8642 books match the query '20th century' and 1764 start with t
Manijeh Moradian
Duke University Press, 2022
George I. Lovell
University of Chicago Press, 2012
Brent M.S. Campney
University of Illinois Press, 2018
Ferguson, Cody
Rutgers University Press, 2015
Robert K. Brigham
University of Chicago Press, 2026
Robert K. Brigham
University of Chicago Press, 2026
Charles E. Cobb Jr.
Duke University Press, 2015
Debjani Ganguly
Duke University Press, 2016
Edited by Joel T. Rosenthal and Caroline M. Barron
University of London Press, 2019
Brent J. Aucoin
University of Alabama Press, 2016
Thomas Goode Jones of Alabama is the first comprehensive biography of a key Alabama politician and federal jurist whose life and times embody the conflicts and transformations in the Deep South between the Civil War and World War I.
A man who both represented and differed from his class, Thomas Goode Jones offers contemporary readers and scholars an ideal subject of study to understand a period of southern history that still shapes American life today. Often overshadowed by the pharaonic antebellum period, the Civil War, and the luminous heights of the civil rights movement, the deceptively placid decades at the turn of the century were, in fact, a period when southerners fiercely debated the course of the South’s future. In tracing Jones’s career, Brent J. Aucoin offers vivid accounts of the great events and trends of that pivotal period: Reconstruction, the birth of the “Solid South,” the Populist Revolt, and the establishment of racial disenfranchisement and segregation.
Born in 1844, Jones served in the Confederate army and after the war identified as a conservative “Bourbon” Democrat. He served as Alabama's governor from 1890 to 1894 and as a federal judge from 1901 until his death in 1914. As a veteran, politician, and judge, Jones embodied numerous roles in the shifting political landscape of the South.
Jones was not, however, a reflexive conformist and sometimes pursued policies at odds with his party. Jones’s rhetoric and support of African American civil rights were exceptional and earned him truculent criticism from unrepentant racist factions in his party. His support was so fearless that it inspired Booker T. Washington to recommend Jones to Republican president Theodore Roosevelt as a federal judge. On the bench, Jones garnered national attention for his efforts to end peonage and lynching, and yet he also enabled the establishment of legalized segregation in Alabama, confounding attempts easily to categorize him as an odious reactionary or fearless progressive.
Suzanne Keen
The Ohio State University Press, 2014
Todd Kontje
University of Michigan Press, 2011
Ross Labrie
University of Missouri Press, 2001
Thomas Merton (1915-1968) was a Roman Catholic priest, a Trappist monk, a social activist, and a poet. Author of the celebrated autobiography The Seven Storey Mountain, Merton has been described as the most important American religious writer of the past hundred years. One of the notable characteristics of Merton's writing, both in poetry and in prose, was his seamless intermingling of religious and Romantic elements, an intermingling that, because of his gifts as a writer and because of his enormous influence, has had the effect of making widespread a distinctive form of religious thought and expression. In Thomas Merton and the Inclusive Imagination, Ross Labrie reveals the breadth of Merton's intellectual reach by taking an original and systematic look at Merton's thought, which is generally regarded as eclectic and unsystematic.
What captured Merton's attention about Romanticism and mysticism and what held his attention virtually all his life was his consciousness of the ontological significance of unity and wholeness. Even though he was far from being a systematic thinker, Merton's writings form a coherent whole when considered from the point of view of his emphasis on unity and wholeness. Labrie skillfully examines Merton's letters, journals, and individual works to show the full expanse of his contribution. By using insights from the Romantic literary tradition and from the mystical tradition, the author is able to make sense of Merton's writings from all periods of his life. Although Labrie covers such sweeping topics as consciousness, self, being, nature, time, myth, culture, and individuation, remaining focused on Merton's specific, unique contributions in each area.
This thought-provoking work, which takes into account material from the recent full publication of Merton's journals and from his Columbia University notebooks on Romanticism, not only shows Merton's intellectual growth but provides a look at his expansive interests as well. Thomas Merton and the Inclusive Imagination will make a significant contribution to Merton studies.
Edited by Mark Canada and Nami Montgomery
University of Alabama Press, 2018
A collection of reminiscences captures the private life of a great American writer.
Thomas Wolfe’s life may seem to be an open book. A life that, after all, was the source for his best-known works, including the novels Look Homeward, Angel and Of Time and the River, as well as his numerous short stories and dramas. Since his death in 1938, scholars and admirers of Wolfe have relied largely on these texts to understand the man himself.
