8642 books match the query '20th Century' and 1764 start with t

cover of To Care for the Sick and Bury the Dead: African American Lodges and Cemeteries in Tennessee

To Care for the Sick and Bury the Dead

African American Lodges and Cemeteries in Tennessee

Leigh Ann Gardner

Vanderbilt University Press, 2022

Benevolent Orders, the Sons of Ham, Prince Hall Freemasons—these and other African American lodges created a social safety net for members across Tennessee. During their heyday between 1865 and 1930, these groups provided members with numerous resources, such as sick benefits and assurance of a proper burial, opportunities for socialization and leadership, and the chance to work with local churches and schools to create better communities. Many of these groups gradually faded from existence, but their legacy endures in the form of the cemeteries the lodges left behind.

These Black cemeteries dot the Tennessee landscape, but few know their history or the societies of care they represent. To Care for the Sick and Bury the Dead is the first book-length look at these cemeteries and the lodges that fostered them.

This book is a must-have for genealogists, historians, and family members of the people buried in these cemeteries.
[more]
cover of To Do Justice: The Civil Rights Ministry of Reverend Robert E. Hughes

To Do Justice

The Civil Rights Ministry of Reverend Robert E. Hughes

Randall C. Jimerson

University of Alabama Press, 2022

A minister’s call to justice in the struggle for civil rights.

A native Alabamian, Reverend Robert E. Hughes worked full-time in the civil rights movement as executive director of the Alabama Council of Human Relations, where he developed a close relationship with Dr. Martin Luther King Jr. After facing backlash from the Ku Klux Klan, spending four days in jail for refusing to disclose ACHR membership lists, and ultimately being forced to leave the state of Alabama, he served as a Methodist missionary in Southern Rhodesia (now part of Zimbabwe). After two years of organizing Black liberation groups, he was banned as a “prohibited immigrant” by the Ian Smith government. His lifelong commitment to social justice, racial equality, and peaceful resolution of conflicts marks a fascinating career richly documented in this comprehensive biography.

To Do Justice: The Civil Rights Ministry of Reverend Robert E. Hughes traces the life and career of an admirable and lesser-known civil rights figure who fought injustice on two continents. This account presents valuable new evidence about the civil rights movement in the United States as well as human rights and liberation issues in colonial Southern Rhodesia in the years leading up to independence and self-rule. It provides an intimate portrait of a courageous individual who worked outside of the public spotlight but provided essential support and informational resources to public activists and news reporters

Randall C. Jimerson explores the interwoven threads of race relations and religious beliefs on two continents, focusing on the dual themes of the American civil rights movement and the African struggles for decolonization and majority rule. The life and career of Robert Hughes provide insight into the international dimensions of racial prejudice and discrimination that can be viewed in comparative context to similar oppressions in other colonial lands.

 

[more]
cover of To Go Into the Words

To Go Into the Words

Norman Finkelstein

University of Michigan Press, 2023

To Go Into the Words is the latest book of critical prose from renowned poet and scholar of Jewish literature Norman Finkelstein. Through a rigorous examination of poets such as William Bronk, Helen Adam, and Nathaniel Mackey, the book engages the contemporary poetic fascination with transcendence through the radical delight with language. By opening up a given poem, Finkelstein seeks the “gnosis” or insight of what it contains so that other readers can understand and appreciate the works even more.

Pulling from Finkelstein’s experience of writing thirteen books of poetry and six books of literary criticism, To Go Into the Words consistently rewards the reader with insights as transformative as they are well-considered and deftly mapped out.  This volume opens the world of poetry to poets, scholars, and readers by showcasing “the gnosis that is to be found in modern poetry.”
[more]
cover of To Keep the Ball Rolling: The Memoirs of Anthony Powell

To Keep the Ball Rolling

The Memoirs of Anthony Powell

Anthony Powell

University of Chicago Press, 2001

To earn the reputation of a literary giant within the generation of Waugh, Orwell, and Greene is no mean feat. To do so with the grace and genius that characterized Anthony Powell—whose twelve-volume A Dance to the Music of Time is possibly the only English-language work to match the majestic scope of Proust's Remembrance of Things Past—is nothing short of spectacular. Yet Powell himself remains absent from his writing; he was, said the New York Times, "a writer of mordant succinctness who rewards the reader while revealing little of himself."

Powell did eventually reveal himself in four volumes of memoirs, published between 1976 and 1982. This edition of Anthony Powell's Memoirs is an abridged and revised version of those volumes, a version that has never before been published in this form in the United States. The result is not only a fascinating view of Powell as a man and an author but also a unique history of British literary society and the social elite Powell lampooned and moved within from the twenties through the eighties. From Eton and Oxford to his life as a novelist and critic, Powell observes all—the obscenity trial sparked by Lady Chatterley's Lover; Shirley Temple's libel suit after Graham Greene reviewed Wee Willie Winkie "with even more than his usual verve"—and paints vivid portraits of Kingsley Amis, V.S. Naipaul, T.S. Eliot, Virginia Woolf, and countless others. Most importantly, Powell's lively memoirs banish all thought of the man as a relic of the British gentry. He was a modernist, a Tory, and more than a little interested in genealogy and peerage, but a man who, according to Ferdinand Mount, "miraculously knew what life was like."
[more]
cover of To Live Here, You Have to Fight: How Women Led Appalachian Movements for Social Justice

To Live Here, You Have to Fight

How Women Led Appalachian Movements for Social Justice

Jessica Wilkerson

University of Illinois Press, 2019

Launched in 1964, the War on Poverty quickly took aim at the coalfields of southern Appalachia. There, the federal government found unexpected allies among working-class white women devoted to a local tradition of citizen caregiving and seasoned by decades of activism and community service.

Jessica Wilkerson tells their stories within the larger drama of efforts to enact change in the 1960s and 1970s. She shows white Appalachian women acting as leaders and soldiers in a grassroots war on poverty--shaping and sustaining programs, engaging in ideological debates, offering fresh visions of democratic participation, and facing personal political struggles. Their insistence that caregiving was valuable labor clashed with entrenched attitudes and rising criticisms of welfare. Their persistence, meanwhile, brought them into unlikely coalitions with black women, disabled miners, and others to fight for causes that ranged from poor people's rights to community health to unionization.

Inspiring yet sobering, To Live Here, You Have to Fight reveals Appalachian women as the indomitable caregivers of a region--and overlooked actors in the movements that defined their time.

[more]
cover of To Live Peaceably Together: The American Friends Service Committee's Campaign for Open Housing

To Live Peaceably Together

The American Friends Service Committee's Campaign for Open Housing

Tracy E. K'Meyer

University of Chicago Press, 2022

A groundbreaking look at how a predominantly white faith-based group reset the terms of the fight to integrate US cities.

The bitterly tangled webs of race and housing in the postwar United States hardly suffer from a lack of scholarly attention. But Tracy K’Meyer’s To Live Peaceably Together delivers something truly new to the field: a lively examination of a predominantly white faith-based group—the Quaker-aligned American Friends Service Committee (AFSC)—that took a unique and ultimately influential approach to cultivating wider acceptance of residential integration. Built upon detailed stories of AFSC activists and the obstacles they encountered in their work in Chicago, Philadelphia, and Richmond, California, To Live Peaceably Together is an engaging and timely account of how the organization allied itself to a cause that demanded constant learning, reassessment, and self-critique. K’Meyer details the spiritual and humanist motivations behind the AFSC, its members’ shifting strategies as they came to better understand structural inequality, and how those strategies were eventually adopted by a variety of other groups. Her fine-grained investigation of the cultural ramifications of housing struggles provides a fresh look at the last seventy years of racial activism.
 
[more]
cover of To Live Peaceably Together: The American Friends Service Committee's Campaign for Open Housing

To Live Peaceably Together

The American Friends Service Committee's Campaign for Open Housing

Tracy E. K'Meyer

University of Chicago Press, 2022

This is an auto-narrated audiobook edition of this book.

A groundbreaking look at how a predominantly white faith-based group reset the terms of the fight to integrate US cities.

