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Tracing the Southern Origins of Modern American Conservatism.

Audacious in its scope, subtle in its analysis, and persuasive in its arguments, The Great Melding is the second book in Glenn Feldman’s magisterial recounting of the South’s transformation from a Reconstruction-era citadel of Democratic Party inertia to a cauldron of GOP agitation. In this pioneering study, Feldman shows how the transitional years after World War II, the Dixiecrat episode, and the early 1950s formed a pivotal sequence of events that altered America’s political landscape in profound, fundamental, and unexpected ways.

Feldman’s landmark work The Irony of the Solid South dismantled the myth of the New Deal consensus, proving it to be only a fleeting alliance of fissiparous factions; The Great Melding further examines how the South broke away from that consensus. Exploring issues of race and white supremacy, Feldman documents and explains the roles of economics, religion, and emotive appeals to patriotism in southern voting patterns. His probing and original analysis includes a discussion of the limits of southern liberalism and a fresh examination of the Dixiecrat Revolt of 1948.

Feldman convincingly argues that the Dixiecrats—often dismissed as a transitory footnote in American politics—served as a template for the modern conservative movement. Now a predictable Republican stronghold, Alabama at the time was viewed by national political strategists as a battleground and bellwether. Masterfully synthesizing a vast range of sources, Feldman shows that Alabama was then one of the few states where voters made unpredictable choices between the competing ideologies of the Democrats, Republicans, and Dixiecrats.

Writing in his lively and provocative style, Feldman demonstrates that the events he recounts in Alabama between 1942 and Dwight Eisenhower’s 1952 election encapsulate a rare moment of fluidity in American politics, one in which the New Deal consensus shattered and the Democratic and Republican parties fought off a third-party revolt only to find themselves irrevocably altered by their success. The Great Melding will fascinate historians, political scientists, political strategists, and readers of political nonfiction.

Illuminates how borough residents, urban planners, and politicians used environmental policy to cement a racially restrictive landscape.

Though it was once home to the world’s largest landfill, today Staten Island boasts thousands of acres of parklands, dozens of public-private conservation arrangements, and four ecological zoning districts. In this book, Patrick D. Nugent details the political forces that gave rise to this wealth of greenery in a famously dense city. He demonstrates how postwar economic and political trajectories intersected in the 1960s with the rising consciousness of environmentalism to create a distinctive laboratory in Staten Island, where white communities and politicians heeded the rising call for the preservation of green space—but often as a tool to maintain racial segregation. Ecological zoning, public-private park management, conservation easement, environmental litigation, and other strategies created a lush, discriminatory landscape. Nugent refers to these policies as greenlining.

The Greenlining of Staten Island shows that the political and environmental history of Staten Island is key to understanding how environmentalism has been used to reinforce racial discrimination, not just in New York City, but nationwide. By the mid-1970s, conservationists had embraced urban planning that preserved low-density housing districts and bolstered the sprawling and segregated landscape that took shape in metropolitan America over the coming decades. In exploring the gap between the modern environmental movement’s ambitious goals and its tangible outcomes, Nugent excavates important lessons for contemporary city dwellers debating zoning reform and planning for climate change’s impending effects.

Envisioning the next step in the ongoing scholarly movement advocating inclusion of global rhetorics in the composition curriculum, The Inclusive Work of Global Rhetorics demonstrates that the question of why or whether to incorporate tenets of global/non-Western rhetorics into writing is long past. The focus has shifted to how to make this change—and to the best practices of such inclusion.

This book showcases the latest scholarship on rethinking the borders of traditional rhetorical studies, which are typically drawn within Greco-Roman and Euro-American confines, with the objective of incorporating non-Eurocentric rhetorical tenets into rhetoric and composition. This work fosters a spirit of inclusivity in the writing classroom by incorporating the many ways of rhetorical thinking gleaned from global/non-Western communication practices while also reflecting on their situatedness and intersectionalities.

