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The intriguing hilltop archaeological sites known as cerros de trincheras span almost three millennia, from 1250 BC to AD 1450. Archaeologists have long viewed them as a unitary phenomenon because they all have masonry architecture and occur mostly on low volcanic peaks. Scattered across the southwestern United States and northwestern Mexico, these sites received little comprehensive research until the 1980s. This first volume in the Amerind Studies in Archaeology series from the Amerind Foundation documents considerable variability among trincheras sites with respect to age, geographic location, and cultural affiliation.

This multi-author volume integrates a remarkable body of new data representing a textbook-like array of current research issues and methodologies in the archaeology of the region. Scholars from the United States and Mexico offer original research on trincheras sites in Chihuahua, Sonora, Arizona, and New Mexico. Scales of focus range from intensive intrasite sampling to the largest contiguous survey in the region. Authors incorporate spatial analyses, artifact studies, environmental and subsistence data, ethnographic analogs, ethnohistorical records, cross-cultural comparisons, archaeology, and archival resources.

The volume’s discussions contribute innovative approaches to worldwide interpretations of landscapes marked by hilltop sites. Contributors present meticulous research arguing that many trincheras sites were primarily used for habitation and ceremonial rites, in addition to previously predominant views of them as defensive refuges. Because trincheras occupations date from the late preceramic era to shortly before Spanish contact, authors relate them to early forms of agriculture, the emergence of village life, the appearance of differentiated settlement systems, and tendencies toward political and ritual centralization.

Detailed maps and figures illustrate the text, and close-up aerial photographs capture the visual essence of the sites, highlighted by a section that includes color photographs and an essay by renowned photographer Adriel Heisey.

Contributors:
 
Christian E. Downum
Paul R. Fish
Suzanne K. Fish
Robert J. Hard
Adriel Heisey
Stephen A. Kowalewski
Randall H. McGuire
Ben A. Nelson
John R. Roney
Judith Taylor
M. Elisa Villalpando
Joseph Vogel
Henry Wallace
David R. Wilcox
J. Scott Wood

From the fall of Troy recorded at the beginning of Western poetry to the ongoing mass extinction of species, Twelve Clocks meditates on the temporality of loss across the many scales of our experience and knowledge. Framed by central images of beginnings and ends, this collection searches six cities and intervals of time for the measures of loss, labor, and care. Through formal innovations derived from the second, the minute, the hour, etc., and the methods of their measure, these poems move from the stark violence of Homer’s tale to the terrible precision and power of the atomic age.
 
As the reader is transported from Las Vegas to Argentina to the landscapes of Ancient Greek epic poetry, Twelve Clocks explores the connections between song, ancestry, family, loss, and time. If the imagery of the collection hints Troy might be an image of the wrecked Argentine economy under neoliberal economics, the poems eschew the abstractions of politics in favor of a vivid and sensuous lyricism.
 
The interconnectivity of the poems in Twelve Clocks is mirrored by different elements’ transcendence throughout the collection. The clock that goes missing in one poem turns up in another, characters vanish and reappear, matter destroyed in one poem reoccurs as energy in another, and then matter and energy both go missing. Taken together, the poems confront the literary legacy of Western poetic tradition and our shared future.

Highly innovative and theoretically incisive, Two Lenins is the first book-length anthropological examination of how social reality can be organized around different yet concurrent ideas of time.

Nikolai Ssorin-Chaikov grounds his theoretical exploration in fascinating ethnographic and historical material on two Lenins: the first is the famed Soviet leader of the early twentieth century, and the second is a Siberian Evenki hunter—nicknamed “Lenin”—who experienced the collapse of the USSR during the 1990s. Through their intertwined stories, Ssorin-Chaikov unveils new dimensions of ethnographic reality by multiplying our notions of time.
           
Ssorin-Chaikov examines Vladimir Lenin at the height of his reign in 1920s Soviet Russia, focusing especially on his relationship with American businessperson Armand Hammer. He casts this scene against the second Lenin—the hunter on the far end of the country, in Siberia, at the far end of the century, the 1990s, who is tasked with improvising postsocialism in the economic and political uncertainties of post-Soviet transition. Moving from Moscow to Siberia to New York, and traveling form the 1920s to the 1960s to the 1990’s, Ssorin-Chaikov takes readers beyond a simple global history or cross-temporal comparison, instead using these two figures to enact an ethnographic study of the very category of time that we use to bridge different historical contexts.