The bitterly tangled webs of race and housing in the postwar United States hardly suffer from a lack of scholarly attention. But Tracy K’Meyer’s To Live Peaceably Together delivers something truly new to the field: a lively examination of a predominantly white faith-based group—the Quaker-aligned American Friends Service Committee (AFSC)—that took a unique and ultimately influential approach to cultivating wider acceptance of residential integration. Built upon detailed stories of AFSC activists and the obstacles they encountered in their work in Chicago, Philadelphia, and Richmond, California, To Live Peaceably Together is an engaging and timely account of how the organization allied itself to a cause that demanded constant learning, reassessment, and self-critique. K’Meyer details the spiritual and humanist motivations behind the AFSC, its members’ shifting strategies as they came to better understand structural inequality, and how those strategies were eventually adopted by a variety of other groups. Her fine-grained investigation of the cultural ramifications of housing struggles provides a fresh look at the last seventy years of racial activism.

[more]
cover of To Make a Prairie: Essays on Poets, Poetry, and Country Living

To Make a Prairie

Essays on Poets, Poetry, and Country Living

Maxine Kumin

University of Michigan Press, 1980

Kumin reflects on the process of writing poetry and on life in the country
[more]
cover of To Offer Compassion: A History of the Clergy Consultation Service on Abortion

To Offer Compassion

A History of the Clergy Consultation Service on Abortion

Doris Andrea Dirks and Patricia A. Relf

University of Wisconsin Press, 2019

In 1967, when abortion was either illegal or highly restricted in every U.S. state, a group of ministers and rabbis formed to counsel women with unwanted pregnancies—including referral to licensed physicians willing to perform the procedure. By 1973, when the Roe v. Wade court decision made abortion legal nationwide, the Clergy Consultation Service on Abortion (CCS) had spread from coast to coast, referred hundreds of thousands of women for safe abortions without a single fatality, become a medical consumer advocacy group, and opened its own clinic in New York City.

As religious leaders spoke out on issues of civil rights, peace, or poverty, CCS members were also called to action by the suffering of women who had approached them for help. Overwhelmingly male, white, affluent, and middle-aged, these mainline Protestant and Jewish clergy were nonetheless outspoken advocates for the rights of women, particularly poor women. To Offer Compassion is a detailed history of this unique and largely forgotten movement, drawing on extensive interviews with original participants and on primary documents from the CCS's operations.
[more]
cover of To Raise Up the Man Farthest Down: Tuskegee University’s Advancements in Human Health, 1881–1987

To Raise Up the Man Farthest Down

Tuskegee University’s Advancements in Human Health, 1881–1987

Dana R. Chandler and Edith Powell

University of Alabama Press, 2018

An important historical account of Tuskegee University’s significant advances in health care, which affected millions of lives worldwide.

Alabama’s celebrated, historically black Tuskegee University is most commonly associated with its founding president, Booker T. Washington, the scientific innovator George Washington Carver, or the renowned Tuskegee Airmen. Although the university’s accomplishments and devotion to social issues are well known, its work in medical research and health care has received little acknowledgment. Tuskegee has been fulfilling Washington’s vision of “healthy minds and bodies” since its inception in 1881. In To Raise Up the Man Farthest Down, Dana R. Chandler and Edith Powell document Tuskegee University’s medical and public health history with rich archival data and never-before-published photographs. Chandler and Powell especially highlight the important but largely unsung role that Tuskegee University researchers played in the eradication of polio, and they add new dimension and context to the fascinating story of the HeLa cell line that has been brought to the public’s attention by popular media.

Tuskegee University was on the forefront in providing local farmers the benefits of agrarian research. The university helped create the massive Agricultural Extension System managed today by land grant universities throughout the United States. Tuskegee established the first baccalaureate nursing program in the state and was also home to Alabama’s first hospital for African Americans. Washington hired Alabama’s first female licensed physician as a resident physician at Tuskegee. Most notably, Tuskegee was the site of a remarkable development in American biochemistry history: its microbiology laboratory was the only one relied upon by the National Foundation for Infantile Paralysis (the organization known today as the March of Dimes) to produce the HeLa cell cultures employed in the national field trials for the Salk and Sabin polio vaccines. Chandler and Powell are also interested in correcting a long-held but false historical perception that Tuskegee University was the location for the shameful and infamous US Public Health Service study of untreated syphilis.

Meticulously researched, this book is filled with previously undocumented information taken directly from the vast Tuskegee University archives. Readers will gain a new appreciation for how Tuskegee’s people and institutions have influenced community health, food science, and national medical life throughout the twentieth century.

[more]
cover of To Rise in Darkness: Revolution, Repression, and Memory in El Salvador, 1920–1932

To Rise in Darkness

Revolution, Repression, and Memory in El Salvador, 1920–1932

Jeffrey L. Gould, Aldo A. Lauria-Santiago

Duke University Press, 2008

To Rise in Darkness offers a new perspective on a defining moment in modern Central American history. In January 1932 thousands of indigenous and ladino (non-Indian) rural laborers, provoked by electoral fraud and the repression of strikes, rose up and took control of several municipalities in central and western El Salvador. Within days the military and civilian militias retook the towns and executed thousands of people, most of whom were indigenous. This event, known as la Matanza (the massacre), has received relatively little scholarly attention. In To Rise in Darkness, Jeffrey L. Gould and Aldo A. Lauria-Santiago investigate memories of the massacre and its long-term cultural and political consequences.

Gould conducted more than two hundred interviews with survivors of la Matanza and their descendants. He and Lauria-Santiago combine individual accounts with documentary sources from archives in El Salvador, Guatemala, Washington, London, and Moscow. They describe the political, economic, and cultural landscape of El Salvador during the 1920s and early 1930s, and offer a detailed narrative of the uprising and massacre. The authors challenge the prevailing idea that the Communist organizers of the uprising and the rural Indians who participated in it were two distinct groups. Gould and Lauria-Santiago demonstrate that many Communist militants were themselves rural Indians, some of whom had been union activists on the coffee plantations for several years prior to the rebellion. Moreover, by meticulously documenting local variations in class relations, ethnic identity, and political commitment, the authors show that those groups considered “Indian” in western El Salvador were far from homogeneous. The united revolutionary movement of January 1932 emerged out of significant cultural difference and conflict.

[more]
cover of To Stand Aside or Stand Alone: Southern Reform Rabbis and the Civil Rights Movement

To Stand Aside or Stand Alone

Southern Reform Rabbis and the Civil Rights Movement

P. Allen Krause, Edited by Mark K. Bauman with Stephen Krause

University of Alabama Press, 2016

A landmark collection of previously unpublished interviews with Reform rabbis concerning their roles in the civil rights movement.

In 1966, a young rabbinical student named P. Allen Krause conducted interviews with twelve Reform rabbis from southern congregations concerning their thoughts, principles, and activities as they related to the civil rights movement. Perhaps because he was a young seminary student or more likely because the interviewees were promised an embargo of twenty-five years before the interviews would be released to the public, the rabbis were extremely candid about their opinions on and their own involvement with what was still an incendiary subject. Now, in To Stand Aside or Stand Alone: Southern Reform Rabbis and the Civil Rights Movement, their stories help elucidate a pivotal moment in time.
 
After a distinguished rabbinical career, Krause wrote introductions to and annotated the interviews. When Krause succumbed to cancer in 2012, Mark K. Bauman edited the manuscripts further and wrote additional introductions with the assistance of Stephen Krause, the rabbi’s son. The result is a unique volume offering insights into these rabbis’ perceptions and roles in their own words and with more depth and nuance than hitherto available. This exploration into the lives of these teachers and civic leaders is supported by important contextual information on the local communities and other rabbis, with such background information forming the basis of a demographic profile of the Reform rabbis working in the South.
 
The twelve rabbis whom Krause interviewed served in Alabama, Georgia, Louisiana, Mississippi, Tennessee, and Virginia, and the substance and scope of their discussions cover some of the most crucial periods in the civil rights movement. Although some have provided accounts that appeared elsewhere or have written about their experiences themselves, several new voices appear here, suggesting that more southern rabbis were active than previously thought. These men functioned within a harsh environment: rabbis’ homes, synagogues, and Jewish community centers were bombed; one rabbi, who had been beaten and threatened, carried a pistol to protect himself and his family. The views and actions of these men followed a spectrum from gradualism to activism; while several of the rabbis opposed the evils of the separate and unequal system, others made peace with it or found reasons to justify inaction. Additionally, their approaches differed from their activist colleagues in the North even more than from each other.
 