Sitting at the crossroads of theory, methodology, and pedagogy, The Inclusive Work of Global Rhetoric puts in perspective a landmark moment in rhetorical studies, a time when it has become imperative to acknowledge the proliferation of non-Western rhetorical traditions in rhetorical practices and communication. Providing heuristics for creating inclusive composition/rhetoric pedagogy, this book serves students, teachers, scholars, and researchers of rhetoric, writing, and communication as both a classroom guide and a reference at the undergraduate and graduate level

Arequipa, Peru’s second largest city, has the most intense regional culture in the central Andes. Arequipeños fiercely conceive of themselves as exceptional and distinctive, yet also broadly representative of the nation’s overall hybrid nature—a blending of coast (modern, “white”) and sierra (traditional, “indigenous”). The Independent Republic of Arequipa investigates why and how this regional identity developed in a boom of cultural production after the War of the Pacific (1879–1884) through the mid-twentieth century.

Drawing on decades of ethnographic fieldwork, Thomas F. Love offers the first anthropological history of southwestern Peru’s distinctive regional culture. He examines both its pre-Hispanic and colonial altiplano foundations (anchored in continuing pilgrimage to key Marian shrines) and the nature of its mid-nineteenth century “revolutionary” identity in cross-class resistance to Lima’s autocratic control of nation-building in the post-Independence state. Love then examines Arequipa’s early twentieth-century “mestizo” identity (an early and unusual case of “browning” of regional identity) in the context of raging debates about the “national question” and the “Indian problem,” as well as the post-WWII development of extravagant displays of distinctive bull-on-bull fighting that now constitute the very performance of regional identity. Love’s research reveals that Arequipa’s “traditional” local culture, symbolically marked by populist, secular, and rural elements, was in fact a project of urban-based, largely middle-class cultural entrepreneurs, invented to counter continuing Limeño autocratic power, marked by nostalgia, and anxious about the inclusion of the nation’s indigenous majority as full modern citizens.

"Colbert has long been celebrated as Louis XIV's minister of finance, trade, and industry. More recently, he has been viewed as his minister of culture and propaganda. In this lively and persuasive book, Jake Soll has given us a third Colbert, the information manager."
---Peter Burke, University of Cambridge

"Jacob Soll gives us a road map drawn from the French state under Colbert. With a stunning attention to detail Colbert used knowledge in the service of enhancing
royal power. Jacob Soll's scholarship is impeccable and his story long
overdue and compelling."
---Margaret Jacob, University of California, Los Angeles

"Nowadays we all know that information is the key to power, and that the masters of information rule the world. Jacob Soll teaches us that Jean-Baptiste Colbert had grasped this principle three and a half centuries ago, and used it to construct a new kind of state. This imaginative, erudite, and powerfully written book re-creates the history of libraries and archives in early modern Europe, and ties them in a novel and convincing way to the new statecraft of Europe's absolute monarchs."
---Anthony Grafton, Princeton University

"Brilliantly researched, superbly told, and timely, Soll's story is crucial for the history of the modern state."
---Keith Baker, Stanford University

When Louis XIV asked his minister Jean-Baptiste Colbert---the man who was to oversee the building of Versailles and the Royal Academy of Sciences, as well as the navy, the Paris police force, and French industry---to build a large-scale administrative government, Colbert created an unprecedented information system for political power. In The Information Master, Jacob Soll shows how the legacy of Colbert's encyclopedic tradition lies at the very center of the rise of the modern state and was a precursor to industrial intelligence and Internet search engines.

Soll's innovative look at Colbert's rise to power argues that his practice of collecting knowledge originated from techniques of church scholarship and from Renaissance Italy, where merchants recognized the power to be gained from merging scholarship, finance, and library science. With his connection of interdisciplinary approaches---regarding accounting, state administration, archives, libraries, merchant techniques, ecclesiastical culture, policing, and humanist pedagogy---Soll has written an innovative book that will redefine not only the history of the reign of Louis XIV and information science but also the study of political and economic history.

