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Originally published in 1887, The Pioneer Preacher is a lively account of a Congregationalist minister's attempts to lead a sin-free existence on the American frontier. Sherlock Bristol (1815-1906) was a California gold miner, wagon train captain, Wisconsin farmer, Idaho rancher, Indian fighter, abolitionist, and Oberlin-trained clergyman. While serving a series of churches in the East, he periodically cured himself of "nervous disorders" by journeying out West. He only broke the Sabbath once---during an Indian attack!

Reflecting in his memoirs the exploits of Daniel Boone and Davy Crockett, Bristol delights in recounting his adventures, ecclesiastical or otherwise. He vividly recalls his redemption in the wilderness where he enjoyed having "little opportunity for reading books or mental exercise, and an abundance of calls for muscular employment." Greatly influenced by the evangelist Charles G. Finney at Oberlin, Bristol tried to teach miners and frontiersmen the principles of revivalism, postmillennialism, and perfectionism. In The Pioneer Preacher he shares his own disputatious views on abolition, American Indians, temperance, and other issues of his day.

Poems about celestial and mortal bodies.

The Radiant explores the psychological, physical, and spiritual challenges of living in a body and the changes and distortions that arise from the experience of the body’s limitations and inevitable death. The collection takes its title from the term for the point from which all meteors appear to emanate during a shower, luminous bodies in decay that when traced to their origin seem to converge at a single point. “Perhaps you can remember the time called before, the all-you-can-do-is-see-yourself-in-a-split-second where you recognize that everything you’ve ever known is going to be different after,” writes Goett in the collection’s final poem, “The Bookman,” recounting radiant points of no return and transformation that, in spite of their challenge, remain luminous.
 

The reredos of the fifteenth-century chapel of All Souls College Oxford, with its combination of medieval niches and statuary by George Gilbert Scott, has remained one of the unsung glories of both medieval perpendicular architecture and Victorian restoration. Informed by recent scientific investigation of its stonework and its surviving medieval polychromy, this volume follows the reredos from the phases of its medieval and early Tudor construction, through its covering up with a succession of baroque and neoclassical decorative schemes, to its uncovering and restoration in the 1870s. Through a sweeping survey of the chapel’s architectural and decorative history, this book provides a novel and revealing vantage point on the artistic, cultural, and ecclesiological history of Britain across four centuries.

This book presents for the first time in English the fully documented history of the Gregorian chant restoration which culminated in the publication of the Vatican Edition ordered by Pope Pius X at the dawn of the twentieth century. It is based upon archival documents in the Abbey of St. Pierre de Solesmes.

Poems that radiate with incredible artistic vision and writerly craft.

Pain, piercing, and language: with urgent lyricism and lacunae on the page, The Right Hand explores the physical, emotional, and philosophical experiences of chronic pain, bodywork (especially acupuncture), and healing.  In the second half of the collection, the poet spends extended time with Bernini's sculpture of St. Teresa in Ecstasy in Rome, finding this famous scene of wounding to be in dialogue with her own experience of pain, as well as her suspension between languages and spiritual isolation. In The Right Hand, the hidden sites of the body speak, and Bernini’s centuries-old arrow pierces us with hurting eloquence.
 

Compelling theological questions converge with contemporary concerns in Françoise Breynaert's exposition of the doctrine surrounding Christ's second coming. Why must Christ come again? What will become of this earth as the dominion of man is more and more power concentrated in the hands of the few? Ideologies associated with the pursuit of power promise salvation––of the world, the planet, of humanity itself––through politics, technology, and science. But Breynaert draws answers to both questions instead from Scripture and with this book prepares us for what lies ahead. She points to the spiritual journey that is humanity's true destiny, along which man will encounter the temptation to accept the claims of power and its promises of fulfillment in this life, and the traps laid for the man who does not wish to be challenged for the victory of his soul. Breynaert's account of the second coming and the false promises of today's world also remind us of the assurances given in Scripture for mercy and triumph, an optimism that offers much needed strength of spirit. 

The great mystery of Christ's second coming is part of the core of Christian faith. And at long last, here is a book that explains what this truly means. And in doing so, we come to know the revealed meaning of history, which has nourished the hope of Christians through the ages. 

An intriguing look at secrecy during the Byzantine Empire and the role of the art historian in seeking truth.

Secrecy has played a role throughout human history and continues to capture the popular imagination. Some of the most seductive aspects of the Byzantine Empire—such as the relics of the imperial palace and the military uses of Greek fire—have been shrouded in mystery for centuries. This book provides a brief history of secrecy in Byzantium and examines the role of the art historian in uncovering the truth, demonstrating how visual evidence can not only reveal new findings but also purposely conceal answers.