Thomas Wolfe Remembered provides something new: a rich, multifaceted portrait painted by those who knew him (casually or intimately), loved him (or didn’t), and saw, heard, and experienced the literary (and literal) giant. This volume gathers in one place for the first time dozens of reminiscences by friends, family members, colleagues, and casual acquaintances, adding color and fine details to the self-portrait the author created in his novels.
Wolfe found plenty to challenge and frustrate him throughout his life, from his boyhood in Asheville, North Carolina, to his education at the University of North Carolina and Harvard University, through his time in New York and Europe, his travels through the American West, and his death in Baltimore. He experienced two distracted parents in a loveless marriage, the premature death of a beloved brother, a minor stutter, and the difficulties of controlling a mercurial temper. Yet Wolfe’s exuberance, perceptiveness, memory, and compulsion to record virtually all that he experienced made for an extravagance of material that sometimes angered the people whose lives he used as source material.
Editors Mark Canada and Nami Montgomery have collected dozens of remembrances, many unpublished or long forgotten, including pieces from Julia Wolfe, Margaret Roberts, Frederick Koch, Maxwell Perkins, Elizabeth Nowell, Edward Aswell, and Martha Dodd. Some are endearing, others are disturbing, and many are comical. All provide glimpses into the vibrant, haunted, boyish, paranoid, disheveled, courteous, captivating, infuriating, and altogether fascinating giant who was Thomas Wolfe.
Lincoln Konkle
University of Missouri Press, 2005
Amy Bass
University of Minnesota Press, 2012
On the eve of Martin Luther King Jr.’s 1963 March on Washington, W. E. B. Du Bois died in exile in Ghana at the age of 95, more than a half century after cofounding the NAACP. Five years after his death, residents of Great Barrington, the small Massachusetts town where Du Bois was born in 1868, proposed recognizing his legacy through the creation of a memorial park on the site of his childhood home. Supported by the local newspaper and prominent national figures including Harry Belafonte and Sydney Poitier, the effort to honor Du Bois set off an acrimonious debate that bitterly divided the town. Led by the local chapter of the Veterans of Foreign Wars, opponents compared Du Bois to Hitler, vilifying him as an anti-American traitor for his communist sympathies, his critique of American race relations, and his pan-Africanist worldview.
In Those About Him Remained Silent, Amy Bass provides the first detailed account of the battle over Du Bois and his legacy, as well as a history of Du Bois’s early life in Massachusetts. Bass locates the roots of the hostility to memorialize Du Bois in a cold war worldview that reduced complicated politics to a vehement hatred of both communism and, more broadly, anti-Americanism. The town’s reaction was intensified, she argues, by the racism encoded within cold war patriotism.
Showing the potency of prevailing, often hidden, biases, Those About Him Remained Silent is an unexpected history of how racism, patriotism, and global politics played out in a New England community divided on how—or even if—to honor the memory of its greatest citizen.
Dzvinia Orlowsky
Carnegie Mellon University Press, 2024
Michael Miller Topp
University of Minnesota Press, 2001
In the first book-length history of the Italian American syndicalist movement—the Italian Socialist Federation—Michael Miller Topp presents a new way of understanding the Progressive Era labor movement in relation to migration, transnationalism, gender, and class identity. Those without a Country demonstrates that characterizations of "old" (pre-1960s) social movements as predominantly class-based are vastly oversimplified—and contribute to current debates about the implications of identity politics for the American Left and American culture generally.
Topp traces the rise and fall of the Italian American syndicalist movement from the turn of the twentieth century to the executions of Sacco and Vanzetti in 1927. His use of Italian-language sources, combined with his attention to transnationalism and masculinity, provides new vantage points on a range of related topics, including the 1912 Lawrence, Massachusetts, textile workers’ strike, the impact of World War I on this immigrant community, and the genesis of both fascism and antifascism. Those without a Country brings forward fascinating new material to revise and refine our views of not only Progressive Era radicalism but immigration, gender, and working-class history as well.
Max M. Ward
Duke University Press, 2019
Robert Pinsky
University of Chicago Press, 2009
Broadway, the main street that runs through Robert Pinsky’s home town of Long Branch, New Jersey, was once like thousands of other main streets in small towns across the country. But for Pinsky, one of America’s most admired poets and its former Poet Laureate, this Broadway is the point of departure for a lively journey through the small towns of the American imagination. Thousands of Broadways explores the dreams and nightmares of such small towns—their welcoming yet suffocating, warm yet prejudicial character during their heyday, from the early nineteenth century through World War II.