Jacob Soll is Associate Professor of History at Rutgers University and the author of Publishing The Prince: History, Reading, and the Birth of Political Criticism (University of Michigan Press, 2005), and winner of the 2005 Jacques Barzun Prize from the American Philosophical Society and a 2009 Guggenheim Fellowship. Soll edited a special issue of Journal of the History of Ideas titled "The Uses of Historical Evidence in Early Modern Europe"; has cofounded the online journal Republics of Letters; and is editor, along with Anthony Grafton and Ann Blair, of the series Cultures of Knowledge in the Early Modern World.

When Willard M. Kiplinger launched the groundbreaking Kiplinger Washington Letter in 1923, he left the sidelines of traditional journalism to strike out on his own. With a specialized knowledge of finance and close connections to top Washington officials, Kiplinger was uniquely positioned to tell deeper truths about the intersections between government and business. With careful reporting and insider access, he delivered perceptive analysis and forecasts of business, economic, and political news to busy business executives, and the newsletter’s readership grew exponentially over the coming decades.

More than just a pioneering business journalist, Kiplinger emerged as a quiet but powerful link between the worlds of Presidents Hoover and Roosevelt, and used his Letter to play a little-known but influential role in the New Deal. Part journalism history, part biography, and part democratic chronicle, The Insider offers a well-written and deeply researched portrayal of how Kiplinger not only developed a widely read newsletter that launched a business publishing empire but also how he forged a new role for the journalist as political actor.

Throughout the nineteenth century, African heritage played an important role in black America, as personal memories and cultural practices continued to shape the everyday experience of people of African descent living under the shadow of slavery. Resisting efforts to de-Africanize their values, customs, and beliefs, Black Americans invoked their African roots in public arguments about their identity and place in the “new” world. At the outset of the twentieth century many still saw Africa primarily as the source of a common cultural and spiritual past. But after the 1920s, the meaning of African heritage changed as people of African descent expressed new relationships between themselves, the United States, and the African Diaspora.

In The Insistent Call, Aric Putnam studies the rhetoric of newspapers, literature, and political pamphlets that expressed this shift. He demonstrates that as people of African descent debated the United States' occupation of Haiti, the Liberian labor crisis, and the Italian invasion of Ethiopia, they formed a new collective identity, one that understood the African Diaspora in primarily political rather than cultural terms. In addition to uncovering a neglected period in the history of Black rhetoric, Putnam shows how rhetoric that articulates the interests of a population not defined by the boundaries of a state can still motivate collective action and influence policies.

Multilingualism is an ever-present feature in political contexts around the world, including multilingual states and international organizations. Increasingly, consequential political decisions are negotiated between politicians who do not share a common native language. Nils Ringe uses the European Union to investigate how politicians’ reliance on shared foreign languages and translation services affects politics and policy-making. Ringe's research illustrates how multilingualism is an inherent and consequential feature of EU politics—that it depoliticizes policy-making by reducing its political nature and potential for conflict. An atmosphere with both foreign language use and a reliance on translation leads to communication that is simple, utilitarian, neutralized, and involves commonly shared phrases and expressions. Policymakers tend to disregard politically charged language and they are constrained in their ability to use vague or ambiguous language to gloss over disagreements by the need for consistency across languages.

How the classic aesthetic of 1960s pulp comics influenced art, culture, and politics.

As a form of visual art, comic books rely on a distinct and eye-catching aesthetic. This is especially true of the iconic comics, graphic novels, and illustrations of the 1960s and 1970s. The Look of the 1960s explores the sources of inspiration that influenced the world of comics, beginning with the well-known French comics series Barbarella.

Noted comics scholars Jan Baetens and Hugo Frey analyze the impacts of the often-provocative images featured in the comics of the 1960s, which pushed back against French censorship in a politically tense time, and detail how women resisted their objectification in the comic book industry. Barbarella left its mark on the world and gained international attention, inspiring a movie adaptation and changing the look and content of other popular comics. The “Pulp Pop” movement remains relevant today, continuing to influence the art and political world. With new information about artists and an astute analysis of sociopolitical influence, The Look of the 1960s offers deep insights, making it a must read for comics fans all over the world.