Art historians face many challenges in their search for hidden knowledge, including accessing accounts preserved in fragmentary glimpses and reconciling how practices of speculation and reconstruction result in different, and sometimes contradictory, understandings. With pressing urgency, this book asks scholars to consider their role in articulating the stories of marginalized people, particularly for queer and trans history.

At the core of these investigations is the quest to discover how clandestine knowledge was transmitted and how relationships were strengthened by collective secret keeping, as well as how concealment is used as a strategy for exercising power. With insights into the religious, imperial, military, and cultural uses of secrecy, this book offers an intriguing look at the ways secrecy manifested itself during the Byzantine Empire and the implications it has for the issues we face today.

Don Cusic presents gospel music as part of the history of contemporary Christianity. From the psalms of the early Puritans through the hymns of Isaac Watts and the social activism of the Wesleys, gospel music was established in eighteenth-century America. With the camp meetings songs of the Kentucky Revival and the spirituals and hymns that stemmed from the Civil War and beyond, gospel music grew through the nineteenth century and expanded through new technologies in the twentieth century.

Distinguished philosopher Giorgio Agamben offers an archaeological inquiry into the problem of scriptural interpretation. 

The problem of interpreting Scripture—above all, sacred scripture, but ultimately any form of writing—coincides with the very history of Western culture. It is no surprise, then, that an archaeological inquiry such as the one proposed here—on the problem of interpretation from Origen to Auerbach, from the Talmud to Benjamin—might hold unexpected revelations.

Essential reading for scholars of theology, religious studies, and hermeneutics interested in the history of scriptural interpretation, The Spirit and the Letter highlights how the interpretation of Scripture reveals itself as inseparable from ethics and politics.
 

The Sacred Harp is the most famous of the shape-note hymnals, a collection of over five hundred four-part a cappella hymns dating back over a hundred and fifty years. Shape-note singing itself is seeing a resurgence in popularity with sings being organized all over the country. And yet, George Pullen Jackson's groundbreaking history of the first hundred years of the hymnal has been out of print and hard to come by for decades. But now, The Story of the Sacred Harp, 1844-1944 is back in print and available for music lovers, historians, and librarians alike.

Known as the “patron saint of all outsiders,” Simone Weil (1909–43) was one of the twentieth century’s most remarkable thinkers, a philosopher who truly lived by her political and ethical ideals. In a short life framed by the two world wars, Weil taught philosophy to lycée students and organized union workers, fought alongside anarchists during the Spanish Civil War and labored alongside workers on assembly lines, joined the Free French movement in London and died in despair because she was not sent to France to help the Resistance.

Though Weil published little during her life, after her death, thanks largely to the efforts of Albert Camus, hundreds of pages of her manuscripts were published to critical and popular acclaim. While many seekers have been attracted to Weil’s religious thought, Robert Zaretsky gives us a different Weil, exploring her insights into politics and ethics, and showing us a new side of Weil that balances her contradictions—the rigorous rationalist who also had her own brand of Catholic mysticism; the revolutionary with a soft spot for anarchism yet who believed in the hierarchy of labor; and the humanitarian who emphasized human needs and obligations over human rights. Reflecting on the relationship between thought and action in Weil’s life, The Subversive Simone Weil honors the complexity of Weil’s thought and speaks to why it matters and continues to fascinate readers today.
 
 

The protagonist of Marcel Proust’s In Search of Lost Time observes with wonder the comings and goings of the crows that roost in the belfry of the village church in Combray, his childhood home. For René Girard, one of Proust’s great interpreters, their mysterious flight, first departing from and then returning to the vertical axis of the steeple, suggests the movement of modern history—the crisis of aristocratic models, the growing servitude of individuals possessed by mimetic desire, and the final irruption of authentic transcendence. In this rich exploration of Girard’s insights, his French editor and longtime collaborator Benoît Chantre brings Saint Paul’s Letter to the Romans into dialogue with both Proust and Girard in order to push to its logical endpoint the idea of a back-and-forth movement from chaos to order. History, Chantre argues, has been driven mad by the revelation of its sacrificial engine. The only way out lies in a transformation internal to the crisis itself—only that faith which is capable of hearing the One who speaks in the Law makes it possible to avoid the perpetual ups and downs of rivalry. Acting and revealing Himself at the heart of history, an intimate model “hidden since the foundation of the world” deals a fatal blow to the circle of sin. Authentic transcendence coincides with the eschaton, the moment when—according to Saint Paul—historical time implodes into eternity.

