8642 books match the query '20th century' and 1764 start with t

cover of This Flame Within: Iranian Revolutionaries in the United States

This Flame Within

Iranian Revolutionaries in the United States

Manijeh Moradian

Duke University Press, 2022

In This Flame Within Manijeh Moradian revises conventional histories of Iranian migration to the United States as a post-1979 phenomenon characterized by the flight of pro-Shah Iranians from the Islamic Republic and recounts the experiences of Iranian foreign students who joined a global movement against US imperialism during the 1960s and 1970s. Drawing on archival evidence and in-depth interviews with members of the Iranian Students Association, Moradian traces what she calls “revolutionary affects”—the embodied force of affect generated by experiences of repression and resistance—from encounters with empire and dictatorship in Iran to joint organizing with other student activists in the United States. Moradian theorizes “affects of solidarity” that facilitated Iranian student participation in a wide range of antiracist and anticolonial movements and analyzes gendered manifestations of revolutionary affects within the emergence of Third World feminism. Arguing for a transnational feminist interpretation of the Iranian Student Association’s legacy, Moradian demonstrates how the recognition of multiple sources of oppression in the West and in Iran can reorient Iranian diasporic politics today.
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cover of This Is Not Civil Rights: Discovering Rights Talk in 1939 America

This Is Not Civil Rights

Discovering Rights Talk in 1939 America

George I. Lovell

University of Chicago Press, 2012

Since at least the time of Tocqueville, observers have noted that Americans draw on the language of rights when expressing dissatisfaction with political and social conditions. As the United States confronts a complicated set of twenty-first-century problems, that tradition continues, with Americans invoking symbolic events of the founding era to frame calls for change. Most observers have been critical of such “rights talk.” Scholars on the left worry that it limits the range of political demands to those that can be articulated as legally recognized rights, while conservatives fear that it creates unrealistic expectations of entitlement.
 
Drawing on a remarkable cache of Depression-era complaint letters written by ordinary Americans to the Justice Department, George I. Lovell challenges these common claims. Although the letters were written prior to the emergence of the modern civil rights movement—which most people assume is the origin of rights talk—many contain novel legal arguments, including expansive demands for new entitlements that went beyond what authorities had regarded as legitimate or required by law. Lovell demonstrates that rights talk is more malleable and less constraining than is generally believed. Americans, he shows, are capable of deploying idealized legal claims as a rhetorical tool for expressing their aspirations for a more just society while retaining a realistic understanding that the law often falls short of its own ideals.
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cover of This Is Not Dixie: Racist Violence in Kansas, 1861-1927

This Is Not Dixie

Racist Violence in Kansas, 1861-1927

Brent M.S. Campney

University of Illinois Press, 2018

Often defined as a mostly southern phenomenon, racist violence existed everywhere. Brent M. S. Campney explodes the notion of the Midwest as a so-called land of freedom with an in-depth study of assaults both active and threatened faced by African Americans in post–Civil War Kansas. Campney's capacious definition of white-on-black violence encompasses not only sensational demonstrations of white power like lynchings and race riots, but acts of threatened violence and the varied forms of pervasive routine violence--property damage, rape, forcible ejection from towns--used to intimidate African Americans. As he shows, such methods were a cornerstone of efforts to impose and maintain white supremacy. Yet Campney's broad consideration of racist violence also lends new insights into the ways people resisted threats. African Americans spontaneously hid fugitives and defused lynch mobs while also using newspapers and civil rights groups to lay the groundwork for forms of institutionalized opposition that could fight racist violence through the courts and via public opinion. Ambitious and provocative, This Is Not Dixie rewrites fundamental narratives on mob action, race relations, African American resistance, and racism's grim past in the heartland.
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cover of This Is Our Land: Grassroots Environmentalism in the Late Twentieth Century

This Is Our Land

Grassroots Environmentalism in the Late Twentieth Century

Ferguson, Cody

Rutgers University Press, 2015

In the last three decades of the twentieth century, the environmental movement experienced a quiet revolution. In This is Our Land, Cody Ferguson documents this little-noted change as he describes the efforts of three representative grassroots groups—in Montana, Arizona, and Tennessee—revealing how quite ordinary citizens fought to solve environmental problems. 
 
Here are stories of common people who, confronting environmental threats to the health and safety of their families and communities, bonded together to protect their interests. These stories include successes and failures as citizens learned how to participate in their democracy and redefined what participation meant. Equally important, Ferguson describes how several laws passed in the seventies—such as the National Environmental Policy Act—gave citizens the opportunity and the tools to fight for the environment. These laws gave people a say in the decisions that affected the world around them, including the air they breathed, the water they drank, the land on which they made their living, and the communities they called home. Moreover, Ferguson shows that through their experiences over the course of the 1970s, ‘80s, and ‘90s, these citizen activists broadened their understanding of “this is our land” to mean “this is our community, this is our country, this is our democracy, and this is our planet.” As they did, they redefined political participation and expanded the ability of citizens to shape their world. 
 
Challenging us to see activism in a new way, This is Our Land recovers the stories of often-unseen citizens who have been vitally important to the environmental movement. It will inspire readers to confront environmental threats and make our world a safer, more just, and more sustainable place to live.    
 
 
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cover of This Is a True War Story: My Improbable History with Vietnam

This Is a True War Story

My Improbable History with Vietnam

Robert K. Brigham

University of Chicago Press, 2026

A personal account by a war historian and adoptee who discovers his biological father was a famous Marine combat photographer in Vietnam.
 
Robert K. Brigham has had a substantial career as a historian of the Vietnam War, with a hand in nine books, a documentary, public history projects, and more. While many a historian has felt compelled at some point to write about a subject close to them personally, Brigham did not think he was doing that. But, at age fifty-eight, Brigham, who had long known he was adopted, discovered that he’d improbably and unknowingly been studying and talking about his biological father for decades. That man, Bruce Atwell, was a Marine Corps photographer who took some of that war’s most indelible and widely reproduced pictures. Brigham had used those images over and over again in decades’ worth of classes and public lectures, never knowing the truth.
 
Both Brigham and Atwell were products of the American foster care and adoption system, and both were defined professionally by Vietnam. In a story shot through with echoes and shadows, Brigham not only reveals his own history as an adoptee but opens a startlingly fresh vantage on the fragility of American families; the power of social norms and taboos to shape lives; and the forces that inequitably disrupt families, not least of them war. The result is an accessible and moving book that is at once both a powerful personal story and an illuminating social critique.

 
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cover of This Is a True War Story: My Improbable History with Vietnam

This Is a True War Story

My Improbable History with Vietnam

Robert K. Brigham

University of Chicago Press, 2026

A personal account by a war historian and adoptee who discovers his biological father was a famous Marine combat photographer in Vietnam.
 
Robert K. Brigham has had a substantial career as a historian of the Vietnam War, with a hand in nine books, a documentary, public history projects, and more. While many a historian has felt compelled at some point to write about a subject close to them personally, Brigham did not think he was doing that. But, at age fifty-eight, Brigham, who had long known he was adopted, discovered that he’d improbably and unknowingly been studying and talking about his biological father for decades. That man, Bruce Atwell, was a Marine Corps photographer who took some of that war’s most indelible and widely reproduced pictures. Brigham had used those images over and over again in decades’ worth of classes and public lectures, never knowing the truth.
 
Both Brigham and Atwell were products of the American foster care and adoption system, and both were defined professionally by Vietnam. In a story shot through with echoes and shadows, Brigham not only reveals his own history as an adoptee but opens a startlingly fresh vantage on the fragility of American families; the power of social norms and taboos to shape lives; and the forces that inequitably disrupt families, not least of them war. The result is an accessible and moving book that is at once both a powerful personal story and an illuminating social critique.

