, and examine progressive strategies to improve the experience of work, wages, and the lives of workers. The Many Futures of Work offers a range of viable policies and practices that can promote rewarding employment and steer our course away from low-wage, unstable jobs toward jobs that lead to equitable prosperity and economic inclusion.

[more]
cover of The Measure of Economies: Measuring Productivity in an Age of Technological Change

The Measure of Economies

Measuring Productivity in an Age of Technological Change

Edited by Marshall B. Reinsdorf and Louise Sheiner

University of Chicago Press, 2024

Innovative new approaches for improving GDP measurement to better gauge economic productivity.

Official measures of gross domestic product (GDP) indicate that productivity growth has declined in the United States over the last two decades. This has led to calls for policy changes from pro-business tax reform to stronger antitrust measures. But are our twentieth-century economic methods actually measuring our twenty-first-century productivity?

The Measure of Economies offers a synthesis of the state of knowledge in productivity measurement at a time when many question the accuracy and scope of GDP. With chapters authored by leading economic experts on topics such as the digital economy, health care, and the environment, it highlights the inadequacies of current practices and discusses cutting-edge alternatives.

Pragmatic and forward-facing, The Measure of Economies is an essential resource not only for social scientists, but also for policymakers and business leaders seeking to understand the complexities of economic growth in a time of rapidly evolving technology.

[more]
cover of The Medieval Worlds of Neil Gaiman: From Beowulf to Sleeping Beauty

The Medieval Worlds of Neil Gaiman

From Beowulf to Sleeping Beauty

Shiloh Carroll

University of Iowa Press, 2023

Neil Gaiman is one of the most widely known writers of the twentieth and twenty-first centuries, having produced fiction and nonfiction, fantasy and horror, television, comics, and prose. He often attributes this eclecticism to his “compost heap” approach to writing, gathering inspiration from life, religion, literature, and mythology.

Readers love to sink into Gaiman’s medieval worlds—but what makes them “medieval”? Shiloh Carroll offers an introduction to the idea of medievalism, how the literature and culture of the Middle Ages have been reinterpreted and repurposed over the centuries, and how the layers of interpretation have impacted Gaiman’s own use of medieval material. She examines influences from Norse mythology and Beowulf to medieval romances and fairy tales in order to expand readers’ understanding and appreciation of Gaiman’s work, as well as the rest of the medievalist films, TV shows, and books that are so popular today.
 
[more]
cover of The Migrant's Paradox: Street Livelihoods and Marginal Citizenship in Britain

The Migrant's Paradox

Street Livelihoods and Marginal Citizenship in Britain

Suzanne M. Hall

University of Minnesota Press, 2021

Connects global migration with urban marginalization, exploring how “race” maps onto place across the globe, state, and street

In this richly observed account of migrant shopkeepers in five cities in the United Kingdom, Suzanne Hall examines the brutal contradictions of sovereignty and capitalism in the formation of street livelihoods in the urban margins. Hall locates The Migrant’s Paradox on streets in the far-flung parts of de-industrialized peripheries, where jobs are hard to come by and the impacts of historic state underinvestment are deeply felt. 

Drawing on hundreds of in-person interviews on streets in Birmingham, Bristol, Leicester, London, and Manchester, Hall brings together histories of colonization with current forms of coloniality. Her six-year project spans the combined impacts of the 2008 financial crisis, austerity governance, punitive immigration laws and the Brexit Referendum, and processes of state-sanctioned regeneration. She incorporates the spaces of shops, conference halls, and planning offices to capture how official border talk overlaps with everyday formations of work and belonging on the street.

Original and ambitious, Hall’s work complicates understandings of migrants, demonstrating how migrant journeys and claims to space illuminate the relations between global displacement and urban emplacement. In articulating “a citizenship of the edge” as an adaptive and audacious mode of belonging, she shows how sovereignty and inequality are maintained and refuted. 

[more]
cover of The Modernity Bluff: Crime, Consumption, and Citizenship in Côte d’Ivoire

The Modernity Bluff

Crime, Consumption, and Citizenship in Côte d’Ivoire

Sasha Newell

University of Chicago Press, 2012

In Côte d’Ivoire, appearing modern is so important for success that many young men deplete their already meager resources to project an illusion of wealth in a fantastic display of Western imitation, spending far more than they can afford on brand name clothing, accessories, technology, and a robust nightlife. Such imitation, however, is not primarily meant to deceive—rather, as Sasha Newell argues in The Modernity Bluff, it is an explicit performance so valued in Côte d’Ivoire it has become a matter of national pride.

