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The definitive rock art book on Painted Bluff, Alabama and the visual language of a Native American cosmos.

Boasting more than 130 paintings and engravings, Painted Bluff is perhaps the most elaborate prehistoric pictograph site east of the Mississippi River. Positioned at several levels on a dramatic sandstone cliff along the Tennessee River in northern Alabama, the spectacular paintings and engravings depict mythical creatures, dancing humans, and mystical portals. The Cosmos Revealed: Precontact Mississippian Rock Art at Painted Bluff, Alabama is the first complete documentation of one of the most important archaeological sites in eastern North America. Through art, the site materializes a model or “cosmogram” of the Mississippian Native American view of the universe, offering connections between the visible and invisible worlds for Native spiritual leaders and other visitors.

Discovered by Euro-Americans in the early 1800s, the site became known as “Painted Bluff” because of its pictographs, but inexplicably it has only recently been subjected to the intensive archaeological study it deserves. Under the auspices of the Tennessee Valley Authority (TVA), the authors of this volume have documented and assessed the site since 2005, and efforts have been made to reverse some of the vandalism that has occurred over many decades and to stabilize natural degradation of the cliff and its artwork.

Including more than one hundred remarkable prehistoric paintings on the cliff face that have been recorded, mapped, and photographed, this book synthesizes the research done on Painted Bluff to date and documents the entire site. Richly illustrated chapters cover the historical background, geology and archaeology, documentation methods, types of rock art, stratigraphy, paint recipes, TVA management, graffiti removal, and a summary that broadly synthesizes the meaning, timeframe, artistry, organization, conceptual boundaries, and the cosmos revealed. This groundbreaking study features 113 color photographs and a complete catalog of the pictographs and petroglyphs at the site.
 

"A vibrant account that puts flesh on the bare bones of early Roman history."
---Celia Schultz, University of Michigan
 
The ancient Romans' story down to 264 B.C. can be made credible by stripping away their later myths and inventions to show how their national character shaped their destiny.

After many generations of scholarly study, consensus is clear: the account in writers like Livy is not to be trusted because their aims were different from ours in history-writing. They wanted their work to be both improving and diverting. It should grow out of the real past, yes, but if that reality couldn't be recovered, or was uncertain, their art did not forbid invention. It more than tolerated dramatic incidents, passions, heroes, heroines, and villains. If, however, all this resulting ancient fiction and adornment are pruned away, a national character can be seen in the remaining bits and pieces of credible information, to explain the familiar story at least in its outlines.

To doubt the written sources has long been acceptable, but this or that detail or narrative section must always be left for salvage by special pleading. To press home the logic of doubt is new. To reach beyond the written sources for a better support in excavated evidence is no novelty; but it is a novelty, to find in archeology the principal substance of the narrative---which is the choice in this book. To use this in turn for the discovery of an ethnic personality, a Roman national character, is key and also novel.

What is repeatedly illustrated and emphasized here is the distance traveled by the art or craft of understanding the past---"history" in that sense---over the course of the last couple of centuries. The art cannot be learned, because it cannot be found, through studying Livy and Company. Readers who care about either of the two disciplines contrasted, Classics and History, may find this argument of interest.

"Like Thucydides of the hyperactive Athenians and de Tocqueville of the nation-building Americans, MacMullen here draws a character sketch of the early Romans---the men who built Rome, conquered Italy, and created an empire. Based on profound familiarity with history, evidence, and their better-known descendants, attention to what they did and failed to do, remarkable insight, empathy, constructive imagination, and not without humor, he reconstructs the homo Romanus and thus helps us imagine what he was like, and understand why he achieved what he did. This little book is informative, full of important ideas, and delightful to read."
---Kurt Raaflaub, Brown University

Jacket image: Marcus Fabius and Quintus Tannius. Fresco. Musei Capitolini, Rome, Italy. Courtesy of Scala / Art Resource, NY..

The Early Years of Old Main, 1885–1915 details the archaeological discoveries revealed during the 2012–14 renovation of Old Main, which, due to its age and historic records, is on the National Register of Historic Places.

Thanks to detailed excavation work by a team of archaeologists, this work documents eight historic features of the building, ranging from equipment pads to drainage systems. Drawing on archaeological monitoring, artifact analysis, archival records, architectural drawings, and historic photographs, the narrative reconstructs how Old Main functioned during the university’s first decades and how its physical spaces supported early scientific instruction in mining, metallurgy, and agriculture.

