748 books match the query 'Influence' and 172 start with t

cover of The Pandemic and the Working Class: How US Labor Navigated COVID-19

The Pandemic and the Working Class

How US Labor Navigated COVID-19

Edited by Nick Juravich and Steve Striffler

University of Illinois Press, 2025

During the COVID-19 pandemic, thousands of workers lost their jobs in sectors from hospitality to transportation, while healthcare and frontline service workers faced a new world of brutal hours in unsafe and even deadly conditions. Yet, as the US economy reopened, workers experienced a rare moment of leverage as demand for labor and government support powered a surge of collective action that allowed working people to seek rights, respect, and power on the job through resignations, walkouts, strikes, and union organizing. The lessons and legacies of this upsurge in organizing continue to shape work, activism, and politics across the nation today.

Nick Juravich and Steve Striffler edit a collection that examines the effects of the pandemic on workers. Sections of the book focus on specific impacts and government efforts to restructure the economy; the dramatic effect of the pandemic on the hospitality industry; educators’ response on behalf of themselves and their students; frontline healthcare workers; and the innovative forms of labor organizing that emerged during and after COVID.

Contributors: Carlos Aramayo, Kathleen Brown, Sandrine Etienne, Ismael García-Colón, Puya Gerami, Maura Hagan, Connor Harney, Devan Hawkins, Leigh Howard, Marian Moser Jones, Doris Joy, Nick Juravich, Eric Larson, Kathryn M. Meyer, Samir Sonti, Steve Striffler, Lia Warner, Andrew B. Wolf, and Jennifer Zelnick

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cover of The Passage to Cosmos: Alexander von Humboldt and the Shaping of America

The Passage to Cosmos

Alexander von Humboldt and the Shaping of America

Laura Dassow Walls

University of Chicago Press, 2009

Explorer, scientist, writer, and humanist, Alexander von Humboldt was the most famous intellectual of the age that began with Napoleon and ended with Darwin. With Cosmos, the book that crowned his career, Humboldt offered to the world his vision of humans and nature as integrated halves of a single whole. In it, Humboldt espoused the idea that, while the universe of nature exists apart from human purpose, its beauty and order, the very idea of the whole it composes, are human achievements: cosmos comes into being in the dance of world and mind, subject and object, science and poetry.

Humboldt’s science laid the foundations for ecology and inspired the theories of his most important scientific disciple, Charles Darwin. In the United States, his ideas shaped the work of Emerson, Thoreau, Poe, and Whitman. They helped spark the American environmental movement through followers like John Muir and George Perkins Marsh. And they even bolstered efforts to free the slaves and honor the rights of Indians.

Laura Dassow Walls here traces Humboldt’s ideas for Cosmos to his 1799 journey to the Americas, where he first experienced the diversity of nature and of the world’s peoples—and envisioned a new cosmopolitanism that would link ideas, disciplines, and nations into a global web of knowledge and cultures. In reclaiming Humboldt’s transcultural and transdisciplinary project, Walls situates America in a lively and contested field of ideas, actions, and interests, and reaches beyond to a new worldview that integrates the natural and social sciences, the arts, and the humanities.

To the end of his life, Humboldt called himself “half an American,” but ironically his legacy has largely faded in the United States. The Passage to Cosmos will reintroduce this seminal thinker to a new audience and return America to its rightful place in the story of his life, work, and enduring legacy.

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cover of The Path to a Modern South: Northeast Texas between Reconstruction and the Great Depression

The Path to a Modern South

Northeast Texas between Reconstruction and the Great Depression

By Walter L. Buenger

University of Texas Press, 2001

The forces that turned Northeast Texas from a poverty-stricken region into a more economically prosperous area.

Winner, Texas State Historical Association Coral H. Tullis Memorial Award for best book on Texas history, 2001

Federal New Deal programs of the 1930s and World War II are often credited for transforming the South, including Texas, from a poverty-stricken region mired in Confederate mythology into a more modern and economically prosperous part of the United States. By contrast, this history of Northeast Texas, one of the most culturally southern areas of the state, offers persuasive evidence that political, economic, and social modernization began long before the 1930s and prepared Texans to take advantage of the opportunities presented by the New Deal and World War II.

Walter L. Buenger draws on extensive primary research to tell the story of change in Northeast Texas from 1887 to 1930. Moving beyond previous, more narrowly focused studies of the South, he traces and interconnects the significant changes that occurred in politics, race relations, business and the economy, and women's roles. He also reveals how altered memories of the past and the emergence of a stronger identification with Texas history affected all facets of life in Northeast Texas.

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cover of The Pipes of Pan: Intertextuality and Literary Filiation in the Pastoral Tradition from Theocritus to Milton

The Pipes of Pan

Intertextuality and Literary Filiation in the Pastoral Tradition from Theocritus to Milton

Thomas K. Hubbard

University of Michigan Press, 1999

Departing from conventional views of the pastoral genre as an Arcadian escape from urban sophistication, The Pipes of Pan highlights its genesis in the allusive and polemical literary cultures of Alexandria and Rome. Both cities placed great emphasis upon learned invocation and reformulation of poetic models. The pastoral metaphor provided Theocritus and Vergil with tools for representing the contests and confrontations of poets and genres, the exchange of ideas among poets, and poets' reflections on the efficacy of their works.
Pastoral poetry highlights the didactic relationship of older and younger shepherds, whether as rivals or as patron and successor. As such it is an ideal form for young poets' self-representation vis-à-vis their elders, whose work they simultaneously appropriated and transformed, even as the elder poets were represented in the new texts. This influence is reenacted in every generation: Theocritus vs. his Alexandrian forebears, Vergil vs. Theocritus, Calpurnius vs. Vergil, Nemesianus vs. Vergil and Calpurnius, Petrarch vs. Vergil, Boccaccio vs. Petrarch, Spenser vs. Vergil, along with Chaucer and Milton vs. Spenser.
The Pipes of Pan combines multiple strands of contemporary intertextual theory with reception aesthetics and Harold Bloom's theory of intersubjective conflict between generations of poets. It also provides one of the first systematic studies of intertextual and intersubjective dynamics within a whole genre.
This work will be of interest to classicists, students of literary theory, comparative literature, medieval and Renaissance literature, Italian humanism, and English literature of the sixteenth and seventeenth centuries. All texts are translated.
Thomas Hubbard is Associate Professor of Classics, University of Texas at Austin.
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cover of The Platonic Tradition

The Platonic Tradition

Peter Kreeft

St. Augustine's Press, 2016

The Platonic tradition in Western philosophy is not just one of many equally central traditions. It is so much THE central one that the very existence and survival of Western civilization depends on it. It is like the Confucian tradition in Chinese culture, or the monotheistic tradition in religion, or the human rights tradition in politics.

In the first of his eight lectures, Peter Kreeft defines Platonism and its “Big Idea,” the idea of a transcendent reality that the history of philosophy has labeled “Platonic Ideas” or Platonic Forms. In the second lecture, he briefly explores Plato’s two basic predecessors or sources, myth and Socrates; and then looks at 12 applications of the Forms in Plato’s own dialogues. The third lecture covers the three most important modifications or additions to Plato himself in the Platonic tradition: Aristotle, Plotinus, and Augustine, each of whom gave the Forms a new metaphysical address. The fourth lecture explores six Christian Platonists, three in the New Testament and three philosophers, Justin Martyr, Bonaventure, and Aquinas.
 
The next three lectures explore the consequences of the modern abandoning of Platonism, beginning with William of Ockham’s Nominalism, as the source of nearly all modern philosophical errors, and its results in the Empiricism of Locke and Hume, the so-called Copernican Revolution in philosophy in Kant, the so-called “analytic philosophy,” which still dominates English and American philosophy departments. In the sixth essays, Kreeft looks at 13 influential kinds of positivism or reductionism in modern thought: in method, history, metaphysics, epistemology, ethics, sociology, politics, logics, linguistics, sex, psychology, and theology, exemplified by Descartes, Machiavelli, Hobbes, Marx, Kant, Comte, Rousseau, Rawls, Ayer, Derrida, Freud, Skimmer, Nietzsche, and Sartre. Lecture 7 looks at the results of abandoning the Platonic tradition in ethics, the values vacuum, or nihilism, in Ecclesiastes, Pascal, Kierkegaard, Nietzsche, Heidegger, Sartre, Dostoyevsky, Tolstoi, Marcel, and Buber. In the last lecture, Kreeft looks at some experiential evidence for Platonism, doors out of the cave that are still open, signals of transcendence.
 