 
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cover of This Nonviolent Stuff'll Get You Killed: How Guns Made the Civil Rights Movement Possible

This Nonviolent Stuff'll Get You Killed

How Guns Made the Civil Rights Movement Possible

Charles E. Cobb Jr.

Duke University Press, 2015

Visiting Martin Luther King Jr. during the Montgomery, Alabama, bus boycott, journalist William Worthy almost sat on a loaded pistol. "Just for self-defense," King assured him. It was not the only weapon King kept for such a purpose; one of his advisors remembered the reverend’s Montgomery, Alabama, home as "an arsenal." Like King, many ostensibly "nonviolent" civil rights activists embraced their constitutional right to self-protection—yet this crucial dimension of the Afro-American freedom struggle has been long ignored by history. In This Nonviolent Stuff’ll Get You Killed, Charles E. Cobb Jr. recovers this history, describing the vital role that armed self-defense has played in the survival and liberation of black communities.  Drawing on his experiences in the civil rights movement and giving voice to its participants, Cobb lays bare the paradoxical relationship between the nonviolent civil rights struggle and the long history and importance of African Americans taking up arms to defend themselves against white supremacist violence. 
 
 
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cover of This Thing Called the World: The Contemporary Novel as Global Form

This Thing Called the World

The Contemporary Novel as Global Form

Debjani Ganguly

Duke University Press, 2016

In This Thing Called the World Debjani Ganguly theorizes the contemporary global novel and the social and historical conditions that shaped it. Ganguly contends that global literature coalesced into its current form in 1989, an event marked by the convergence of three major trends: the consolidation of the information age, the arrival of a perpetual state of global war, and the expanding focus on humanitarianism. Ganguly analyzes a trove of novels from authors including Salman Rushdie, Don DeLillo, Michael Ondaatje, and Art Spiegelman, who address wars in Iraq, Afghanistan, and Sri Lanka, the Palestinian and Kashmiri crises, the Rwandan genocide, and post9/11 terrorism. These novels exist in a context in which suffering's presence in everyday life is mediated through digital images and where authors integrate visual forms into their storytelling. In showing how the evolution of the contemporary global novel is analogous to the European novel’s emergence in the eighteenth century, when society and the development of capitalism faced similar monumental ruptures, Ganguly provides both a theory of the contemporary moment and a reminder of the novel's power.
 
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cover of Thomas Frederick Tout (1855–1929): refashioning history for the twentieth century

Thomas Frederick Tout (1855–1929)

refashioning history for the twentieth century

Edited by Joel T. Rosenthal and Caroline M. Barron

University of London Press, 2019

Thomas Frederick Tout (1855–1929) was arguably the most prolific English medieval historian of the early twentieth century. The son of an unsuccessful publican, he was described at his Oxford scholarship exam as ‘uncouth and untidy’; however he went on to publish hundreds of books throughout his distinguished career with a legacy that extended well beyond the academy. Tout pioneered the use of archival research, welcomed women into academia and augmented the University of Manchester’s growing reputation for pioneering research. This book presents the first full assessment of Tout’s life and work, from his early career at Lampeter, to his work in Manchester and his wide-ranging service to the study of history. Selected essays take a fresh and critical look at Tout’s own historical writing and discuss how his research shaped, and continues to shape, our understanding of the middle ages, particularly the fourteenth century. The book concludes with a personal reflection on Tout by his grandson, Tom Sharp.
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cover of Thomas Goode Jones: Race, Politics, and Justice in the New South

Thomas Goode Jones

Race, Politics, and Justice in the New South

Brent J. Aucoin

University of Alabama Press, 2016

Thomas Goode Jones of Alabama is the first comprehensive biography of a key Alabama politician and federal jurist whose life and times embody the conflicts and transformations in the Deep South between the Civil War and World War I.
 
A man who both represented and differed from his class, Thomas Goode Jones offers contemporary readers and scholars an ideal subject of study to understand a period of southern history that still shapes American life today. Often overshadowed by the pharaonic antebellum period, the Civil War, and the luminous heights of the civil rights movement, the deceptively placid decades at the turn of the century were, in fact, a period when southerners fiercely debated the course of the South’s future. In tracing Jones’s career, Brent J. Aucoin offers vivid accounts of the great events and trends of that pivotal period: Reconstruction, the birth of the “Solid South,” the Populist Revolt, and the establishment of racial disenfranchisement and segregation.
 
Born in 1844, Jones served in the Confederate army and after the war identified as a conservative “Bourbon” Democrat. He served as Alabama's governor from 1890 to 1894 and as a federal judge from 1901 until his death in 1914. As a veteran, politician, and judge, Jones embodied numerous roles in the shifting political landscape of the South.
 
Jones was not, however, a reflexive conformist and sometimes pursued policies at odds with his party. Jones’s rhetoric and support of African American civil rights were exceptional and earned him truculent criticism from unrepentant racist factions in his party. His support was so fearless that it inspired Booker T. Washington to recommend Jones to Republican president Theodore Roosevelt as a federal judge. On the bench, Jones garnered national attention for his efforts to end peonage and lynching, and yet he also enabled the establishment of legalized segregation in Alabama, confounding attempts easily to categorize him as an odious reactionary or fearless progressive.
 

 

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cover of Thomas Hardy's Brains: Psychology, Neurology, and Hardy's Imagination

Thomas Hardy's Brains

Psychology, Neurology, and Hardy's Imagination

Suzanne Keen

The Ohio State University Press, 2014

The imagery of brains and nerves that Thomas Hardy employed in over a half century of writing amply demonstrates that he knew the psychology of his time. Thomas Hardy’s Brains: Psychology, Neurology, and Hardy’s Imagination reevaluates Hardy’s representations of minds, the will, and consciousness (and nescience) in the context of Victorian brain science and Victorian medical neurology. Susanne Keen traces his reading from his early twenties until his old age in sources such as The Literary Notebooks, collections of reading notes made by Hardy from the 1860s onward. In showing how Hardy the reader informed Hardy the novelist and poet, she gives new insight into the unusual techniques Hardy used to represent fictional consciousness in his fiction and shows how the image schemas in his poetry embody his convictions.

This study reveals how Hardy made sense of diverse sources of an affective human psychology, a discipline that expanded significantly during Hardy’s working life. From the 1870s to the turn of the twentieth century, the tools and techniques for studying the structures and function of the nervous system developed rapidly. Simultaneously, Hardy moved steadily toward realizing a more physiologically accurate rendering of brains and nerves.
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cover of Thomas Mann's World: Empire, Race, and the Jewish Question

Thomas Mann's World

Empire, Race, and the Jewish Question

Todd Kontje

University of Michigan Press, 2011

Thomas Mann's World: Empire, Race, and the Jewish Question offers a comprehensive reevaluation of one of Germany’s most celebrated literary giants by situating his life and fiction squarely within the Age of Empire. Rather than viewing Mann strictly as an idealized, cosmopolitan voice of tolerance or dismissing him entirely as a clandestine anti-Semite, Kontje presents a nuanced portrait of a deeply "worldly" author whose personal prejudices and anxieties reflected the global realities of imperial conquest, nationalism, and conflict. By tracing the evolution of Mann's work—including Buddenbrooks, The Magic Mountain, and Joseph and his Brothers—the book examines how Mann’s representations of Jews and foreign others intersected with a persistent, lifelong fascination with racial difference and his own complex identity. Ultimately, this essential text provides literary scholars with a critical framework for understanding how Mann’s highly autobiographical fiction captured not just the internal spirit of the German nation, but the broader geopolitical tensions of a rapidly globalizing world.
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cover of Thomas Merton and the Inclusive Imagination

Thomas Merton and the Inclusive Imagination

Ross Labrie

University of Missouri Press, 2001

Thomas Merton (1915-1968) was a Roman Catholic priest, a Trappist monk, a social activist, and a poet. Author of the celebrated autobiography The Seven Storey Mountain, Merton has been described as the most important American religious writer of the past hundred years. One of the notable characteristics of Merton's writing, both in poetry and in prose, was his seamless intermingling of religious and Romantic elements, an intermingling that, because of his gifts as a writer and because of his enormous influence, has had the effect of making widespread a distinctive form of religious thought and expression. In Thomas Merton and the Inclusive Imagination, Ross Labrie reveals the breadth of Merton's intellectual reach by taking an original and systematic look at Merton's thought, which is generally regarded as eclectic and unsystematic.