More than a technical report, this volume offers a tangible glimpse into the material foundations of higher education in territorial and early statehood Arizona. Madsen’s careful documentation preserves knowledge of features that could not be saved during renovation and places them in the broader context of Old Main’s architectural evolution and its central role on campus. The result is an important resource for historians, archaeologists, preservationists, and anyone who values the University of Arizona’s heritage—demonstrating that even the most familiar buildings can still hold untold stories beneath their floors and landscapes.

A unique study of an Andean community’s water rituals and the extraordinary document describing how they should be performed

In the dry season in the Andes, water from springs, lakes, reservoirs, and melting glaciers feeds irrigation canals that have sustained communities for thousands of years. Managing and maintaining these water infrastructures is essential, and in 1921, in the village of San Pedro de Casta, Peru, local authorities recorded their ritual canal-cleaning duties in a Spanish-language document called the Entablo. It is only the second book (along with the Huarochirí Manuscript) ever seen by scholars in which an Andean community explains its customs and ritual laws in its own words.

Sarah Bennison offers a critical introduction to the Entablo, a Spanish transcription of the document, and an English translation. Among its other revelations, the Entablo delves into the use of khipu boards, devices that meld the traditional knotted strings known as khipus with a written alphabet. Only in the Entablo do we learn that there were multiple khipu boards associated with a single canal-cleaning ritual, or that there were separate khipu records for men and women. The Entablo manuscript furnishes unparalleled insights into Andean rituals, religion, and community history at a historical moment when rural highland communities were changing rapidly.

Textiles as sites of power, production, and rebellion in the early modern Andes.

The Fabric of Resistance: Textile Workshops and the Rise of Rebellious Landscapes in Colonial Peru documents the impact of Spanish colonial institutions of labor on identity and social cohesion in Peru. Through archaeological and historical lines of evidence, Di Hu examines the long-term social conditions that enabled the large-scale rebellions in the late Spanish colonial period in Peru. Hu argues that ordinary people from different backgrounds pushed back against the top-down identity categories imposed by the Spanish colonial government and in the process created a cosmopolitan social landscape that later facilitated broader rebellion.

Hu’s case study is Pomacocha, the site of an important Spanish colonial hacienda (agricultural estate) and obraje (textile workshop). At its height, the latter had more than one hundred working families and sold textiles all over the Andes. Through analysis of this site, Hu explores three main long-term causes of rebellions against Spanish oppression. First, the Spanish colonial economy provided motivation and the social spaces for intercaste (indigenous, African, and mestizo) mixing at textile workshops. Second, new hybrid cultural practices and political solidarity arose there that facilitated the creation of new rebellious identities. Third, the maturation in the eighteenth century of popular folklore that reflected the harsh nature of Spanish labor institutions helped workers from diverse backgrounds gain a systemic understanding of exploitation.

This study provides a fresh archaeological and historical perspectives on the largest and most cosmopolitan indigenous-led rebellions of the Americas. Hu interweaves analyses of society at multiple scales including fine-grained perspectives of social networks, demography, and intimate details of material life in the textile workshop. She examines a wide range of data sources including artifacts, food remains, architectural plans, account books, censuses, court documents, contracts, maps, and land title disputes.
 

A fresh look at an iconic Southwest archaeological site
 
Discovered in 1937 amid a surge of pothunting in the American Southwest, the Falls Creek Rock Shelters in Durango, Colorado, quickly became one of the most significant archaeological sites in the region. With its remarkable preservation of perishable materials, the site attracted both amateur and professional archaeologists, culminating in Earl Morris and Robert Burgh’s 1954 landmark study on the Eastern Basketmakers.

This volume brings together experts in chronometry, rock art, bioarchaeology, and material culture to reexamine the site with fresh perspectives, advanced methodologies, and crucial tribal consultation. By integrating twenty-first<n>century research with historical records, it sheds new light on the Eastern Basketmaker II Tradition—both as part of a broader cultural landscape and as a distinct regional identity. A must-read for archaeologists, institutions reconciling legacy collections, and those interested in collaborative research, this book offers a groundbreaking, holistic view of one of the Southwest’s most fascinating prehistoric communities.