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cover of The Poetics of Indeterminacy: Rimbaud to Cage

The Poetics of Indeterminacy

Rimbaud to Cage

Marjorie Perloff

Northwestern University Press, 1999

In her seminal study, first published in 1981, Marjorie Perloff argues that the map of Modernist poetry needs to be redrawn to include a central tradition which cannot properly be situated within the Romantic-Symbolist tradition dominating the early twentieth century.
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cover of The Poetics of Scale: From Apollinaire to Big Data

The Poetics of Scale

From Apollinaire to Big Data

Conrad Steel

University of Iowa Press, 2024

Since the start of the twentieth century, poets have been irresistibly drawn to the image of the poem as a kind of data-handling, a way of mediating between the divergent scales of aesthetics and infrastructure, language and technology. Conrad Steel shows how the history of poetry—with its particular formal affordances, and the particular hopes and fears we invest it with—has always been bound up with our changing logistics of macroscale representation. 

The Poetics of Scale takes us back to the years before the First World War in Paris, where the poet Guillaume Apollinaire claimed to have invented a new mode of poetry large enough to take on the challenges of the coming twentieth century. This history follows Apollinaire’s ideas across the Atlantic and examines how and why his work became such a vital source of inspiration for American poets through the era of intensive American economic expansion and up to the present day. Threading together Apollinaire’s work in the 1910s with three of his American successors—Louis Zukofsky in the 1930s, Allen Ginsberg in the 1950s, and Alice Notley from the 1970s onward—it shows how poetry as a cultural technique became the crucial test case for the scale of our collective imagination.
 
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cover of The Poetics of Transition: Emerson, Pragmatism, and American Literary Modernism

The Poetics of Transition

Emerson, Pragmatism, and American Literary Modernism

Jonathan Levin

Duke University Press, 1999

The Poetics of Transition examines the connection between American pragmatism and literary modernism by focusing on the concept of transition as a theme common to both movements. Jonathan Levin begins with the Emersonian notion that transition—the movement from one state or condition to another or, alternately, the figural enactment of that movement—is infused with power. He then offers a revisionary reading of the pragmatists’ view of the permeability of subjective and objective realms and of how American literary modernists stage this permeability in the language and form of their writing.
Levin draws on the pragmatist and neopragmatist writings of William James, John Dewey, George Santayana, Richard Rorty, and Cornel West to illuminate the work of modernist literature. In turn, he illuminates the poetic imperatives of pragmatism by tracing the ways in which Henry James, Gertrude Stein, and Wallace Stevens capture the moment of transition—a paradoxical moment that, once it is represented in language or art, requires its own perpetual overcoming. Throughout, he explores how modernist writers, who are masters at recording such “illegible” moments of transition in their poetry and prose, significantly contribute to an expanded understanding of pragmatism and its underlying aesthetics. By linking Emerson with the progressive philosophy of turn-of-the-century pragmatism and the experimentation of American literary modernism, Levin offers new insight into Emerson’s lasting influence on later American philosophers, novelists, and poets.
The Poetics of Transition will interest scholars and students in the fields of literary criticism, neopragmatism, literary modernism, and American literature.


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cover of The Poetry and Poetics of Olga Sedakova: Origins, Philosophies, Points of Contention

The Poetry and Poetics of Olga Sedakova

Origins, Philosophies, Points of Contention

Edited by Stephanie Sandler, Maria Khotimsky, Margarita Krimmel, and Oleg Novikov

University of Wisconsin Press, 2019

Olga Sedakova stands out among contemporary Russian poets for the integrity, erudition, intellectual force, and moral courage of her writing. After years of flourishing quietly in the late Soviet underground, she has increasingly brought her considered voice into public debates to speak out for freedom of belief and for those who have been treated unjustly. This volume, the first collection of scholarly essays to treat her work in English, assesses her contributions as a poet and as a thinker, presenting far-reaching accounts of broad themes and patterns of thought across her writings as well as close readings of individual texts.

Essayists from Russia, Ukraine, Germany, Italy, and the United States show how Sedakova has contributed to ongoing aesthetic and cultural debates. Like Sedakova's own work, the volume affirms the capacity of words to convey meaning and to change our understanding of life itself. The volume also includes dozens of elegant new translations of Sedakova's poems.
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cover of The Politics of Utopia: A New History of John Law's System, 1695–1795

The Politics of Utopia

A New History of John Law's System, 1695–1795

Arnaud Orain

University of Chicago Press, 2024

A fascinating retelling of the first banking and financial collapse in eighteenth-century France.
 
The Scottish economist John Law has been described as the architect of modern central banking. His “System,” established in Regency France between 1716 and 1720, saw the founding of a bank issuing paper money and the establishment of state commercial and colonial enterprises aimed at consolidating public debt. What at first seemed like financial wizardry, however, resulted in rampant speculation and, ultimately, economic collapse. In The Politics of Utopia, historian Arnaud Orain offers a provocative rereading of this well-known episode.
 
Starting his story in the seventeenth century, Orain reconstructs the figures and ideas, long predating Law, that anticipated and laid the groundwork for the System, which, he argues, is best understood as a failed social utopia aimed at the total transformation of society. Overturning familiar narratives of this seismic event, this book rewrites a stunning chapter in economic history by dealing with the cultural, colonial, religious, and political dimensions of the (in)famous System up to the French Revolution, revealing new lessons for today’s fraught financial landscape.
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cover of The Posthumous Career of Emiliano Zapata: Myth, Memory, and Mexico's Twentieth Century

The Posthumous Career of Emiliano Zapata

Myth, Memory, and Mexico's Twentieth Century

By Samuel Brunk

University of Texas Press, 2008

Before there was Che Guevara, there was Emiliano Zapata, the charismatic revolutionary who left indelible marks on Mexican politics and society. The sequel to Samuel Brunk's 1995 biography of Zapata, The Posthumous Career of Emiliano Zapata traces the power and impact of this ubiquitous, immortalized figure.

Mining the massive extant literature on Zapata, supplemented by archival documents and historical newspaper accounts, Brunk explores frameworks of myth and commemoration while responding to key questions regarding the regime that emerged from the Zapatista movement, including whether it was spawned by a genuinely "popular" revolution.

Blending a sophisticated analysis of hegemonic systems and nationalism with lively, accessible accounts of ways in which the rebel is continually resurrected decades after his death in a 1919 ambush, Brunk delves into a rich realm of artistic, geographical, militaristic, and ultimately all-encompassing applications of this charismatic icon.

Examining all perspectives, from politicized commemorations of Zapata's death to popular stories and corridos, The Posthumous Career of Emiliano Zapata is an eloquent, engaging portrait of a legend incarnate.

