8642 books match the query '20th Century' and 1764 start with t

cover of The Well at Morning: Selected Poems, 1925–1971

The Well at Morning

Selected Poems, 1925–1971

Bohuslav Reynek

Karolinum Press, 2017

Springtide
 
A chaffinch in a tree
of cherry sings merrily
spring’s introit.
 
Its blazing bobble dwells
in leaves, alive, and swells
in scarlet.
 
The flowers are flares of white.
The chaffinch has gone quiet
and turned sky-gazer.
 
My eyes close on the day:
an orb revolves in grey
and red and azure.
 
Poet and artist Bohuslav Reynek spent most of his life in the relative obscurity of the Czech-Moravian Highlands; although he suffered at the hands of the Communist regime, he cannot be numbered among the dissident poets of Eastern Europe who won acclaim for their political poetry in the second half of the twentieth century. Rather, Reynek belongs to an older pastoral-devotional tradition—a kindred spirit to the likes of English-language poets Gerard Manley Hopkins, William Wordsworth, Robert Frost, and Edward Thomas. The Well at Morning presents a selection of poems from across his life and is illustrated with twenty-five of his own color etchings. Also featuring three essays by leading scholars that place Reynek’s life and work alongside those of his better-known peers, this book presents a noted Czech artist to the wider world, reshaping and amplifying our understanding of modern European poetry.
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cover of The West Side Carbondale, Pennsylvania Mine Fire

The West Side Carbondale, Pennsylvania Mine Fire

Kathleen Purcell Munley

University of Scranton Press, 2010

In early 1947 residents of the west side of Carbondale, Pennsylvania began noticing a peculiar steam escaping from the ground. An investigation into this phenomenon revealed that Carbondale was slowly but steadily being destroyed by a burning inferno deep below its surface—a fire raging through the deserted anthracite coal mine shafts that twisted and turned beneath that part of the city. After several years of attempting to contain the fire by flushing, municipal leaders decided that the only sure way of eliminating the threat to the community was by digging it out. To eradicate the burning menace, hundreds of homes and buildings were purchased and destroyed, and what was once a vibrant neighborhood became an abandoned wasteland.

            
Historian Kathleen Purcell Munley narrates here the story of this great fire, identifying its source, tracing its history, and, through personal interviews with former Carbondale residents, reveals its physical and psychological toll. The mine fire destroyed the West Side as it was, but this volume will keep its memory alive and preserve an important chapter in the history of Carbondale and Pennsylvania.

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cover of The West Side of Any Mountain: Place, Space, and Ecopoetry

The West Side of Any Mountain

Place, Space, and Ecopoetry

J. Scott Bryson

University of Iowa Press, 2005

In contrast to nature poets of the past who tended more toward the bucolic and pastoral, many contemporary nature poets are taking up radical environmental and ecological themes. In the last few years, interesting and evocative work that examines this poetry has begun to lay the foundation for studies in ecopoetics.

Informed in general by current thinking in environmental theory and specifically by the work of cultural geographer Yi-Fu Tuan, The West Side of Any Mountain participates in and furthers this scholarly attention by offering an overarching theoretical framework with which to approach the field.

One area that contemporary theorists have found problematic is the dualistic civilization/wilderness binary that focuses on the divisions between culture and nature, thereby increasing the modern sense of alienation. Tuan’s place-space framework offers a succinct vocabulary for describing the attitudes of ecological poets and other nature writers in a way that avoids setting up an adversarial relationship between place and space. Scott Bryson describes the Tuanian framework and employs it to offer fresh readings of the work of four major ecopoets: Wendell Berry, Joy Harjo, Mary Oliver, and W. S. Merwin.

The West Side of Any Mountain will be of great interest to scholars and teachers working in the field of contemporary nature poetry. It is recommended for nature-writing courses as well as classes dealing with 20th-century poetry, contemporary literary criticism, and environmental theory.
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cover of The Westside Slugger: Joe Neal's Lifelong Fight for Social Justice

The Westside Slugger

Joe Neal's Lifelong Fight for Social Justice

John L. Smith

University of Nevada Press, 2019

The Westside Slugger is the powerful story of civil rights in Las Vegas and Nevada through the eyes and experience of Joe Neal, a history-making state lawmaker in Nevada. Neal rose from humble beginnings in Mound, Louisiana, during the Great Depression to become the first African American to serve in the Nevada State Senate.

Filled with an intense desire for education, he joined the United States Air Force and later graduated from Southern University—studying political science and the law at a time of great upheaval in the racial status quo. As part of a group of courageous men, Neal joined a Department of Justice effort to register the first black voters in Madison Parish.

When Neal moved to southern Nevada in 1963 he found the Silver State to be every bit as discriminatory as his former Louisiana home. As Neal climbed through the political ranks, he used his position in the state senate to speak on behalf of the powerless for more than thirty years. He took on an array of powerful opponents ranging from the Clark County sheriff to the governor of the state, as well as Nevada’s political kingmakers and casino titans. He didn’t always succeed—he lost two runs for governor—but he never stopped fighting. His successes included improved rights for convicted felons and greater services for public education, mental health, and the state’s libraries. He also played an integral role in improving hotel fire safety in the wake of the deadly MGM Grand fire and preserving the pristine waters of Lake Tahoe, which brought him national attention.

Neal lived a life that personified what is right, just, and fair. Pushing through racial and civil rights hurdles and becoming a lifelong advocate for social justice, his dedication and determination are powerful reminders to always fight the good fight and never stop swinging.
 
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cover of The Whips: Building Party Coalitions in Congress

The Whips

Building Party Coalitions in Congress

C. Lawrence Evans

University of Michigan Press, 2018

The party whips are essential components of the U.S. legislative system, responsible for marshalling party votes and keeping House and Senate party members in line. In The Whips, C. Lawrence Evans offers a comprehensive exploration of coalition building and legislative strategy in the U.S. House and Senate, ranging from the relatively bipartisan, committee-dominated chambers of the 1950s to the highly polarized congresses of the 2000s. In addition to roll call votes and personal interviews with lawmakers and staff, Evans examines the personal papers of dozens of former leaders of the House and Senate, especially former whips. These records allowed Evans to create a database of nearly 1,500 internal leadership polls on hundreds of significant bills across five decades of recent congressional history.

The result is a rich and sweeping understanding of congressional party leaders at work. Since the whips provide valuable political intelligence, they are essential to understanding how coalitions are forged and deals are made on Capitol Hill.

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cover of The White Negress: Literature, Minstrelsy, and the  Black-Jewish Imaginary

The White Negress

Literature, Minstrelsy, and the Black-Jewish Imaginary

Harrison-Kahan, Lori

Rutgers University Press, 2010

During the first half of the twentieth century, American Jews demonstrated a commitment to racial justice as well as an attraction to African American culture. Until now, the debate about whether such black-Jewish encounters thwarted or enabled Jews’ claims to white privilege has focused on men and representations of masculinity while ignoring questions of women and femininity. The White Negress investigates literary and cultural texts by Jewish and African American women, opening new avenues of inquiry that yield more complex stories about Jewishness, African American identity, and the meanings of whiteness.