The citizens of quintessential small towns know one another extensively and even intimately, but fail to recognize the geniuses and criminal minds in their midst. Bringing the works of such figures as Mark Twain, William Faulkner, Alfred Hitchcock, Thornton Wilder, Willa Cather, and Preston Sturges to bear on this paradox, as well as reflections on his own time growing up in a small town, Pinsky explores how such imperfect knowledge shields communities from the anonymity and alienation of modern life. Along the way, he also considers how small towns can be small minded—in some cases viciously judgmental and oppressively provincial. Ultimately, Pinsky examines the uneasy regard that creative talents like him often have toward the small towns that either nurtured or thwarted their artistic impulses.
Of living in a small town, Sherwood Anderson once wrote that "the sensation is one never to be forgotten. On all sides are ghosts, not of the dead, but of living people." Passionate, lyrical, and intensely moving, Thousands of Broadways is a rich exploration of this crucial theme in American literature by one of its most distinguished figures.
David H. Price
Duke University Press, 2004
Price draws on extensive archival research including correspondence, oral histories, published sources, court hearings, and more than 30,000 pages of fbi and government memorandums released to him under the Freedom of Information Act. He describes government monitoring of activism and leftist thought on college campuses, the surveillance of specific anthropologists, and the disturbing failure of the academic community—including the American Anthropological Association—to challenge the witch hunts. Today the “war on terror” is invoked to license the government’s renewed monitoring of academic work, and it is increasingly difficult for researchers to access government documents, as Price reveals in the appendix describing his wrangling with Freedom of Information Act requests. A disquieting chronicle of censorship and its consequences in the past, Threatening Anthropology is an impassioned cautionary tale for the present.
James F. O'Gorman
University of Chicago Press, 1991
Douglas Verney
Duke University Press, 1986
Joseph Cary
University of Chicago Press, 1993
Daniel L. Medin
Northwestern University Press, 2010
Andrew L. Yarrow
University of Massachusetts Press, 2014
In this lively and engaging book, Andrew L. Yarrow tells the story of a national movement that promoted an amalgam of values and practices ranging from self-control, money management, and efficiency to conservation, generosity, and planning for the future—all under the rubric of “thrift.” Emerging in tandem and in tension with the first flowerings of consumer society, the thrift movement flourished during the 1910s and 1920s and then lingered on the outskirts of American culture from the Depression to the prosperous mid-twentieth century.
The movement brought together a diverse array of social actors with widely divergent agendas—the YMCA, the Boy and Girl Scouts, temperance crusaders, and others seeking to strengthen the moral fiber of urban young men and boys in particular, and to tamp down the appeal of radicalism. It also attracted credit union and other progressive activists wanting to empower the working class economically, bankers desiring to broaden their customer base, conservationists and efficiency proponents denouncing “waste,” and government leaders, school teachers, and economists who believed that encouraging saving was in the economic interests of both individuals and the nation.
A post–World War II culture that centered on spending and pleasure made the early-twentieth-century thrift messages seem outdated. Nonetheless, echoes of thrift can be found in currently popular ideas of “sustainability,” “stewardship,” and “simplicity” and in efforts to curtail public and private debt.
James Corbett
University of Michigan Press, 1994
Shneer, David
Rutgers University Press, 2012
Sally Avery Bermanzohn
Vanderbilt University Press, 2003
Janis P. Stout
University of Alabama Press, 1998
This informative and provocative study focuses on the centrality of departure in the texts of five major American women novelists.
An important moment in many novels and poems by American women writers occurs when a central character looks out a window or walks out the door of a house. These acts of departure serve to convey such values as the rejection of constraining social patterns, the search for individual fulfillment, and the entry into the political.
Janis Stout examines such moments and related patterns of venture and travel in the fiction of five major American novelists of the 20th century: Mary Austin, Willa Cather, Anne Tyler, Toni Morrison, and Joan Didion. Stout views these five writers within a spectrum of narrative engagements with issues of home and departure—a spectrum anchored at one end by Sarah Orne Jewett and at the other by Marilynne Robinson, whose Housekeeping posits a vision of female transience.