Today, the Ludovisi district is one of Rome’s most luxurious neighborhoods, home to famous restaurants and some of the most expensive shops in the city. But it was once private property, part of an eighty-six-acre villa owned by the Boncompagni Ludovisis, an ancient noble family with close ties to the papacy. The story of how the palazzo fell out of the family's hands reveals the tremendous social upheavals that Italy underwent following its mid-nineteenth-century unification.
 
First privately published in 1921, The Twilight of Rome's Papal Nobility provides an intimate look at a family who grew up accustomed to almost unimaginable wealth, power, and glamour. A descendant of two popes, Ugo Boncompagni Ludovisi recounts the life story of his mother Agnese, who was raised in a palace full of priceless artwork, including pieces by Caravaggio and Michelangelo. We get a window into Agnese's private life—her girlhood, marriage, and raising of several children—as her public life becomes increasingly tumultuous amid the family’s struggles to retain its property. A tender elegy to a bygone era, Boncompagni Ludovisi's story provides a unique perspective on Italian history and Rome’s urban redevelopment.

An expansive illustrated history of the historic Umayyad Mosque in Damascus.

The Umayyad Mosque of Damascus is one of the oldest continuously used religious sites in the world. The mosque we see today was built in 705 CE by the Umayyad caliph al-Walid on top of a fourth-century Christian church that had been erected over a temple of Jupiter. Incredibly, despite the recent war, the mosque has remained almost unscathed, but over the centuries has been continuously rebuilt after damage from earthquakes and fires. In this comprehensive biography of the Umayyad Mosque, Alain George explores a wide range of sources to excavate the dense layers of the mosque’s history, also uncovering what the structure looked like when it was first built with its impressive marble and mosaic-clad walls. George incorporates a range of sources, including new information he found in three previously untranslated poems written at the time the mosque was built, as well as in descriptions left by medieval scholars. He also looks carefully at the many photographs and paintings made by nineteenth-century European travelers, particularly those who recorded the building before the catastrophic fire of 1893.

It has long been a cornerstone of Catholic belief that Christians can be intelligent and creative thinkers—inquisitive seekers after truth—as well as men and women of ardent faith. Catholics are entirely committed, then, to the claim that human rationality and religious faith are complementary realities since they are equally gifts of God. But understanding precisely how faith and reason cohere has not always been a smooth path. At times, theology has allowed philosophy to become the leading (and baleful) partner in the faith-reason relationship, thereby lapsing into rationalism or relativism. At other times, theology has been tempted by fideism, with philosophy now regarded as little more than a pernicious intruder corrupting Christian faith, life and thought. The essays in this volume display how Catholicism understands the proper confluence between philosophy and theology, between human rationality and Christian faith, between the natural order and supernatural grace. To illustrate these points, the book draws on a long line of Christian thinkers: Origen, Augustine, Anselm, Aquinas and, in our own day, Fides et Ratio of John Paul II and the Regensburg Address of Benedict XVI. How is theology always a “Jewgreek” enterprise—to borrow a term from Jacques Derrida—always a combination of the biblical (Hebraic) and philosophical (Hellenic) traditions? Why is one particular element of philosophy, metaphysics, essential for the intelligibility and clarity of Catholic theology? Why is this so much the case that John Paul II could state emphatically: “a philosophy which shuns metaphysics would be radically unsuited to the task of mediation in the understanding of Revelation”? But theology cannot simply be about dialogue with philosophers of yesteryear. Theology must constantly incorporate fresh thinking and remain in lively conversation with an extensive variety of contemporary perspectives. This book displays how reciprocity and absorption has been characteristic of theology’s past and must represent its future as well.

“Here, Mr. Split-Foot, do as I do!” exclaimed the child, and the spirits obeyed her command. Thus, in 1848, thirteen-year-old Margaret Fox inaugurated the age of spiritualism. Those early spirit manifestations in a humble New York farmhouse were “but the beginning of a grand seance which for the next half century was to see persons returned from the dead walking upon the earth, mingling freely with mortal Americans. Ceremonies were performed which united in wedlock the living and the dead; ghostly schoolboys returned from the land of the spirits to revisit their old schoolhouses, upsetting the dignity of earthly classrooms . . . Drivers of owl horsecars . . . were intrigued by beautiful female spirits who rode their cars at night and promptly vanished if approached for a fare.”