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cover of The Power of the Steel-tipped Pen: Reconstructing Native Hawaiian Intellectual History

The Power of the Steel-tipped Pen

Reconstructing Native Hawaiian Intellectual History

Noenoe K. Silva

Duke University Press, 2017

In The Power of the Steel-tipped Pen Noenoe K. Silva reconstructs the indigenous intellectual history of a culture where—using Western standards—none is presumed to exist. Silva examines the work of two lesser-known Hawaiian writers—Joseph Ho‘ona‘auao Kānepu‘u (1824–ca. 1885) and Joseph Moku‘ōhai Poepoe (1852–1913)—to show how the rich intellectual history preserved in Hawaiian-language newspapers is key to understanding Native Hawaiian epistemology and ontology. In their newspaper articles, geographical surveys, biographies, historical narratives, translations, literatures, political and economic analyses, and poetic works, Kānepu‘u and Poepoe created a record of Hawaiian cultural history and thought in order to transmit ancestral knowledge to future generations. Celebrating indigenous intellectual agency in the midst of US imperialism, The Power of the Steel-tipped Pen is a call for the further restoration of native Hawaiian intellectual history to help ground contemporary Hawaiian thought, culture, and governance.
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cover of The Printed Reader: Gender, Quixotism, and Textual Bodies in Eighteenth-Century Britain

The Printed Reader

Gender, Quixotism, and Textual Bodies in Eighteenth-Century Britain

Amelia Dale

Bucknell University Press, 2019

Shortlisted for the 2021 BARS First Book Prize (British Association for Romantic Studies)​

The Printed Reader explores the transformative power of reading in the eighteenth century, and how this was expressed in the fascination with Don Quixote and in a proliferation of narratives about quixotic readers, readers who attempt to reproduce and embody their readings. Through intersecting readings of quixotic narratives, including work by Charlotte Lennox, Laurence Sterne, George Colman, Richard Graves, and Elizabeth Hamilton, Amelia Dale argues that literature was envisaged as imprinting—most crucially, in gendered terms—the reader’s mind, character, and body. The Printed Reader brings together key debates concerning quixotic narratives, print culture, sensibility, empiricism, book history, and the material text, connecting developments in print technology to gendered conceptualizations of quixotism. Tracing the meanings of quixotic readers’ bodies, The Printed Reader claims the social and political text that is the quixotic reader is structured by the experiential, affective, and sexual resonances of imprinting and impressions. 

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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cover of The Promise of Progress: The Life and Work of Lewis Henry Morgan

The Promise of Progress

The Life and Work of Lewis Henry Morgan

Daniel Noah Moses

University of Missouri Press, 2009

A pioneering anthropologist, social theorist, railroad lawyer, and advocate for Native Americans, Lewis Henry Morgan was the only American to be cited by Darwin, Marx, and Freud. By many accounts, he was the most influential American social scientist of the nineteenth century. Morgan traced humanity’s progress from life among a primary group to one in an increasingly impersonal civilization—from primitive cave to civilized parlor—and along the way explained the meaning of modernity and the meaning of America. For Morgan, they were one and the same.
Daniel Noah Moses has written the most complete biography of this prominent intellectual to date, tracing his career and documenting in detail his worldwide influence. Although Morgan is best known among anthropologists, Moses reveals to a wider readership his life and accomplishments as an important American thinker who considered the United States the embodiment of the Enlightenment and a model for the world.
Moses presents Morgan’s life in great detail, with facts that will surprise even those who think they know him. From his early work with the Iroquois to his defense of American capitalism to his strange posthumous career among international communists and American leftists, Moses weaves together the diverse strands that made up the rich tapestry of this singular life. He locates Morgan’s American voice within a tradition of transatlantic social theory dedicated to understanding the spirit that motivates modern societies. In showing how Morgan reflected the interplay between Christian, classical, and liberal traditions, Moses delves into the role of such concepts as “savagery,” “barbarism,” the “primitive,” “progress,” and “civilization” in nineteenth-century social theory and in the broader American culture. And he tells how even today Morgan’s influence is felt among environmentalists, anarchists, feminists, and other social visionaries.
Morgan explained how humans evolved beyond nature to both the splendor and squalor of the Industrial Age and offered an unprecedented analysis of the interplay between family, property relations, the state, and the human mind. The Promise of Progress will spark the imagination of anyone who worries that progress has outstripped the human capacity to live together, allowing readers to better understand the relationship between the American emphasis on consumption, the buried riches of the American dream, and the possibilities for our future.
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cover of The Pseudoscience Wars: Immanuel Velikovsky and the Birth of the Modern Fringe

The Pseudoscience Wars

Immanuel Velikovsky and the Birth of the Modern Fringe

Michael D. Gordin

University of Chicago Press, 2012

Properly analyzed, the collective mythological and religious writings of humanity reveal that around 1500 BC, a comet swept perilously close to Earth, triggering widespread natural disasters and threatening the destruction of all life before settling into solar orbit as Venus, our nearest planetary neighbor.
 
Sound implausible? Well, from 1950 until the late 1970s, a huge number of people begged to differ, as they devoured Immanuel Velikovsky’s major best-seller, Worlds in Collision, insisting that perhaps this polymathic thinker held the key to a new science and a new history. Scientists, on the other hand, assaulted Velikovsky’s book, his followers, and his press mercilessly from the get-go. In The Pseudoscience Wars, Michael D. Gordin resurrects the largely forgotten figure of Velikovsky and uses his strange career and surprisingly influential writings to explore the changing definitions of the line that separates legitimate scientific inquiry from what is deemed bunk, and to show how vital this question remains to us today. Drawing on a wealth of previously unpublished material from Velikovsky’s personal archives, Gordin presents a behind-the-scenes history of the writer’s career, from his initial burst of success through his growing influence on the counterculture, heated public battles with such luminaries as Carl Sagan, and eventual eclipse. Along the way, he offers fascinating glimpses into the histories and effects of other fringe doctrines, including creationism, Lysenkoism, parapsychology, and more—all of which have surprising connections to Velikovsky’s theories.
 
Science today is hardly universally secure, and scientists seem themselves beset by critics, denialists, and those they label “pseudoscientists”—as seen all too clearly in battles over evolution and climate change. The Pseudoscience Wars simultaneously reveals the surprising Cold War roots of our contemporary dilemma and points readers to a different approach to drawing the line between knowledge and nonsense.

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cover of The Reagan Range: The Nostalgic Myth in American Politics

The Reagan Range

The Nostalgic Myth in American Politics

James Combs

University of Wisconsin Press, 1993

This book is an attempt to make sense out of Ronald Reagan by linking him to various grassroots dimensions of American popular mythology and mind. It attempts to utilize a variety of sources from American and popular culture studies, works on Reagan, and popular materials such as movies to offer an interpretation of reagan as an exemplar of the political relevance and power of popular culture.

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cover of The Renaissance Rediscovery of Intimacy

The Renaissance Rediscovery of Intimacy

Kathy Eden

University of Chicago Press, 2012

In 1345, when Petrarch recovered a lost collection of letters from Cicero to his best friend Atticus, he discovered an intimate Cicero, a man very different from either the well-known orator of the Roman forum or the measured spokesman for the ancient schools of philosophy. It was Petrarch’s encounter with this previously unknown Cicero and his letters that Kathy Eden argues fundamentally changed the way Europeans from the fourteenth through the sixteenth centuries were expected to read and write.

The Renaissance Rediscovery of Intimacy explores the way ancient epistolary theory and practice were understood and imitated in the European Renaissance.Eden draws chiefly upon Aristotle, Cicero, and Seneca—but also upon Plato, Demetrius, Quintilian, and many others—to show how the classical genre of the “familiar” letter emerged centuries later in the intimate styles of Petrarch, Erasmus, and Montaigne. Along the way, she reveals how the complex concept of intimacy in the Renaissance—leveraging the legal, affective, and stylistic dimensions of its prehistory in antiquity—pervades the literary production and reception of the period and sets the course for much that is modern in the literature of subsequent centuries. Eden’s important study will interest students and scholars in a number of areas, including classical, Renaissance, and early modern studies; comparative literature; and the history of reading, rhetoric, and writing.

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cover of The Riot Report and the News: How the Kerner Commission Changed Media Coverage of Black America

The Riot Report and the News

How the Kerner Commission Changed Media Coverage of Black America

Thomas J. Hrach

University of Massachusetts Press, 2016

On July 28, 1967, President Lyndon B. Johnson established the National Advisory Commission on Civil Disorders to investigate the causes of unrest in urban black communities during the 1960s. Chaired by Illinois governor Otto Kerner Jr., the commission ominously warned, “Our nation is moving toward two societies, one black, one white—separate and unequal.” And it aimed its sharpest criticism at the mainstream media, concluding: “The press has too long basked in a white world, looking out of it, if at all, with white men's eyes and a white perspective.” Major news media responded by expanding and diversifying their coverage of black communities and increasing the number of African Americans in their newsrooms.

Although much has been written about the Kerner Commission, the analysis has focused primarily on its affect on the American press. In The Riot Report and the News, Thomas J. Hrach instead explores how the commission came to its conclusions, in order to understand why and how its report served as a catalyst for change. Hrach finds that such government criticism of the media can have a long-term and positive influence on the nation, an insight that remains important as the news continues to struggle with how to cover issues of race.