Explores social and cultural transformations among the indigenous communities of western Mexico, especially the indios fronterizos (Frontier Indians), preceding and during the struggle for independence

In The Mark of Rebels Barry Robinson offers a new look at Mexican Independence from the perspective of an indigenous population caught in the heart of the struggle. During the conquest and settlement of Mexico’s Western Sierra Madre, Spain’s indigenous allies constructed an indio fronterizo identity for their ethnically diverse descendants. These communities used their special status to maintain a measure of autonomy during the colonial era, but the cultural shifts of the late colonial period radically transformed the relationship between these indios fronterizos and their neighbors.

Marshalling an extensive array of archival material from Mexico, the United States, and Spain, Robinson shows that indio fronterizo participation in the Mexican wars of independence grafted into the larger Hidalgo Revolt through alignment with creole commanders. Still, a considerable gulf existed between the aims of indigenous rebels and the creole leadership. Consequently, the privileges that the indios fronterizos sought to preserve continued to diminish, unable to survive either the late colonial reforms of the Spanish regime or creole conceptions of race and property in the formation of the new nation-state.

This story suggests that Mexico’s transition from colony to nation can only be understood by revisiting the origins of the colonial system and by recognizing the role of Spain’s indigenous allies in both its construction and demolition. The study relates events in the region to broader patterns of identity, loyalty, and subversion throughout the Americas, providing insight into the process of mestizaje that is commonly understood to have shaped Latin America. It also foreshadows the popular conservatism of the nineteenth century and identifies the roots of post-colonial social unrest.

This book provides new context for scholars, historians, ethnographers, anthropologists, and anyone interested in the history of Mexico, colonization, Native Americans, and the Age of Revolutions.

The Mexican American orquesta is neither a Mexican nor an American music. Relying on both the Mexican orquesta and the American dance band for repertorial and stylistic cues, it forges a synthesis of the two. The ensemble emerges historically as a powerful artistic vehicle for the expression of what Manuel Peña calls the "dialectic of conflict." Grounded in ethnic and class conflict, this dialectic compels the orquesta and its upwardly mobile advocates to waver between acculturation and ethnic resistance. The musical result: a complex mesh of cultural elements—Mexican and American, working- and middle-class, traditional and contemporary.

In this book, Manuel Peña traces the evolution of the orquesta in the Southwest from its beginnings in the nineteenth century through its pinnacle in the 1970s and its decline since the 1980s. Drawing on fifteen years of field research, he embeds the development of the orquesta within a historical-materialist matrix to achieve the optimal balance between description and interpretation. Rich in ethnographic detail and boldly analytical, his book is the first in-depth study of this important but neglected field of artistic culture.

A study of the ancient practice of Andean head shaping and its cultural connotations.

In the late sixteenth century, Spanish conquerors in Peru’s Colca Valley encountered the Collaguas and Cavanas, Indigenous people who undertook a striking form of body modification: Collaguas bound the heads of infants and children so that their skulls grew narrow and elongated, and Cavanas so that their skulls became wide and squat. Head shaping resulted in craniums that resembled two specific mountains associated with the groups. For Europeans, shaped skulls immediately and durably became a marker of territorialized ethnic difference.

The Mountain Embodied offers a more nuanced story. Having studied hundreds of samples of human remains, bioarchaeologist Matthew Velasco argues that reducing head shape to a mere ethnic marker is a colonial invention. Instead, the social significance of head shaping was protean and intersected with other structures of difference, such as gender, kinship, and status, influencing experience within the community. Head shaping, then, was one factor in the construction of a locally embedded kind of subjectivity. An outsider could deduce group identity from head shape, but for practitioners, head shaping reflected something else: nothing less than personhood itself.