The colorful career of Margaret Fox, the most famous medium of the era and the “fountainhead” of the cult of spiritualism, attracted the attention of the most prominent public figures of the day. For P. T. Barnum, this phenomenon was another novelty to present to the American public. Horace Greeley took a personal interest in Margaret and her sister; he gave the movement extensive publicity. Lincoln often invited Margaret Fox and other mediums to the White House for seances, during which attempts were made to invoke the spirit of the Lincolns’ dead son. Members of Congress, judges, and intellectuals of the day were well acquainted with her and with the spiritualist movement.

The course of this spirit invasion and the many and varied means by which men communicated with dwellers of the other world are the subjects of this volume. With Margaret Fox the spirits spoke by rapping on floor and furniture. With others they communicated by writing on slates, by touching with ghostly hands, by moving furniture (one medium was so popular that his furniture followed him about like a pack of dogs). Some spirits spoke directly through the mouths of entranced mediums. And some were so bold—or so talented—that they were able to materialize in the flesh before properly receptive groups of people—and happy indeed was the devotee who received a warm embrace from a lovely young spirit lady or a handsome ghostly gentleman during such a materialization.

The spirits who thus displayed their interest in this mortal world soon came to have a considerable influence over whole segments of the American population. For some, spiritualism was a comforting means of maintaining contact with loved ones now departed. For others it was a religion, a blessed aid on the road to salvation. For still others it provided practical assistance with more earthly problems. Many found in it intriguing puzzles for scientific investigation. And for the whole country it provided a constant source of excitement, interest, and entertainment.

Written in spritely prose and permeated with a grave humor, this account of nineteenth-century spiritualism will be equally satisfying to the casual reader interested in a good story, and to the scholar seeking serious social history.

The Universe We Think In arises from a tradition of realism, both philosophical and political, a universe in which the common sense understanding of things is included in our judgement about them. The scope is both vast and narrow – vast because it

Ours is an age full of desires but impoverished in its understanding of where those desires lead—an age that claims mastery over the world but also claims to find the world as a whole absurd or unintelligible. In The Vision of the Soul, James Matthew Wilson seeks to conserve the great insights of the western tradition by giving us a new account of them responsive to modern discontents. The western— or Christian Platonist—tradition, he argues, tells us that man is an intellectual animal, born to pursue the good, to know the true, and to contemplate all things in beauty. Wilson begins by reconceiving the intellectual conservatism born of Edmund Burke’s jeremiad against the French Revolution as an eff­ort to preserve the West’s vision of man and the cosmos as ordered by and to beauty. After defining the achievement of that vision and its tradition, Wilson off­ers an extended study of the nature of beauty and the role of the fine arts in shaping a culture but above all in opening the human intellect to the perception of the form of reality. Through close studies of Theodor W. Adorno and Jacques Maritain, he recovers the classical vision of beauty as a revelation of truth and being. Finally, he revisits the ancient distinction between reason and story-telling, between mythos and logos, in order to rejoin the two.

Story-telling is foundational to the forms of the fine arts, but it is no less foundational to human reason. Human life in turn constitutes a specific kind of form—a story form. The ancient conception of human life as a pilgrimage to beauty itself is one that we can fully embrace only if we see the essential correlation between reason and story and the essential convertibility of truth, goodness and beauty in beauty. By turns a study in fundamental ontology, aesthetics, and political philosophy, Wilson’s book invites its readers to a renewal of the West’s intellectual tradition.

This volume will constitute the first published English translation of Ferdinand Ebner’s seminal 1921 work, Das Wort und die geistigen realitäten – long available in major languages but never in English. It is frequently compared with Martin Buber’s, I and Thou, published in 1923, which actually draws its central I-Thou insight from Ebner. In recent centuries, Philosophy reflects a turn toward the autonomous subject vs. a biblical sense of person. The limits/failures of science manifest in the horrors of World War I led to the emergence of a “Dialogical Personalist Philosophy” in reaction to the universal doubt of Cartesian thought and to German Idealism, which engages the idea or representation but not the reality of “things-in-themselves.” The core of Ebner: human speech is constitutive of human existence: humans are given the "word." "Having the word" is a miraculous gift from God. It is only in the word, in language, that an "I" meets a "Thou," that relationship and self-identity can occur, and this word is given in Jesus Christ, the Word made flesh: “In the beginning was the Word”; Jesus, the Logos of St. John's Gospel, mediates between God and man and “stands” between I and Thou. It is through Jesus that it is possible to address God in the human thou. The key to life’s meaning, to the centrality of relationship, and to God's continuous action in His creation, is found in the I-Thou question: why the I can never be found in itself, and so must look in the thou, while the false I will try to possess the thou as an object of power. This is Ebner's critique of idealist thought: reality, truth, and personal identity are neither ideas, nor found in ideas, therefore, Descartes' cogito must be rejected, for the existence of the I can't be founded or proved by solitary thinking, but only in relation with a thou.

