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A look at how post-9/11 cinema captures the new face of war in the twenty-first century
 

While the war film has carved out a prominent space within the history of cinema, the twenty-first century has seen a significant shift in the characteristics that define it. Serving as a roadmap to the genre’s contemporary modes of expression, The New American War Film explores how, in the wake of 9/11, both the nature of military conflict and the symbolic frameworks that surround it have been dramatically reshaped. 

Featuring in-depth analyses of contemporary films like The Hurt Locker, Zero Dark Thirty, Eye in the Sky, American Sniper, and others, The New American War Film details the genre’s turn away from previously foundational themes of heroic sacrifice and national glory, instead emphasizing the procedural violence of advanced military technologies and the haptic damage inflicted on individual bodies. Unfolding amid an atmosphere of profound anxiety and disillusionment, the new American war film demonstrates a breakdown of the prevailing cultural narratives that had come to characterize conflict in the previous century. 

With each chapter highlighting a different facet of war’s cinematic representation, The New American War Film charts society’s shifting attitudes toward violent conflict and what is broadly considered to be its acceptable repercussions. Drawing attention to changes in gender dynamics and the focus on war’s lasting psychological effects within these recent films, Robert Burgoyne analyzes how cinema both reflects and reveals the makeup of the national imaginary.

A path-breaking investigation of changing patterns of inequality and contestation in America’s metropolises.

Since 1990, a new political geography of winners and losers has emerged in metros across America. This new metropolis looks nothing like the old. In many exurbs, suburban mansions abut declining towns and distressed communities. In historic central cities, African American communities reel from institutional stripping, even as gentrification and immigration revitalize once forgotten neighborhoods. The New Metropolis considers why, despite all the changes over the past four decades, we have recreated a metropolis that makes it harder for low-income Americans—especially low-income Americans of color—to thrive and why some efforts to promote equitable opportunity succeed against the odds.

With a focus on Chicago, Atlanta, and Houston, The New Metropolis shows how multi-level political actors and translocal networks build power across political boundaries to determine the pool of local public resources and the scope of local powers. Weir demonstrates how the timing of urbanization set up distinct conflicts over the public sector in Frostbelt versus Sunbelt metropolises, explaining how partisan divisions now supercharge these conflicts.

The New Metropolis shows why the battle over the metropolis sits at the center of American politics. It determines the shape of the public arenas where we make decisions and, ultimately, the kinds of connections Americans have with one another.

Nick Juravich and Steve Striffler edit a collection that examines the effects of the pandemic on workers. Sections of the book focus on specific impacts and government efforts to restructure the economy; the dramatic effect of the pandemic on the hospitality industry; educators’ response on behalf of themselves and their students; frontline healthcare workers; and the innovative forms of labor organizing that emerged during and after COVID.

Contributors: Carlos Aramayo, Kathleen Brown, Sandrine Etienne, Ismael García-Colón, Puya Gerami, Maura Hagan, Connor Harney, Devan Hawkins, Leigh Howard, Marian Moser Jones, Doris Joy, Nick Juravich, Eric Larson, Kathryn M. Meyer, Samir Sonti, Steve Striffler, Lia Warner, Andrew B. Wolf, and Jennifer Zelnick

This book contradicts the dominant myth that incompetent, corrupt, and uncompromising Palestinian decision-makers are responsible for the lasting stalemate in the Middle-East Peace Process. It highlights recent political developments in Palestine that fundamentally redefine important parameters of the Israeli-Palestinian conflict.

Contrary to public perception, new political trends in the Palestinian Territories bolster prospects for the realisation of Palestinian national aspirations. Michael Bröning identifies key indicators which fundamentally question dominant Israeli narratives and pose an unprecedented strategic challenge to the Israeli leadership. These include the re-invention of Hamas, the reform of the Fatah movement, Palestinian Prime Minister Salam Fayyad’s state-building efforts and the surge of non-violent resistance against Israel.

This persuasive book forces us to reconsider the perceived wisdom that the Palestinians are powerless to influence events as they struggle for peace.