Lori Harrison-Kahan examines writings by Edna Ferber, Fannie Hurst, and Zora Neale Hurston, as well as the blackface performances of vaudevillian Sophie Tucker and controversies over the musical and film adaptations of Show Boat and Imitation of Life. Moving between literature and popular culture, she illuminates how the dynamics of interethnic exchange have at once produced and undermined the binary of black and white.
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cover of The White Trash Menace and Hemispheric Fiction

The White Trash Menace and Hemispheric Fiction

Ramón E. Soto-Crespo

The Ohio State University Press, 2020

The White Trash Menace and Hemispheric Fiction uncovers a rich archive of “white trash” fiction in the Caribbean and its surrounding regions. After the abolition of slavery, affluent white planters underwent a period of identity crisis where wealth no longer maintained their privileges, and yet they did not belong to the group of newly freed peoples. Ramón E. Soto-Crespo analyzes the literary legacy of those who came under the label of “white trash.” This book argues that during the mid-twentieth century, “white trash” started off as a trope in pulp fiction and subsequently became absorbed into what we now think of as canonical literature. In The White Trash Menace, Soto-Crespo pairs novels from William Faulkner and Jean Rhys with pulp authors such as Edgar Mittelholzer and Kyle Onstott in order to provide an alternate account of the literary development of race and class in the Americas. Together these works constitute a circum-Atlantic, white-trash world of letters: a hemispheric network of decapitalized whiteness that challenges how we imagine literary history by departing from nation-based models of aesthetic development. By providing a genealogy of literary circulation, The White Trash Menace likewise challenges conventional understandings of “white trash,” and more broadly challenges our understanding of literature, class, and race in the Americas.  
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cover of The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront

The Williamsburg Avant-Garde

Experimental Music and Sound on the Brooklyn Waterfront

Cisco Bradley

Duke University Press, 2023

In The Williamsburg Avant-Garde Cisco Bradley chronicles the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and the early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephemera, Bradley explores the scene’s social, cultural, and economic dynamics. Building on the neighborhood’s punk DIY approach and aesthetic, Williamsburg's free jazz, postpunk, and noise musicians and groups---from Mary Halvorson, Zs, and Nate Wooley to Matana Roberts, Peter Evans, and Darius Jones---produced shows in a variety of unlicensed venues as well as in clubs and cafes. At the same time, pirate radio station free103point9 and music festivals made Williamsburg an epicenter of New York’s experimental culture. In 2005, New York’s rezoning act devastated the community as gentrification displaced its participants farther afield in Brooklyn and in Queens. With this portrait of Williamsburg, Bradley not only documents some of the most vital music of the late twentieth and early twenty-first centuries; he helps readers better understand the formation, vibrancy, and life span of experimental music and art scenes everywhere.
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cover of The Wilsonian Century: U.S. Foreign Policy since 1900

The Wilsonian Century

U.S. Foreign Policy since 1900

Frank Ninkovich

University of Chicago Press, 1999

For most of this century, American foreign policy was guided by a set of assumptions that were formulated during World War I by President Woodrow Wilson. In this incisive reexamination, Frank Ninkovich argues that the Wilsonian outlook, far from being a crusading, idealistic doctrine, was reactive, practical, and grounded in fear. Wilson and his successors believed it absolutely essential to guard against world war or global domination, with the underlying aim of safeguarding and nurturing political harmony and commercial cooperation among the great powers. As the world entered a period of unprecedented turbulence, Wilsonianism became a "crisis internationalism" dedicated to preserving the benign vision of "normal internationalism" with which the United States entered the twentieth century.

In the process of describing Wilson's legacy, Ninkovich reinterprets most of the twentieth century's main foreign policy developments. He views the 1920s, for example, not as an isolationist period but as a reversion to Taft's Dollar Diplomacy. The Cold War, with its faraway military interventions, illustrates Wilsonian America's preoccupation with achieving a cohesive world opinion and its abandonment of traditional, regional conceptions of national interest.

The Wilsonian Century offers a striking alternative to traditional interest-based interpretations of U.S. foreign policy. In revising the usual view of Wilson's contribution, Ninkovich shows the extraordinary degree to which Wilsonian ideas guided American policy through a century of conflict and tension.
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cover of The Wisconsin Story: 150 People, Places, and Turning Points that Shaped the Badger State

The Wisconsin Story

150 People, Places, and Turning Points that Shaped the Badger State

Dennis McCann

Wisconsin Historical Society Press, 2019

The Wisconsin Story: 150 People, Places, and Turning Points that Shaped the Badger State offers readers engaging vignettes about everything Wisconsin. From portraits of significant figures like Robert and Belle La Follette, Golda Meir, and Edna Ferber, to stories of important events like the Black Hawk War, 1960s campus protests, and oleo smuggling, The Wisconsin Story takes readers on a fun and informative ride all across the Badger State. Where was Calvin Coolidge’s summer White House? What was the “anti-corset resolution?” And why was a cow named Ollie milked on an airplane? Award-winning newspaper columnist Dennis McCann’s talent for distilling complex subjects into brief stories that pack a punch makes this collection the perfect answer to the question “what makes Wisconsin, Wisconsin?”
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cover of The Woman I Am: Southern Baptist Women's Writings, 1906–2006

The Woman I Am

Southern Baptist Women's Writings, 1906–2006

Melody Maxwell

University of Alabama Press, 2014

Melody Maxwell’s The Woman I Am analyzes the traditional, progressive, and potential roles female Southern Baptist writers and editors portrayed for Southern Baptist women from 1906 to 2006, particularly in the area of missions.

The Southern Baptist Convention (SBC) represents the largest Protestant denomination in the United States, yet Southern Baptist women’s voices have been underreported in studies of American religion and culture. In The Woman I Am, Melody Maxwell explores how female Southern Baptist writers and editors in the twentieth century depicted changing roles for women and responded to the tensions that arose as Southern Baptist women assumed leadership positions, especially in the areas of missions and denominational support.

Given access to a century of primary sources and archival documents, Maxwell writes, as did many of her subjects, in a style that deftly combines the dispassionate eye of an observer with the multidimensional grasp of a participant. She examines magazines published by Woman’s Missionary Union (WMU), an auxiliary to the SBC: Our Mission Fields (1906–1914), Royal Service (1914–1995), Contempo (1970–1995), and Missions Mosaic (1995–2006). In them, she traces how WMU writers and editors perceived, constructed, and expanded the lives of southern women.

Showing ingenuity and resiliency, these writers and editors continually, though not always consciously, reshaped their ideal of Christian womanhood to better fit the new paths open to women in American culture and Southern Baptist life. Maxwell’s work demonstrates that Southern Baptists have transformed their views on biblically sanctioned roles for women over a relatively short historical period.

How Southern Baptist women perceive women’s roles in their churches, homes, and the wider world is of central importance to readers interested in religion, society, and gender in the United States. The Woman I Am is a tour de force that makes a lasting contribution to the world’s understanding of Southern Baptists and to their understanding of themselves.
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cover of The Woman in the Window: Commerce, Consensual Fantasy, and the Quest for Masculine Virtue in the Russian Novel

The Woman in the Window

Commerce, Consensual Fantasy, and the Quest for Masculine Virtue in the Russian Novel

Russell Scott Valentino

The Ohio State University Press, 2014

In The Woman in the Window: Commerce, Consensual Fantasy, and the Quest for Masculine Virtue in the Russian Novel, Russell Scott Valentino offers pioneering new insights into the historical construction of virtue and its relation to the rapidly shifting economic context in modern Russia. This study illustrates how the traditional virtue ethic, grounded in property-based conceptions of masculine heroism, was eventually displaced by a new commercial ethic that rested upon consensual fantasy. The new economic world destabilized traditional Russian notions of virtue and posed a central question that Russian authors have struggled to answer since the early nineteenth century: How could a self-interested commercial man be incorporated into the Russian context as a socially valuable masculine character?
 
With chapters on Gogol, Tolstoy, and Dostoevsky as well as Pasternak and Nabokov, The Woman in the Window argues that Russian authors worked through this question via their depictions of “mixed-up men.” Such characters, according to Valentino, reveal that in a world where social reality and personal identity depend on consensual fantasies, the old masculine figure loses its grounding and can easily drift away. Valentino charts a range of masculine character types thrown off stride by the new commercially inflected world: those who embrace blind confidence, those who are split with doubt or guilt, and those who look for an ideal of steadfastness and purity to keep afloat—a woman in a window.
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cover of The Woman in the Zoot Suit: Gender, Nationalism, and the Cultural Politics of Memory

The Woman in the Zoot Suit

Gender, Nationalism, and the Cultural Politics of Memory

Catherine S. Ramírez

Duke University Press, 2009

The Mexican American woman zoot suiter, or pachuca, often wore a V-neck sweater or a long, broad-shouldered coat, a knee-length pleated skirt, fishnet stockings or bobby socks, platform heels or saddle shoes, dark lipstick, and a bouffant. Or she donned the same style of zoot suit that her male counterparts wore. With their striking attire, pachucos and pachucas represented a new generation of Mexican American youth, which arrived on the public scene in the 1940s. Yet while pachucos have often been the subject of literature, visual art, and scholarship, The Woman in the Zoot Suit is the first book focused on pachucas.