In 1988, Nadine Dormoy conducted a series of interviews with René Girard at a pivotal moment in his career, just after a number of books and conferences had situated his work in a new context of research on self-organizing systems. In these interviews, Girard discusses the flurry of intellectual activity that followed the landmark 1981 Stanford University conference, Disorder and Order. Attended by several Nobel prize winners and other important intellectual figures, this event expanded his reputation in Europe and laid the groundwork for later accolades, including the Modern Language Association’s Award for Lifetime Scholarly Achievement and being elected as a member of the Académie Française. Girard also discusses Theater of Envy, his then-forthcoming book on Shakespeare and his first book written in English, as well as corrects several misunderstandings of his mimetic hypothesis. Dormoy is a spirited interlocutor, like Girard a postwar émigré who came to make a new life for herself teaching French in American universities. Translated into English for the first time by leading mimetic studies scholar William A. Johnsen, The World of René Girard is a must-have for those new to and familiar with Girard’s work.

A selection of poems that form a narrative about psychological and spiritual somnambulance in our current age and the ever-urgent need to wake up.

In Them That Slept, Larissa Szporluk gathers three decades of work into a single incandescent arc—poems that braid feminist theology, eros, and myth into a lyric of fierce awakening. Borrowing its title from First Corinthians—“the firstfruits of them that slept”—this collection asks what it means to rise, not into certainty, but into desire, voice, and embodiment. Here, virgins become saints and saints become women of appetite. Daughters speak back to fathers. The sea mothers and devours. Joan of Arc lingers in her cell. Venus tweets. The body is never merely symbolic—it is radiant, wounded, knowing. Szporluk’s women are not passive figures in inherited narratives; they are theologians of touch, architects of longing, midwives of their own transformations. 

Across selections from six previous books and a powerful suite of new poems, Szporluk reimagines sacred language as intimate speech. Biblical cadences shimmer against domestic interiors, fields, bedrooms, and storm skies. Eros is not an ornament but a form of knowledge; faith is not obedience but risk. These are poems that refuse to sleep through history. They burn toward revelation— sensual, subversive, and alive.

This collection of essays considers a variety of themes in philosophy, theology, and poetry, three ways of thinking that share a certain openness and comprehensiveness. The essays show how philosophy, theology, and poetry are ways of thinking in the medium of words—in large part in the medium of written words—against the background of all things and from the point of view of all of human life. As the essays make clear, philosophy, theology, and poetry are special ways of thinking and speaking, but they are the contrary of specializations. Many of the themes are perennial preoccupations in philosophy: being, time, number, friendship, pleasure, purpose, choice, reason, and order. Others are particular concerns of theology and poetry, such as the divine presence and absence in the world, and poetic form. The volume is divided into two parts: a first part consisting of eight essays on themes in Aquinas’s work, and a second part consisting of five essays on other authors whose thought, in one way or another, has an affinity with the thought of Aquinas: Aristotle, Augustine, Anselm, Dante, T. S. Eliot, and Robert Sokolowski. The volume’s title pays homage to Aquinas’s use of the Latin word consideratio, a favorite term of the scholastics that could refer to any careful attending to what one knows. The essays illustrate ways in which considerations undertaken in philosophy, theology, and poetry provide points of survey from which to take in, to the extent we can, the great panorama of the whole of things.

Meditative reflections on the great spiritual seeker’s deeply felt experience of the divine.

Henry David Thoreau’s spiritual life is a riddle. Thoreau’s passionate critique of formal religion is matched only by his rapturous descriptions of encounters with the divine in nature. He fled the church only to pursue a deeper communion with a presence he felt at the heart of the universe. He called this illimitable presence many names, but he often called it God.

In Thoreau’s God, Richard Higgins invites seekers—religious or otherwise—to walk with the great Transcendentalist through a series of meditations on his spiritual life. Thoreau offers us no creed, but his writings encourage reflection on how to live, what to notice, and what to love. Though his quest was deeply personal, Thoreau devoted his life to communicating his experience of an infinite, wild, life-giving God. By recovering this vital thread in Thoreau’s life and work, Thoreau’s God opens the door to a new understanding of an original voice in American religion that speaks to spiritual seekers today.