Within these pages, readers learn about the attitudes of the rabbis toward each other, toward their congregants, toward national Jewish organizations, and toward local leaders of black and white and Protestant and Catholic groups. Theirs are dramatic stories of frustration, cooperation, and conflict.
[more]
cover of To Swim with Crocodiles: Land, Violence, and Belonging in South Africa, 1800-1996

To Swim with Crocodiles

Land, Violence, and Belonging in South Africa, 1800-1996

Jill E Kelly

Michigan State University Press, 2018

To Swim with Crocodiles: Land, Violence, and Belonging in South Africa, 1800–1996 offers a fresh perspective on the history of rural politics in South Africa, from the rise of the Zulu kingdom to the civil war at the dawn of democracy in KwaZulu-Natal. The book shows how Africans in the Table Mountain region drew on the cultural inheritance of ukukhonza—a practice of affiliation that binds together chiefs and subjects—to seek social and physical security in times of war and upheaval. Grounded in a rich combination of archival sources and oral interviews, this book examines relations within and between chiefdoms to bring wider concerns of African studies into focus, including land, violence, chieftaincy, ethnic and nationalist politics, and development. Colonial indirect rule, segregation, and apartheid attempted to fix formerly fluid polities into territorial “tribes” and ethnic identities, but the Zulu practice of ukukhonza maintained its flexibility and endured. By exploring what Zulu men and women knew about and how they remembered ukukhonza, Kelly reveals how Africans envisioned and defined relationships with the land, their chiefs, and their neighbors as white minority rule transformed the countryside and local institutions of governance. 
 
[more]
cover of To Tell At Last: Survival under False Identity, 1941-45

To Tell At Last

Survival under False Identity, 1941-45

Blanca Rosenberg

University of Illinois Press, 1993

      "Searing. . . . With
        an even hand and understated prose, Ms. Rosenberg, now a New York City
        psychotherapist, bravely depicts Nazi carnage in chilling detail."
        -- Susan Shapiro, New York Times Book Review
      "[A] harrowing account
        of intrigue and danger with all the elements of a war movie adventure."
        -- Miriam Rinn, The Forward
      This memoir of how a Jewish
        woman survived Nazi Germany by passing as an Aryan was selected as the
        best book on Holocaust and Jewish Resistance Literature by the Israeli
        committee of the Egit Grants.
 
 
[more]
cover of To The City: Urban Photographs of the New Deal

To The City

Urban Photographs of the New Deal

Authored by Julia L. Foulkes

Temple University Press, 2011

In the 1930s and 1940s, as the United States moved from a rural to an urban nation, the pull of the city was irrepressible. It was so strong that even a photographic mission designed to record the essence of rural America could not help but capture the energy of urbanization too. To the City showcases over 100 photographs from the Farm Security Administration (FSA) project along with extracts from the Works Progress Administration (WPA) guidebooks and oral histories, to convey the detail and dimensions of that transformation.

This artfully grouped collection of photographs includes magnificent images by notable photographers Dorothea Lange, Walker Evans and Gordon Parks, among many others. Foulkes organizes this history of Americana into five themes: Intersection; Traffic; High Life and Low Life; The City in the Country; and Citizens to illuminate the changes in habits, landscapes, and aspirations that the march to cities encompassed.

As the rural past holds symbolic sway and the suburb presents demographic force, the urban portion of our history—why and how cities have been a destination for hope—recedes from view. To the City is a thoughtful, engaging reminder.

[more]
cover of To Tilt at Windmills: A Memoir of the Spanish Civil War

To Tilt at Windmills

A Memoir of the Spanish Civil War

Fred A. Thomas

Michigan State University Press, 1996

To Tilt at Windmills is the memoir of Briton Fred Thomas who served with the International Brigades in the Spanish Civil War (July 1936-March 1939).
     Inspired by a memorable return to Iberian battlefields forty years later, and based on diaries kept during the many months Thomas spent as a gunner with the British Anti-Tank Battery, the narrative moves eloquently along a journey into the war zone, through the several campaigns in which he fought and where he was twice wounded, and finally to the withdrawal of the Brigades from the conflict. What distinguishes Thomas' account is the remarkable detail provided by the diaries and the measured tone of his reminiscence, There is, as well, the poignant inquiry of the veteran into the shape and meaning of experience as a young soldier. The historian Paul Preston has cited the "warmth, directness and deep humanity" of To Tilt at Windmills, "an important contribution to the collective memory of the war.

[more]
cover of To Turn the Whole World Over: Black Women and Internationalism

To Turn the Whole World Over

Black Women and Internationalism

Edited by Keisha N. Blain and Tiffany M. Gill

University of Illinois Press, 2019

Black women undertook an energetic and unprecedented engagement with internationalism from the late nineteenth century to the 1970s. In many cases, their work reflected a complex effort to merge internationalism with issues of women's rights and with feminist concerns. To Turn the Whole World Over examines these and other issues with a collection of cutting-edge essays on black women's internationalism in this pivotal era and beyond. Analyzing the contours of gender within black internationalism, scholars examine the range and complexity of black women's global engagements. At the same time, they focus on these women's remarkable experiences in shaping internationalist movements and dialogues. The essays explore the travels and migrations of black women; the internationalist writings of women from Paris to Chicago to Spain; black women advocating for internationalism through art and performance; and the involvement of black women in politics, activism, and global freedom struggles. Contributors: Nicole Anae, Keisha N. Blain, Brandon R. Byrd, Stephanie Beck Cohen, Anne Donlon, Tiffany N. Florvil, Kim Gallon, Dayo F. Gore, Annette K. Joseph-Gabriel, Grace V. Leslie, Michael O. West, and Julia Erin Wood
[more]
cover of To Your Posts!: Fort Meigs in the War of 1812 through the Voices of Those Who Fought There

To Your Posts!

Fort Meigs in the War of 1812 through the Voices of Those Who Fought There

Larry L. Nelson

Michigan State University Press, 2025

To Your Posts! Fort Meigs in the War of 1812 through the Voices of Those Who Fought There recounts the history of Fort Meigs, a U.S. military garrison built on the outermost reaches of Ohio’s northwestern frontier during the War of 1812. Troops commanded by William Henry Harrison erected the fort in the late winter and early spring of 1813. Built at the foot of the Maumee River Rapids, the site of present-day Perrysburg in Wood County, the post successfully withstood two determined sieges by allied British, Canadian, and Native forces later that year. Those victories, resulting in the garrison’s continued American occupation throughout 1815, contributed significantly to the United States’ eventual successes in the Detroit Theater at the end of the war. Using numerous primary sources including letters, diaries, and other documents from the period, many published here for the first time, To Your Posts! tells the story of Fort Meigs through the voices of those who served at the post during the War of 1812.
[more]
cover of To the Memory of Childhood

To the Memory of Childhood

Lydia Chukovskaya

Northwestern University Press, 1988

For years Lydia Chukovskaya's support for persecuted writers cut her off from her own audience. Even her name was banned in the USSR, and she was expelled from the Union of Writers in 1974. Though unable to publish at home and cut off from contacts with readers and editors, Chukovskaya continued to write. To the Memory of Childhood, her loving chronicle of growing up beside the Gulf of Finland with her father, the writer Kornei Chukovsky, reveals the sources of her strength and her belief in the power of the written word.

Her father is a household name in Russia because of his tales in verse for children. But his literary accomplishments ranged far beyond bedtime stories. As a critic he wrote controversial articles and lively profiles of cultural figures; as a translator he introduced Whitman, Twain, Kipling, and Wilde to Russian readers. When his children's literature was attacked in the 1920s and 1930s, he turned to editing, scholarship, and articles on translation. A man of boundless energy, he played a vital role in his country's cultural life until his death in 1969. "I am not writing Kornei Ivanovich's biography," Chukovskaya says, "but he was the author of my childhood."
[more]
cover of Today the Struggle: Literature and Politics in England during the Spanish Civil War

Today the Struggle

Literature and Politics in England during the Spanish Civil War

By Katharine Bail Hoskins

University of Texas Press, 1969

Many writers, from Aristophanes to Joseph Heller, have written about politics. But at certain periods in history, often at times of conflict and turmoil, writers have consciously used their literary talents to support or oppose a specific cause. The 1930s, a decade of widespread social and political breakdown, was such a period.

Today the Struggle examines the political involvement of those leading British writers who dedicated their talents to the defense of Nationalists or Loyalists during the Spanish Civil War and who saw that war as symbolic of their own Right-Left dialogue.