Two events in wartime Los Angeles thrust young Mexican American zoot suiters into the media spotlight. In the Sleepy Lagoon incident, a man was murdered during a mass brawl in August 1942. Twenty-two young men, all but one of Mexican descent, were tried and convicted of the crime. In the Zoot Suit Riots of June 1943, white servicemen attacked young zoot suiters, particularly Mexican Americans, throughout Los Angeles. The Chicano movement of the 1960s–1980s cast these events as key moments in the political awakening of Mexican Americans and pachucos as exemplars of Chicano identity, resistance, and style. While pachucas and other Mexican American women figured in the two incidents, they were barely acknowledged in later Chicano movement narratives. Catherine S. Ramírez draws on interviews she conducted with Mexican American women who came of age in Los Angeles in the late 1930s, 1940s, and 1950s as she recovers the neglected stories of pachucas. Investigating their relative absence in scholarly and artistic works, she argues that both wartime U.S. culture and the Chicano movement rejected pachucas because they threatened traditional gender roles. Ramírez reveals how pachucas challenged dominant notions of Mexican American and Chicano identity, how feminists have reinterpreted la pachuca, and how attention to an overlooked figure can disclose much about history making, nationalism, and resistant identities.

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cover of The Wombs of Women: Race, Capital, Feminism

The Wombs of Women

Race, Capital, Feminism

Françoise Vergès

Duke University Press, 2020

In the 1960s thousands of poor women of color on the (post)colonial French island of Reunion had their pregnancies forcefully terminated by white doctors; the doctors operated under the pretext of performing benign surgeries, for which they sought government compensation. When the scandal broke in 1970, the doctors claimed to have been encouraged to perform these abortions by French politicians who sought to curtail reproduction on the island, even though abortion was illegal in France. In The Wombs of Women—first published in French and appearing here in English for the first time—Françoise Vergès traces the long history of colonial state intervention in black women’s wombs during the slave trade and postslavery imperialism as well as in current birth control politics. She examines the women’s liberation movement in France in the 1960s and 1970s, showing that by choosing to ignore the history of the racialization of women’s wombs, French feminists inevitably ended up defending the rights of white women at the expense of women of color. Ultimately, Vergès demonstrates how the forced abortions on Reunion were manifestations of the legacies of the racialized violence of slavery and colonialism.
 
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cover of The Women Who Reconstructed American Jewish Education, 1910-1965

The Women Who Reconstructed American Jewish Education, 1910-1965

Edited by Carol K. Ingall

Brandeis University Press, 2010

The conventional history of Jewish education in the United States focuses on the contributions of Samson Benderly and his male disciples. This volume tells a different story—the story of the women who either influenced or were influenced by Benderly or his closest friend, Mordecai Kaplan. Through ten portraits, the contributors illuminate the impact of these unheralded women who introduced American Jews to Hebraism and Zionism and laid the foundation for contemporary Jewish experiential education. Taken together, these ten portraits illuminate the important and hitherto unexamined contribution of women to the development of American Jewish education.
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cover of The Women of Provincetown, 1915–1922

The Women of Provincetown, 1915–1922

Cheryl Black

University of Alabama Press, 2001

An illuminating account of the roles a remarkable group of women played in one of the most influential theatre groups in America, demonstrating their influence on 20th-century dramaturgy and culture.

In this fascinating work, Cheryl Black reveals that, in addition to its role in developing an American tradition of non-commercial theatre, Provincetown has another, largely unacknowledged claim to fame as one of the first theatre companies in America in which women achieved prominence in every area of operation. At a time when women playwrights were rare, women directors rarer, and women scenic designers unheard of, Provincetown’s female members excelled in all of these roles.

In addition to the well-known playwright Susan Gaspell, the company’s female membership included luminaries such poets Edna St. Vincent Millay, Mina Loy, and Djuna Barnes; journalists Louise Bryant and Mary Heaton Vorce; novelists Neith Boyce and Evelyn Scott; and painter Marguerite Zorach. Illuminating a fascinating chapter in the history of one of the world's most picturesque and beloved artist colonies, The Women of Provincetown is an engaging work of social history, offering new insights into the relationship between gender and theatre. This work includes 40 images of the key artists in the book.

 
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cover of The Women's Joint Congressional Committee and the Politics of Maternalism, 1920-30

The Women's Joint Congressional Committee and the Politics of Maternalism, 1920-30

Jan Doolittle Wilson

University of Illinois Press, 2006

The rise and fall of a feminist reform powerhouse

Jan Doolittle Wilson offers the first comprehensive history of the umbrella organization founded by former suffrage leaders in order to coordinate activities around women's reform. Encompassing nearly every major national women's organization of its time, the Women's Joint Congressional Committee (WJCC) evolved into a powerful lobbying force for the legislative agendas of more than twelve million women. Critics and supporters alike came to recognize it as "the most powerful lobby in Washington." 

Examining the WJCC's most consequential and contentious campaigns, Wilson traces how the group's strategies, rhetoric, and success generated congressional and grassroots support for their far-reaching, progressive reforms. But the committee's early achievements sparked a reaction by big business that challenged and ultimately limited the programs these women envisioned. Using the WJCC as a lens, Wilson analyzes women's political culture during the 1920s. She also sheds new light on the initially successful ways women lobbied for social legislation, the limitations of that process for pursuing class-based reforms, and the enormous difficulties the women soon faced in trying to expand public responsibility for social welfare.

A volume in the series Women in American History, edited by Anne Firor Scott, Susan Armitage, Susan K. Cahn, and Deborah Gray White

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cover of The Work Ethic in Industrial America 1850-1920: Second Edition

The Work Ethic in Industrial America 1850-1920

Second Edition

Daniel T. Rodgers

University of Chicago Press, 2014

The phrase “a strong work ethic” conjures images of hard-driving employees working diligently for long hours. But where did this ideal come from, and how has it been buffeted by changes in work itself? While seemingly rooted in America’s Puritan heritage, perceptions of work ethic have actually undergone multiple transformations over the centuries. And few eras saw a more radical shift in labor ideology than the American industrial age.

Daniel T. Rodgers masterfully explores the ways in which the eclipse of small-scale workshops by mechanized production and mass consumption triggered far-reaching shifts in perceptions of labor, leisure, and personal success.  He also shows how the new work culture permeated society, including literature, politics, the emerging feminist movement, and the labor movement.

A staple of courses in the history of American labor and industrial society, Rodgers’s sharp analysis is sure to find a new audience, as twenty-first-century workers face another shift brought about by technology. The Work Ethic in Industrial America 1850–1920 is a classic with critical relevance in today’s volatile economic times.
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cover of The Work of Kings

The Work of Kings

H. L. Seneviratne

University of Chicago Press, 2000

The Work of Kings is a stunning new look at the turbulent modern history and sociology of the Sri Lankan Buddhist Monkhood and its effects upon contemporary society. Using never-before translated Sinhalese documents and extensive interviews with monks, Sri Lankan anthropologist H.L. Seneviratne unravels the inner workings of this New Buddhism and the ideology on which it is based.

Beginning with Anagarika Dharmapala's "rationalization" of Buddhism in the early twentieth century, which called for monks to take on a more activist role in the community, Seneviratne shows how the monks have gradually revised their role to include involvement in political and economic spheres. The altruistic, morally pure monks of Dharamapala's dreams have become, Seneviratne trenchantly argues, self-centered and arrogant, concealing self-aggrandizement behind a façade of "social service."

A compelling call for reform and a forceful analysis, The Work of Kings is essential to anthropologists, historians of religion, and those interested in colonialism, nationalism, and postcolonial politics.
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cover of The World Is Always Coming to an End: Pulling Together and Apart in a Chicago Neighborhood

The World Is Always Coming to an End

Pulling Together and Apart in a Chicago Neighborhood

Carlo Rotella

University of Chicago Press, 2019

An urban neighborhood remakes itself every day—and unmakes itself, too. Houses and stores and streets define it in one way. But it’s also people—the people who make it their home, some eagerly, others grudgingly. A neighborhood can thrive or it can decline, and neighbors move in and move out. Sometimes they stay but withdraw behind fences and burglar alarms. If a neighborhood becomes no longer a place of sociability and street life, but of privacy indoors and fearful distrust outdoors, is it still a neighborhood?
 