Through the Window, Out the Door ranges over an expansive territory. Moving between texts as well as between texts and contexts, Stout shows how women writers have envisioned the walls of physical and social structures (including genres) as permeable boundaries, drawing on both a rhetoric of liberation and a rhetoric of domesticity to construct narrative arguments for women's right to move freely between the two. Stout concludes with a personal essay on the dilemmas of domesticity and the ambivalence of departure.
Julia Jarcho
University of Chicago Press, 2024
Bruce Allen Dick
University of Illinois Press, 2024
Drawing on decades of research and interviews with Wright’s family and Wright scholars, Bruce Allen Dick uncovers the theatrical influence on Wright’s oeuvre--from his 1930s boxing journalism to his unpublished one-acts on returning Black GIs in WWII to his unproduced pageant honoring Vladimir Lenin. Wright maintained rewarding associations with playwrights, writers, and actors such as Langston Hughes, Theodore Ward, Paul Robeson, and Lillian Hellman, and took particular inspiration from French literary figures like Jean-Paul Sartre. Dick’s analysis also illuminates Wright’s direct involvement with theater and film, including the performative aspects of his travel writings; the Orson Welles-directed Native Son on Broadway; his acting debut in Native Son’s first film version; and his play “Daddy Goodness,” a satire of religious charlatans like Father Divine, in the 1930s.
Bold and original, Thunder on the Stage offers a groundbreaking reinterpretation of a major American writer.
By Michael Hurd
University of Texas Press, 2019
At a time when “Friday night lights” shone only on white high school football games, African American teams across Texas burned up the gridiron on Wednesday and Thursday nights. The segregated high schools in the Prairie View Interscholastic League (the African American counterpart of the University Interscholastic League, which excluded black schools from membership until 1967) created an exciting brand of football that produced hundreds of outstanding players, many of whom became college All-Americans, All-Pros, and Pro Football Hall of Famers, including NFL greats such as “Mean” Joe Green (Temple Dunbar), Otis Taylor (Houston Worthing), Dick “Night Train” Lane (Austin Anderson), Ken Houston (Lufkin Dunbar), and Bubba Smith (Beaumont Charlton-Pollard).
Thursday Night Lights tells the inspiring, largely unknown story of African American high school football in Texas. Drawing on interviews, newspaper stories, and memorabilia, Michael Hurd introduces the players, coaches, schools, and towns where African Americans built powerhouse football programs under the PVIL leadership. He covers fifty years (1920–1970) of high school football history, including championship seasons and legendary rivalries such as the annual Turkey Day Classic game between Houston schools Jack Yates and Phillis Wheatley, which drew standing-room-only crowds of up to 40,000, making it the largest prep sports event in postwar America. In telling this story, Hurd explains why the PVIL was necessary, traces its development, and shows how football offered a potent source of pride and ambition in the black community, helping black kids succeed both athletically and educationally in a racist society.
Gregg Andrews
University of Missouri Press, 2011
Homi Sohrab Fracis
University of Iowa Press, 2001
Ticket to Minto, Sohrab Homi Fracis's premier fiction collection, offers readers a passage to an unfamiliar destination-a world suspended between East and West, India and America, home and away.
With piercing insight, Fracis expertly reveals the underlying differences between immersion in India's culture-Hindu, Muslim, or Parsi-and life as an Indian in America. Alternating between East and West, the stories in Ticket to Minto serve as companion pieces, interrelated across continents in both theme and content. A middle-aged man's search for love in Bombay is contrasted with an Indian American family's hopes for the marriage of their westernized daughter. A university student rushes to save the life of a servant in his homeland only to find his own life threatened while attending graduate school in America.
Poignant and daring, Ticket to Minto underlines the harsh realization that the immigrant never truly arrives but is in constant limbo between two worlds. As one character relates, "There's a part of me that's American and a part that's Indian. I'm clear about that and comfortable with it, except that sometimes people want me to be just the one or the other."

Robert W. Desmond
University of Iowa Press, 1984
Reid, Panthea
Rutgers University Press, 2011
Born in Omaha, Nebraska, Tillie Olsen spent her young adulthood there, in Kansas City, and in Faribault, Minnesota. She relocated to California in 1933 and lived most of her life in San Francisco. From 1962 on, she sojourned frequently in Massachusetts, New Hampshire, Santa Cruz, and Soquel, California. She was a 1920s "hell-cat"; a 1930s revolutionary; an early 1940s crusader for equal pay for equal work and a war-relief patriot; an ex-GI's ideal wife in the later 1940s; a victim of FBI surveillance in the 1950s;a civil rights and antiwar advocate during the 1960s and 1970s; and a life-long orator for universal human rights.