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cover of The Rise of Constitutional Government in the Iberian Atlantic World: The Impact of the Cádiz Constitution of 1812

The Rise of Constitutional Government in the Iberian Atlantic World

The Impact of the Cádiz Constitution of 1812

Scott Eastman

University of Alabama Press, 2015

Exploring the constitution that transformed governance, citizenship, and political culture across the Hispanic Atlantic world.

In March 1812, while Napoleon’s brother Joseph sat on the throne of Spain and the armies of France occupied much of the country, legislators elected from Spain and its overseas territories met in the Andalusian city of Cádiz. There, as the cornerstone of a government in exile, they drafted and adopted the first liberal constitution in the Hispanic world, a document that became known as the Cádiz Constitution of 1812.

The 1812 Constitution was extremely influential in and beyond Europe, and this collection of essays explores how its enduring legacy not only shaped the history of state-building, elections, and municipal governance in Iberian America, but also affected national identities and citizenship as well as the development of race and gender in the region.

A bold blueprint for governing a global, heterogeneous monarchy, the Constitution represented a rupture with Spain’s Antiguo Régimen (Old Regime) in numerous ways—in the limits it placed on the previously autocratic Bourbon monarchs, in the admission to its governing bodies of deputies from Spain’s American viceroyalties as equals, and in its framers’ vociferous debate over the status of castas (those of mixed ancestry) and slaves. The Rise of Constitutional Government in the Iberian Atlantic World covers these issues and adopts a transatlantic perspective that recovers the voices of those who created a vibrant political culture accessible to commoners and elite alike.

The bicentenary of the Constitution of 1812 offered scholars an excellent moment to reexamine the form and role of constitutions across the Spanish-speaking world. Constitutionalism remains a topic of intense debate in Latin America, while contemporary Spain itself continues to seek ways to balance a strong central government with centripetal forces in its regions, notably the Basque and Catalan provinces. The multifaceted essays compiled here by Scott Eastman and Natalia Sobrevilla Perea both shed new light on the early, liberal Hispanic societies and show how the legacies of those societies shape modern Spain and Latin America.

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cover of The Rise of Trump: America's Authoritarian Spring

The Rise of Trump

America's Authoritarian Spring

Matthew C. MacWilliams

Amherst College Press, 2016

The ascendance of Donald Trump to the presidential candidacy of the Republican Party has been both remarkable and, to most commentators, unlikely. In The Rise of Trump: America’s Authoritarian Spring, Matthew MacWilliams argues that Trump’s rapid rise through a bewildered Republican Party hierarchy is no anomaly; rather, MacWilliams argues, it is the most recent expression of a long-standing theme in American political life, the tendency and temptation to an ascriptive politics—a political view that builds its basic case on ascribing to any relatively disempowered group (whether defined by race, ethnicity, gender, sexual orientation, religious belief, or other identifying category) a certain set of qualities that justify discriminatory treatment. The ascriptive tradition in American politics, though longstanding, has generally been kept to a relatively small minority—a minority whose rights, perhaps paradoxically, have been protected by the principles of Madisonian democracy, even though central to its worldview is the need and urgency of limiting the rights of some. It has found champions in years past in such figures as Andrew Jackson, Huey Long, Joseph McCarthy, and Pat Buchanan. But in Donald Trump this tradition has found a significant new voice, one emboldened by deeper shifts in the American political landscape. Trump’s swift and unsettling rise to the pinnacle of presidential politics may point toward the emergence of more significant and substantial questions about the future course of a democratic government committed to principles of equality and the freedom of expression, association, and conscience.
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cover of The Romance of Individualism in Emerson and Nietzsche

The Romance of Individualism in Emerson and Nietzsche

David Mikics

Ohio University Press, 2027

The great American thinker Ralph Waldo Emerson and the influential German philosopher Friedrich Nietzsche, though writing in different eras and ultimately developing significantly different philosophies, both praised the individual’s wish to be transformed, to be fully created for the first time. Emerson and Nietzsche challenge us to undertake the task of identity on our own, in order to see (in Nietzsche’s phrase) “how one becomes what one is.”

David Mikics’s The Romance of Individualism in Emerson and Nietzsche examines the argument, as well as the affinity, between these two philosophers. Nietzsche was an enthusiastic reader of Emerson and inherited from him an interest in provocation as a means of instruction, an understanding of the permanent importance of moods and transitory moments in our lives, and a sense of the revolutionary character of impulse. Both were deliberately outrageous thinkers, striving to shake us out of our complacency.

Rather than choosing between Emerson and Nietzsche, Mikics attends to Nietzsche’s struggle with Emerson’s example and influence. Elegant in its delivery, The Romance of Individualism in Emerson and Nietzsche offers a significant commentary on the visions of several contemporary theorists whose interests intersect with those of Emerson and Nietzsche, especially Stanley Cavell, Jacques Lacan, Slavoj Zizek, and Harold Bloom.

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cover of The Sarpedon Krater: The Life and Afterlife of a Greek Vase

The Sarpedon Krater

The Life and Afterlife of a Greek Vase

Nigel Spivey

University of Chicago Press, 2019

Perhaps the most spectacular of all Greek vases, the Sarpedon krater depicts the body of Sarpedon, a hero of the Trojan War, being carried away to his homeland for burial. It was decorated some 2,500 years ago by Athenian artist Euphronios, and its subsequent history involves tomb raiding, intrigue, duplicity, litigation, international outrage, and possibly even homicide. How this came about is told by Nigel Spivey in a concise, stylish book that braids together the creation and adventures of this extraordinary object with an exploration of its abiding influence.
           
Spivey takes the reader on a dramatic journey, beginning with the krater’s looting from an Etruscan tomb in 1971 and its acquisition by the Metropolitan Museum of Art, New York, followed by a high-profile lawsuit over its status and its eventual return to Italy. He explains where, how, and why the vase was produced, retrieving what we know about the life and legend of Sarpedon. Spivey also pursues the figural motif of the slain Sarpedon portrayed on the vase and traces how this motif became a standard way of representing the dead and dying in Western art, especially during the Renaissance.

Fascinating and informative, The Sarpedon Krater is a multifaceted introduction to the enduring influence of Greek art on the world.
 
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cover of The Science Fiction of Poetics and the Avant-Garde Imagination

The Science Fiction of Poetics and the Avant-Garde Imagination

Michael Golston

University of Alabama Press, 2024

How the tropes of science fiction infuse and inform avant-garde poetics and many other kindred arts

This insightful, playful monograph from Golston does exactly what it advertises: modeling poetics based on how poetry (and some parallel artistic endeavors) has filtered through a century-plus of science fiction. This is not a book about science fiction in and of itself, but it is a book about the resonances of science-fiction tropes and ideas in poetic language.

The germ of Golston’s project is a throwaway line in Robert Smithson’s Entropy and the New Monuments about how cinema supplanted nature as inspiration for many of his fellow artists: “The movies give a ritual pattern to the lives of many artists, and this induces a kind of ‘low budget’ mysticism, which keeps them in a perpetual trance.” Golston charts how the demotic appeal of sci-fi, much like that of the B-movie, cross-pollinated into poetry and other branches of the avant garde.
Golston creates what he calls a “regular Rube Goldberg machine” of a critical apparatus, drawing on Walter Benjamin, Roman Jakobson, and Gilles Deleuze. He starts by acknowledging that, per the important work of Darko Suvin to situate science fiction critically, the genre is premised on cognitive estrangement. But he is not interested in the specific nuts and bolts of science fiction as it exists but rather how science fiction has created a model not only for other poets but also for musicians and landscape artists.

Golston’s critical lens moves around quite a bit, but he begins with familiar enough subjects: Edgar Rice Burroughs, Mina Loy, William S. Burroughs. From there he moves into more “alien” terrain: Ed Dorn’s long poem Gunslinger, the discombobulated work of Clark Coolidge. Sun Ra, Ornette Coleman, and Jimi Hendrix all come under consideration. The result of Golston’s restless, rich scholarship is the first substantial monograph on science fiction and avant-garde poetics, using Russian Formalism, Frankfurt School dialectics, and Deleuzian theory to show how the avant-garde inherently follows the parameters of sci fi, in both theme and form.
 