Showing the political importance of play in postwar French literature
 
In postwar France, authors approached writing ludically, placing rules and conditions on language and on the context of composition itself. They eliminated “e’s” and feminized texts; they traveled according to strict rules and invented outright silly public personas. The Politics of Play: Oulipo and the Legacy of French Literary Ludics is a comprehensive examination of how and why French authors turned to these ludic methods to grapple with their political moment. 
 
These writers were responding to a range of historical upheavals, from the rise and fall of French feminist and Third-Worldist groups to the aftermath of international socialism both at home, in the former Parisian Belt and in France more broadly, and abroad, in post-Yugoslavia Balkan states and elsewhere. Juxtaposing an array of case studies and drawing on cross-disciplinary methodologies, Aubrey Gabel reads three generations of the formalist literary group Oulipo, including Raymond Queneau, Georges Perec, and Jacques Jouet, alongside writers not traditionally deemed ludic—or sometimes not even conventionally known as novelists—such as the lesbian activist-writer Monique Wittig and the editor François Maspero. Gabel argues that literary ludics serve as both an authorial strategy and a political form: playful methods allow writers not only to represent history in code but also to intervene creatively—as political actors—in the fraught social fields of midcentury France and beyond. 
 

How did we get to this point in American politics? Drawing on insights from an unprecedented decades-long study of ordinary Americans’ political lives, this book tells the story of how, why, and when our politics fractured.

Few time periods have been as defined by waves of monumental social change as the United States during the 1960s. Even today, almost sixty years later, the era is often depicted as a triumph of social progress. Yet, as Larry M. Bartels and Katherine J. Cramer show in The Politics of Social Change, it was Americans’ diverse reactions to the milestone events of the time—from the welcoming, to the fiercely resistant, to the largely oblivious—that planted the seeds of our current political turmoil.

Their masterful analysis draws on a unique historical resource: the longest-running systematic tracking of individual Americans’ political attitudes and behavior ever attempted. The study began in 1965 when researchers interviewed hundreds of high school students across the country and then periodically reinterviewed them over the next three decades. Bartels and Cramer supplement this historical record with in-depth interviews with dozens of the original students, painting a detailed picture of the generation’s individual and collective political development. By tracing the responses of the Class of ’65 to major events of their political lifetimes—including the Civil Rights and Women’s Rights movements, the Vietnam War, the shifting role of religion, escalating economic inequality, immigration, and the rise of Donald Trump—Bartels and Cramer shed new light on the evolution of public opinion and the unsteady progress of American democracy.

The Post-Global City seeks to open a new field of analytical inquiry that examines knowledge production and technological developments in urban Africa rooted in local, historical realities, while also partaking in transnational, global processes. This work explores the ways in which urban residents have utilized technologies and networks to operate around, under, and beyond the state and the international “order,” and challenges the stereotypical images of Africa as a continent either devoid of technology or filled with either broken technologies or technologies from the Global North or Asia. This book focuses on accounts and critiques of new “Rising Africa” ideologies, examining megaprojects such as geothermal and hydroelectric plants with new networked startups that circumvent state and patriarchal hierarchies, women vendors selling online, youths designing and constructing oil refining technologies and tech startups working across diasporas.

Grounded in ethnographic fieldwork carried out in urban spaces in Nigeria, Kenya, the Democratic Republic of Congo, Sudan, Gabon, Cameroon, and Tanzania, The Post-Global City brings together voices from Africa, Europe, and the United States to inquire into the dialectics between technology and the urban on the African continent. 

A history of how decolonization shaped Jewish political identity in late-twentieth-century France.