What captured Merton's attention about Romanticism and mysticism and what held his attention virtually all his life was his consciousness of the ontological significance of unity and wholeness. Even though he was far from being a systematic thinker, Merton's writings form a coherent whole when considered from the point of view of his emphasis on unity and wholeness. Labrie skillfully examines Merton's letters, journals, and individual works to show the full expanse of his contribution. By using insights from the Romantic literary tradition and from the mystical tradition, the author is able to make sense of Merton's writings from all periods of his life. Although Labrie covers such sweeping topics as consciousness, self, being, nature, time, myth, culture, and individuation, remaining focused on Merton's specific, unique contributions in each area.

This thought-provoking work, which takes into account material from the recent full publication of Merton's journals and from his Columbia University notebooks on Romanticism, not only shows Merton's intellectual growth but provides a look at his expansive interests as well. Thomas Merton and the Inclusive Imagination will make a significant contribution to Merton studies.

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cover of Thomas Wolfe Remembered

Thomas Wolfe Remembered

Edited by Mark Canada and Nami Montgomery

University of Alabama Press, 2018

A collection of reminiscences captures the private life of a great American writer.

Thomas Wolfe’s life may seem to be an open book. A life that, after all, was the source for his best-known works, including the novels Look Homeward, Angel and Of Time and the River, as well as his numerous short stories and dramas. Since his death in 1938, scholars and admirers of Wolfe have relied largely on these texts to understand the man himself.

Thomas Wolfe Remembered provides something new: a rich, multifaceted portrait painted by those who knew him (casually or intimately), loved him (or didn’t), and saw, heard, and experienced the literary (and literal) giant. This volume gathers in one place for the first time dozens of reminiscences by friends, family members, colleagues, and casual acquaintances, adding color and fine details to the self-portrait the author created in his novels.

Wolfe found plenty to challenge and frustrate him throughout his life, from his boyhood in Asheville, North Carolina, to his education at the University of North Carolina and Harvard University, through his time in New York and Europe, his travels through the American West, and his death in Baltimore. He experienced two distracted parents in a loveless marriage, the premature death of a beloved brother, a minor stutter, and the difficulties of controlling a mercurial temper. Yet Wolfe’s exuberance, perceptiveness, memory, and compulsion to record virtually all that he experienced made for an extravagance of material that sometimes angered the people whose lives he used as source material.

Editors Mark Canada and Nami Montgomery have collected dozens of remembrances, many unpublished or long forgotten, including pieces from Julia Wolfe, Margaret Roberts, Frederick Koch, Maxwell Perkins, Elizabeth Nowell, Edward Aswell, and Martha Dodd. Some are endearing, others are disturbing, and many are comical. All provide glimpses into the vibrant, haunted, boyish, paranoid, disheveled, courteous, captivating, infuriating, and altogether fascinating giant who was Thomas Wolfe.

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cover of Thornton Wilder and the Puritan Narrative Tradition

Thornton Wilder and the Puritan Narrative Tradition

Lincoln Konkle

University of Missouri Press, 2005

Thornton Wilder and the Puritan Narrative Tradition is the first reading of Wilder’s life, fiction, drama, and criticism as a product of American culture. Early American studies by Sacvan Bercovitch, Mason Lowance Jr., Emory Elliott, and others have identified aspects of the American literary tradition stemming from New England Puritan writers of the seventeenth and eighteenth centuries. Lincoln Konkle extends the argument for continuity into both the twentieth century and the profane space of the theater.
            Konkle shows that Thornton Wilder, as a literary descendant of Edward Taylor, inherited the best of the Puritans’ worldview and drew upon those attributes of the Puritan tradition within American literature that would strike a fundamental chord with his American audience. By providing close readings of Wilder’s texts against seventeenth- and eighteenth-century Puritan culture and literature, Konkle demonstrates that Wilder’s aesthetic was not just generically allegorical but also typically American and his religious sensibility was not just generally Christian, but specifically Calvinist. He alsoemphasizes aspects of Puritan theology, ideology, and aesthetics that have been suppressed or repressed into our cultural unconscious but are manifested in Wilder’s texts in response to various historical or personal stimuli.
             Konkle makes an original contribution to Wilder scholarship by providing the first in-depth readings of the full-length play The Trumpet Shall Sound and of the film Shadow of a Doubt (as a major work of Wilder). Also included are readings of little-known and seldom-discussed dramatic pieces, including Proserpina and the Devil, And the Sea Shall Give Up Its Dead, and Our Century. With its emphasis on the continuities of thought and form found in American literature from the seventeenth century to the twentieth, this analysis of Wilder’s drama and fiction will reclaim him as an intrinsically American writer, deserving to be read within the context of American literary and cultural traditions.  
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cover of Those About Him Remained Silent: The Battle over W. E. B. Du Bois

Those About Him Remained Silent

The Battle over W. E. B. Du Bois

Amy Bass

University of Minnesota Press, 2012

On the eve of Martin Luther King Jr.’s 1963 March on Washington, W. E. B. Du Bois died in exile in Ghana at the age of 95, more than a half century after cofounding the NAACP. Five years after his death, residents of Great Barrington, the small Massachusetts town where Du Bois was born in 1868, proposed recognizing his legacy through the creation of a memorial park on the site of his childhood home. Supported by the local newspaper and prominent national figures including Harry Belafonte and Sydney Poitier, the effort to honor Du Bois set off an acrimonious debate that bitterly divided the town. Led by the local chapter of the Veterans of Foreign Wars, opponents compared Du Bois to Hitler, vilifying him as an anti-American traitor for his communist sympathies, his critique of American race relations, and his pan-Africanist worldview.

In Those About Him Remained Silent, Amy Bass provides the first detailed account of the battle over Du Bois and his legacy, as well as a history of Du Bois’s early life in Massachusetts. Bass locates the roots of the hostility to memorialize Du Bois in a cold war worldview that reduced complicated politics to a vehement hatred of both communism and, more broadly, anti-Americanism. The town’s reaction was intensified, she argues, by the racism encoded within cold war patriotism.

Showing the potency of prevailing, often hidden, biases, Those About Him Remained Silent is an unexpected history of how racism, patriotism, and global politics played out in a New England community divided on how—or even if—to honor the memory of its greatest citizen.

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cover of Those Absences Now Closest

Those Absences Now Closest

Dzvinia Orlowsky

Carnegie Mellon University Press, 2024

Poems that reflect on the current tragedy in Ukraine.