Following their first contact in 1519, accounts of Aztecs identifying Spaniards as gods proliferated. But what exactly did the Aztecs mean by a “god” (teotl), and how could human beings become gods or take on godlike properties? This sophisticated, interdisciplinary study analyzes three concepts that are foundational to Aztec religion—teotl (god), teixiptla (localized embodiment of a god), and tlaquimilolli (sacred bundles containing precious objects)—to shed new light on the Aztec understanding of how spiritual beings take on form and agency in the material world.

In The Fate of Earthly Things, Molly Bassett draws on ethnographic fieldwork, linguistic analyses, visual culture, and ritual studies to explore what ritual practices such as human sacrifice and the manufacture of deity embodiments (including humans who became gods), material effigies, and sacred bundles meant to the Aztecs. She analyzes the Aztec belief that wearing the flayed skin of a sacrificial victim during a sacred rite could transform a priest into an embodiment of a god or goddess, as well as how figurines and sacred bundles could become localized embodiments of gods. Without arguing for unbroken continuity between the Aztecs and modern speakers of Nahuatl, Bassett also describes contemporary rituals in which indigenous Mexicans who preserve costumbres (traditions) incorporate totiotzin (gods) made from paper into their daily lives. This research allows us to understand a religious imagination that found life in death and believed that deity embodiments became animate through the ritual binding of blood, skin, and bone.

A new understanding of the history of the northern kingdom from 1350 B.C.E. to 720 B.C.E.

Beginning with the Canaanite city-states, through the Saulide dynasty, to the fall of Israel, Finkelstein presents the first comprehensive history of Israel integrating the analysis of more than thirty years of archaeological work with interpretation of ancient Near Eastern and biblical texts. Though Judah dominates the pages of the Hebrew Bible and contemporary studies, Israel dominates here as Finkelstein reveals the glory of the Omride dynasty, outlines how the two kingdoms of Israel and Judah developed parallel to one another, and highlights Israel’s transformation from kingdom to foundational idea.

Features:

• Archaeological analysis of the region of the northern kingdom
• Primary and secondary textual analysis from the ancient Near East and the biblical narrative
• Maps, tables, and images
• Discussion of Israel’s legacy

Pleasure gardens, or horti, offered elite citizens of ancient Rome a retreat from the noise and grime of the city, where they could take their leisure and even conduct business amid lovely landscaping, architecture, and sculpture. One of the most important and beautiful of these gardens was the horti Sallustiani, originally developed by the Roman historian Sallust at the end of the first century B.C. and later possessed and perfected by a series of Roman emperors. Though now irrevocably altered by two millennia of human history, the Gardens of Sallust endure as a memory of beauty and as a significant archaeological site, where fragments of sculpture and ruins of architecture are still being discovered.

In this ambitious work, Kim Hartswick undertakes the first comprehensive history of the Gardens of Sallust from Roman times to the present, as well as its influence on generations of scholars, intellectuals, and archaeologists. He draws from an astonishing array of sources to reconstruct the original dimensions and appearance of the gardens and the changes they have undergone at specific points in history. Hartswick thoroughly discusses the architectural features of the garden and analyzes their remains. He also studies the sculptures excavated from the gardens and discusses the subjects and uses of many outstanding examples.

The Spanish Empire was a complex web of places and peoples. Through an expansive range of essays that look at Africa, the Americas, Asia, the Caribbean, and the Pacific, this volume brings a broad range of regions into conversation. The contributors focus on nuanced, comparative exploration of the processes and practices of creating, maintaining, and transforming cultural place making within pluralistic Spanish colonial communities.

The Global Spanish Empire argues that patterned variability is necessary in reconstructing Indigenous cultural persistence in colonial settings. The volume’s eleven case studies include regions often neglected in the archaeology of Spanish colonialism. The time span under investigation is extensive as well, transcending the entirety of the Spanish Empire, from early impacts in West Africa to Texas during the 1800s. The contributors examine the making of a social place within a social or physical landscape. They discuss the appearance of hybrid material culture, the incorporation of foreign goods into local material traditions, the continuation of local traditions, and archaeological evidence of opportunistic social climbing. In some cases, these changes in material culture are ways to maintain aspects of traditional culture rather than signifiers of new cultural practices.

The Global Spanish Empire tackles broad questions about Indigenous cultural persistence, pluralism, and place making using a global comparative perspective grounded in the shared experience of Spanish colonialism.