Conservatives like William Butler Yeats and T. S. Eliot and Roman Catholics like Evelyn Waugh were passionately anti-Communist. They viewed fascism as a bulwark against communism but were unwilling to support the Franco cause actively. Other pro-Nationalists were not so hesitant: Roy Campbell and Wyndham Lewis were ardent participants in the fight against the British left wing.

Pro-Loyalists, united only in their antifascism, ranged from conservative to anarchist in political commitment. Their literary contributions included fine poems by W. H. Auden and Stephen Spender, experimental drama by Auden and Christopher Isherwood, and impassioned prose by Rex Warner, George Orwell, and Aldous Huxley.

Katharine Hoskins’s principal interest in Today the Struggle is to discover how and why certain writers supported specific political actions, to ascertain the effectiveness of their efforts, and to evaluate the influence of these efforts on their work.

[more]
cover of Together Still

Together Still

Yves Bonnefoy

Seagull Books, 2017

Yves Bonnefoy’s final poetic work, a collection of reflections about poetry, legacy, and life.

The international community of letters mourned the recent death of Yves Bonnefoy, universally acclaimed as one of France’s greatest poets of the last half-century. A prolific author, he was often considered a candidate for the Nobel Prize and published a dozen major collections of poetry in verse and prose, several books of dream-like tales, and numerous studies of literature and art. His oeuvre has been translated into scores of languages, and he himself was a celebrated translator of Shakespeare, Yeats, Keats, and Leopardi.

Together Still is his final poetic work, composed just months before his death. The book is nothing short of a literary testament, addressed to his wife, his daughter, his friends, and his readers throughout the world. In these pages, he ruminates on his legacy to future generations, his insistence on living in the present, his belief in the triumphant lessons of beauty, and, above all, his courageous identification of poetry with hope.
[more]
cover of Together, Alone: A Memoir of Marriage and Place

Together, Alone

A Memoir of Marriage and Place

By Susan Wittig Albert

University of Texas Press, 2009

What does it mean to belong to a place, to be truly rooted and grounded in the place you call home? How do you commit to a marriage, to a full partnership with another person, and still maintain your own separate identity? These questions have been central to Susan Wittig Albert's life, and in this beautifully written memoir, she movingly describes how she has experienced place, marriage, and aloneness while creating a home in the Texas Hill Country with her husband and writing partner, Bill Albert.

Together, Alone opens in 1985, as Albert leaves a successful, if rootless, career as a university administrator and begins a new life as a freelance writer, wife, and homesteader on a patch of rural land northwest of Austin. She vividly describes the work of creating a home at Meadow Knoll, a place in which she and Bill raised their own food and animals, while working together and separately on writing projects. Once her sense of home and partnership was firmly established, Albert recalls how she had to find its counterbalance—a place where she could be alone and explore those parts of the self that only emerge in solitude. For her, this place was Lebh Shomea, a silent monastic retreat. In writing about her time at Lebh Shomea, Albert reveals the deep satisfaction she finds in belonging to a community of people who have chosen to be apart and experience silence and solitude.

[more]
cover of Tokyo Boogie-woogie and D.T. Suzuki

Tokyo Boogie-woogie and D.T. Suzuki

Shoji Yamada

University of Michigan Press, 2022

Tokyo Boogie-woogie and D.T. Suzuki seeks to understand the tensions between competing cultures, generations, and beliefs in Japan during the years following World War II, through the lens of one of its best-known figures and one of its most forgotten. Daisetsu Teitaro Suzuki (D.T. Suzuki) was a prolific scholar and translator of Buddhism, Zen, and Chinese and Japanese philosophy and religious history. In the postwar years, he was a central figure in the introduction of Buddhism to the United States and other English-language countries, frequently traveling and speaking to this end. His works helped define much of these interpretations of ‘Eastern Religion’ in English, as well as shape views of modern Japanese Buddhism.

Against this famous figure, however, is a largely unknown or forgotten shape: Suzuki Alan Masaru. Alan was D.T. Suzuki’s adopted son and, though he remained within his father’s shadow, is mostly known as the lyricist of the iconic pop hit “Tokyo Boogie-woogie.” Perhaps due to his frequent scandals and the fraught nature of the relationship, Alan remains unmentioned and unstudied by scholars and historians. Yet by exploring the nature of the relationship between these two, Shoji Yamada digs into the conflicting memories and experiences of these generations in Japan.
[more]
cover of Tolkien: Maker of Middle-earth

Tolkien

Maker of Middle-earth

Edited by Catherine McIlwaine

Bodleian Library Publishing, 2018

The range of J. R. R. Tolkien’s talents is remarkable. Not only was he an accomplished linguist and philologist, as well as a scholar of Anglo-Saxon and medieval literature and Norse folklore, but also a skillful illustrator and storyteller. Drawing on these talents, he created a universe which is for many readers as real as the physical world they inhabit daily.

Tolkien: Maker of Middle-earth explores the huge creative endeavor behind Tolkien’s enduring popularity. Lavishly illustrated with three hundred images of his manuscripts, drawings, maps, and letters, the book traces the creative process behind his most famous literary works—The Hobbit, The Lord of the Rings, and The Silmarillion—and reproduces personal photographs and private papers, many of which have never been seen before in print.

Six essays introduce the reader to the person of J. R. R. Tolkien and to main themes in his life and work, including the influence of northern languages and legends on the creation of his own legendarium; his concept of “Faërie” as an enchanted literary realm; the central importance of his invented languages in his fantasy writing; his visual imagination and its emergence in his artwork; and the encouragement he derived from his close friend C. S. Lewis and their literary group the Inklings.

The book brings together the largest collection of original Tolkien material ever assembled in a single volume. Drawing on the extensive archives of the Tolkien collections at the Bodleian Libraries, Oxford, which stretch to more than five hundred boxes, and Marquette University, Milwaukee, as well as private collections, this hugely ambitious and exquisitely produced book draws together the worlds of J. R. R. Tolkien – scholarly, literary, creative, and domestic—offering a rich and detailed understanding and appreciation of this extraordinary author.

This landmark publication, produced on the occasion of a major exhibition at the Bodleian Libraries in Oxford in 2018 and at the Morgan Library in New York in 2019, is set to become a standard work in the literature on J. R. R. Tolkien. 
 
[more]
cover of Tom Stoppard in Conversation

Tom Stoppard in Conversation

Paul Delaney, Editor

University of Michigan Press, 1994

This collection of interviews with British playwright Tom Stoppard, author of such well-known comedies as Travesties, Jumpers, and Rosencrantz and Guildenstern Are Dead, brings together for the first time Stoppard's most significant assessments of his own work.

A wide range of discussions are featured, from extensive conversations with the editors of Theatre Quarterly and Gambit to important interviews in lesser-known periodicals. The interviews include the playwright's unguarded comments to the daily press, from those of a dazzled young Stoppard the morning after the triumphant opening of Rosencrantz and Guildenstern to those of a veteran playwright still smarting from caustic reviews 36 hours after the opening of Hapgood. The interviews cover the full range of Stoppard's work, from his adaptations for the stage to his increasing involvement in film, and this volume makes many of them available for the first time. Also appearing for the first time in print are transcripts of radio interviews and an informal lecture by Stoppard called "The Event and the Text."

Tom Stoppard's conversations about his work shed light on questions of authorial intent and the creative process. Debates over interpretations of the plays will be enhanced by this record of Stoppard's own perceptions and insights. The collection also includes the most extensive bibliography and discography ever compiled of Stoppard's print interviews, broadcast interviews, and lectures.

Witty, illuminating, and informative, Tom Stoppard in Conversation will be of interest to scholars, students, directors, actors, and fans of Stoppard's work.

[more]
cover of Tomboys: A Literary and Cultural History

Tomboys

A Literary and Cultural History

Michelle Ann Abate

Temple University Press, 2008

Starting with the figure of the bold, boisterous girl in the mid-19th century and ending with the “girl power” movement of the 1990’s, Tomboys is the first full-length critical study of this gender-bending code of female conduct. Michelle Abate uncovers the origins, charts the trajectory, and traces the literary and cultural transformations that the concept of “tomboy” has undergone in the United States. 

Abate focuses on literature including Louisa May Alcott's Little Women and Carson McCullers's The Member of the Wedding and films such as Peter Bogdanovich's Paper Moon and Jon Avnet's Fried Green Tomatoes. She also draws onlesser-known texts like E.D.E.N. Southworth's once wildly popular 1859 novel The Hidden Hand, Cold War lesbian pulp fiction, and New Queer Cinema from the 1990s.