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cover of The Science of Sympathy: Morality, Evolution, and Victorian Civilization

The Science of Sympathy

Morality, Evolution, and Victorian Civilization

Rob Boddice

University of Illinois Press, 2016

In his Descent of Man, Charles Darwin placed sympathy at the crux of morality in a civilized human society. His idea buttressed the belief that white, upper-class, educated men deserved their sense of superiority by virtue of good breeding. It also implied that societal progress could be steered by envisioning a new blueprint for sympathy that redefined moral actions carried out in sympathy's name. Rob Boddice joins a daring intellectual history of sympathy to a portrait of how the first Darwinists defined and employed it. As Boddice shows, their interpretations of Darwin's ideas sparked a cacophonous discourse intent on displacing previous notions of sympathy. Scientific and medical progress demanded that "cruel" practices like vivisection and compulsory vaccination be seen as moral for their ultimate goal of alleviating suffering. Some even saw the so-called unfit--natural targets of sympathy--as a danger to society and encouraged procreation by the "fit" alone. Right or wrong, these early Darwinists formed a moral economy that acted on a new system of ethics, reconceptualized obligations, and executed new duties. Boddice persuasively argues that the bizarre, even dangerous formulations of sympathy they invented influence society and civilization in the present day.
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cover of The Sciences in Enlightened Europe

The Sciences in Enlightened Europe

Edited by William Clark, Jan Golinski, and Simon Schaffer

University of Chicago Press, 1999

Radically reorienting our understanding of the Enlightenment, this book explores the complex relations between "enlightened" values and the making of scientific knowledge. Here monsters and automata, barometers and botanical gardens, polite academies and boisterous clubs are all given their due place in the landscape of enlightened Europe.

The contributors examine the production of new disciplines through work with instruments and techniques; consider how institutions of public taste and conversation helped provide a common frame for the study of human and nonhuman natures; and explore the regional operations of scientific culture at the geographical fringes of Europe.

Implicated in the rise of both fascism and liberal secularism, the moral and political values that shaped the Enlightenment remain controversial today. Through careful scrutiny of how these values influenced and were influenced by the concrete practices of its sciences, this book gives us an entirely new sense of the Enlightenment.
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cover of The Scientific-Military State: How Enlightened Engineers Reinvented Early American Government

The Scientific-Military State

How Enlightened Engineers Reinvented Early American Government

Sveinn M. Jóhannesson

University of Chicago Press, 2026

Argues that engineers influenced by French Enlightenment science built much of the machinery of America’s military state while redrawing the line between the federal government and society.
 
In The Scientific-Military State, Sveinn M. Jóhannesson charts the emergence of a new kind of governance in early-nineteenth-century America: the scientific-military state. Federal officials used mathematics, science, and other forms of enlightened knowledge to launch the nation’s very first experiments in scientific education and expert administration. These figures forged a new intellectual elite that socially elevated itself above ordinary soldiers, workers, and civilians and reshaped the military state itself beyond familiar models of standing army or militia. Originating primarily from the US Military Academy at West Point, these experts, who were often engineers, debated statecraft, analyzed topography, designed fortifications, manufactured weapons, built infrastructure, and exercised military power as the United States spread across the continent. But the even deeper result was a transformed relationship between the government and its citizens, one that echoes today.
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cover of The Selena Reader: Remembering the Queen of Tejano

The Selena Reader

Remembering the Queen of Tejano

Edited by Larissa M. Mercado-López and Yndalecio Isaac Hinojosa

University of Texas Press, 2026

A literary collection honoring and memorializing Selena, the Queen of Tejano.

Thirty years after her death, Selena Quintanilla-Pérez remains a cherished figure of Mexican American popular culture, her music and celebrity resounding across the decades. This unique collection of creative and scholarly works traces Selena’s lasting impact as an entertainer and focal point of community and identity.

Assembling essays, memoir, short stories, and poems, The Selena Reader memorializes a beloved singer while also exploring the politics and personal meaning of what we remember. Selena’s devoted admirers tell us what they took from her lyrics and stage presence, the official and fan tributes, and the media and products she inspired. In one essay, Tejana coming-of-age is sharply refracted through the prism of Selena’s art and social status. Another piece considers how Selena’s body and distinctive clothing have shaped the author’s sense of queer self. Honey Avila (aka Honey Andrews), the renowned Selena impersonator, shares vivid recollections of her hero. A father and daughter describe how their conversations about Selena changed their relationship and contributed to Chicana feminist consciousness in their lives. All told, this anthology amplifies the gratitude of generations who have loved, and learned from, Selena.

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cover of The Skyscraper and the City: The Woolworth Building and the Making of Modern New York

The Skyscraper and the City

The Woolworth Building and the Making of Modern New York

Gail Fenske

University of Chicago Press, 2008

Once the world’s tallest skyscraper, the Woolworth Building is noted for its striking but incongruous synthesis of Beaux-Arts architecture, fanciful Gothic ornamentation, and audacious steel-framed engineering. Here, in the first history of this great urban landmark, Gail Fenske argues that its design serves as a compelling lens through which to view the distinctive urban culture of Progressive-era New York.
             Fenske shows here that the building’s multiplicity of meanings reflected the cultural contradictions that defined New York City’s modernity. For Frank Woolworth—founder of the famous five-and-dime store chain—the building served as a towering trademark, for advocates of the City Beautiful movement it suggested a majestic hotel de ville, for technological enthusiasts it represented the boldest of experiments in vertical construction, and for tenants it provided an evocative setting for high-style consumption. Tourists, meanwhile, experienced a spectacular sightseeing destination and avant-garde artists discovered a twentieth-century future. In emphasizing this faceted significance, Fenske illuminates the process of conceiving, financing, and constructing skyscrapers as well as the mass phenomena of consumerism, marketing, news media, and urban spectatorship that surround them.
            As the representative example of the skyscraper as a “cathedral of commerce,” the Woolworth Building remains a commanding presence in the skyline of lower Manhattan, and the generously illustrated Skyscraper and the City is a worthy testament to its importance in American culture.
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cover of The Social Life of Scriptures: Cross-Cultural Perspectives on Biblicism

The Social Life of Scriptures

Cross-Cultural Perspectives on Biblicism

Edited and with an introduction by James S. Bielo

Rutgers University Press, 2009

What do Christians do with the Bible? How do theyùindividually and collectivelyùinteract with the sacred texts? Why does this engagement shift so drastically among and between social, historical, religious, and institutional contexts? Such questions are addressed in a most enlightening, engaging, and original way in The Social Life of Scriptures.

Contributors offer a collection of closely analyzed and carefully conducted ethnographic and historical case studies, covering a range of geographic, theological, and cultural territory, including: American evangelicals and charismatics; Jamaican Rastafarians; evangelical and Catholic Mayans; Northern Irish charismatics; Nigerian Anglicans; and Chinese evangelicals in the United States.

The Social Life of Scriptures is the first book to present an eclectic, cross-cultural, and comparative investigation of Bible use. Moreover, it models an important movement to outline a framework for how scriptures are implicated in organizing social structures and meanings, with specific foci on gender, ethnicity, agency, and power.

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cover of The Story upon a Hill: The Puritan Myth in Contemporary American Fiction

The Story upon a Hill

The Puritan Myth in Contemporary American Fiction

Christopher Leise

University of Alabama Press, 2017

In this provocative and thought-provoking volume, Christopher Leise sheds new light on modern American novelists who question not only the assumption that Puritans founded New England—and, by extension, American identity—but also whether Puritanism ever existed in the United States at all.

The Story upon a Hill: The Puritan Myth in Contemporary American Fiction analyzes the work of several of the most important contemporary writers in the United States as reinterpreting commonplace narratives of the country’s origins with a keen eye on the effects of inclusion and exclusion that Puritan myths promote. In 1989, Ronald Reagan recalled the words of Massachusetts Bay Colony governor John Winthrop, who imagined the colony as a “city upon a hill” for future nations to emulate. In Reagan’s speech, Winthrop’s signature rhetoric became an emblem of American idealism, and for many Americans, the Puritans’ New England was the place where the United States forged its original identity.
 