In her newest collection, Ukrainian American poet Dzvinia Orlowsky is a witness, never a bystander, ready to stare down the demons, to “cut yourself with a dull razor.” She sets up house among the nightmares of intergenerational trauma and, as far as anyone can, humanizes them. Through her work, Orlowsky prompts us to enter our own histories instead of just watching.
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cover of Those Without A Country: The Political Culture of Italian American Syndicalists

Those Without A Country

The Political Culture of Italian American Syndicalists

Michael Miller Topp

University of Minnesota Press, 2001

In the first book-length history of the Italian American syndicalist movement—the Italian Socialist Federation—Michael Miller Topp presents a new way of understanding the Progressive Era labor movement in relation to migration, transnationalism, gender, and class identity. Those without a Country demonstrates that characterizations of "old" (pre-1960s) social movements as predominantly class-based are vastly oversimplified—and contribute to current debates about the implications of identity politics for the American Left and American culture generally.

    

Topp traces the rise and fall of the Italian American syndicalist movement from the turn of the twentieth century to the executions of Sacco and Vanzetti in 1927. His use of Italian-language sources, combined with his attention to transnationalism and masculinity, provides new vantage points on a range of related topics, including the 1912 Lawrence, Massachusetts, textile workers’ strike, the impact of World War I on this immigrant community, and the genesis of both fascism and antifascism. Those without a Country brings forward fascinating new material to revise and refine our views of not only Progressive Era radicalism but immigration, gender, and working-class history as well.

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cover of Thought Crime: Ideology and State Power in Interwar Japan

Thought Crime

Ideology and State Power in Interwar Japan

Max M. Ward

Duke University Press, 2019

In Thought Crime Max M. Ward explores the Japanese state's efforts to suppress political radicalism in the 1920s and 1930s. Ward traces the evolution of an antiradical law called the Peace Preservation Law, from its initial application to suppress communism and anticolonial nationalism—what authorities deemed thought crime—to its expansion into an elaborate system to reform and ideologically convert thousands of thought criminals throughout the Japanese Empire. To enforce the law, the government enlisted a number of nonstate actors, who included monks, family members, and community leaders. Throughout, Ward illuminates the complex processes through which the law articulated imperial ideology and how this ideology was transformed and disseminated through the law's application over its twenty-year history. In so doing, he shows how the Peace Preservation Law provides a window into understanding how modern states develop ideological apparatuses to subject their respective populations.
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cover of Thousands of Broadways: Dreams and Nightmares of the American Small Town

Thousands of Broadways

Dreams and Nightmares of the American Small Town

Robert Pinsky

University of Chicago Press, 2009

Broadway, the main street that runs through Robert Pinsky’s home town of Long Branch, New Jersey, was once like thousands of other main streets in small towns across the country. But for Pinsky, one of America’s most admired poets and its former Poet Laureate, this Broadway is the point of departure for a lively journey through the small towns of the American imagination. Thousands of Broadways explores the dreams and nightmares of such small towns—their welcoming yet suffocating, warm yet prejudicial character during their heyday, from the early nineteenth century through World War II.

The citizens of quintessential small towns know one another extensively and even intimately, but fail to recognize the geniuses and criminal minds in their midst. Bringing the works of such figures as Mark Twain, William Faulkner, Alfred Hitchcock, Thornton Wilder, Willa Cather, and Preston Sturges to bear on this paradox, as well as reflections on his own time growing up in a small town, Pinsky explores how such imperfect knowledge shields communities from the anonymity and alienation of modern life. Along the way, he also considers how small towns can be small minded—in some cases viciously judgmental and oppressively provincial. Ultimately, Pinsky examines the uneasy regard that creative talents like him often have toward the small towns that either nurtured or thwarted their artistic impulses.

Of living in a small town, Sherwood Anderson once wrote that "the sensation is one never to be forgotten. On all sides are ghosts, not of the dead, but of living people." Passionate, lyrical, and intensely moving, Thousands of Broadways is a rich exploration of this crucial theme in American literature by one of its most distinguished figures.

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cover of Threatening Anthropology: McCarthyism and the FBI’s Surveillance of Activist Anthropologists

Threatening Anthropology

McCarthyism and the FBI’s Surveillance of Activist Anthropologists

David H. Price

Duke University Press, 2004

A vital reminder of the importance of academic freedom, Threatening Anthropology offers a meticulously detailed account of how U.S. Cold War surveillance damaged the field of anthropology. David H. Price reveals how dozens of activist anthropologists were publicly and privately persecuted during the Red Scares of the 1940s and 1950s. He shows that it was not Communist Party membership or Marxist beliefs that attracted the most intense scrutiny from the fbi and congressional committees but rather social activism, particularly for racial justice. Demonstrating that the fbi’s focus on anthropologists lessened as activist work and Marxist analysis in the field tapered off, Price argues that the impact of McCarthyism on anthropology extended far beyond the lives of those who lost their jobs. Its messages of fear and censorship had a pervasive chilling effect on anthropological investigation. As critiques that might attract government attention were abandoned, scholarship was curtailed.

Price draws on extensive archival research including correspondence, oral histories, published sources, court hearings, and more than 30,000 pages of fbi and government memorandums released to him under the Freedom of Information Act. He describes government monitoring of activism and leftist thought on college campuses, the surveillance of specific anthropologists, and the disturbing failure of the academic community—including the American Anthropological Association—to challenge the witch hunts. Today the “war on terror” is invoked to license the government’s renewed monitoring of academic work, and it is increasingly difficult for researchers to access government documents, as Price reveals in the appendix describing his wrangling with Freedom of Information Act requests. A disquieting chronicle of censorship and its consequences in the past, Threatening Anthropology is an impassioned cautionary tale for the present.

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cover of Three American Architects: Richardson, Sullivan, and Wright, 1865-1915

Three American Architects

Richardson, Sullivan, and Wright, 1865-1915

James F. O'Gorman

University of Chicago Press, 1991

O'Gorman discusses the individual and collective achievement of the recognized trinity of American architecture: Henry Hobson Richardson (1838-86), Louis Sullivan (1856-1924), and Frank Lloyd Wright (1867-1959). He traces the evolution of forms created during these architects' careers, emphasizing the interrelationships among them and focusing on the designs and executed buildings that demonstrate those interrelationships. O'Gorman also shows how each envisioned the building types demanded by the growth of nineteenth-century cities and suburbs—the downtown skyscraper and the single-family home.

[A] brilliant analysis . . . a major contribution to our understanding of the beginnings of modern American architecture."—David Hamilton Eddy, Times Higher Education Supplement.
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cover of Three Civilizations, Two Cultures, One State: Canada's Political Traditions

Three Civilizations, Two Cultures, One State

Canada's Political Traditions

Douglas Verney

Duke University Press, 1986

This volume examines 150 years of Canadian political life in light if one of the country's most intractable problems, its cultural identity. Although many thoughtful Canadians remain dubious about the existence of a truly Canadian way of life, Douglas Verney argues that in fact Canada's political traditions embody and reflect a unique culture; and that although the Canadian government has been the primary instrument for nurturing this culture, it has been at the same time the entity most guilty of obscuring and ignoring it.
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cover of Three Modern Italian Poets: Saba, Ungaretti, Montale

Three Modern Italian Poets

Saba, Ungaretti, Montale

Joseph Cary

University of Chicago Press, 1993

Focusing on the most recent triad of Italian poetic genius—Umberto Saba, Giuseppe Ungaretti, and Eugenio Montale—Joseph Cary not only presents striking biographical portraits as he facilitates our understanding of their poetry; he also guides us through the first few decades of twentieth-century Italy, a most difficult period in its literary and cultural development.