Tomboys also explores the gender and sexual dynamics of tomboyism, and offers intriguing discussions of race and ethnicity's role in the construction of the enduring cultural archetype. Abate’s insightful analysis provides useful, thought-provoking connections between different literary works and eras. The result demystifies this cultural phenomenon and challenges readers to consider tomboys in a whole new light.

[more]
cover of Tommy Gun Winter: Jewish Gangsters, a Preacher's Daughter, and the Trial That Shocked 1930s Boston

Tommy Gun Winter

Jewish Gangsters, a Preacher's Daughter, and the Trial That Shocked 1930s Boston

Nathan Gorenstein

University Press of New England, 2015

This is the true tale of two brothers, sons of a successful Jewish contractor, who along with an MIT graduate and a minister’s daughter once competed for headlines with John Dillinger, Pretty Boy Floyd and Bonnie and Clyde. The gang was led by the angry, violent, yet often charismatic Murton Millen, a small-time hoodlum and aspiring race-car driver. With his younger brother, Irv, and later joined by neighborhood buddy and MIT graduate Abe Faber, Murt launched a career of increasingly ambitious robberies. But it was only after his sudden marriage to the beautiful eighteen-year-old Norma Brighton that the gang escalated to murder. Their crime wave climaxed at a Needham, Massachusetts, bank on February 2, 1934, when Murt cut down two local police officers—Francis Haddock and Forbes McLeod—with a Thompson submachine gun stolen from state police. The killings, the dogged investigation by two clever detectives, and the record-setting trial with seventeen psychiatrists were national news. In Depression-era America this Boston saga of sex, ethnicity, and bloodshed made the trio and their “red-headed gun moll” infamous. Gorenstein’s account explores the Millen, Faber, and Brighton families and introduces us to cops, psychiatrists, newspaper men and women, and ordinary citizens caught up in the extraordinary Tommy Gun Winter of 1934.
[more]
cover of Tomorrow Is the Question: New Directions in Experimental Music Studies

Tomorrow Is the Question

New Directions in Experimental Music Studies

Edited by Benjamin Piekut

University of Michigan Press, 2014

In recent decades, experimental music has flourished outside of European and American concert halls. The principles of indeterminacy, improvisation, nonmusical sound, and noise, pioneered in concert and on paper by the likes of Henry Cowell, John Cage, and Ornette Coleman, can now be found in all kinds of new places: activist films, rock recordings, and public radio broadcasts, not to mention in avant-garde movements around the world.

The contributors to Tomorrow Is the Question explore these previously unexamined corners of experimental music history, considering topics such as Sonic Youth, Julius Eastman, the Downtown New York pop avant-garde of the 1970s, Fluxus composer Benjamin Patterson, Tokyo’s Music group (aka Group Ongaku), the Balinese avant-garde, the Leicester school of British experimentalists, Cuba’s Grupo de Experimentación Sonora del ICAIC, Pauline Oliveros’s score for the feminist documentary Maquilapolis, NPR’s 1980s RadioVisions, and the philosophy of experimental musical aesthetics.

Taken together, this menagerie of people, places, and things makes up an actually existing experimentalism that is always partial, compromised, and invented in its local and particular formations—in other words, these individual cases suggest that experimentalism has been a far more variegated set of practices and discourses than previously recognized. Asking new questions leads to researching new materials, new individuals, and new contexts and, eventually, to the new critical paradigms that are necessary to interpret these materials. Gathering contributions from historical musicology, enthnomusicology, history, philosophy, and cultural studies, Tomorrow Is the Question generates future research directions in experimental music studies by way of a productive inquiry that sustains and elaborates critical conversations.
[more]
cover of Tomorrow Never Knows: Rock and Psychedelics in the 1960s

Tomorrow Never Knows

Rock and Psychedelics in the 1960s

Nick Bromell

University of Chicago Press, 2000

Tomorrow Never Knows takes us back to the primal scene of the 1960s and asks: what happened when young people got high and listened to rock as if it really mattered—as if it offered meaning and sustenance, not just escape and entertainment? What did young people hear in the music of Dylan, Hendrix, or the Beatles? Bromell's pursuit of these questions radically revises our understanding of rock, psychedelics, and their relation to the politics of the 60s, exploring the period's controversial legacy, and the reasons why being "experienced" has been an essential part of American youth culture to the present day.
[more]
cover of Tonality as Drama: Closure and Interruption in Four Twentieth-Century American Operas

Tonality as Drama

Closure and Interruption in Four Twentieth-Century American Operas

Edward D. Latham

University of North Texas Press, 2008

[more]
cover of Too Far on a Whim: The Limits of High-Steam Propulsion in the US Navy

Too Far on a Whim

The Limits of High-Steam Propulsion in the US Navy

Tyler A. Pitrof

University of Alabama Press, 2024

WINNER OF THE LYMAN BOOK AWARD FOR MARITIME AND NAVAL SCIENCE, TECHNOLOGY, AND ENVIRONMENT

Argues that the US Navy’s commitment to high-steam propulsion for its World War II fleet was a tactical, technological, and bureaucratic failure

In Too Far on a Whim, Tyler A. Pitrof presents a high-spirited revision of the US Navy’s commitment to high-steam propulsion systems, the mainstay of its World War II fleets. Pitrof’s research persuasively demonstrates that in its war against the Imperial Japanese Navy, the US Navy succeeded despite its high-steam propulsion systems rather than because of them.

War with an aggressive Japan and a resurgent Germany loomed in the dark days of the late 1930s. Rear Admiral Harold G. Bowen Sr., head of the US Navy’s Bureau of Engineering, advanced a radical vision: a new fleet based on high-steam propulsion, a novel technology that promised high speeds with smaller engines and better fuel efficiency. High-steam engines had drawbacks—smaller operational ranges and maintenance issues. Nevertheless, trusting its engineers to resolve these issues, the US Navy put high-steam propulsion at the heart of its warship design from 1938 to 1945.

The official record of high-steam technology’s subsequent performance has relied heavily on Bowen’s own memoir, in which he painted high-steam innovation in heroic colors. Pitrof’s empirical review of primary sources such as ship’s maintenance records, however, illuminates the opposite—that the heroism lay in the ability of American seamen to improvise solutions to keep these difficult engines running.

Pitrof artfully explains engineering concepts in layman’s terms and provides an account that extends far beyond technology and into matters of naval hierarchies and bureaucracy, strategic theory, and ego. He offers a cautionary tale—as relevant to any endeavor as it is to military undertakings—about how failures arise when technical experts lack managers who understand their work. Admiral Bowen wielded excessive power because no one else in the US Navy knew enough to countermand him.

Compulsively readable, Too Far on a Whim is a landmark for those interested in naval history and technology but also for readers interested in the interplay between innovation, decision-making, and engineering.
 

[more]
cover of Too Good to Be True: The Life and Work of Leslie Fiedler

Too Good to Be True

The Life and Work of Leslie Fiedler

Mark Royden Winchell

University of Missouri Press, 2002

 
“Too Good to Be True” is a comprehensive account of Leslie Fiedler’s life and work. Born in 1917, Fiedler has, in a sense, had four overlapping careers. He first came to prominence as one of the premier Jewish intellectuals of the postwar era—writing on literature, culture, and politics in such magazines as Partisan Review and Commentary. Shortly thereafter, he helped lead the attack that myth criticism was mounting on the hegemony of the New Criticism. If he had stopped writing entirely at that point, Fiedler would still be remembered as an important cultural critic of the fifties.         
 
 
            With his brash, groundbreaking magnum opus, Love and Death in the American Novel, Fiedler next established himself as a revolutionary interpreter of our native literary tradition. Subsequent critics of American literature have been compelled to adopt or attack his positions because to ignore them has been impossible.
 
 
            Finally, Fiedler was one of the first critics to proclaim the death of modernism and to suggest some of the directions that literature might take in its aftermath. The Oxford English Dictionary credits him with being the first individual to apply the term postmodernism to literature. This alone caused much enmity among those who had built their careers on the assumption that modernism would last forever.
 