Called bluffeurs, these young urban men operate in a system of cultural economy where reputation is essential for financial success. That reputation is measured by familiarity with and access to the fashionable and expensive, which leads to a paradoxical state of affairs in which the wasting of wealth is essential to its accumulation. Using the consumption of Western goods to express their cultural mastery over Western taste, Newell argues, bluffeurs engage a global hierarchy that is profoundly modern, one that values performance over authenticity­—highlighting the counterfeit nature of modernity itself.

[more]
cover of The Money Signal: How Fundraising Matters in American Politics

The Money Signal

How Fundraising Matters in American Politics

Danielle M. Thomsen

University of Chicago Press, 2025

A data-rich, eye-opening look at how, when, and why political fundraising is consequential. 

Over the last two decades, the number of competitive congressional races has declined precipitously. Yet candidates and officeholders dial for more and more dollars each election, and they do so earlier and earlier in the campaign cycle.
 
In The Money Signal, Danielle M. Thomsen offers a new perspective on the role of money in politics. She shows that fundraising matters because it is widely used as an indicator of a candidate’s viability and strength, which shapes subsequent donations, dropout decisions, media attention, and rewards in office. Put simply, money is a focal point that candidates, donors, journalists, and party leaders rally around. For candidates, fundraising is a highly public form of self-presentation that pays dividends long before the election and well after the votes are cast.
 
Thomsen draws on comprehensive fundraising data that spans more than four decades, in addition to interviews, surveys of candidates and donors, newspaper coverage, committee assignments, and analysis of legislative success. The Money Signal highlights the numerous ways that dollars influence the perceptions and behavior of key actors and observers throughout the election cycle.
 

[more]
cover of The Moneywasting Machine: Five Months Inside Serbia‘s Ministry of Economy

The Moneywasting Machine

Five Months Inside Serbia‘s Ministry of Economy

Dusan Pavlovic

Central European University Press, 2022

For five months in 2013–2014, Dušan Pavlović took time off from teaching to accept a senior position in Serbia’s Ministry of Economy. This short period was long enough for him to make a penetrating diagnosis of the economic activity of the postcommunist government. He found that a coterie of tycoons and politicians live off the wealth of the majority of citizens and smaller entrepreneurs, while the economy performs below its capacities. In academic terms, extractive economic institutions create allocative inefficiency.

Vivid, suggestive, and even entertaining accounts depict how privatization is administered and foreign investment projects are handled, and how party members, relatives, and friends are hired into public administration and state-owned companies. They show how the managers of firms that queue for state subsidies resist the systematic screening of their businesses. The principles of Keynesian economics are distorted and misused to conceal deliberate fiscal mismanagement. Huge ill-conceived development projects siphon taxpayers’ money from “non-economic” activities like social services, health, education, science, and culture.

What Pavlović found in Serbia is acutely symptomatic of many other European post-communist regimes of our time, lending his book singular importance.

[more]
cover of The Moral Neoliberal: Welfare and Citizenship in Italy

The Moral Neoliberal

Welfare and Citizenship in Italy

Andrea Muehlebach

University of Chicago Press, 2012

Morality is often imagined to be at odds with capitalism and its focus on the bottom line, but in The Moral Neoliberal morality is shown as the opposite: an indispensible tool for capitalist transformation. Set within the shifting landscape of neoliberal welfare reform in the Lombardy region of Italy, Andrea Muehlebach tracks the phenomenal rise of voluntarism in the wake of the state’s withdrawal of social service programs. Using anthropological tools, she shows how socialist volunteers are interpreting their unwaged labor as an expression of social solidarity, with Catholic volunteers thinking of theirs as an expression of charity and love. Such interpretations pave the way for a mass mobilization of an ethical citizenry that is put to work by the state.
 