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cover of Three Sons: Franz Kafka and the Fiction of J. M. Coetzee, Philip Roth, and W. G. Sebald

Three Sons

Franz Kafka and the Fiction of J. M. Coetzee, Philip Roth, and W. G. Sebald

Daniel L. Medin

Northwestern University Press, 2010

Franz Kafka was a self-conscious writer whose texts were highly if mysteriously autobiographical. Three giants of contemporary fiction—J. M. Coetzee, Philip Roth, and W. G. Sebald—have all acknowledged their debt to the work of Kafka, both in interviews and in their own academic essays and articles for a general readership about him. In this striking feat of literary scholarship, Daniel Medin finds that the use of Kafka by Coetzee, Roth, and Sebald is similarly self-reflexive and autobiographical. That writers from such divergent national and ethnic traditions can have such unique critical readings of Kafka, and that Kafka could exert such a powerful influence over their oeuvres, Medin contends, attests to the central place of Kafka in the contemporary literary imagination.
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cover of Thrift: The History of an American Cultural Movement

Thrift

The History of an American Cultural Movement

Andrew L. Yarrow

University of Massachusetts Press, 2014

In this lively and engaging book, Andrew L. Yarrow tells the story of a national movement that promoted an amalgam of values and practices ranging from self-control, money management, and efficiency to conservation, generosity, and planning for the future—all under the rubric of “thrift.” Emerging in tandem and in tension with the first flowerings of consumer society, the thrift movement flourished during the 1910s and 1920s and then lingered on the outskirts of American culture from the Depression to the prosperous mid-twentieth century.

The movement brought together a diverse array of social actors with widely divergent agendas—the YMCA, the Boy and Girl Scouts, temperance crusaders, and others seeking to strengthen the moral fiber of urban young men and boys in particular, and to tamp down the appeal of radicalism. It also attracted credit union and other progressive activists wanting to empower the working class economically, bankers desiring to broaden their customer base, conservationists and efficiency proponents denouncing “waste,” and government leaders, school teachers, and economists who believed that encouraging saving was in the economic interests of both individuals and the nation.

A post–World War II culture that centered on spending and pleasure made the early-twentieth-century thrift messages seem outdated. Nonetheless, echoes of thrift can be found in currently popular ideas of “sustainability,” “stewardship,” and “simplicity” and in efforts to curtail public and private debt.

[more]
cover of Through French Windows: An Introduction to France in the Nineties

Through French Windows

An Introduction to France in the Nineties

James Corbett

University of Michigan Press, 1994

Through French Windows is a journey into contemporary French culture and society. By describing the country's education, religion, politics, finances, technology and telecommunications, and social and ethical issues, Corbett draws a portrait of present-day France.The author provides background information necessary for understanding the changes that continue to evolve. Corbett conscientiously avoids the traditional and simplistic means of portraying France that emphasizes the cultural heritage of the country. Instead he provides an insider's view of France, separating that mythic image from the current reality. Further, he presents an accurate portrayal of the diversity of France by moving beyond the typical dichotomy between Paris and the rest of the country or the oversimplification of dividing the country into north and south.
[more]
cover of Through Soviet Jewish Eyes: Photography, War, and the Holocaust

Through Soviet Jewish Eyes

Photography, War, and the Holocaust

Shneer, David

Rutgers University Press, 2012

Most view the relationship of Jews to the Soviet Union through the lens of repression and silence. Focusing on an elite group of two dozen Soviet-Jewish photographers, including Arkady Shaykhet, Alexander Grinberg, Mark Markov-Grinberg, Evgenii Khaldei, Dmitrii Baltermants, and Max Alpert, Through Soviet Jewish Eyes presents a different picture. These artists participated in a social project they believed in and with which they were emotionally and intellectually invested-they were charged by the Stalinist state to tell the visual story of the unprecedented horror we now call the Holocaust.

These wartime photographers were the first liberators to bear witness with cameras to Nazi atrocities, three years before Americans arrived at Buchenwald and Dachau. In this passionate work, David Shneer tells their stories and highlights their work through their very own images-he has amassed never-before-published photographs from families, collectors, and private archives.

Through Soviet Jewish Eyes
helps us understand why so many Jews flocked to Soviet photography; what their lives and work looked like during the rise of Stalinism, during and then after the war; and why Jews were the ones charged with documenting the Soviet experiment and then its near destruction at the hands of the Nazis.
[more]
cover of Through Survivors' Eyes: From the Sixties to the Greensboro Massacre

Through Survivors' Eyes

From the Sixties to the Greensboro Massacre

Sally Avery Bermanzohn

Vanderbilt University Press, 2003

On the morning of November 3, 1979, a group of black and white demonstrators were preparing to march against the Ku Klux Klan through the streets of Greensboro, North Carolina, when a caravan of Klansmen and Nazis opened fire on them. Eighty-eight seconds later, five demonstrators lay dead and ten others were wounded. Four TV stations recorded their deaths by Klan gunfire. Yet, after two criminal trials, not a single gunman spent a day in prison. Despite this outrage, the survivors won an unprecedented civil-court victory in 1985 when a North Carolina jury held the Greensboro police jointly liable with the KKK for wrongful death.

In passionate first-person accounts, Through Survivors' Eyes tells the story of six remarkable people who set out to change the world. The survivors came of age as the "protest generation," joining the social movements of the 1960s and 1970s. They marched for civil rights, against war, for textile and healthcare workers, and for black power and women's liberation. As the mass mobilizations waned in the mid-1970s, they searched for a way to continue their activism, studied Marxism, and became communists.

Nelson Johnson, who grew up on a farm in eastern North Carolina in a family proud of its African American heritage, settled in Greensboro in the 1960s and became a leader of the Black Liberation Movement and a decade later the founder of the Faith Community Church. Willena Cannon, the daughter of black sharecroppers, witnessed a KKK murder as a child and was spurred to a life of activism. Her son, Kwame Cannon, was only ten when he saw the Greensboro killings. Marty Nathan, who grew up the daughter of a Midwestern union organizer and came to the South to attend medical school, lost her husband to the Klan/Nazi gunfire. Paul Bermanzohn, the son of Jewish Holocaust survivors, was permanently injured during the shootings. Sally Avery Bermanzohn, a child of the New York suburbs who came south to join the Civil Rights Movement, watched in horror as her friends were killed and her husband was wounded.

Through Survivors' Eyes is the story of people who abandoned conventional lives to become civil rights activists and then revolutionaries. It is about blacks and whites who united against Klan/Nazi terror, and then had to overcome unbearable hardship, and persist in seeking justice. It is also a story of one divided southern community, from the protests of black college students of the late 1960s to the convening this January of a Truth and Community Reconciliation Project (on the South African model) intended to reassess the Massacre.
[more]
cover of Through the Window, Out the Door: Women's Narratives of Departure, from Austin and Cather to Tyler, Morrison, and Didion

Through the Window, Out the Door

Women's Narratives of Departure, from Austin and Cather to Tyler, Morrison, and Didion

Janis P. Stout

University of Alabama Press, 1998

This informative and provocative study focuses on the centrality of departure in the texts of five major American women novelists.

An important moment in many novels and poems by American women writers occurs when a central character looks out a window or walks out the door of a house. These acts of departure serve to convey such values as the rejection of constraining social patterns, the search for individual fulfillment, and the entry into the political.

Janis Stout examines such moments and related patterns of venture and travel in the fiction of five major American novelists of the 20th century: Mary Austin, Willa Cather, Anne Tyler, Toni Morrison, and Joan Didion. Stout views these five writers within a spectrum of narrative engagements with issues of home and departure—a spectrum anchored at one end by Sarah Orne Jewett and at the other by Marilynne Robinson, whose Housekeeping posits a vision of female transience.

Through the Window, Out the Door ranges over an expansive territory. Moving between texts as well as between texts and contexts, Stout shows how women writers have envisioned the walls of physical and social structures (including genres) as permeable boundaries, drawing on both a rhetoric of liberation and a rhetoric of domesticity to construct narrative arguments for women's right to move freely between the two. Stout concludes with a personal essay on the dilemmas of domesticity and the ambivalence of departure.