But what if Winthrop never gave that speech? What if he did not even write it? Historians cannot definitively answer these questions. In fact, no group that we refer to as American Puritans thought of themselves as Puritans. Rather, they were a group of dissident Christians often better defined by their disagreements than their shared beliefs.
 
Literary scholars interested in Anglo-American literary production from the seventeenth century through the present, historians, and readers interested in how ideas about Christianity circulate in popular culture will find fascinating the ways in which William Gaddis, Kurt Vonnegut, Thomas Pynchon, and Marilynne Robinson repurpose so-called Puritan forms of expression to forge a new narrative of New England’s Congregationalist legacy in American letters. Works by Colson Whitehead, Paul Auster, Toni Morrison, and others are also considered. The Story upon a Hill raises a provocative question: if the Puritans never existed as we understand them, what might American history look like in that context?
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cover of The Summer the Archduke Died: On Wars and Warriors

The Summer the Archduke Died

On Wars and Warriors

Louis D. Rubin, Jr.

University of Missouri Press, 2008

When World War II erupted, fifteen-year-old Louis Rubin pedaled his bike down to the Charleston harbor to see whether a German freighter might have come there to escape British warships, as had occurred in 1914. Although he went home disappointed, young Louis never lost his fascination with matters military.
Now one of America’s most esteemed literary scholars, Rubin again turns his thoughts to history—particularly military history—by sharing his lifelong interest in the First World War and its aftermath. The Summer the Archduke Died offers essays, beginning with the outbreak of the Great War in Europe in 1914 and covering events of subsequent years, that examine historical issues in a fresh way. These essays take in a panoramic view of German militarism, the American role in the war, and British and American politics and politicos. They convey the impact of the war on writers and include a critical review of Theodore Roosevelt’s life and legacy.
Rubin brings a keen eye for controversy to such matters as the battle of Jutland and Churchill’s stance on the war with Hitler. In a provocative essay on the New British Revisionism, he not only debunks recent criticism of Churchill but also examines the decline of the British class system. In “Ladies of the British Establishment,” he contrasts the politically notorious Mitford sisters with Violet Bonham Carter, who used her social position to advance the status of women in public life.
Ranging from the outbreak of the Great War to “A Certain Day in 1939” when European peace was shattered once more, Rubin’s lively pieces are rendered with the literary craftsmanship for which he is renowned. As informative as it is entertaining, The Summer the Archduke Died will appeal to aficionados of history and fine writing alike.
[more]
cover of The Toni Morrison Book Club

The Toni Morrison Book Club

Juda Bennett

University of Wisconsin Press, 2020

In this startling group memoir, four friends—black and white, gay and straight, immigrant and American-born—use Toni Morrison’s novels as a springboard for intimate and revealing conversations about the problems of everyday racism and living whole in times of uncertainty. Tackling everything from first love and Soul Train to police brutality and the Black Lives Matter movement, the authors take up what it means to read challenging literature collaboratively and to learn in public as an act of individual reckoning and social resistance.
 
Framing their book club around collective secrets, the group bears witness to how Morrison’s works and words can propel us forward while we sit with uncomfortable questions about race, gender, and identity. How do we make space for black vulnerability in the face of white supremacy and internalized self-loathing? How do historical novels speak to us now about the delicate seams that hold black minds and bodies together?
 
This slim and brilliant confessional offers a radical vision for book clubs as sites of self-discovery and communal healing. The Toni Morrison Book Club insists that we find ourselves in fiction and think of Morrison as a spiritual guide to our most difficult thoughts and ideas about American literature and life.
[more]
cover of The Tribe of John: Ashbery and Contemporary Poetry

The Tribe of John

Ashbery and Contemporary Poetry

Susan M. Schultz

University of Alabama Press, 1995

Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work

This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement.
[more]
cover of The Triumph of the Therapeutic: Uses of Faith after Freud

The Triumph of the Therapeutic

Uses of Faith after Freud

Philip Rieff

University of Chicago Press, 1987

"Philip Rieff has become out most learned and provocative critic of psychoanalytic thinking and of the compelling mind and character of its first proponent. Rieff's Freud: The Mind of the Moralist remains the sharpest exegesis yet to be done on the moral and intellectual implications of Freud's work. It was a critical masterpiece, worthy of the man who inspired it; and it is now followed by a work that suffers not at all in comparison. No review can do justice to the richness of The Triumph of the Therapeutic."—Robert Coles, New York Times Book Review

"A triumphantly successful exploration of certain key themes in cultural life. Rieff's incidental remarks are not only illuminating in themselves; they suggest whole new areas of inquiry."—Alasdair MacIntyre, Guardian
[more]
cover of The Underground Poetry Metro Transportation System for Souls: Essays on the Cultural Life of Poetry

The Underground Poetry Metro Transportation System for Souls

Essays on the Cultural Life of Poetry

Tony Hoagland

University of Michigan Press, 2019

The Underground Poetry Metro Transportation System for Souls collects 16 essays by late Tony Hoagland. Gathered by Hoagland himself into a volume for the Poets on Poetry series, these pieces grapple with an expansive range of poetic and cultural concerns—and the surprising and necessary knowledge to be found where they cross paths. His trademark humor and irony, at once approachable, thoughtful, and sophisticated, lead the way toward clear-eyed, sometimes difficult, considerations of contemporary American culture. Through his curiosity, he elevates the seemingly quotidian into a profound subject worthy of close consideration. Hoagland’s generosity of spirit imbues his work with empathy for experiences beyond his own, and his honesty allows him to turn a critical eye on himself and to acknowledge the limits of his understanding. This collection will be rewarding not just for readers of contemporary poetry, but for anyone who wants to step back, take a look at our American reality, and know we’ll be okay.
 
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cover of The Unlikely Futurist: Pushkin and the Invention of Originality in Russian Modernism

The Unlikely Futurist

Pushkin and the Invention of Originality in Russian Modernism

James Rann

University of Wisconsin Press, 2020

In the early twentieth century, a group of writers banded together in Moscow to create purely original modes of expression. These avant-garde artists, known as the Futurists, distinguished themselves by mastering the art of the scandal and making shocking denunciations of beloved icons. With publications such as "A Slap in the Face of Public Taste," they suggested that Aleksandr Pushkin, the founder of Russian literature, be tossed off the side of their "steamship of modernity."
Through systematic and detailed readings of Futurist texts, James Rann offers the first book-length study of the tensions between the outspoken literary group and the great national poet. He observes how those in the movement engaged with and invented a new Pushkin, who by turns became a founding father to rebel against, a source of inspiration to draw from, a prophet foreseeing the future, and a monument to revive.
Rann's analysis contributes to the understanding of both the Futurists and Pushkin's complex legacy. The Unlikely Futurist will appeal broadly to scholars of Slavic studies, especially those interested in literature and modernism.
[more]
cover of The Victory Album: Reflections on the Good Life after the Good War

The Victory Album

Reflections on the Good Life after the Good War

Philip D. Beidler

University of Alabama Press, 2010

In these essays, a combination of personal remembrance and broad-stroke cultural history, Philip Beidler addresses the culture and politics of post–WWII America: the national blindness toward the Holocaust and a rising China, the canker of McCarthyism, ascendant cultures of hard smoking and heavy drinking, the worship of cars and film idols, and the chronic fear of an always-possible nuclear apocalypse. In lively, driving prose, he recalls veiled episodes in the history of the Korean War, the civil rights movement, and the struggle for women’s liberation. On these subjects and many others, Beidler draws from his own experience and a penetrating grasp of American social history, offering deep, pointed, and comprehensive perspectives on iconic moments in American history.