Visiting several sites across the region, from Milanese high schools to the offices of state social workers to the homes of the needy, Muehlebach mounts a powerful argument that the neoliberal state nurtures selflessness in order to cement some of its most controversial reforms. At the same time, she also shows how the insertion of such an anticapitalist narrative into the heart of neoliberalization can have unintended consequences. 
[more]
cover of The Movies of Racial Childhoods: Screening Self-Sovereignty in Asian/America

The Movies of Racial Childhoods

Screening Self-Sovereignty in Asian/America

Celine Parreñas Shimizu

Duke University Press, 2024

In The Movies of Racial Childhoods Celine Parreñas Shimizu examines early twenty-first-century cinematic representations of Asian and Asian American children. Drawing on psychoanalysis and her own perspective as a mother grieving for a deceased child, Shimizu considers how cinema renders Asian American children through sexualized racial difference, infantilization, and premature adultification. She looks at how Asian American childhood is characterized in film through experiences of alienation and trauma and contends that childhood development requires finding freedom and self-sovereignty through agentic attunement. In analyzing films that focus on queer Asian American youth such as Spa Night (2016) and Driveways (2019) and those that explore the trauma of being an immigrant like Yellow Rose (2019) and The Half of It (2020), Shimizu demonstrates that films can prompt viewers to evaluate their own childhood development. They also allow the opportunity to understand the demands placed upon Asian American children, particularly in regard to race and sexuality. In this way, cinema becomes a vehicle for empowering our inner child and the children all around us.
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cover of The Myth of Emptiness and the New American Literature of Place

The Myth of Emptiness and the New American Literature of Place

Wendy Harding

University of Iowa Press, 2014

From the moment the first English-speaking explorers and settlers arrived on the North American continent, many have described its various locations and environments as empty. Indeed, much of American national history and culture is bound up with the idea that parts of the landscape are empty and thus open for colonization, settlement, economic improvement, claim staking, taming, civilizing, cultivating, and the exploitation of resources. In turn, most Euro-American nonfiction written about the landscape has treated it either as an object to be acted upon by the author or an empty space, unspoiled by human contamination, to which the solitary individual goes to be refreshed and rejuvenated.

In The Myth of Emptiness and the New American Literature of Place, Wendy Harding identifies an important recent development in the literature of place that corrects the misperceptions resulting from these tropes. Works by Rick Bass, Charles Bowden, Ellen Meloy, Jonathan Raban, Rebecca Solnit, and Robert Sullivan move away from the tradition of nature writing, with its emphasis on the solitary individual communing with nature in uninhabited places, to recognize the interactions of human and other-than-human presences in the land. In different ways, all six writers reveal a more historically complex relationship between Americans and their environments. In this new literature of place, writers revisit abandoned, threatened, or damaged sites that were once represented as devoid of human presence and dig deeper to reveal that they are in fact full of the signs of human activity. These writers are interested in the role of social, political, and cultural relationships and the traces they leave on the landscape.

Throughout her exploration, Harding adopts a transdisciplinary perspective that draws on the theories of geographers, historians, sociologists, and philosophers to understand the reasons for the enduring perception of emptiness in the American landscape and how this new literature of place works with and against these ideas. She reminds us that by understanding and integrating human impacts into accounts of the landscape, we are better equipped to fully reckon with the natural and cultural crisis that engulfs all landscapes today.
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cover of The Nazi Perpetrator: Postwar German Art and the Politics of the Right

The Nazi Perpetrator

Postwar German Art and the Politics of the Right

Paul B. Jaskot

University of Minnesota Press, 2012

Who was responsible for the crimes of the Nazis? Party leaders and members? Rank-and-file soldiers and bureaucrats? Ordinary Germans? This question looms over German disputes about the past like few others. It also looms over the art and architecture of postwar Germany in ways that have been surprisingly neglected. In The Nazi Perpetrator, Paul B. Jaskot fundamentally reevaluates pivotal developments in postwar German art and architecture against the backdrop of contentious contemporary debates over the Nazi past and the difficulty of determining who was or was not a Nazi perpetrator.

Like their fellow Germans, postwar artists and architects grappled with the Nazi past and the problem of defining the Nazi perpetrator—a problem that was thoroughly entangled with contemporary conservative politics and the explosive issue of former Nazis living in postwar Germany. Beginning with the formative connection between Nazi politics and art during the 1930s, The Nazi Perpetrator traces the dilemma of identifying the perpetrator across the entire postwar period. Jaskot examines key works and episodes from West Germany and, after 1989, reunified Germany, showing how the changing perception of the perpetrator deeply impacted art and architecture, even in cases where artworks and buildings seem to have no obvious relation to the Nazi past. The book also reinterprets important periods in the careers of such major figures as Gerhard Richter, Anselm Kiefer, and Daniel Libeskind.