 

[more]
cover of Throw Yourself Away: Writing and Masochism

Throw Yourself Away

Writing and Masochism

Julia Jarcho

University of Chicago Press, 2024

Proposes that we can best understand literature’s relationship to sex through a renewed focus on masochism.
 
In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, critic and playwright Julia Jarcho argues that these works conceive writing itself as masochistic, and masochism as sexuality enacted in writing. Throw Yourself Away is distinctive in its sustained focus on masochism as an engine of literary production across multiple authors and genres. In particular, Jarcho shows that theater has played a central role in modern erotic fantasies of the literary.  
 
Jarcho foregrounds writing as a project of distressed subjects: When masochistic writing is examined as a strategy of response to injurious social systems, it yields a surprisingly feminized—and less uniformly white—image of both masochism and authorship. Ultimately, Jarcho argues that a retheorized concept of masochism helps us understand literature itself as a sex act and shows us how writing can tend to our burdened, desirous bodies. With startling insights into such writers as Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy, Throw Yourself Away furnishes a new masochistic theory of literature itself.
[more]
cover of Thunder on the Stage: The Dramatic Vision of Richard Wright

Thunder on the Stage

The Dramatic Vision of Richard Wright

Bruce Allen Dick

University of Illinois Press, 2024

Richard Wright’s dramatic imagination guided the creation of his masterpieces Native Son and Black Boy and helped shape Wright’s long-overlooked writing for theater and other performative mediums.

Drawing on decades of research and interviews with Wright’s family and Wright scholars, Bruce Allen Dick uncovers the theatrical influence on Wright’s oeuvre--from his 1930s boxing journalism to his unpublished one-acts on returning Black GIs in WWII to his unproduced pageant honoring Vladimir Lenin. Wright maintained rewarding associations with playwrights, writers, and actors such as Langston Hughes, Theodore Ward, Paul Robeson, and Lillian Hellman, and took particular inspiration from French literary figures like Jean-Paul Sartre. Dick’s analysis also illuminates Wright’s direct involvement with theater and film, including the performative aspects of his travel writings; the Orson Welles-directed Native Son on Broadway; his acting debut in Native Son’s first film version; and his play “Daddy Goodness,” a satire of religious charlatans like Father Divine, in the 1930s.

Bold and original, Thunder on the Stage offers a groundbreaking reinterpretation of a major American writer.

[more]
cover of Thursday Night Lights: The Story of Black High School Football in Texas

Thursday Night Lights

The Story of Black High School Football in Texas

By Michael Hurd

University of Texas Press, 2019

At a time when “Friday night lights” shone only on white high school football games, African American teams across Texas burned up the gridiron on Wednesday and Thursday nights. The segregated high schools in the Prairie View Interscholastic League (the African American counterpart of the University Interscholastic League, which excluded black schools from membership until 1967) created an exciting brand of football that produced hundreds of outstanding players, many of whom became college All-Americans, All-Pros, and Pro Football Hall of Famers, including NFL greats such as “Mean” Joe Green (Temple Dunbar), Otis Taylor (Houston Worthing), Dick “Night Train” Lane (Austin Anderson), Ken Houston (Lufkin Dunbar), and Bubba Smith (Beaumont Charlton-Pollard).

Thursday Night Lights tells the inspiring, largely unknown story of African American high school football in Texas. Drawing on interviews, newspaper stories, and memorabilia, Michael Hurd introduces the players, coaches, schools, and towns where African Americans built powerhouse football programs under the PVIL leadership. He covers fifty years (1920–1970) of high school football history, including championship seasons and legendary rivalries such as the annual Turkey Day Classic game between Houston schools Jack Yates and Phillis Wheatley, which drew standing-room-only crowds of up to 40,000, making it the largest prep sports event in postwar America. In telling this story, Hurd explains why the PVIL was necessary, traces its development, and shows how football offered a potent source of pride and ambition in the black community, helping black kids succeed both athletically and educationally in a racist society.

[more]
cover of Thyra J. Edwards: Black Activist in the Global Freedom Struggle

Thyra J. Edwards

Black Activist in the Global Freedom Struggle

Gregg Andrews

University of Missouri Press, 2011

In 1938, a black newspaper in Houston paid front-page tribute to Thyra J. Edwards as the embodiment of “The Spirit of Aframerican Womanhood.” Edwards was a world lecturer, journalist, social worker, labor organizer, women’s rights advocate, and civil rights activist—an undeniably important figure in the social struggles of the first half of the twentieth century. She experienced international prominence throughout much of her life, from the early 1930s to her death in 1953, but has received little attention from historians in years since. Gregg Andrews’s Thyra J. Edwards: Black Activist in the Global Freedom Struggle is the first book-length biographical study of this remarkable, historically significant woman.

Edwards, granddaughter of runaway slaves, grew up in Jim Crow–era Houston and started her career there as a teacher. She moved to Gary, Indiana, and Chicago as a social worker, then to New York as a journalist, and later became involved with the Communist Party, attracted by its stance on race and labor. She was mentored by famed civil rights leader A. Philip Randolph, who became her special friend and led her to pursue her education. She obtained scholarships to college, and after several years of study in the U.S. and then in Denmark, she became a women’s labor organizer and a union publicist.

In the 1930s and 1940s, she wrote about international events for black newspapers, traveling to Europe, Mexico, and the Soviet Union and presenting an anti-imperialist critique of world affairs to her readers. Edwards’s involvement with the Loyalists in the Spanish Civil War, her work in a Jewish refugee settlement in Italy, and her activities with U.S. communists drew the attention of the FBI. She was harassed by government intelligence organizations until she died at the age of just fifty-five. Edwards contributed as much to the radical foundations of the modern civil rights movements as any other woman of her time.

This fascinating new biography details Thyra Edwards’s lifelong journey and myriad achievements, describing both her personal and professional sides and the many ways they intertwined. Gregg Andrews used Edwards’s official FBI file—along with her personal papers, published articles, and civil rights manuscript collections—to present a complete portrait of this noteworthy activist. An engaging volume for the historian as well as the general reader, Thyra J. Edwards explores the complete domestic and international impact of her life and actions.
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cover of Ticket to Minto: Stories of India and America

Ticket to Minto

Stories of India and America

Homi Sohrab Fracis

University of Iowa Press, 2001

Ticket to Minto, Sohrab Homi Fracis's premier fiction collection, offers readers a passage to an unfamiliar destination-a world suspended between East and West, India and America, home and away.

With piercing insight, Fracis expertly reveals the underlying differences between immersion in India's culture-Hindu, Muslim, or Parsi-and life as an Indian in America. Alternating between East and West, the stories in Ticket to Minto serve as companion pieces, interrelated across continents in both theme and content. A middle-aged man's search for love in Bombay is contrasted with an Indian American family's hopes for the marriage of their westernized daughter. A university student rushes to save the life of a servant in his homeland only to find his own life threatened while attending graduate school in America.

Poignant and daring, Ticket to Minto underlines the harsh realization that the immigrant never truly arrives but is in constant limbo between two worlds. As one character relates, "There's a part of me that's American and a part that's Indian. I'm clear about that and comfortable with it, except that sometimes people want me to be just the one or the other."

[more]
cover of Tides Of War: World News Reporting 1931-1945

Tides Of War

World News Reporting 1931-1945

Robert W. Desmond

University of Iowa Press, 1984

[more]
cover of Tillie Olsen: One Woman, Many Riddles

Tillie Olsen

One Woman, Many Riddles

Reid, Panthea

Rutgers University Press, 2011

In Tillie Olsen: One Woman, Many Riddles, Panthea Reid examines the complex life of this iconic feminist hero and twentieth-century literary giant.