[more]
cover of The Villas of Pliny from Antiquity to Posterity

The Villas of Pliny from Antiquity to Posterity

Pierre de la Ruffinière du Prey

University of Chicago Press, 1994

Pierre de la Ruffinière du Prey traces the influence of Pliny the Younger as a continuous theme throughout the history of architecture. First he looks at what Pliny considered to be the essential qualities of a villa. He then discusses the many buildings Pliny inspired: from the Renaissance estates of the Medici, to papal summer residences near Rome, to Thomas Jefferson's Monticello, and the home of former Canadian prime minister Pierre Elliott Trudeau. Equally important to du Prey's study are the many designs by architects past and present that remain on paper. These imaginary restitutions of Pliny's villas, each representative of its own epoch, trace in microcosm the evolution of the classical tradition in domestic architecture. In analyzing each project, du Prey illuminates the work of such great masters as Michelozzo, Raphael, Palladio, and Schinkel, as well as such well-known modern architects as Léon Krier, Jean-Pierre Adam, and Thomas Gordon Smith.
[more]
cover of The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture

The Vinyl Ain't Final

Hip Hop and the Globalization of Black Popular Culture

Dipannita Basu and Sidney Lemelle

Pluto Press, 2006

In the preface of The Vinyl Ain¹t Final, Robin Kelley exclaims "Hip Hop is Dead! Long Live Hip Hop", and the rest of the contributors in this edited volume respond by providing critical perspectives that bridge the gap between American-orientated hip hop and its global reach.

From the front lines of hip hop culture and music in the USA, Britain, France, Japan, Germany, Hawaii, Tanzania, Cuba, Samoa and South Africa, academics, poets, practitioners, journalists, and political commentators explore hip hop -- both as a culture and as a commodity. From the political economy of the South African music industry to the cultural resistance forged by Afro-Asian hip hop, this potent mix of contributors provides a unique critical insight into the implications of hip hop globally and locally. Indispensable for fans of hip hop culture and music, this book will also appeal to anyone interested in cultural production, cultural politics and the implications of the huge variety of forms hip hop encompasses.

Dipa Basu is and Associate Professor of Sociology and Black Studies at Pitzer College, Claremont, California. Her recent publications include 'Sociology of the Color Line' in Peter Ratcliffe, ed. The Politics of Social Science Research: Race, Ethnicity and Social Change (Palgrave Press, 2001).
Sidney Lemelle is an Associate Professor of Black Studies at Pomona College, Claremont, California. He has co-edited with Robin D.G Kelley, Imagining Home: Class, Culture and Nationalism in the African Diaspora (Verso, 1994).
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cover of The Wake of Wellington: Englishness in 1852

The Wake of Wellington

Englishness in 1852

Peter W. Sinnema

Ohio University Press, 2006

Soldier, hero, and politician, the Duke of Wellington is one of the best-known figures of nineteenth-century England. From his victory at Waterloo over Napoleon in 1815, he rose to become prime minister of his country. But Peter Sinnema finds equal fascination in Victorian England’s response to the duke’s death.

The Wake of Wellington considers Wellington’s spectacular funeral pageant in the fall of 1852—an unprecedented event that attracted one and a half million spectators to London—as a threshold event against which the life of the soldier-hero and High Tory statesman could be re-viewed and represented.

Canvassing a profuse and dramatically proliferating Wellingtoniana, Sinnema examines the various assumptions behind, and implications of, the Times’s celebrated claim that the Irish-born Wellington “was the very type and model of an Englishman.” The dead duke, as Sinnema demonstrates, was repeatedly caught up in interpretive practices that stressed the quasi-symbolic relations between hero and nation.

The Wake of Wellington provides a unique view of how in death Wellington and his career were promoted as the consummation of a national destiny intimately bound up with Englishness itself, and with what it meant to be English at midcentury.

[more]
cover of The War of My Generation: Youth Culture and the War on Terror

The War of My Generation

Youth Culture and the War on Terror

Kieran, David

Rutgers University Press, 2015

Following the 9/11 attacks, approximately four million Americans have turned eighteen each year and more than fifty million children have been born. These members of the millennial and post-millennial generation have come of age in a moment marked by increased anxiety about terrorism, two protracted wars, and policies that have raised questions about the United States's role abroad and at home. Young people have not been shielded from the attacks or from the wars and policy debates that followed. Instead, they have been active participants—as potential military recruits and organizers for social justice amid anti-immigration policies, as students in schools learning about the attacks or readers of young adult literature about wars. 

The War of My Generation is the first essay collection to focus specifically on how the terrorist attacks and their aftermath have shaped these new generations of Americans. Drawing from a variety of disciplines, including anthropology, sociology, cultural studies, and literary studies, the essays cover a wide range of topics, from graphic war images in the classroom to computer games designed to promote military recruitment to emails from parents in the combat zone. The collection considers what cultural factors and products have shaped young people's experience of the 9/11 attacks, the wars that have followed, and their experiences as emerging citizen-subjects in that moment. Revealing how young people understand the War on Terror—and how adults understand the way young people think—The War of My Generation offers groundbreaking research on catastrophic events still fresh in our minds. 
 
[more]
cover of The Waxing of the Middle Ages: Revisiting Late Medieval France

The Waxing of the Middle Ages

Revisiting Late Medieval France

Charles-Louis Morand-Métivier

University of Delaware Press, 2023

Johan Huizinga’s much-loved and much-contested Autumn of the Middle Ages, first published in 1919, encouraged an image of the Late French Middle Ages as a flamboyant but empty period of decline and nostalgia. Many studies, particularly literary studies, have challenged Huizinga’s perceptions of individual works or genres. Still, the vision of the Late French and Burgundian Middle Ages as a sad transitional phase between the High Middle Ages and the Renaissance persists. Yet, a series of exceptionally significant cultural developments mark the period.

The Waxing of the Middle Ages sets out to provide a rich, complex, and diverse study of these developments and to reassert that late medieval France is crucial in its own right. The collection argues for an approach that views the late medieval period not as an afterthought, or a blind spot, but as a period that is key in understanding the fluidity of time, traditions, culture, and history. Each essay explores some “cultural form,” to borrow Huizinga’s expression, to expose the false divide that has dominated modern scholarship. 
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cover of The Work of Poverty: Samuel Beckett's Vagabonds and the Theater of Crisis

The Work of Poverty

Samuel Beckett's Vagabonds and the Theater of Crisis

Lance Duerfahrd

The Ohio State University Press, 2013

How did Samuel Beckett’s Waiting for Godot come to be performed in such places as San Quentin Prison, Mississippi during the Civil Rights Movement, Sarajevo under military siege, New Orleans’s Lower Ninth Ward after Hurricane Katrina, and Zuccotti Park during the Occupy Wall Street protests? The Work of Poverty: Samuel Beckett’s Vagabonds and the Theater of Crisis studies the appeal of Godot to audiences in settings of historical crisis and suffering. Lance Duerfahrd argues that these circumstances transform the performance and the reception of the play, thereby illuminating a cathartic and political dimension of Beckett’s work that goes unseen in traditional performance contexts.
 
The resonance of one of the most canonical plays of the twentieth century within landscapes of disaster fulfills the aesthetic of “ultimate penury” that Beckett hones in his work. Here the subtractive and reductive dynamic of the Nobel Prize–winning author’s craft comes into clearer view, echoing with the despondent condition beyond the stage. In developing an aesthetic of penury, The Work of Poverty brings together the dispossessed characters in Godot; the derelict narrators of Beckett’s Molloy,Malone Dies, and the Unnamable; and the formal experimentation in poverty witnessed in his Endgame and Worstward Ho. Beckett forged increasingly destitute forms of theater and prose on the periphery of writing. Duerfahrd illustrates how this work speaks to our age by emphasizing characters on the periphery of society.
[more]
cover of The World Is Our Stage: The Global Rhetorical Presidency and the Cold War

The World Is Our Stage

The Global Rhetorical Presidency and the Cold War

Allison M. Prasch

University of Chicago Press, 2023

A fresh account of the US presidential rhetoric embodied in Cold War international travel.
 