Combining political history with a close analysis of specific works, The Nazi Perpetrator powerfully demonstrates that the ongoing influence of Nazi Germany after 1945 is much more central to understanding a wide range of modern German art and architecture than cultural historians have previously recognized.

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cover of The Necessary Past: Revising History in Contemporary African American Poetry

The Necessary Past

Revising History in Contemporary African American Poetry

Annette Debo

Northwestern University Press, 2024

Uncovering how poetry refigures Black history to imagine a more just present and future
 
“Poets are lyric historians,” proclaimed Langston Hughes. Today, historical poetry offers a lyric history necessary to our current moment—poetry with the power to correct the past, realign the present, and create a more hopeful, or even hoped-for, future. The Necessary Past: Revising History in Contemporary African American Poetry focuses on six of today’s most celebrated poets: Elizabeth Alexander, Natasha Trethewey, A. Van Jordan, Kevin Young, Frank X Walker, and Camille T. Dungy. Their works reimagine the interiority of Black historical figures like the so-called Venus Hottentot Sara Baartman and the would-be spelling champion MacNolia Cox, the African American Native Guard who fought in the Civil War and the unknown victims of domestic violence, Jack Johnson and Jean-Michel Basquiat, Medgar Evers and those freed and enslaved in the early nineteenth century. These poets shift the power dynamic in revising our shared history, reconfiguring who speaks and whose stories are told, and writing a past that frees readers to change the present and envision a more just future.
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cover of The Necropastoral: Poetry, Media, Occults

The Necropastoral

Poetry, Media, Occults

Joyelle McSweeney

University of Michigan Press, 2014

 In The Necropastoral: Poetry, Media, Occults, poet Joyelle McSweeney presents an ecopoetics and a theory of Art that reflect such biological principles as degradation, proliferation, contamination, and decay. In these ambitious, bustling essays, McSweeney resituates poetry as a medium amid media; hosts “strange meetings” of authors, texts, and artworks across the boundaries of genre, period, and nation; and examines such epiphenomena as translation, anachronism, and violence. Through readings of artists as diverse as Wilfred Owen, Andy Warhol, Harryette Mullen, Roberto Bolaño, Aimé Césaire, and Georges Bataille, The Necropastoral shows by what strategies Art persists amid lethal conditions as a spectacular, uncanny force.
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cover of The Necropolitical Theater: Race and Immigration on the Contemporary Spanish Stage

The Necropolitical Theater

Race and Immigration on the Contemporary Spanish Stage

Jeffrey K. Coleman

Northwestern University Press, 2020

The Necropolitical Theater: Race and Immigration on the Contemporary Spanish Stage demonstrates how theatrical production in Spain since the early 1990s has reflected national anxieties about immigration and race. Jeffrey K. Coleman argues that Spain has developed a “necropolitical theater” that casts the non-European immigrant as fictionalized enemy—one whose nonwhiteness is incompatible with Spanish national identity and therefore poses a threat to the very Europeanness of Spain. The fate of the immigrant in the necropolitical theater is death, either physical or metaphysical, which preserves the status quo and provides catharsis for the spectator faced with the notion of racial diversity. Marginalization, forced assimilation, and physical death are outcomes suffered by Latin American, North African, and sub-Saharan African characters, respectively, and in these differential outcomes determined by skin color
Coleman identifies an inherent racial hierarchy informed by the legacies of colonization and religious intolerance.
 
Drawing on theatrical texts, performances, legal documents, interviews, and critical reviews, this book challenges Spanish theater to develop a new theatrical space. Jeffrey K. Coleman proposes a “convivial theater” that portrays immigrants as contributors to the Spanish state and better represents the multicultural reality of the nation today.
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cover of The Neoliberal Age?: Britain Since the 1970s

The Neoliberal Age?

Britain Since the 1970s

Edited by Aled Davies, Ben Jackson, and Florence Sutcliffe-Braithwaite

University College London, 2021

A new history of British neoliberalism that looks beyond right-wing actors.
 
The rise of British neoliberalism—a renewed emphasis on privatization and market-oriented economics—over the last fifty years is often characterized as the product of right-wing political economists, think tanks, and politicians. The Neoliberal Age? argues that this pat narrative ignores broader forces in British left-wing culture that collaborated to transform twentieth-century social life. Through a variety of case studies, the authors demonstrate that our austere, individualistic age emerged from more complex sociopolitical negotiations than typically described.  
 
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