In The Postcolonial Jewish Question, Mendel Kranz shows how France’s colonial history fundamentally shaped contemporary debates among Jews in France about racism, discrimination, and minority politics during the late twentieth century. As the wider country confronted the legacies of the Holocaust and the decline of its colonial empire, Jewish thinkers questioned the boundaries of their own political identity and challenged prevailing paradigms of Western universalism. This book traces how prominent and lesser-known thinkers—including Albert Memmi, Emmanuel Levinas, Alain Finkielkraut, and Wladimir Rabi—as well as organizations like the Colloque des intellectuels juifs de langue française engaged with issues of oppression, nationhood, and communal identity, and the ways that colonialism and its afterlives shaped those discussions. Kranz reveals how the Jewish question itself changed shape through confrontations with postcolonial politics. In doing so, he calls for a reassessment of the parameters of the Jewish question amid colonialism’s enduring legacies in the present.

Winner of the 2025 Association of Korean Studies in Europe Book Prize

Over the last 25 years, South Korea has witnessed growing inequality due to the proliferation of non-standard employment, ballooning household debt, deepening export-dependency, and the growth of super-conglomerates such as Samsung and Hyundai. Combined with declining rates of economic growth and turbulent political events, these processes mark a departure from Korea’s past recognition as a high growth “developmental state.”

The Postdevelopmental State radically reframes research into the South Korean economy by foregrounding the efforts of pro-democratic reformers and social movements in South Korea to create an alternative economic model—one that can address Korea’s legacy of authoritarian economic development during the Cold War and neoliberal restructuring since the Asian Financial Crisis of the late 1990s. Understanding these attempts offers insight into the types of economic reforms that have been enacted since the late 1990s as well as the continued legacy of dictatorship-era politics within the Korean political and legal system. By examining the dilemmas economic democracy has encountered over the past 25 years, from the IMF Crisis to the aftermath of the Candlelight Revolution, the book reveals the enormous and comprehensive challenges involved in addressing the legacy of authoritarian economic models and their neoliberal transformations.

Acclaimed economist James K. Galbraith sounds an urgent alarm: how conventional economic ideas and policies are unequipped to account for the most daunting challenges of our geopolitical moment.

Amid a mounting sense of American decline, Americans live with a new kind of dissonance: economists announcing that everything is fundamentally fine. Where growth is steady, unemployment is low, prices are (somewhat) stable, and stocks are high—what’s there to worry about? 

The Power to Destroy shows that this dissonance reflects a failure to evolve. James K. Galbraith’s incisive history of economic policy in this century is grounded in the fundamental problem that today’s experts are still deploying tools from all yesterday’s wars: obsolete economic ideas, measures, and doctrines focused on market functioning and crude economic indicators like output and prices. These methods, many of them honed a century ago against a vastly different social landscape, offer little hope in the face of today’s more existential threats. 

Such conventional policies, Galbraith argues, are increasingly ill-equipped to counter the daunting challenges of our moment—from inflation to trade sanctions, industrial cold wars, and climate change—and, left unacknowledged, are accelerating the end of the US economy as we know it. Shortcomings include the weak responses to the inflation of 2021-2022; the sanctions war against Russia; the rise of China; the weak and ineffective attempt at industrial revival; and the impending demographic crisis. All have roots in a flawed body of outdated economic thought that has been sustained for ideological rather than practical reasons. They now promise to hinder the United States in the emerging multipolar world. 

As Galbraith makes plain, for all the virtues of the market system, governments and their policies make markets possible. The ideas behind the policies—for better or worse—will determine the fate of the US economy—and new and better ideas are urgently needed. The alternative—sticking with economic ideas and policies we know and currently use—brings the power to destroy us all. 

2009 Outstanding Academic Title, Choice Magazine

The venture of this inviting collection is to look, from the many vantages that the 35 poets in this eclectic anthology chose to look, at what it was—knowing that a poem can’t be conceived in advance of its creation—that helped their poems to emerge or connected them over time. The Rag-Picker's Guide to Poetry permits an inside view of how poets outwit internal censors and habits of thought, showing how the meticulous and the spontaneous come together in the process of discovery. Within are contained the work and thoughts of:

• Betty Adcock
• Joan Aleshire
• Debra Allbery
• Elizabeth Arnold
• David Baker
• Rick Barot
• Marianne Boruch
• Karen Brennan
• Gabrielle Calvocoressi
• Michael Collier
• Carl Dennis
• Stuart Dischell
• Roger Fanning
• Chris Forhan
• Reginald Gibbons
• Linda Gregerson
• Jennifer Grotz
• Brooks Haxton
• Tony Hoagland
• Mark Jarman
• A. Van Jordan
• Laura Kasischke
• Mary Leader
• Dana Levin
• James Longenbach
• Thomas Lux
• Maurice Manning
• Heather McHugh
• Martha Rhodes
• Alan Shapiro
• Daniel Tobin
• Ellen Bryant Voigt
• Alan Williamson
• Eleanor Wilner
• C. Dale Young

Tracing how the “Great Replacement” narrative has shaped far-right extremism and propelled its dangerous political projects and acts of violence

The “Great Replacement” narrative, which imagines that historic white majorities are being intentionally replaced through immigration policies crafted by global elites, has effectively mobilized racist, nationalist, and nativist movements in the United States and Europe. The Rage of Replacement tracks how this narrative has shaped the politics and worldview of the far right, binding its various camps into a community of rage obsessed with nostalgia for a white-supremacist past.

Showing how the replacement narrative has found significant purchase in recent mainstream discourse through the rise of Trumpism, right-wing media figures like Tucker Carlson, and events such as 2017’s “Unite the Right” rally in Charlottesville, Virginia, Michael Feola diagnoses the dangers this racist theory poses as it shapes the far-right imagination, expands through civil society, and deforms political culture. In particular, he tracks how the replacement narrative has given rise to malignant political strategies designed to “take back” the nation from its perceived enemies—by force if deemed necessary.

Identifying the Great Replacement narrative as a central force behind the rise and expansion of far-right extremism, Feola shows how it has motivated a variety of dangerous political projects in pursuit of illiberal, antidemocratic futures. From calls for the creation of segregated white ethnostates to extremist violence such as the mass shootings in Christchurch, El Paso, and Buffalo, The Rage of Replacement makes clear that replacement theory poses a dire threat to democracy and safety.

Our era is defined by the model. From Victoria’s Secret and America’s Next Top Model to the snapshots we post on Facebook and Twitter, our culture is fixated on the pose, the state of existing simultaneously as artifice and the real thing.

In this bold view of contemporary culture, Wendy Steiner shows us the very meaning of the arts in the process of transformation. Her story begins at the turn of the last century, as the arts abandoned the representation of the world for a heady embrace of the abstract, the surreal, and the self-referential. Today though, this “separate sphere of the aesthetic” is indistinguishable from normal life. Media and images overwhelm us: we gingerly negotiate a real-virtual divide that we suspect no longer exists, craving contact with what J. M. Coetzee has called “the real real thing.” As the World Wide Web renders the lower-case world in ever-higher definition, the reality-based genres of memoir and documentary are displacing fiction, and novels and films are depicting the contemporary condition through model-protagonists who are half-human, half-image. Steiner shows the arts searching out a new ethical potential through this figure: by stressing the independent existence of the model, they welcome in the audience in all its unpredictability, redefining aesthetic experience as a real-world interaction with the promise of empathy, reciprocity, and egalitarian connection.

A masterly performance by a penetrating, inquisitive mind, The Real Real Thing is that rarest of books, one whose provocations and inspirations will inspire readers to take a new—and nuanced—look at the world around them.

Venezuela has become a huge source of hope and inspiration for the Left throughout the world. Some see it as a shining example of how to begin building a successful socialist state, but Western leaders see it as a dangerous enemy and accuse Chávez of being a dictator. This book reveals the truth by examining the country from the ground up.

Iain Bruce explores the political changes underway in Venezuela at the level of the lives of ordinary people. Through grassroots investigations and extended interviews, he explores a series of key transformations in Venezuela: a new social economy around a network of co-operatives; workplace democracy; popular education; radical agrarian reform; participatory budgets and community planning. The result is a clear picture of everyday life in Venezuela.

No other book on the country has this level of detail; it will be a key text for students of Latin American politics and social movements and of interest to anyone following the fortunes of the Bolivarian Revolution.