In the late 1960s and 1970s Carlo Rotella grew up in Chicago’s South Shore neighborhood—a place of neat bungalow blocks and desolate commercial strips, and sharp, sometimes painful social contrasts. In the decades since, the hollowing out of the middle class has left residents confronting—or avoiding—each other across an expanding gap that makes it ever harder for them to recognize each other as neighbors. Rotella tells the stories that reveal how that happened—stories of deindustrialization and street life; stories of gorgeous apartments with vistas onto Lake Michigan and of Section 8 housing vouchers held by the poor. At every turn, South Shore is a study in contrasts, shaped and reshaped over the past half-century by individual stories and larger waves of change that make it an exemplar of many American urban neighborhoods. Talking with current and former residents and looking carefully at the interactions of race and class, persistence and change, Rotella explores the tension between residents’ deep investment of feeling and resources in the physical landscape of South Shore and their hesitation to make a similar commitment to the community of neighbors living there.
 
Blending journalism, memoir, and archival research, The World Is Always Coming to an End uses the story of one American neighborhood to challenge our assumptions about what neighborhoods are, and to think anew about what they might be if we can bridge gaps and commit anew to the people who share them with us. Tomorrow is another ending.
 
[more]
cover of The World Is Always Coming to an End: Pulling Together and Apart in a Chicago Neighborhood

The World Is Always Coming to an End

Pulling Together and Apart in a Chicago Neighborhood

Carlo Rotella

University of Chicago Press, 2019

An urban neighborhood remakes itself every day—and unmakes itself, too. Houses and stores and streets define it in one way. But it’s also people—the people who make it their home, some eagerly, others grudgingly. A neighborhood can thrive or it can decline, and neighbors move in and move out. Sometimes they stay but withdraw behind fences and burglar alarms. If a neighborhood becomes no longer a place of sociability and street life, but of privacy indoors and fearful distrust outdoors, is it still a neighborhood?
 
In the late 1960s and 1970s Carlo Rotella grew up in Chicago’s South Shore neighborhood—a place of neat bungalow blocks and desolate commercial strips, and sharp, sometimes painful social contrasts. In the decades since, the hollowing out of the middle class has left residents confronting—or avoiding—each other across an expanding gap that makes it ever harder for them to recognize each other as neighbors. Rotella tells the stories that reveal how that happened—stories of deindustrialization and street life; stories of gorgeous apartments with vistas onto Lake Michigan and of Section 8 housing vouchers held by the poor. At every turn, South Shore is a study in contrasts, shaped and reshaped over the past half-century by individual stories and larger waves of change that make it an exemplar of many American urban neighborhoods. Talking with current and former residents and looking carefully at the interactions of race and class, persistence and change, Rotella explores the tension between residents’ deep investment of feeling and resources in the physical landscape of South Shore and their hesitation to make a similar commitment to the community of neighbors living there.
 
Blending journalism, memoir, and archival research, The World Is Always Coming to an End uses the story of one American neighborhood to challenge our assumptions about what neighborhoods are, and to think anew about what they might be if we can bridge gaps and commit anew to the people who share them with us. Tomorrow is another ending.
 
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cover of The World Is Our Stage: The Global Rhetorical Presidency and the Cold War

The World Is Our Stage

The Global Rhetorical Presidency and the Cold War

Allison M. Prasch

University of Chicago Press, 2023

A fresh account of the US presidential rhetoric embodied in Cold War international travel.
 
Crowds swarm when US presidents travel abroad, though many never hear their voices. The presidential body, moving from one secured location to another, communicates as much or more to these audiences than the texts of their speeches. In The World is Our Stage, Allison M. Prasch considers how presidential appearances overseas broadcast American superiority during the Cold War. Drawing on extensive archival research, Prasch examines five foundational moments in the development of what she calls the “global rhetorical presidency:” Truman at Potsdam, Eisenhower’s “Goodwill Tours,” Kennedy in West Berlin, Nixon in the People’s Republic of China, and Reagan in Normandy. In each case, Prasch reveals how the president’s physical presence defined the boundaries of the “Free World” and elevated the United States as the central actor in Cold War geopolitics.
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cover of The World Sixties Made: Politics And Culture In Recent America

The World Sixties Made

Politics And Culture In Recent America

edited by Van Gosse and Richard Moser

Temple University Press, 2003

How can we make sense of the fact that after decades of right-wing political mobilizing the major social changes wrought by the Sixties are more than ever part of American life? The World the Sixties Made, the first academic collection to treat the last quarter of the twentieth century as a distinct period of U.S. history, rebuts popular accounts that emphasize a conservative ascendancy. The essays in this volume survey a vast historical terrain to tease out the meaning of the not-so-long ago. They trace the ways in which recent U.S. culture and politics continue to be shaped by the legacy of the New Left's social movements, from feminism to gay liberation to black power. Together these essays demonstrate that the America that emerged in the 1970s was a nation profoundly, even radically democratized.
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cover of The World Turned: Essays on Gay History, Politics, and Culture

The World Turned

Essays on Gay History, Politics, and Culture

John D Emilio

Duke University Press, 2002

Something happened in the 1990s, something dramatic and irreversible. A group of people long considered a moral menace and an issue previously deemed unmentionable in public discourse were transformed into a matter of human rights, discussed in every institution of American society. Marriage, the military, parenting, media and the arts, hate violence, electoral politics, public school curricula, human genetics, religion: Name the issue, and the the role of gays and lesbians was a subject of debate. During the 1990s, the world seemed finally to turn and take notice of the gay people in its midst. In The World Turned, distinguished historian and leading gay-rights activist John D’Emilio shows how gay issues moved from the margins to the center of national consciousness during the critical decade of the 1990s.

In this collection of essays, D’Emilio brings his historian’s eye to bear on these profound changes in American society, culture, and politics. He explores the career of Bayard Rustin, a civil rights leader and pacifist who was openly gay a generation before almost everyone else; the legacy of radical gay and lesbian liberation; the influence of AIDS activist and writer Larry Kramer; the scapegoating of gays and lesbians by the Christian Right; the gay-gene controversy and the debate over whether people are "born gay"; and the explosion of attention focused on queer families. He illuminates the historical roots of contemporary debates over identity politics and explains why the gay community has become, over the last decade, such a visible part of American life.

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cover of The World and the Bo Tree

The World and the Bo Tree

Helen Bevington

Duke University Press, 1991

“Each time I leave home I seem to go in search of something—call it a bo tree, or Shangri-La, or paradise—which is only another name for peace itself and these days decidedly a fool’s errand.”
So writes Helen Bevington in The World and the Bo Tree, a book that describes her travels taken amid the turbulence of the 1980s. The “world” of the title is the one everybody knows, a fairly troubled, even threatening place to inhabit these days. The bo tree, which has flourished for centuries in India and Asia, is itself a meaningful symbol of peace, since under it the Buddha sat when he gained enlightenment and sought thereafter to share it with the world.
The book fashions a delightful fabric, a weave of exotic journeys and chaotic recent history. While we travel with Bevington to and from various destinations in Europe, Asia, South America, Africa, China, and elsewhere, we are conscious of the look of the world at home in striking contrast to the serenity occasionally glimpsed in distant places. At home she reminds us of such global disturbances as the demise of the Equal Rights Amendment, the Chernobyl nuclear disaster, the explosion of the space shuttle Challenger, and the possible destruction of the planet. Abroad, on some quest of their own, we may encounter such fascinating passersby as Mark Twain in Bangkok, Lord Byron in Italy, Goethe in Sicily, Marco Polo in China, Isak Dinesen in Africa, and Gladstone in the Blue Grotto of Capri.
Against the backdrop of the world, Bevington discovers moments of peace in unexpected and unlikely places—visible, she says, in Tibet or on the road to Mandalay, in the look of the midnight sun, or in the silence of Africa. Fleeting and elusive though these moments are, they are real and in themselves strangely enlightening.
[more]
cover of The World beyond the Windshield: Roads and Landscapes in the United States and Europe

The World beyond the Windshield

Roads and Landscapes in the United States and Europe

Christof Mauch

Ohio University Press, 2008

For better or worse, the view through a car’s windshield has redefined how we see the world around us. In some cases, such as the American parkway, the view from the road was the be-all and end-all of the highway; in others, such as the Italian autostrada, the view of a fast, efficient transportation machine celebrating either Fascism or its absence was the goal. These varied environments are neither necessary nor accidental but the outcomes of historical negotiations, and whether we abhor them or take delight in them, they have become part of the fabric of human existence.