Born in Omaha, Nebraska, Tillie Olsen spent her young adulthood there, in Kansas City, and in Faribault, Minnesota. She relocated to California in 1933 and lived most of her life in San Francisco. From 1962 on, she sojourned frequently in Massachusetts, New Hampshire, Santa Cruz, and Soquel, California. She was a 1920s "hell-cat"; a 1930s revolutionary; an early 1940s crusader for equal pay for equal work and a war-relief patriot; an ex-GI's ideal wife in the later 1940s; a victim of FBI surveillance in the 1950s;a civil rights and antiwar advocate during the 1960s and 1970s; and a life-long orator for universal human rights.

The enigma of Tillie Olsen is intertwined with that of the twentieth century. From the rebellions in Czarist Russia, through the terrors of the Depression and the hopes of the New Deal, to World War II, the Nuremberg Trials, and the United Nations' founding, to the cold war and House Un-American Activities Committee hearings, to later progressive and repressive movements, the story of Olsen's life brings remote events into focus.

In her classic short story "I Stand Here Ironing" and her groundbreaking Tell Me a Riddle, Yonnondido, and Silences, Olsen scripted powerful, moving prose about ordinary people's lives, exposing the pervasive effects of sexism, racism, and classism and elevating motherhood and women's creativity into topics of study. Popularly referred to as "Saint Tillie," Olsen was hailed by many as the mother of modern feminism.

Based on diaries, letters, manuscripts, private documents, resurrected public records, and countless interviews, Reid's artfully crafted biography untangles some of the puzzling knots of the last century's triumphs and failures and speaks truth to legend, correcting fabrications and myths about and also by Tillie Olsen.

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cover of Time Passages: Collective Memory and American Popular Culture

Time Passages

Collective Memory and American Popular Culture

George Lipsitz

University of Minnesota Press, 2001

The classic work on collective memory and popular culture in the United States.

Probes the complicated relationship between postwar America between historical memory and commercial culture—popular television, music, and film.

[more]
cover of Time for Childhoods: Young Poets and Questions of Agency

Time for Childhoods

Young Poets and Questions of Agency

Rachel Conrad

University of Massachusetts Press, 2020

Poems written by children are not typically part of the literary canon. Because of cultural biases that frame young people as intellectually and artistically immature, these works are often excluded or dismissed as juvenilia. Rachel Conrad contends that youth-composed poems should be read as literary works in their own right—works that are deserving of greater respect in literary culture.

Time for Childhoods presents a selection of striking twentieth-and twenty-first-century American poetry written by young people, and highlights how young poets imagined and shaped time for their own poetic purposes. Through close engagement with archival materials, as well as select interviews and correspondence with adult mentors, Conrad discerns how young writers figured social realities and political and racial injustices, and discusses what important advocates such as Gwendolyn Brooks and June Jordan can teach us about supporting the agency of young poets. This essential study demonstrates that young poets have much to contribute to ongoing conversations about time and power.
[more]
cover of Time in the Ditch: American Philosophy and the McCarthy Era

Time in the Ditch

American Philosophy and the McCarthy Era

John McCumber

Northwestern University Press, 2023

In Time in the Ditch, John McCumber explores the effects of McCarthyism on American philosophy in the 1940s and 1950 and the possibility that the political pressures of the McCarthy era skewed the development of the discipline. Why was silence maintained for so long? And what happens, McCumber asks, when political events and pressures go beyond interfering with individual careers to influence the nature of a discipline itself? 
[more]
cover of Time, Trees, and Prehistory: Tree Ring dating and the Development of NA Archaeology 1914 to 1950

Time, Trees, and Prehistory

Tree Ring dating and the Development of NA Archaeology 1914 to 1950

Stephen E Nash

University of Utah Press, 2006

Dendrochronology, the science of assigning precise calendar dates to annual growth rings in trees, provided accurate dates at a time when North American archaeologists had no absolute dating techniques available to guide their analyses. Time, Trees, and Prehistory examines the growth, development, application, and interpretive implications of North American archaeological tree-ring dating from 1914 to 1950.

The development of dendrochronology forced archaeologists to radically revise their understanding of the prehistoric past, compressing by nearly fifty percent the time scale of the archaeological record. Basketmaker sites, for instance, were once thought to be four thousand years old; tree-ring application demonstrated that these sites dated well into the present millennium. Classic sites in Chaco Canyon and Mesa Verde were believed occupied for nearly a thousand years, but tree-ring dates demonstrated that such sites were often built, occupied, and abandoned in just over a century. Other similar changes in temporal scale forced archaeologists to reconsider their interpretations of the rate of prehistoric cultural change, population growth, and the degree of social and political complexity in the Southwest.

Time, Trees, and Prehistory examines archaeological practices of the 1920s, 30s, and 40s and demonstrates that tree-ring dating set the stage that enabled revolutionary developments in archaeological method and theory in succeeding decades.

[more]
cover of Times of Upheaval: Four Medievalists in Twentieth-Century Central Europe. Conversations with Jerzy Kloczowski, János M. Bak, František Šmahel, and Herwig Wolfram

Times of Upheaval

Four Medievalists in Twentieth-Century Central Europe. Conversations with Jerzy Kloczowski, János M. Bak, František Šmahel, and Herwig Wolfram

Pavlína Rychterová

Central European University Press, 2019

The volume unites conversations with four masters of Medieval Studies from east-central Europe: János Bak from Hungary, Jerzy Kloczowski from Poland, František Šmahel from the Czech Republic, and Herwig Wolfram from Austria. The interviews, made by younger colleagues, reveal engaging life stories, with numerous observations, anecdotes and experiences. The four scholars grew up before and during the war, under Nazi occupation, emerged as young scholars in the difficult post-war period, and, for most of their careers worked in the shadow of the Iron Curtain, two of them spending most of their lifetimes under communist regimes. The conversations focus on ways in which open-minded young intellectuals became medieval historians under difficult circumstances, how they experienced the long shadows of totalitarian regimes with their acute sensitivity for historical change, and how their perceptions of the world around them reflected back on their approach to medieval history. The histories of their nations were broken, most of them ceased to exist and then were re-established during their lifetimes, came under foreign domination, were split up, or had their territories shifted. These changes affected these scholars' identities and patriotic feelings, and their present was reflected in the distant mirror of the medieval past.
[more]
cover of Timira: A Novel

Timira

A Novel

Wu Ming Wu Ming 2

Rutgers University Press, 2027

Isabella Marincola lived between two cultures. The child of an Italian military officer father and a Somali mother, she was never fully part of either culture. In Somalia, she was seen as a child of the ruling colonizers, while in Italy her darker skin made her an object of both fascination and contempt. Even as she worked as an actress and model in postwar Italy, she was valued for her exotically beautiful body, not her keen mind or her captivating voice.

Titled after Isabella’s Somali name, Timira is a unique combination of novel, archival sources, and oral history. It finally gives her a chance to articulate her experiences of being a Black Italian woman in different epochs of Italian history, from Fascism to the 1990s, in all of which italianità was assumed to be exclusively white. 

Cowritten by her son Antar Mohamed Marincola and a founding member of the Wu Ming writers’ collective, it is based on a series of writings and interviews Isabella gave towards the end of her long, eventful life. A compelling novel rooted in truth, Timira reflects on Italy’s colonial legacy and ingrained racism, while telling the story of a courageous woman and her struggles to assert herself in a nation unprepared to accommodate its Black citizens. 