The enigma of Tillie Olsen is intertwined with that of the twentieth century. From the rebellions in Czarist Russia, through the terrors of the Depression and the hopes of the New Deal, to World War II, the Nuremberg Trials, and the United Nations' founding, to the cold war and House Un-American Activities Committee hearings, to later progressive and repressive movements, the story of Olsen's life brings remote events into focus.
In her classic short story "I Stand Here Ironing" and her groundbreaking Tell Me a Riddle, Yonnondido, and Silences, Olsen scripted powerful, moving prose about ordinary people's lives, exposing the pervasive effects of sexism, racism, and classism and elevating motherhood and women's creativity into topics of study. Popularly referred to as "Saint Tillie," Olsen was hailed by many as the mother of modern feminism.
Based on diaries, letters, manuscripts, private documents, resurrected public records, and countless interviews, Reid's artfully crafted biography untangles some of the puzzling knots of the last century's triumphs and failures and speaks truth to legend, correcting fabrications and myths about and also by Tillie Olsen.
George Lipsitz
University of Minnesota Press, 2001
The classic work on collective memory and popular culture in the United States.
Probes the complicated relationship between postwar America between historical memory and commercial culture—popular television, music, and film.
Rachel Conrad
University of Massachusetts Press, 2020
John McCumber
Northwestern University Press, 2023
Stephen E Nash
University of Utah Press, 2006
Dendrochronology, the science of assigning precise calendar dates to annual growth rings in trees, provided accurate dates at a time when North American archaeologists had no absolute dating techniques available to guide their analyses. Time, Trees, and Prehistory examines the growth, development, application, and interpretive implications of North American archaeological tree-ring dating from 1914 to 1950.
The development of dendrochronology forced archaeologists to radically revise their understanding of the prehistoric past, compressing by nearly fifty percent the time scale of the archaeological record. Basketmaker sites, for instance, were once thought to be four thousand years old; tree-ring application demonstrated that these sites dated well into the present millennium. Classic sites in Chaco Canyon and Mesa Verde were believed occupied for nearly a thousand years, but tree-ring dates demonstrated that such sites were often built, occupied, and abandoned in just over a century. Other similar changes in temporal scale forced archaeologists to reconsider their interpretations of the rate of prehistoric cultural change, population growth, and the degree of social and political complexity in the Southwest.
Time, Trees, and Prehistory examines archaeological practices of the 1920s, 30s, and 40s and demonstrates that tree-ring dating set the stage that enabled revolutionary developments in archaeological method and theory in succeeding decades.
Pavlína Rychterová
Central European University Press, 2019
Wu Ming Wu Ming 2
Rutgers University Press, 2027
Isabella Marincola lived between two cultures. The child of an Italian military officer father and a Somali mother, she was never fully part of either culture. In Somalia, she was seen as a child of the ruling colonizers, while in Italy her darker skin made her an object of both fascination and contempt. Even as she worked as an actress and model in postwar Italy, she was valued for her exotically beautiful body, not her keen mind or her captivating voice.
Titled after Isabella’s Somali name, Timira is a unique combination of novel, archival sources, and oral history. It finally gives her a chance to articulate her experiences of being a Black Italian woman in different epochs of Italian history, from Fascism to the 1990s, in all of which italianità was assumed to be exclusively white.
Cowritten by her son Antar Mohamed Marincola and a founding member of the Wu Ming writers’ collective, it is based on a series of writings and interviews Isabella gave towards the end of her long, eventful life. A compelling novel rooted in truth, Timira reflects on Italy’s colonial legacy and ingrained racism, while telling the story of a courageous woman and her struggles to assert herself in a nation unprepared to accommodate its Black citizens.
David Rapp
University of Chicago Press, 2018
David K. Stumpf
University of Arkansas Press, 2002
Edited by Michael Hughes and Katherine Bosworth
Bodleian Library Publishing, 2012
Published in commemoration of the one-hundredth anniversary of the Titanic’s sinking, this book tells the story of that fateful night from an unusual angle: through the many wireless communications sent to and from the land stations and the ships involved as the tragic events unfolded.
Norma Cole
Omnidawn, 2010
Alane Rollings
Northwestern University Press, 2005
Leslie A. Hahner
Michigan State University Press, 2017
Michael D. Polston
Butler Center for Arkansas Studies, 2015