The World beyond the Windshield: Roads and Landscapes in the United States and Europe is the first systematic, comparative look at these landscapes. By looking at examples from the United States and Europe, the chapters in this volume explore the relationship between the road and the landscape thatit traverses, cuts through, defines, despoils, and enhances. The authors analyze the Washington Beltway and the Blue Ridge Parkway, as well as iconic roads in Italy, Nazi Germany, East Germany, and Great Britain. This is a story of the transatlantic exchange of ideas about environment and technology and of the national and nationalistic appropriations of such landscaping.

[more]
cover of The World in a City: Multiethnic Radicalism in Early Twentieth-Century Los Angeles

The World in a City

Multiethnic Radicalism in Early Twentieth-Century Los Angeles

David M. Struthers

University of Illinois Press, 2019

A massive population shift transformed Los Angeles in the first decades of the twentieth century. Americans from across the country relocated to the city even as an unprecedented transnational migration brought people from Asia, Europe, and Mexico. Together, these newcomers forged a multiethnic alliance of anarchists, labor unions, and leftists dedicated to challenging capitalism, racism, and often the state.

David M. Struthers draws on the anarchist concept of affinity to explore the radicalism of Los Angeles's interracial working class from 1900 to 1930. Uneven economic development created precarious employment and living conditions for laborers. The resulting worker mobility led to coalitions that, inevitably, remained short lived. As Struthers shows, affinity helps us understand how individual cooperative actions shaped and reshaped these alliances. It also reveals social practices of resistance that are often too unstructured or episodic for historians to capture. What emerges is an untold history of Los Angeles and a revolutionary movement that, through myriad successes and failures, produced powerful examples of racial cooperation.

[more]
cover of The World of Aufbau: Hitler's Refugees in America

The World of Aufbau

Hitler's Refugees in America

Peter Schrag

University of Wisconsin Press, 2019

Aufbau—a German-language weekly, published in New York and circulated nationwide—was an essential platform for the generation of refugees from Hitler and the displaced people and concentration camp survivors who arrived in the United States after the war. The publication served to link thousands of readers looking for friends and loved ones in every part of the world. In its pages Aufbau focused on concerns that strongly impacted this community in the aftermath of World War II: anti-Semitism in the United States and in Europe, the ever-changing immigration and naturalization procedures, debates about the designation of Hitler refugees as enemy aliens, questions about punishment for the Holocaust and other Nazi crimes, the struggle for compensation and restitution, and the fight for a Jewish homeland.

The book examines the columns and advertisements that chronicled the social and cultural life of that generation and maintained a detailed account of German-speaking cultures in exile. Peter Schrag is the first to present a definitive account of the influential publication that brought postwar refugees together and into the American mainstream.
[more]
cover of The World of Mike Royko

The World of Mike Royko

Doug Moe

University of Wisconsin Press, 1999

This illustrated biography is the first account of the colorful life of Chicago newspaper columnist Mike Royko, Pulitzer Prize winner, best-selling author, and legendary journalist who personified Chicago in all its rough-edged charm. Drawing on exclusive photos and interviews with Royko’s family and intimates, the book chronicles Royko’s rise from a “flat-above-a-tavern” youth—raised above a bar on Chicago’s Polish northwest side—to one of the best-known names in American journalism.
    Readers will get the inside scoop on Royko’s epic battles with Mayor Richard J. Daley and other politicians and his hilarious columns featuring “Slats Grobnik.” They’ll also meet a softer, largely unknown, side of Royko, through the love letters he sent to his wife-to-be from an Air Force base in Washington State.
    More than 100 photos—many never before available to the public—capture the man and his times. Millions of readers—in 800 newspapers around the world—followed Royko’s work and life. In The World of Mike Royko—he lives again.

[more]
cover of The World of Worker: LABOR IN TWENTIETH-CENTURY AMERICA

The World of Worker

LABOR IN TWENTIETH-CENTURY AMERICA

James R. Green

University of Illinois Press, 1998

 
      The World of the Worker illuminates workers' lives at home, on
        the job, and in the voting booths. A new preface enhances this social,
        cultural, and political history: an unparalleled picture of working people
        during the turbulent rise and fall of the labor movement.
      "A fresh and provocative look at twentieth-century American unions,
        and a fine introduction to recent labor history scholarship." --
        Leslie Woodcock Tentler, Washington Post Book World
      "Will be welcomed by anyone with a serious interest in labor history."
        -- Library Journal
      "Probably the best social history of twentieth-century labor
        there is." -- Kirkus Reviews
      "Virtually replaces any previously existing one-volume popular history
        of the labor movement." -- Ron Radosh, Democratic Left
 
[more]
cover of The World of the John Birch Society: Conspiracy, Conservatism, and the Cold War

The World of the John Birch Society

Conspiracy, Conservatism, and the Cold War

D. J. Mulloy

Vanderbilt University Press, 2014

A Selection of the History Book Club
Named One of "Six Books for Insight on a Trump Presidency" by the Washington Post


As far as members of the hugely controversial John Birch Society were concerned, the Cold War revealed in stark clarity the loyalties and disloyalties of numerous important Americans, including Dwight Eisenhower, John Kennedy, and Earl Warren. Founded in 1958 as a force for conservative political advocacy, the Society espoused the dangers of enemies foreign and domestic, including the Soviet Union, organizers of the US civil rights movement, and government officials who were deemed "soft" on communism in both the Republican and Democratic parties. Sound familiar? In The World of the John Birch Society, author D. J. Mulloy reveals the tactics of the Society in a way they've never been understood before, allowing the reader to make the connections to contemporary American politics, up to and including the Tea Party. These tactics included organized dissemination of broad-based accusations and innuendo, political brinksmanship within the Republican Party, and frequent doomsday predictions regarding world events. At the heart of the organization was Robert Welch, a charismatic writer and organizer who is revealed to have been the lifeblood of the Society's efforts.

The Society has seen its influence recede from the high-water mark of 1970s, but the organization still exists today. Throughout The World of the John Birch Society, the reader sees the very tenets and practices in play that make the contemporary Tea Party so effective on a local level. Indeed, without the John Birch Society paving the way, the Tea Party may have encountered a dramatically different political terrain on its path to power.
[more]
cover of The World of the John Birch Society: Conspiracy, Conservatism, and the Cold War

The World of the John Birch Society

Conspiracy, Conservatism, and the Cold War

D. J. Mulloy

Vanderbilt University Press, 2014

A Selection of the History Book Club
Named One of "Six Books for Insight on a Trump Presidency" by the Washington Post


As far as members of the hugely controversial John Birch Society were concerned, the Cold War revealed in stark clarity the loyalties and disloyalties of numerous important Americans, including Dwight Eisenhower, John Kennedy, and Earl Warren. Founded in 1958 as a force for conservative political advocacy, the Society espoused the dangers of enemies foreign and domestic, including the Soviet Union, organizers of the US civil rights movement, and government officials who were deemed "soft" on communism in both the Republican and Democratic parties. Sound familiar? In The World of the John Birch Society, author D. J. Mulloy reveals the tactics of the Society in a way they've never been understood before, allowing the reader to make the connections to contemporary American politics, up to and including the Tea Party. These tactics included organized dissemination of broad-based accusations and innuendo, political brinksmanship within the Republican Party, and frequent doomsday predictions regarding world events. At the heart of the organization was Robert Welch, a charismatic writer and organizer who is revealed to have been the lifeblood of the Society's efforts.