[more]
cover of Tinker to Evers to Chance: The Chicago Cubs and the Dawn of Modern America

Tinker to Evers to Chance

The Chicago Cubs and the Dawn of Modern America

David Rapp

University of Chicago Press, 2018

Their names were chanted, crowed, and cursed. Alone they were a shortstop, a second baseman, and a first baseman. But together they were an unstoppable force. Joe Tinker, Johnny Evers, and Frank Chance came together in rough-and-tumble early twentieth-century Chicago and soon formed the defensive core of the most formidable team in big league baseball, leading the Chicago Cubs to four National League pennants and two World Series championships from 1906 to 1910. At the same time, baseball was transforming from small-time diversion into a nationwide sensation. Americans from all walks of life became infected with “baseball fever,” a phenomenon of unprecedented enthusiasm and social impact. The national pastime was coming of age.

Tinker to Evers to Chance examines this pivotal moment in American history, when baseball became the game we know today. Each man came from a different corner of the country and brought a distinctive local culture with him: Evers from the Irish-American hothouse of Troy, New York; Tinker from the urban parklands of Kansas City, Missouri; Chance from the verdant fields of California’s Central Valley. The stories of these early baseball stars shed unexpected light not only on the evolution of baseball and on the enthusiasm of its players and fans all across America, but also on the broader convulsions transforming the US into a confident new industrial society. With them emerged a truly national culture.

This iconic trio helped baseball reinvent itself, but their legend has largely been relegated to myths and barroom trivia. David Rapp’s engaging history resets the story and brings these men to life again, enabling us to marvel anew at their feats on the diamond. It’s a rare look at one of baseball’s first dynasties in action.
[more]
cover of Titan II: A History of a Cold War Missile Program

Titan II

A History of a Cold War Missile Program

David K. Stumpf

University of Arkansas Press, 2002

The Titan II ICBM (intercontinental ballistic missile) program was developed by the United States military to bolster the size, strength, and speed of the nation’s strategic weapons arsenal in the 1950s and 1960s. Each missile carried a single warhead—the largest in U.S. inventory—used liquid fuel propellants, and was stored and launched from hardened underground silos. The missiles were deployed at basing facilities in Arkansas, Arizona, and Kansas and remained in active service for over twenty years. Since military deactivation in the early 1980s, the Titan II has served as a reliable satellite launch vehicle.
 
This is the richly detailed story of the Titan II missile and the men and women who developed and operated the system. David K. Stumpf uses a wide range of sources, drawing upon interviews with and memoirs by engineers and airmen as well as recently declassified government documents and other public materials. Over 170 drawings and photographs, most of which have never been published, enhance the narrative. The three major accidents of the program are described in detail for the first time using authoritative sources.
 
Titan II will be welcomed by librarians for its prodigious reference detail, by technology history professionals and laymen, and by the many civilian and Air Force personnel who were involved in the program—a deterrent weapons system that proved to be successful in defending America from nuclear attack.
[more]
cover of Titanic Calling: Wireless Communications during the Great Disaster

Titanic Calling

Wireless Communications during the Great Disaster

Edited by Michael Hughes and Katherine Bosworth

Bodleian Library Publishing, 2012

Published in commemoration of the one-hundredth anniversary of the Titanic’s sinking, this book tells the story of that fateful night from an unusual angle: through the many wireless communications sent to and from the land stations and the ships involved as the tragic events unfolded.

Drawing on the extensive record of wireless transmissions in the Marconi Archives, Titanic Calling recounts this legendary story the way it was first heard, beginning with repeated warnings—just hours before the collision—of several large icebergs unusually far south and alarmingly close to the Titanic’s course. The story follows senior operator Jack Phillips as he sends distress messages to nearby ships and shows how these urgent calls for help were received and rapidly relayed across the Atlantic in a desperate attempt to save the lives of the Titanic’s passengers and crew. Finally, the distant SS Virginian receives the Titanic’s final, broken message. The story concludes with the rescue of the fortunate survivors, who radio messages to loved ones from aboard the RMS Carpathia while safely on their way to New York.
 
Illustrated throughout with photographs of the messages and including full transcripts of original material, the book also features an introduction to the development of maritime wireless communications and a discussion of the Marconi Archives’s Titanic collection. The forced brevity of the messages lends the narrative a startling sense of immediacy and brings to life to the voices of the individuals involved.
[more]
cover of To Be At Music: Essays & Talks

To Be At Music

Essays & Talks

Norma Cole

Omnidawn, 2010

To Be At Music is the first collection of essays by Norma Cole, who is one of our most respected poets writing in the innovative tradition, as well as an esteemed translator and visual artist. These 21 prose pieces reflect her inimitable ability to make the critical essay an art form that engages both the sensual and the cerebral, the aural and the visual, the analytic and the intuitive nature of her readers. Many of these are essays or talks written in response to invitations to discuss the works of writers and artists such as Hans Christian Andersen, Robin Blaser, Edmond Jabès, Mina Loy, Lorine Niedecker, George Oppen, Stanley Whitney, and Christa Wolf. Each offers Cole's unique appreciation of what it means to read, to interact with a work of art, to write, or to translate, and to perceive each activity as a way to attune oneself anew to the world that is both within and beyond our expected methods of understanding.
[more]
cover of To Be in This Number

To Be in This Number

Alane Rollings

Northwestern University Press, 2005

With her fifth book of poetry, Alane Rollings continues to demonstrate her originality and her own poetic style. To Be In This Number shapes personal and national events in 20th Century--America into a narrative which begins before the Depression and ends after 9/11. The historical sweep includes the birth of Jazz, World War II (and antisemitism), the rise of rock music, the civil rights movement, and the expanding women's consciousness. Always keeping in mind the roles of both a national consciousness and the individual, Rollings examines a variety of themes surrounding family, race, and gender relationships to see how they have (or have not) progressed. True to Rollings' courageous style, each poem is part of an unusual journey through poetic narrative, profound emotion, and intimate language.
[more]
cover of To Become an American: Immigrants and Americanization Campaigns of the Early Twentieth Century

To Become an American

Immigrants and Americanization Campaigns of the Early Twentieth Century

Leslie A. Hahner

Michigan State University Press, 2017

Pledging allegiance, singing the “Star-Spangled Banner,” wearing a flag pin—these are all markers of modern patriotism, emblems that announce the devotion of American citizens. Most of these nationalistic performances were formulized during the early twentieth century and driven to new heights by the panic surrounding national identity during World War I. In To Become an American Leslie A. Hahner argues that, in part, the Americanization movement engendered the transformation of patriotism during this period. Americanization was a massive campaign designed to fashion immigrants into perfect Americans—those who were loyal in word, deed, and heart. The larger outcome of this widespread movement was a dramatic shift in the nation’s understanding of Americanism. Employing a rhetorical lens to analyze the visual and aesthetic practices of Americanization, Hahner contends that Americanization not only tutored students in the practices of citizenship but also created a normative visual metric that modified how Americans would come to understand, interpret, and judge their own patriotism and that of others.
[more]
cover of To Can the Kaiser: Arkansas and the Great War

To Can the Kaiser

Arkansas and the Great War

Michael D. Polston

Butler Center for Arkansas Studies, 2015

On April 2, 1917, the United States officially entered a war that had been raging for nearly three years in Europe. Even though America’s involvement in the “Great War” lasted little more than a year and a half, the changes it wrought were profound. More than seventy thousand Arkansans served as soldiers during the war. Wartime propaganda led to suspicions directed against Germans, Jehovah’s Witnesses, and African Americans in Arkansas, but war production proved a boon to the state in the form of greater demand for cotton, minerals, and timber. World War I connected Arkansas to the world in ways that changed the state and its people forever, as shown in the essays collected here.
[more]