Contributors

Stephen Acabado
Grace Barretto-Tesoro
James M. Bayman
Christine D. Beaule
Christopher R. DeCorse
Boyd M. Dixon
John G. Douglass
William R. Fowler
Martin Gibbs
Corinne L. Hofman
Hannah G. Hoover
Stacie M. King
Kevin Lane
Laura Matthew
Sandra Montón-Subías
Natalia Moragas Segura
Michelle M. Pigott
Christopher B. Rodning
David Roe
Roberto Valcárcel Rojas
Steve A. Tomka
Jorge Ulloa Hung
Juliet Wiersema

In the fall of 1932, University of Michigan naturalist Walter N. Koelz traveled to northwest India to lead a scientific collecting expedition in the rugged Himalayan regions of Western Tibet. Some eighteen months later he returned to the United States with a remarkable collection of biological specimens and an array of objects—Buddhist paintings, ritual objects, textiles, and household goods—acquired from monasteries, households, and merchants. This book presents the diary entries Koelz wrote at the end of each day throughout his expedition, recounting in detail each day’s travels, bookended by a chapter contextualizing his acquisition of sacred Buddhist objects and an appendix that presents previously unpublished thangka paintings that he collected.

An insightful historical account of Phoenicia that illustrates its cities, culture, and daily life

Hélène Sader presents the history and archaeology of Phoenicia based on the available contemporary written sources and the results of archaeological excavations in Phoenicia proper. Sader explores the origin of the term Phoenicia; the political and geographical history of the city-states Arwad, Byblos, Sidon, and Tyre; and topography, climate, and natural resources of the Phoenician homeland. Her limited focus on Phoenicia proper, in contrast to previous studies that included information from Phoenician colonies, presents the bare realities of the opportunities and difficulties shaping Phoenician life. Sader’s evaluation and synthesis of the evidence offers a corrective to the common assumption of a unified Phoenician kingdom.

Features

• Historical as well as modern maps with the locations of all relevant archaeological sites
• Faunal and floral analyses that shed light on the Phoenician diet
• Petrographic analysis of pottery that sheds light on trading patterns and developments

The History of the Incas may be the best description of Inca life and mythology to survive Spanish colonization of Peru. Pedro Sarmiento de Gamboa, a well-educated sea captain and cosmographer of the viceroyalty, wrote the document in Cuzco, the capital of the Inca Empire, just forty years after the arrival of the first Spaniards. The royal sponsorship of the work guaranteed Sarmiento direct access to the highest Spanish officials in Cuzco. It allowed him to summon influential Incas, especially those who had witnessed the fall of the Empire. Sarmiento also traveled widely and interviewed numerous local lords (curacas), as well as surviving members of the royal Inca families. Once completed, in an unprecedented effort to establish the authenticity of the work, Sarmiento's manuscript was read, chapter by chapter, to forty-two indigenous authorities for commentary and correction.

The scholars behind this new edition (the first to be published in English since 1907) went to similarly great lengths in pursuit of accuracy. Translators Brian Bauer and Vania Smith used an early transcript and, in some instances, the original document to create the text. Bauer and Jean-Jacques Decoster's introduction lays bare the biases Sarmiento incorporated into his writing. It also theorizes what sources, in addition to his extensive interviews, Sarmiento relied upon to produce his history. Finally, more than sixty new illustrations enliven this historically invaluable document of life in the ancient Andes.

Southwest Books of the Year Pick

People traveling around the Sonoran Desert will see the traces of an ancient society, the Hohokam, through the material that they left behind—pottery, shell ornaments, carved stone, and rock imagery.
 
The Hohokam and Their World offers readers the opportunity to explore how these various images and objects may have been used by the Hohokam, and what the icons and objects may have meant, including how the Hohokam conveyed ideas about water, the Sonoran Desert, the ocean, travel, ancestors, and the cosmos.
 
Authors Linda M. Gregonis and Victoria R. Evans discuss how artists drew inspiration from their Sonoran Desert homeland and were also influenced by the cultures of western Mexico, the hunter-gatherers of the western desert, the Mogollon to the east, and the Pueblo cultures of the northern Southwest. Unlike traditional archaeological texts, this book takes a holistic approach by examining a diverse range of artistic expressions used by the Hohokam. From intricately crafted pottery to mesmerizing carvings in rock, each medium offers a unique glimpse into the Hohokam’s relationship with their environment and the wider world.
 
Whether you’re planning a visit to national parks or museums in the Southwest or simply intrigued by ancient civilizations, The Hohokam and Their World is a must-read. The work includes a glossary of key archaeological and anthropological terms, as well as endnotes and an extensive list of references for those who want to dig deeper.