The Society has seen its influence recede from the high-water mark of 1970s, but the organization still exists today. Throughout The World of the John Birch Society, the reader sees the very tenets and practices in play that make the contemporary Tea Party so effective on a local level. Indeed, without the John Birch Society paving the way, the Tea Party may have encountered a dramatically different political terrain on its path to power.
[more]
cover of The World the Game Theorists Made

The World the Game Theorists Made

Paul Erickson

University of Chicago Press, 2015

In recent decades game theory—the mathematics of rational decision-making by interacting individuals—has assumed a central place in our understanding of capitalist markets, the evolution of social behavior in animals, and even the ethics of altruism and fairness in human beings. With game theory’s ubiquity, however, has come a great deal of misunderstanding. Critics of the contemporary social sciences view it as part of an unwelcome trend toward the marginalization of historicist and interpretive styles of inquiry, and many accuse its proponents of presenting a thin and empirically dubious view of human choice.
           
The World the Game Theorists Made seeks to explain the ascendency of game theory, focusing on the poorly understood period between the publication of John von Neumann and Oscar Morgenstern’s seminal Theory of Games and Economic Behavior in 1944 and the theory’s revival in economics in the 1980s. Drawing on a diverse collection of institutional archives, personal correspondence and papers, and interviews, Paul Erickson shows how game theory offered social scientists, biologists, military strategists, and others a common, flexible language that could facilitate wide-ranging thought and debate on some of the most critical issues of the day.
[more]
cover of The World through the Dime Store Door: A Memoir

The World through the Dime Store Door

A Memoir

Aileen Kilgore Henderson

University of Alabama Press, 2020

A coming-of-age memoir evoking farm, mining, and small-town life in Alabama’s Tuscaloosa County as the world transitions from the Great Depression to World War II.

In the 1930s, the rural South was in the throes of the Great Depression. Farm life was monotonous and hard, but a timid yet curious teenager thought it worth recording. Aileen Kilgore Henderson kept a chronicle of her family’s daily struggles in Tuscaloosa County alongside events in the wider world she gleaned from shortwave radio and the occasional newspaper. She wrote about Howard Hughes’s round-the-world flight and her horror at the rise to power in Germany of a bizarre politician named Adolf Hitler. Henderson longed to join the vast world beyond the farm, but feared leaving the refuge of her family and beloved animals.

Yet, with her father’s encouragement, she did leave, becoming a clerk in the Kress dime store in downtown Tuscaloosa. Despite long workdays and a lengthy bus commute, she continued to record her observations and experiences in her diary, for every day at the dime store was interesting and exciting for an observant young woman who found herself considering new ideas and different points of view.

Drawing on her diary entries from the 1930s and early 1940s, Henderson recollects a time of sweeping change for Tuscaloosa and the South. The World through the Dime Store Door is a personal and engaging account of a Southern town and its environs in transition told through the eyes of a poor young woman with only a high school education but gifted with a lively mind and an openness to life.
 

[more]
cover of The Worlds of Victor Sassoon: Bombay, London, Shanghai, 1918–1941

The Worlds of Victor Sassoon

Bombay, London, Shanghai, 1918–1941

Rosemary Wakeman

University of Chicago Press, 2024

An interpretative history of global urbanity in the 1920s and 1930s, from the vantage point of Bombay, London, and Shanghai, that follows the life of business tycoon Victor Sassoon.
 
In this book, historian Rosemary Wakeman brings to life the frenzied, crowded streets, markets, ports, and banks of Bombay, London, and Shanghai. In the early twentieth century, these cities were at the forefront of the sweeping changes taking the world by storm as it entered an era of globalized commerce and the unprecedented circulation of goods, people, and ideas. Wakeman explores these cities and the world they helped transform through the life of Victor Sassoon, who in 1924 gained control of his powerful family’s trading and banking empire. She tracks his movements between these three cities as he grows his family’s fortune and transforms its holdings into a global juggernaut. Using his life as its point of entry, The Worlds of Victor Sassoon paints a broad portrait not just of wealth, cosmopolitanism, and leisure but also of the discrimination, exploitation, and violence wreaked by a world increasingly driven by the demands of capital.
[more]
cover of The Worm in the Apple: A History of the Conservative Party and Europe from Churchill to Cameron

The Worm in the Apple

A History of the Conservative Party and Europe from Churchill to Cameron

Christopher Tugendhat

Haus Publishing, 2022

The first extensive history of the relationship between the UK Conservative Party and the European Union.
 
The Conservative Party has been in power for 47 of the 65 years since the end of World War II. During that time the division within the party over Europe has been the enduring drama of British politics—from Churchill’s decision not to join the original European Coal and Steel Community in 1951 to Cameron’s decision to hold the Brexit referendum in 2016. Other leaders came and went, but the issue was always there—sometimes center-stage, at others behind the scenes—destabilizing foreign policy, corroding the body politic, and destroying several of the party’s leaders. These questions, and how they panned out, created a deep, grumbling discontent—the worm in the apple—that, over time, turned the Conservative Party and, by extension, a significant section of the electorate, against British membership of the EU. By telling the story of the arguments and divisions within the Conservative Party, The Worm in the Apple helps to explain why Britain voted to leave the European Union in 2016.
 
[more]
cover of The Worm in the Wheat: Rosalie Evans and Agrarian Struggle in the Puebla-Tlaxcala Valley of Mexico, 1906-1927

The Worm in the Wheat

Rosalie Evans and Agrarian Struggle in the Puebla-Tlaxcala Valley of Mexico, 1906-1927

Timothy J. Henderson

Duke University Press, 1998

The Worm in the Wheat is a compelling tale of political intrigue, violence, shifting allegiances, extreme poverty, and the recalcitrance of one woman. Above all, it is a multileveled interpretation of the Mexican revolution and the ultimate failure of agrarian reform. Timothy J. Henderson recounts the story of Rosalie Evans, a woman who lost her life defending her Mexican hacienda in defiance of confiscation decrees. This dramatic narrative is populated with many diverse actors: Mexican, British, and American officials, soldiers, rebel leaders, bureaucrats, peasants, vigilantes, and the unforgettable figure of Evans herself.
In a world where power and wealth are distributed unevenly and where revolutionary ideas aiming to right the balance continue to proliferate, it is essential, Henderson claims, to understand the revolutionary process not as a philosophical abstraction but as intimate human drama. This book, by providing a detailed study of a single case, sheds invaluable light on this process and on the making of modern Mexico. Incorporating extensive primary research, Henderson describes the complexity of international, national, state, and local politics and the corresponding diverse responses to this historic attempt at agrarian reform.
The Worm in the Wheat will be informative reading for those interested in the modern history of Mexico, students of social movements and revolution, Latin Americanists, and scholars of agrarian history.


[more]
cover of The Wounded Heart: Writing on Cherríe Moraga

The Wounded Heart

Writing on Cherríe Moraga

By Yvonne Yarbro-Bejarano

University of Texas Press, 2001

In her work as poet, essayist, editor, dramatist, and public intellectual, Chicana lesbian writer Cherríe Moraga has been extremely influential in current debates on culture and identity as an ongoing, open-ended process. Analyzing the "in-between" spaces in Moraga's writing where race, gender, class, and sexuality intermingle, this first book-length study of Moraga's work focuses on her writing of the body and related material practices of sex, desire, and pleasure.

Yvonne Yarbro-Bejarano divides the book into three sections, which analyze Moraga's writing of the body, her dramaturgy in the context of both dominant and alternative Western theatrical traditions, and her writing of identities and racialized desire. Through close textual readings of Loving in the War Years, Giving Up the Ghost, Shadow of a Man, Heroes and Saints, The Last Generation, and Waiting in the Wings, Yarbro-Bejarano contributes to the development of a language to talk about sexuality as potentially empowering, the place of desire within politics, and the intricate workings of racialized desire.

[more]
cover of The Writer as Migrant

The Writer as Migrant

Ha Jin

University of Chicago Press, 2008

National Book Award winner Ha Jin raises questions about language, migration, and the place of literature in a rapidly globalizing world.