Crowds swarm when US presidents travel abroad, though many never hear their voices. The presidential body, moving from one secured location to another, communicates as much or more to these audiences than the texts of their speeches. In The World is Our Stage, Allison M. Prasch considers how presidential appearances overseas broadcast American superiority during the Cold War. Drawing on extensive archival research, Prasch examines five foundational moments in the development of what she calls the “global rhetorical presidency:” Truman at Potsdam, Eisenhower’s “Goodwill Tours,” Kennedy in West Berlin, Nixon in the People’s Republic of China, and Reagan in Normandy. In each case, Prasch reveals how the president’s physical presence defined the boundaries of the “Free World” and elevated the United States as the central actor in Cold War geopolitics.
[more]
cover of The World of Elizabeth Inchbald: Essays on Literature, Culture, and Theatre in the Long Eighteenth Century

The World of Elizabeth Inchbald

Essays on Literature, Culture, and Theatre in the Long Eighteenth Century

Daniel J. Ennis

University of Delaware Press, 2022

This collection centers on the remarkable life and career of the writer and actor Elizabeth Inchbald (1753–1821), active in Great Britain in the late eighteenth century. Inspired by the example of Inchbald’s biographer, Annibel Jenkins (1918–2013), the contributors explore the broad historical and cultural context around Inchbald’s life and work, with essays ranging from the Restoration to the nineteenth century. Ranging from visual culture, theater history, literary analyses and to historical investigations, the essays not only present a fuller picture of cultural life in Great Britain in the long eighteenth century, but also reflect a range of disciplinary perspectives. The collection concludes with the final scholarly presentation of the late Professor Jenkins, a study of the eighteenth-century English newspaper The World (1753-1756). 
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cover of The Worlds of William Penn

The Worlds of William Penn

Murphy, Andrew R

Rutgers University Press, 2019

William Penn was an instrumental and controversial figure in the early modern transatlantic world, known both as a leader in the movement for religious toleration in England and as a founder of two American colonies, Pennsylvania and New Jersey. As such, his career was marked by controversy and contention in both England and America. This volume looks at William Penn with fresh eyes, bringing together scholars from a range of disciplines to assess his multifaceted life and career. Contributors analyze the worlds that shaped Penn and the worlds that he shaped: Irish, English, American, Quaker, and imperial. The eighteen chapters in The Worlds of William Penn shed critical new light on Penn’s life and legacy, examining his early and often-overlooked time in Ireland; the literary, political, and theological legacies of his public career during the Restoration and after the 1688 Revolution; his role as proprietor of Pennsylvania; his religious leadership in the Quaker movement, and as a loyal lieutenant to George Fox, and his important role in the broader British imperial project. Coinciding with the 300th anniversary of Penn’s death the time is right for this examination of Penn’s importance both in his own time and to the ongoing campaign for political and religious liberty
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cover of The Yellow Journalism: The Press and America's Emergence as a World Power

The Yellow Journalism

The Press and America's Emergence as a World Power

David R. Spencer

Northwestern University Press, 2007

When a case containing dismembered human remains surfaced in New York's East River in June of 1897, the publisher of the New York Journal--a young, devil-may-care millionaire named William Randolph Hearst--decided that his newspaper would "scoop" the city's police department by solving this heinous crime. Pulling out all the stops, Hearst launched more than a journalistic murder investigation; his newspaper's active intervention in the city's daily life, especially its underside, marked the birth of the Yellow Press. In a work that studies the rise and fall of this phenomenon, David R. Spencer documents the fierce competition that characterized yellow journalism, the social realities and trends that contributed to its success (and its ultimate demise), its accomplishments for good or ill, and its long-term legacy.

Most notable among Hearst's competitors was New York City's The World, owned and managed by a European Jewish immigrant named Joseph Pulitzer. The Yellow Journalism describes how these two papers and others exploited the scandal, corruption, and crime among the city's most influential citizens, and its most desperate inhabitants--a policy that made this "journalism of action" remarkably effective, not just as a commercial force, but also as an advocate for the city's poor and defenseless. Spencer shows how many of the innovations first introduced during this period--from investigative reporting to the use of color, entertainment news, and cartoons in papers--have had a lasting effect on journalism; and how media in our day reflects the Yellow Press's influence, but also its threatened irrelevance within the broader realities of contemporary society.
[more]
cover of Think to New Worlds: The Cultural History of Charles Fort and His Followers

Think to New Worlds

The Cultural History of Charles Fort and His Followers

Joshua Blu Buhs

University of Chicago Press, 2024

How a writer who investigated scientific anomalies inspired a factious movement and made a lasting impact on American culture.
 
Flying saucers. Bigfoot. Frogs raining from the sky. Such phenomena fascinated Charles Fort, the maverick writer who scanned newspapers, journals, and magazines for reports of bizarre occurrences: dogs that talked, vampires, strange visions in the sky, and paranormal activity. His books of anomalies advanced a philosophy that saw science as a small part of a larger system in which truth and falsehood continually transformed into one another. His work found a ragged following of skeptics who questioned not only science but the press, medicine, and politics. Though their worldviews varied, they shared compelling questions about genius, reality, and authority. At the center of this community was adman, writer, and enfant terrible Tiffany Thayer, who founded the Fortean Society and ran it for almost three decades, collecting and reporting on every manner of oddity and conspiracy.
 
In Think to New Worlds, Joshua Blu Buhs argues that the Fortean effect on modern culture is deeper than you think. Fort’s descendants provided tools to expand the imagination, explore the social order, and demonstrate how power is exercised. Science fiction writers put these ideas to work as they sought to uncover the hidden structures undergirding reality. Avant-garde modernists—including the authors William Gaddis, Henry Miller, and Ezra Pound, as well as Surrealist visual artists—were inspired by Fort’s writing about metaphysical and historical forces. And in the years following World War II, flying saucer enthusiasts convinced of alien life raised questions about who controlled the universe.
 
Buhs’s meticulous and entertaining book takes a respectful look at a cast of oddballs and eccentrics, plucking them from history’s margins and spotlighting their mark on American modernism. Think to New Worlds is a timely consideration of a group united not only by conspiracies and mistrust of science but by their place in an ever-expanding universe rich with unexplained occurrences and visionary possibilities.
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cover of Thinking Orthodox in Modern Russia: Culture, History, Context

Thinking Orthodox in Modern Russia

Culture, History, Context

Edited by Patrick Lally Michelson and Judith Deutsch Kornblatt

University of Wisconsin Press, 2014

Thinking Orthodox in Modern Russia illuminates the significant role of Russian Orthodox thought in shaping the discourse of educated society during the imperial and early Soviet periods. Bringing together an array of scholars, this book demonstrates that Orthodox reflections on spiritual, philosophical, and aesthetic issues of the day informed much of Russia’s intellectual and cultural climate.
            Volume editors Patrick Lally Michelson and Judith Deutsch Kornblatt provide a historical overview of Russian Orthodox thought and a critical essay on the current state of scholarship about religious thought in modern Russia. The contributors explore a wide range of topics, including Orthodox claims to a unique religious Enlightenment, contests over authority within the Russian Church, tensions between faith and reason in academic Orthodoxy, the relationship between sacraments and the self, the religious foundations of philosophical and legal categories, and the effect of Orthodox categories in the formation of Russian literature.
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cover of Third-Generation Holocaust Representation: Trauma, History, and Memory

Third-Generation Holocaust Representation

Trauma, History, and Memory

Victoria Aarons and Alan L. Berger

Northwestern University Press, 2017

Victoria Aarons and Alan L. Berger show that Holocaust literary representation has continued to flourish well into the twenty-first century—gaining increased momentum even as its perspective shifts, as a third generation adds its voice to the chorus of post-Holocaust writers. In negotiating the complex thematic imperatives and narrative conceits of the literature of third-generation writers, this bold new work examines those structures, tropes, patterns, ironies, disjunctions, and overall tensions that produce a literature that laments unrecoverable loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. Aarons and Berger address evolving notions of “postmemory”; the intergenerational and ongoing transmission of trauma; issues of Jewish cultural identity; inherited memory; the psychological tensions of post-Holocaust Jewish identity; the characteristic tropes of memory and the personalized narrative voice; issues of generational dislocation and anxiety; the recurrent antagonisms of assimilation and historical alienation; the imaginative re-creation and reconstruction of the past; and the future of Holocaust memory and representation.
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