 
To many academics, Fiedler’s lack of solemnity and his wild flights of imagination have made him appear amateurish. How could anyone who enjoys himself that much possibly be taken seriously? One of the favorite critics of young people and non-English majors, Fiedler has seemed to enjoy remaining disreputable—even as some of his once-controversial views have been made a part of standard or traditional scholarship. Like Huck Finn, returned to the raft from the fog, he often seems “too good to be true.”
 
 
Mark Royden Winchell has made his subject come alive in a highly intelligent and critical way. A combination of biography, critical analysis, and cultural history, “Too Good to Be True” will be of great interest to scholars and students of American literature, twentieth-century literary criticism, and popular culture.
[more]
cover of Top 40 Democracy: The Rival Mainstreams of American Music

Top 40 Democracy

The Rival Mainstreams of American Music

Eric Weisbard

University of Chicago Press, 2014

If you drive into any American city with the car stereo blasting, you’ll undoubtedly find radio stations representing R&B/hip-hop, country, Top 40, adult contemporary, rock, and Latin, each playing hit after hit within that musical format. American music has created an array of rival mainstreams, complete with charts in multiple categories. Love it or hate it, the world that radio made has steered popular music and provided the soundtrack of American life for more than half a century.

In Top 40 Democracy, Eric Weisbard studies the evolution of this multicentered pop landscape, along the way telling the stories of the Isley Brothers, Dolly Parton, A&M Records, and Elton John, among others. He sheds new light on the upheavals in the music industry over the past fifteen years and their implications for the audiences the industry has shaped. Weisbard focuses in particular on formats—constructed mainstreams designed to appeal to distinct populations—showing how taste became intertwined with class, race, gender, and region. While many historians and music critics have criticized the segmentation of pop radio, Weisbard finds that the creation of multiple formats allowed different subgroups to attain a kind of separate majority status—for example, even in its most mainstream form, the R&B of the Isley Brothers helped to create a sphere where black identity was nourished.  Music formats became the one reliable place where different groups of Americans could listen to modern life unfold from their distinct perspectives. The centers of pop, it turns out, were as complicated, diverse, and surprising as the cultural margins. Weisbard’s stimulating book is a tour de force, shaking up our ideas about the mainstream music industry in order to tease out the cultural importance of all performers and songs.
[more]
cover of Topographies of Class: Modern Architecture and Mass Society in Weimar Berlin

Topographies of Class

Modern Architecture and Mass Society in Weimar Berlin

Sabine Hake

University of Michigan Press, 2010

In Topographies of Class, Sabine Hake explores why Weimar Berlin has had such a powerful hold on the urban imagination. Approaching Weimar architectural culture from the perspective of mass discourse and class analysis, Hake examines the way in which architectural projects; debates; and representations in literature, photography, and film played a key role in establishing the terms under which contemporaries made sense of the rise of white-collar society.

Focusing on the so-called stabilization period, Topographies of Class maps out complex relationships between modern architecture and mass society, from Martin Wagner's planning initiatives and Erich Mendelsohn's functionalist buildings, to the most famous Berlin texts of the period, Alfred Döblin's city novel Berlin Alexanderplatz (1929) and Walter Ruttmann's city film Berlin, Symphony of the Big City (1927). Hake draws on critical, philosophical, literary, photographic, and filmic texts to reconstruct the urban imagination at a key point in the history of German modernity, making this the first study---in English or German---to take an interdisciplinary approach to the rich architectural culture of Weimar Berlin.

Sabine Hake is Professor and Texas Chair of German Literature and Culture at the University of Texas at Austin. She is the author of numerous books, including German National Cinema and Popular Cinema of the Third Reich.

Cover art: Construction of the Karstadt Department Store at Hermannplatz, Berlin-Neukölln. Courtesy Bildarchiv Preeussischer Kulturbesitz / Art Resource, NY

[more]
cover of Torn in Two: The Sinking of the Daniel J. Morrell and One Man's Survival on the Open Sea

Torn in Two

The Sinking of the Daniel J. Morrell and One Man's Survival on the Open Sea

Michael Schumacher

University of Minnesota Press, 2018

Dennis Hale reached the dock just in time to see the Daniel J. Morrell heading out to open waters, a 600-foot freighter that had plied the waters for sixty years, carrying ore from Minnesota’s Iron Range to steel firms around the Great Lakes. The twenty-six-year-old watchman had, quite literally, missed the boat—which meant scrambling to rejoin the Morrell at its next stop or forfeiting a good chunk of his pay package. Seventy-two hours later, Hale would find himself clinging to a life raft alongside the frozen bodies of his crewmates in the violent waves of Lake Huron. The boat would not be reported missing for another twenty-seven hours and by the time the life raft was found, Dennis Hale would remain as the sole survivor of the wreck of the Daniel J. Morrell.

This is life-and-death drama on the inland sea as only Michael Schumacher can tell it. In Torn in Two the great Lakes historian recreates the circumstances surrounding the terrible storm of November 29, 1966, that broke the mighty freighter in half, sending twenty-five of the Morrell’s twenty-nine-man crew to their deaths and consigning the surviving four to the freezing raft where all but Hale would perish. At the heart of Torn in Two are the terrible hours spent by Hale on the life raft with his crewmen, clinging to life for thirty-eight hours in freezing temperatures and wearing only a peacoat, life jacket, and boxer shorts. The fight to save Hale and find the others, the Coast Guard hearings into what happened, the discovery of the wreckage—Schumacher’s vivid narrative captures every harrowing detail and curious fact of the Morrell’s demise, finally doing justice to this epic shipwreck fifty years past.

[more]
cover of Torn: Asian/white Life and the Intimacy of Violence

Torn

Asian/white Life and the Intimacy of Violence

Anna M. Moncada Storti

Duke University Press, 2026

In Torn, Anna M. Moncada Storti searches for the ordinary and obscured impressions of the US empire, theorizing the pervasiveness of its violence through the language and patterns of intimacy. Reading for the intimacy of violence, Storti compiles an inventory of quotidian, psychic, and affective tensions that arise within the bodies of empire’s historical subjects. She raises Asian/white life as the representative case study to examine a familiar narrative of inner strife—that being of two distinct racial histories is to be rendered a body in tension, torn between ancestral lineages. Rather than refute this stance, Storti tracks the duress of fragmentation as a sign of war’s permanent mark on racial and sexual subjection. Traversing an archive of aesthetic, literary, and cultural portrayals of Asian/white racial mixture, Storti observes how Asian Americans refuse, rework, or reify the logics of progress and disavowal that have long fueled the US war machine. Tending to tension, she argues for a sustained confrontation with empire’s ordinary life, a prerequisite for anti-imperial solidarity.
[more]
cover of Tortilleras: Hispanic & U.S. Latina Lesbian Expression

Tortilleras

Hispanic & U.S. Latina Lesbian Expression

Lourdes Torres

Temple University Press, 2003

The first anthology to focus exclusively on queer readings of Spanish, Latin American, and US Latina lesbian literature and culture, Tortilleras interrogates issues of gender, national identity, race, ethnicity, and class to show the impossibility of projecting a singular Hispanic or Latina Lesbian. Examining carefully the works of a range of lesbian writers and performance artists, including Carmelita Tropicana and Christina Peri Rossi, among others, the contributors create a picture of the complicated and multi-textured contributions of Latina and Hispanic lesbians to literature and culture. More than simply describing this sphere of creativity, the contributors also recover from history the long, veiled existence of this world, exposing its roots, its impact on lesbian culture, and, making the power of lesbian performance and literature visible.
[more]
cover of Torture in the National Security Imagination

Torture in the National Security Imagination

Stephanie Athey

University of Minnesota Press, 2023

Reassessing the role of torture in the context of police violence, mass incarceration, and racial capitalism
 

At the midpoint of a century of imperial expansion, marked on one end by the Philippine–American War of 1899–1902 and on the other by post–9/11 debates over waterboarding, the United States embraced a vision of “national security torture,” one contrived to cut ties with domestic torture and mass racial terror and to promote torture instead as a minimalist interrogation tool. Torture in the National Security Imagination argues that dispelling this vision requires a new set of questions about the everyday work that torture does for U.S. society.

 

Stephanie Athey describes the role of torture in the proliferation of a U.S. national security stance and imagination: as U.S. domestic tortures were refined in the Philippines at the turn of the twentieth century, then in mid-century counterinsurgency theory and the networks that brought it home in the form of law-and-order policing and mass incarceration.