Consisting of three interconnected essays, The Writer as Migrant sets Ha Jin’s own work and life alongside those of other literary exiles, creating a conversation across cultures and between eras. He employs the cases of Alexander Solzhenitsyn and Chinese novelist Lin Yutang to illustrate the obligation a writer feels to the land of their birth, while Joseph Conrad and Vladimir Nabokov—who, like Ha Jin, adopted English for their writing—are enlisted to explore a migrant author’s conscious choice of a literary language. A final essay draws on V. S. Naipaul and Milan Kundera to consider the ways in which our era of perpetual change forces a migrant writer to reconceptualize the very idea of home. Throughout, Jin brings other celebrated writers into the conversation as well, including W. G. Sebald, C. P. Cavafy, and Salman Rushdie—refracting and refining the very idea of a literature of migration.

Simultaneously a reflection on a crucial theme and a fascinating glimpse at the writers who compose Ha Jin’s mental library, The Writer as Migrant is a work of passionately engaged criticism, one rooted in departures but feeling like a new arrival.
[more]
cover of The Writer in Petrograd and the House of Arts

The Writer in Petrograd and the House of Arts

Martha Weitzel Hickey

Northwestern University Press, 2009

Founded by Maksim Gorky and Kornei Chukovsky in 1919 and disbanded in 1922, the Petrograd House of Arts occupied a crucial moment in Russia's cultural history. By chronicling the rise and fall of this literary landmark, this book conveys in greater depth and detail than ever before a significant but little studied period in Soviet literature.
 
Poised between Russian culture's past and her Soviet future, between pre- and post-Revolutionary generations, this once lavish private home on the Nevsky Prospekt housed as many as fifty-six poets, novelists, critics, and artists at one time, during a period of great social and political turbulence. And as such, Hickey contends, the House of Arts served as a crucible for a literature in transition. Hickey shows how the House of Arts, though virtually ignored by Soviet-era cultural historians, played a critical role in shaping the lively literature of the next decade, a literature often straddling the border between fiction and non-fiction. Considering prose writers such as Yevgeny Zamyatin, Olga Forsh, the Serapion Brothers group, Viktor Shklovsky, Boris Eikhenbaum, as well as poets including Alexander Blok, Nikolay Gumilev, Anna Radlova, Osip Mandelstam, and Vladislav Khodasevich, she traces the comings and goings at the House of Arts: the meetings and readings and lectures and, most of all, the powerful influence of these interactions on those who briefly lived and worked there. In her work, the Petrograd House of Arts appears for the first time in all its complexity and importance, as a focal point for the social and cultural ferment of the day, and a turning point in the direction of Russian literature and criticism.
[more]
cover of The Writers: A History of American Screenwriters and Their Guild

The Writers

A History of American Screenwriters and Their Guild

Banks, Miranda J

Rutgers University Press, 2016

Screenwriters are storytellers and dream builders. They forge new worlds and beings, bringing them to life through storylines and idiosyncratic details. Yet up until now, no one has told the story of these creative and indispensable artists. The Writers is the only comprehensive qualitative analysis of the history of writers and writing in the film, television, and streaming media industries in America. 

Featuring in-depth interviews with over fifty writers—including Mel Brooks, Norman Lear, Carl Reiner, and Frank Pierson—The Writers delivers a compelling, behind-the-scenes look at the role and rights of writers in Hollywood and New York over the past century. Granted unprecedented access to the archives of the Writers Guild Foundation, Miranda J. Banks also mines over 100 never-before-published oral histories with legends such as Nora Ephron and Ring Lardner Jr., whose insight and humor provide a window onto the enduring priorities, policies, and practices of the Writers Guild.

With an ear for the language of storytellers, Banks deftly analyzes watershed moments in the industry: the advent of sound, World War II, the blacklist, ascension of television, the American New Wave, the rise and fall of VHS and DVD, and the boom of streaming media. The Writers spans historical and contemporary moments, and draws upon American cultural history, film and television scholarship and the passionate politics of labor and management. Published on the sixtieth anniversary of the formation of the Writers Guild of America, this book tells the story of the triumphs and struggles of these vociferous and contentious hero-makers.
[more]
cover of The Yale Indian: The Education of Henry Roe Cloud

The Yale Indian

The Education of Henry Roe Cloud

Joel Pfister

Duke University Press, 2009

Honored in his own time as one of the most prominent Indian public intellectuals, Henry Roe Cloud (c. 1884–1950) fought to open higher education to Indians. Joel Pfister’s extensive archival research establishes the historical significance of key chapters in the Winnebago’s remarkable life. Roe Cloud was the first Indian to receive undergraduate and graduate degrees from Yale University, where he was elected to the prestigious and intellectual Elihu Club. Pfister compares Roe Cloud’s experience to that of other “college Indians” and also to African Americans such as W. E. B. Du Bois. Roe Cloud helped launch the Society of American Indians, graduated from Auburn seminary, founded a preparatory school for Indians, and served as the first Indian superintendent of the Haskell Institute (forerunner of Haskell Indian Nations University). He also worked under John Collier at the Bureau of Indian Affairs, where he was a catalyst for the Indian New Deal.

Roe Cloud’s white-collar activism was entwined with the Progressive Era formation of an Indian professional and managerial class, a Native “talented tenth,” whose members strategically used their contingent entry into arenas of white social, intellectual, and political power on behalf of Indians without such access. His Yale training provided a cross-cultural education in class-structured emotions and individuality. While at Yale, Roe Cloud was informally adopted by a white missionary couple. Through them he was schooled in upper-middle-class sentimentality and incentives. He also learned how interracial romance could jeopardize Indian acceptance into their class. Roe Cloud expanded the range of what modern Indians could aspire to and achieve.

[more]
cover of The Years of Blood: Stories from a Reporting Life in Latin America

The Years of Blood

Stories from a Reporting Life in Latin America

Alma Guillermoprieto

Duke University Press, 2025

For forty years and more Alma Guillermoprieto has wandered tirelessly over the countries of Latin America, interviewing assassins and the families of their victims, talking to street sweepers and artists, rowdy carnival makers and thoughtful politicians (and plenty of rowdy politicians as well). Guillermoprieto draws out common threads in different contexts, like the effects of The War on Drugs in rural and poverty-stricken regions and the experiences of people mixed up in the fray of state- or cartel-sponsored violence. At the same time, she shows how Latin American art translates nostalgia and pain into great beauty. In The Years of Blood, the third volume of her collected reporting, she completes her complex and always compelling portrait of the Latin America of our times, in all its tragedy and glory, as it enters a new era of populism and demagoguery, and tries, yet again, to answer the great unsolved question: How do we change our future so that it does not so exhaustingly resemble our past?
[more]
cover of The Yellow Journalism: The Press and America's Emergence as a World Power

The Yellow Journalism

The Press and America's Emergence as a World Power

David R. Spencer

Northwestern University Press, 2007

When a case containing dismembered human remains surfaced in New York's East River in June of 1897, the publisher of the New York Journal--a young, devil-may-care millionaire named William Randolph Hearst--decided that his newspaper would "scoop" the city's police department by solving this heinous crime. Pulling out all the stops, Hearst launched more than a journalistic murder investigation; his newspaper's active intervention in the city's daily life, especially its underside, marked the birth of the Yellow Press. In a work that studies the rise and fall of this phenomenon, David R. Spencer documents the fierce competition that characterized yellow journalism, the social realities and trends that contributed to its success (and its ultimate demise), its accomplishments for good or ill, and its long-term legacy.

Most notable among Hearst's competitors was New York City's The World, owned and managed by a European Jewish immigrant named Joseph Pulitzer. The Yellow Journalism describes how these two papers and others exploited the scandal, corruption, and crime among the city's most influential citizens, and its most desperate inhabitants--a policy that made this "journalism of action" remarkably effective, not just as a commercial force, but also as an advocate for the city's poor and defenseless. Spencer shows how many of the innovations first introduced during this period--from investigative reporting to the use of color, entertainment news, and cartoons in papers--have had a lasting effect on journalism; and how media in our day reflects the Yellow Press's influence, but also its threatened irrelevance within the broader realities of contemporary society.
[more]
cover of The Young Fed: The Banking Crises of the 1920s and the Making of a Lender of Last Resort

The Young Fed

The Banking Crises of the 1920s and the Making of a Lender of Last Resort

Mark Carlson

University of Chicago Press, 2025

A new history of crisis responses in the central bank’s formative years.

The long-standing description of the Federal Reserve as a “lender of last resort” refers to the central bank’s emergency liquidity provision for financial entities in periods of crisis. As Mark Carlson shows, this function was foundational to how the Fed was designed but has, at times, proven challenging to implement. The Young Fed examines the origins of the Federal Reserve’s emergency liquidity provision which, along with the setting of monetary policy, has become a critical responsibility.

Focusing on the Fed’s response to the financial crises of the 1920s, Carlson documents the formative deliberations of central bank policymakers regarding how to assist banks experiencing distress; the lessons that were learned; and how those lessons shaped subsequent policies. Carlson depicts an early Fed that experimented with a variety of approaches to crises, ranging from bold spectacles featuring cash-filled armored cars to behind-the-scenes interventions to prevent inducing panics or bank runs. The Young Fed weaves previously unpublished material from the Fed archives into a watershed work in American economic history: a deeply sourced account of how the world’s most important central bank became a lender of last resort.

[more]
cover of The Young Turks and the Ottoman Nationalities: Armenians, Greeks, Albanians, Jews, and Arabs, 1908–1918

The Young Turks and the Ottoman Nationalities

Armenians, Greeks, Albanians, Jews, and Arabs, 1908–1918

Feroz Ahmad

University of Utah Press, 2014

The years 1908 to 1918 are frequently viewed as the period when the Ottoman Empire fell into decline, but in this volume, Feroz Ahmad argues that the Empire was not in decline but instead had come face to face with a widespread process of decolonization. Its colonies, stimulated by the idea of nationalism, sought to liberate themselves, sometimes with the help of the Great Powers of Europe, who in turn saw these rebellions as an opportunity to expand their own empires. While these ethno-nationalist movements have often been described in terms of Ottoman oppressor versus conspiring nationalists, here they are presented as part of a broad historical process.
 
Ahmad holds that nationalism was introduced into the Ottoman Empire during the French Revolution, providing kindling for the struggles that later emerged. Setting the stage with this nineteenth-century background, Ahmad then examines each Ottoman nationality in the wake of the restoration of the Ottoman constitution in 1908. Officially known as the Committee of Union and Progress (CUP), the Young Turks made up a nationalist political party that ruled the Ottoman Empire from 1908 until the end of World War I. Ahmad illuminates the relationships and conflicts between the Young Turks and the Greek, Armenian, Albanian, Jewish, and Arab ethnic groups during this period. Placing these nationalities in their historical context, he shows their relationships not only to the Young Turks but also to one anotherno other single book has attempted to look closely at all of these connections.
 
Anyone interested in understanding the roots of current-day relations in the Balkans and Middle East will find this book very informative. Clearly organized and written, the book will enlighten both readers and scholars.
[more]
cover of The Yuma Reclamation Project: Irrigation, Indian Allotment, and Settlement Along the Lower Colorado River

The Yuma Reclamation Project

Irrigation, Indian Allotment, and Settlement Along the Lower Colorado River

Robert Sauder

University of Nevada Press, 2009

In the arid American West, settlement was generally contingent on the availability of water to irrigate crops and maintain livestock and human residents. Early irrigation projects were usually the cooperative efforts of pioneer farmers, but by the early twentieth century they largely reflected federal intentions to create new farms out of the western public domain. The Yuma Reclamation Project, authorized in 1904, was one of the earliest federal irrigation projects initiated in the western United States and the first authorized on the Colorado River. Its story exemplifies the range of difficulties associated with settling the nation’s final frontier—the remaining irrigable lands in the arid West, including Indian lands—and illuminates some of the current issues and conflicts concerning the Colorado River. Author Robert Sauder’s detailed, meticulously researched examination of the Yuma Project illustrates the complex multiplicity of problems and challenges associated with the federal government’s attempt to facilitate homesteading in the arid West. He examines the history of settlement along the lower Colorado River from earliest times, including the farming of the local Quechan people and the impact of Spanish colonization, and he reviews the engineering problems that had to be resolved before an industrial irrigation scheme could be accomplished. The study also sheds light on myriad unanticipated environmental, economic, and social challenges that the government had to confront in bringing arid lands under irrigation, including the impact on the Native American population of the region.The Yuma Reclamation Project is an original and significant contribution to our understanding of federal reclamation endeavors in the West. It provides new and fascinating information about the history of the Yuma Valley and, as a case study of irrigation policy, it offers compelling insights into the history and consequences of water manipulation in the arid West.

[more]
cover of The third spring: G.K. Chesterton, Graham Greene, Christopher Dawson, and David Jones

The third spring

G.K. Chesterton, Graham Greene, Christopher Dawson, and David Jones

Adam Schwartz

Catholic University of America Press, 2005

This book is the first detailed examination of these four authors as part of a Roman Catholic, counter-modern community of discourse. It is informed by extensive research in the writers' works, scholarship on them, and their personal papers.
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cover of Theater after Film

Theater after Film

Martin Harries

University of Chicago Press, 2025

A study of the impact of film and mass culture on drama after World War II.

In Theater after Film, Martin Harries argues that after 1945, as cinema became omnipresent in popular culture, theater had to respond to cinema’s hegemony. Theater couldn’t break that hegemony, but it could provide a zone of contestation. Theater made film’s domination of the cultural field visible through hyperbole, refusal, and other strategies, thereby unsettling its power. Postwar theatrical experiment, Harries shows, often channeled and represented film’s mass cultural force, while knowing that it could never possess that force. Throughout the book, Harries brings critical theory into contact with theories of performance. Although Theater after Film treats the theatrical work of many figures, its central focus falls on Tennessee Williams, Samuel Beckett, and Adrienne Kennedy. Discussions of these dramatists consider their ways of addressing spectators, the politics of race between film and theater, and the place of the theatrical apparatus. Readings of these central figures in twentieth-century theater exemplify the book’s historical engagement with the media surround that drama confronted. This confrontation, Harries shows, was central to the development of some of the most continually compelling postwar drama.
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cover of Theater and Crisis: Myth, Memory, and Racial Reckoning in America, 1964-2020

Theater and Crisis

Myth, Memory, and Racial Reckoning in America, 1964-2020

Patrice D. Rankine

Lever Press, 2024

Racial reckoning was a recurrent theme throughout the summer of 2020, a response to George Floyd’s murder and the unprecedented impact of COVID on marginalized groups. Theater and Crisis proposes a literary and theatrical study of how Floyd's killing could possibly happen in the aftermath of the Civil Rights era, and in the supposedly post-racial era following the election of Barack Obama. In the days and months following Floyd's death, there were nightly protests in streets across the United States and broader world. At the same time, theater performances were forced to shift online to video conferencing platforms and to find new ways to engage audiences. In each case, groups made shared meaning through storytelling and narrative, a liberatory process of myth-making and reverence that author Patrice D. Rankine calls “epiphanic encoding.”

Rather than approaching the problem of racial reckoning through history, where periodization and progress are dominant narratives, Theater and Crisis argues that myth and memory allow for better theorization about recurring events from the past, their haunting, and what these apparent ghosts ask of us. Building on the study of myth as active, processual storytelling, Rankine acknowledges that it grounds and orients groups toward significant events. Theater and Crisis aligns narratives about Emmett Till, Trayvon Martin, and George Floyd, among others, with ancient, mythic figures such as Christ, Dionysus, Oedipus, and Moses. As living and verbal visitations, these stories performed on stage encode the past through their epiphanies in the present, urging audiences toward shared meaning. 

Rankine traces the cyclical hauntings of race through the refiguring of mythic stories across the past 75 years in the plays of James Baldwin, Ntozake Shange, Antoinette Nwandu, and many more, and in response to flashpoints in US racial history, such as the 1955 lynching of Emmett Till, the upheavals of the 1960s and 1970s, the wars on drugs and crime, and the continued violence against and disenfranchisement of Black people into the twenty-first century. Theater and Crisis explores the appearance of myth on the American stage and showcases the ongoing response by the theatrical establishment to transform the stage into a space for racial reckoning. This timely book is essential reading for scholars of theater studies, classics, and American studies.
 
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