 

Drawing on examples from news to military reports, legal writing, and activist media, Athey shows that torture must be seen as a colonial legacy with a corporate future, highlighting the centrality of torture to the American empire—including its role in colonial settlement, American Indian boarding schools, and police violence. She brings to the fore the spectators and commentators, the communal energy of violence, and the teams and target groups necessary to a mass undertaking (equipment suppliers, contractors, bureaucrats, university researchers, and profiteers) to demonstrate that, at base, torture is propelled by local social functions, conducted by networked professional collaborations, and publicly supported by a durable social imaginary.

[more]
cover of Torture in the National Security Imagination

Torture in the National Security Imagination

Stephanie Athey

University of Minnesota Press, 2023

Reassessing the role of torture in the context of police violence, mass incarceration, and racial capitalism
 

At the midpoint of a century of imperial expansion, marked on one end by the Philippine–American War of 1899–1902 and on the other by post–9/11 debates over waterboarding, the United States embraced a vision of “national security torture,” one contrived to cut ties with domestic torture and mass racial terror and to promote torture instead as a minimalist interrogation tool. Torture in the National Security Imagination argues that dispelling this vision requires a new set of questions about the everyday work that torture does for U.S. society.

 

Stephanie Athey describes the role of torture in the proliferation of a U.S. national security stance and imagination: as U.S. domestic tortures were refined in the Philippines at the turn of the twentieth century, then in mid-century counterinsurgency theory and the networks that brought it home in the form of law-and-order policing and mass incarceration.

 

Drawing on examples from news to military reports, legal writing, and activist media, Athey shows that torture must be seen as a colonial legacy with a corporate future, highlighting the centrality of torture to the American empire—including its role in colonial settlement, American Indian boarding schools, and police violence. She brings to the fore the spectators and commentators, the communal energy of violence, and the teams and target groups necessary to a mass undertaking (equipment suppliers, contractors, bureaucrats, university researchers, and profiteers) to demonstrate that, at base, torture is propelled by local social functions, conducted by networked professional collaborations, and publicly supported by a durable social imaginary.

[more]
cover of Total Mobilization: World War II and American Literature

Total Mobilization

World War II and American Literature

Roy Scranton

University of Chicago Press, 2019

 
Since World War II, the story of the trauma hero—the noble white man psychologically wounded by his encounter with violence—has become omnipresent in America’s narratives of war, an imaginary solution to the contradictions of American political hegemony. In Total Mobilization, Roy Scranton cuts through the fog of trauma that obscures World War II, uncovering a lost history and reframing the way we talk about war today.
 
Considering often overlooked works by James Jones, Wallace Stevens, Martha Gellhorn, and others, alongside cartoons and films, Scranton investigates the role of the hero in industrial wartime, showing how such writers struggled to make sense of problems that continue to plague us today: the limits of American power, the dangers of political polarization, and the conflicts between nationalism and liberalism. By turning our attention to the ways we make war meaningful—and by excavating the politics implicit within the myth of the traumatized hero—Total Mobilization revises the way we understand not only World War II, but all of postwar American culture.
 
 
[more]
cover of Totalitarian Societies and Democratic Transition: Essays in Memory of Victor Zaslavsky

Totalitarian Societies and Democratic Transition

Essays in Memory of Victor Zaslavsky

Riccardo James Vargiu

Central European University Press, 2017

This book is a tribute to the memory of Victor Zaslavsky (1937–2009), sociologist, émigré from the Soviet Union, Canadian citizen, public intellectual, and keen observer of Eastern Europe. In seventeen essays leading European, American and Russian scholars discuss the theory and the history of totalitarian society with a comparative approach. They revisit and reassess what Zaslavsky considered the most important project in the latter part of his life: the analysis of Eastern European - especially Soviet societies and their difficult “transition” after the fall of communism in 1989–91. The variety of the contributions reflects the diversity of specialists in the volume, but also reveals Zaslavsky's gift: he surrounded himself with talented people from many different fields and disciplines. In line with Zaslavsky's work and scholarly method, the book promotes new theoretical and methodological approaches to the concept of totalitarianism for understanding Soviet and East European societies, and the study of fascist and communist regimes in general.
[more]
cover of Touched Bodies: The Performative Turn in Latin American Art

Touched Bodies

The Performative Turn in Latin American Art

Mara Polgovsky Ezcurra

Rutgers University Press, 2019

Shortlisted for the 2020 Association for the Study of the Arts of the Present Book Prize​
Winner of the 2019 Art Journal Prize from the College Art Association

What is the role of pleasure and pain in the politics of art? In Touched Bodies, Mara Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy. Based on original documents and innovative readings, her book brings politics and ethics to the discussion of artistic developments during the “long 1980s”. She describes the rise of performance art in the context of feminism, HIV-activism, and human right movements, taking a close look at the work of Diamela Eltit and Raúl Zurita from Chile, León Ferrari and Liliana Maresca from Argentina, and Marcos Kurtycz, the No Grupo art collective, and Proceso Pentágono from Mexico. The comparative study of the work of these artists attests to a performative turn in Latin American art during the 1980s that, like photography and film before, recast the artistic field as a whole, changing the ways in which we perceive art and understand its role in society.
[more]
cover of Touching Base: Professional Baseball and American Culture in the Progressive Era

Touching Base

Professional Baseball and American Culture in the Progressive Era

Steven A. Riess

University of Illinois Press, 1999

The revised and expanded edition of Touching Base examines the myths, realities, symbols, and rituals of America's national pastime. Steven Riess details the relationships among urban politics, communities, and baseball while exploring how Progressive Era sensibilities shaped debates over issues like Sunday games, ballpark construction, and promotion of the games. Focusing on Atlanta, New York, and Chicago, Riess looks at all the participants--from spectators to owners to players--in analyzing how baseball both influenced and mirrored broader society.
[more]
cover of Touching Home: Baseball and the Liberal-Republican Tradition in America

Touching Home

Baseball and the Liberal-Republican Tradition in America

Mary Craig

University of Missouri Press, 2025

2026 Society for American Baseball Research Seymour Medal finalist 

Baseball’s relationship to American ideals has long been an object of study across disciplines. In Touching Home, Mary Craig contributes to this ongoing study by relating issues of class, race, and gender to America’s theoretical tradition of liberalism and republicanism established during the nation’s founding era. Specifically, Touching Home traces theories of individualism and civic virtue from the founding era through baseball’s place in American society at the end of the twentieth century.
 
The work also examines the mythologizing of baseball’s pastoralism, racial equality, and inculcation of manliness as a civic virtue. These myths became ingrained in baseball in significant ways, including, for example, the Supreme Court’s granting of an antitrust exemption to Major League Baseball; MLB’s promotion of Jackie Robinson’s career as proof of its leadership in and commitment to desegregation; and the short-lived All-American Girls Professional Baseball League (1943-1954) and subsequent relegation of women to softball.
 
Through the exploration of these and other societal issues, Craig’s work highlights baseball’s development from accessible hobby to multi-billion-dollar corporation, exploring the ways in which the sport has helped shape how individual Americans engage with politics. Indeed, in the pages of Touching Home readers will find a demythologizing of baseball that helps them better understand the results of their efforts to form community through engaging with teams at both the local and national levels. Scholars of American politics, particularly American political thought, will be intrigued to find baseball used as a case study of the effectiveness of the founders’ project of crafting a jointly liberal-republican framework capable of directing Americans toward responsible citizenship.
 
In all of these ways, Touching Home upholds the value of studying popular culture, presenting baseball as a unique and highly interesting lens through which to help us appreciate how individual Americans relate to politics and parties in their respective communities and nationally.

[more]
cover of Touching the Unreachable: Writing, Skinship, Modern Japan

Touching the Unreachable

Writing, Skinship, Modern Japan

Fusako Innami

University of Michigan Press, 2021

Finalist: 2025 British Comparative Literature Association First Book Prize | July 22, 2025

Fusako Innami offers the first comprehensive study of touch and skinship—relationality with the other through the skin—in modern Japanese writing. The concept of the unreachable—that is, the lack of characters’ complete ability to touch what they try to reach for—provides a critical intervention on the issue of intimacy. Touch has been philosophically addressed in France, but literature is an effective—or possibly the most productive—venue for exploring touch in Japan, as literary texts depict what the characters may be concerned with but may not necessarily say out loud. Such a moment of capturing the gap between the felt and the said—the interaction between the body and language—can be effectively analyzed by paying attention to layers of verbalization, or indeed translation, by characters’ utterances, authors’ depictions, and readers’ interpretations. Each of the writers discussed in this book—starting with Nobel prize winner Kawabata Yasunari, Tanizaki Jun’ichirō, Yoshiyuki Junnosuke, and Matsuura Rieko—presents a particular obsession with objects or relationality to the other constructed via the desire for touch.

In Touching the Unreachable, phenomenological and psychoanalytical approaches are cross-culturally interrogated in engaging with literary touch to constantly challenge what may seem like the limit of transferability regarding concepts, words, and practices. The book thereby not only bridges cultural gaps beyond geographic and linguistic constraints, but also aims to decentralize a Eurocentric hegemony in its production and use of theories and brings Japanese cultural and literary analyses into further productive and stimulating intellectual dialogues. Through close readings of the authors’ treatment of touch, Innami develops a theoretical framework with which to examine intersensorial bodies interacting with objects and the environment through touch.

[more]
cover of Tough Enough: Arbus, Arendt, Didion, McCarthy, Sontag, Weil

Tough Enough

Arbus, Arendt, Didion, McCarthy, Sontag, Weil

Deborah Nelson

University of Chicago Press, 2017

This book focuses on six brilliant women who are often seen as particularly tough-minded: Simone Weil, Hannah Arendt, Mary McCarthy, Susan Sontag, Diane Arbus, and Joan Didion. Aligned with no single tradition, they escape straightforward categories. Yet their work evinces an affinity of style and philosophical viewpoint that derives from a shared attitude toward suffering. What Mary McCarthy called a “cold eye” was not merely a personal aversion to displays of emotion: it was an unsentimental mode of attention that dictated both ethical positions and aesthetic approaches.

Tough Enough traces the careers of these women and their challenges to the pre-eminence of empathy as the ethical posture from which to examine pain. Their writing and art reveal an adamant belief that the hurts of the world must be treated concretely, directly, and realistically, without recourse to either melodrama or callousness. As Deborah Nelson shows, this stance offers an important counter-tradition to the familiar postwar poles of emotional expressivity on the one hand and cool irony on the other. Ultimately, in its insistence on facing reality without consolation or compensation, this austere “school of the unsentimental” offers new ways to approach suffering in both its spectacular forms and all of its ordinariness.
[more]
cover of Touring the Screen: Tourism and New Zealand Film Geographies

Touring the Screen

Tourism and New Zealand Film Geographies

Alfio Leotta

Intellect Books, 2011

Following the success of prominent feature films shot on location, including Tolkien’s wildly popular The Lord of the Rings, New Zealand boasts an impressive film tourism industry. This book examines the relationship between New Zealand’s cinematic representation—as both a vast expanse of natural beauty and a magical world of fantasy on screen—and its tourism imagery, including the ways in which savvy local tourism boards have in recent decades used the country’s film representations to sell New Zealand as a premiere travel destination. Focusing on the films that have had a strong impact on marketing strategies by local tourist boards, Touring the Screen will be of interest to all those working and studying in the fields of cinema, postcolonial history, and tourism studies.

[more]
cover of Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing

Tourists with Typewriters

Critical Reflections on Contemporary Travel Writing

Patrick Holland and Graham Huggan

University of Michigan Press, 2000

The first extensive survey of contemporary travel writing, Tourists with Typewriters offers a series of challenging and provocative critical insights into a wide range of travel narratives written in English after the Second World War. The book focuses in particular on contemporary travel writers such as Jan Morris, Peter Matthiessen, V. S. Naipaul, Barry Lopez, Mary Morris, Paul Theroux, Peter Mayle, and the late Bruce Chatwin. It examines some of the reasons for travel writing's enduring popularity, and for its particular appeal to readers--many of them also travelers--in the present.
The book maps new terrain in a growing area of critical study. Although critical of travel writing's complacency and its often unacknowledged ethnocentrism, the book recognizes its importance as both a literary and cultural form. While travel writing at its worst emerges as a crude expression of economic advantage, at its best it becomes a subtle instrument of cultural self-perception, a barometer for changing views of "other" (i.e., foreign, non-Western) cultures, and a trigger for the information circuits that tap us into the wider world.
Tourists with Typewriters gauges both the best and worst in contemporary travel writing, capturing the excitement of this most volatile--and at times infuriating--of literary genres. The book will appeal to general readers interested in a closer examination of travel writing and to academic readers in disciplines such as literary/cultural studies, geography, history, anthropology, and tourism studies.
"An eminently readable and informative study. It breathes tolerance and intelligence. It is critically perceptive and very au courant. It raises issues (coloniality, postmodernity, gender. . . ) and discusses books that readers of many different stripes will want to find out about." --Ross Chambers, University of Michigan
Patrick Holland, Associate Professor of English, University of Guelph, was born in New Zealand and educated in England, Australia, and Canada. Graham Huggan, Professor of English, University of Munich, was born in Hong Kong and educated in England and in British Columbia.
[more]
cover of Tours of Vietnam: War, Travel Guides, and Memory

Tours of Vietnam

War, Travel Guides, and Memory

Scott Laderman

Duke University Press, 2009

In Tours of Vietnam, Scott Laderman demonstrates how tourist literature has shaped Americans’ understanding of Vietnam and projections of United States power since the mid-twentieth century. Laderman analyzes portrayals of Vietnam’s land, history, culture, economy, and people in travel narratives, U.S. military guides, and tourist guidebooks, pamphlets, and brochures. Whether implying that Vietnamese women were in need of saving by “manly” American military power or celebrating the neoliberal reforms Vietnam implemented in the 1980s, ostensibly neutral guides have repeatedly represented events, particularly those related to the Vietnam War, in ways that favor the global ambitions of the United States.

Tracing a history of ideological assertions embedded in travel discourse, Laderman analyzes the use of tourism in the Republic of Vietnam as a form of Cold War cultural diplomacy by a fledgling state that, according to one pamphlet published by the Vietnamese tourism authorities, was joining the “family of free nations.” He chronicles the evolution of the Defense Department pocket guides to Vietnam, the first of which, published in 1963, promoted military service in Southeast Asia by touting the exciting opportunities offered by Vietnam to sightsee, swim, hunt, and water-ski. Laderman points out that, despite historians’ ongoing and well-documented uncertainty about the facts of the 1968 “Hue Massacre” during the National Liberation Front’s occupation of the former imperial capital, the incident often appears in English-language guidebooks as a settled narrative of revolutionary Vietnamese atrocity. And turning to the War Remnants Museum in Ho Chi Minh City, he notes that, while most contemporary accounts concede that the United States perpetrated gruesome acts of violence in Vietnam, many tourists and travel writers still dismiss the museum’s display of that record as little more than “propaganda.”

[more]
cover of Tove Jansson: Life, Art, Words

Tove Jansson

Life, Art, Words

Boel Westin

University of Minnesota Press, 2024

An in-depth, perceptive account of the unconventional life of the Moomins’ beloved creator, now available in the United States

Tove Jansson achieved fame as the creator of the Moomins, beloved by generations of readers around the world. Remarkably, the Moomins were only part of the prodigious creative output of this Finnish-Swedish writer and artist. Jansson’s work also includes short stories and five novels for adults, as well as paintings, murals, and book illustrations. In this acclaimed biography, Boel Westin relies on numerous conversations with Jansson and unprecedented access to her journals, letters, and personal archives to present an engrossing and comprehensive review of the life and world of Scandinavia’s best-loved author.

As Westin’s meticulous research makes clear, Jansson’s artistic and literary works reflected what was most important to her: the love of family and nature and the desire to pursue her art. Guided by her personal motto, “Love and work,” Jansson seized both with uncompromising joy. And while her romantic relationships with men proved unfulfilling, she found those with women—especially with her longtime partner, the artist Tuulikki Pietilä—both grounding and inspiring.

Westin weaves together the many threads of Jansson’s rich, complex life: an education interrupted to help her family; the bleak war years and her emergence as a painter; the decades of Moominmania across books, newspaper comic strips, merchandise, and adaptations; her later fictions, including her popular The Summer Book; and her time with Pietilä on the solitary island of Klovharu. Tove Jansson: Life, Art, Words offers fans and admirers around the world the most complete portrait of the writer Philip Pullman described as “a genius, a woman of profound wisdom and great artistry.”

[more]