936 books match the query 'LGBTQ+ Studies' and 156 start with t

cover of Transnational LGBT Activism: Working for Sexual Rights Worldwide

Transnational LGBT Activism

Working for Sexual Rights Worldwide

Ryan R. Thoreson

University of Minnesota Press, 2014

The International Gay and Lesbian Human Rights Commission (IGLHRC) was founded in 1990 as the first NGO devoted to advancing LGBT human rights worldwide. How, this book asks, is that mission translated into practice? What do transnational LGBT human rights advocates do on a day-to-day basis and for whom? Understanding LGBT human rights claims is impossible, Ryan R. Thoreson contends, without knowing the answers to these questions.

In Transnational LGBT Activism, Thoreson argues that the idea of LGBT human rights is not predetermined but instead is defined by international activists who establish what and who qualifies for protection. He shows how IGLHRC formed and evolved, who is engaged in this work, how they conceptualize LGBT human rights, and how they have institutionalized their views at the United Nations and elsewhere. After a full year of in-depth research in New York City and Cape Town, South Africa, Thoreson is able to reconstruct IGLHRC’s early campaigns and highlight decisive shifts in the organization’s work from its founding to the present day.

Using a number of high-profile campaigns for illustration, he offers insight into why activists have framed particular demands in specific ways and how intergovernmental advocacy shapes the claims that activists ultimately make. The result is a uniquely balanced, empirical response to previous impressionistic and reductive critiques of Western human rights activists—and a clarifying perspective on the nature and practice of global human rights advocacy.

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cover of Transounding: Listening for Black Queer Lusophone Diasporas

Transounding

Listening for Black Queer Lusophone Diasporas

Daniel da Silva

Duke University Press, 2027

In Transounding, Daniel da Silva examines the work of popular music artists from Portugal, Brazil, and Angola whose singing and performances blur boundaries of gender and genre. These artists engage in collaborations that traverse uneven transatlantic Lusophone geographies and complicate North-South and South-South axes, composing, expressing, and performing modes of musical and affective political bonds across Luso-Afro-Brazilian cultures and transposing hegemonic cultural narratives into sites of Black queer and transfeminine possibility. Silva describes how transfeminine Brazilian artists complicate categories of gender and sexuality; how queer Portuguese fado performers inhabit and transform the genre's gendered conventions; and how queer, trans, and travesti Angolan and Lisbon-based Black queer artists produce resistant expressions within and against postcolonial and anti-Black contexts. Transounding traces queerness, Blackness, and diaspora across popular culture forms in the Lusophone world and explores the fundamental question of what listeners hear when transgressive voices sing.
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cover of Transpsychoanalytics

Transpsychoanalytics

Sheila L. Cavanagh, special issue editor

Duke University Press, 2017

While psychoanalysis has traditionally been at odds with transgender issues, a growing body of revisionist psychoanalytic theory and clinical practice has begun to tease out the trans-affirming potential of the field. This issue features essays that highlight this potential by simultaneously critiquing and working within the boundaries of psychoanalytic concepts and theories guiding clinical work. Featuring a range of clinicians and scholars, this issue centers on questions pertaining to trans* experience, desire, difference, otherness, identification, loss, mourning, and embodiment. The contributors explore these questions through topics like bathroom bans, ethics, popular culture, and the Freudian couch. By setting up this dialogue between psychosocial studies and trans* cultural studies, this revisionist work may radically transform psychoanalytic theory and practice.

Contributors. Sheila L. Cavanagh, Chris Coffman, Elena Dalla Torre, Kate Foord, Patricia Gherovici, Oren Gozlan, Griffin Hansbury, Jordon Osserman, Amy Ray Stewart, Simon van der Weele
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cover of Travels in a Gay Nation: Portraits of LGBTQ Americans

Travels in a Gay Nation

Portraits of LGBTQ Americans

Philip Gambone

University of Wisconsin Press, 2010

For two years, Philip Gambone traveled the length and breadth of the United States, talking candidly with LGBTQ people about their lives. In addition to interviews from David Sedaris, George Takei, Barney Frank, and Tammy Baldwin, Travels in a Gay Nation brings us lesser-known voices—a retired Naval officer, a transgender scholar and “drag king,” a Princeton philosopher, two opera sopranos who happen to be lovers, an indie rock musician, the founder of a gay frat house, and a pair of Vermont garden designers.
    In this age when contemporary gay America is still coming under attack, Gambone captures the humanity of each individual. For some, their identity as a sexual minority is crucial to their life’s work; for others, it has been less so, perhaps even irrelevant. But, whether splashy or quiet, center-stage or behind the scenes, Gambone’s subjects have managed—despite facing ignorance, fear, hatred, intolerance, injustice, violence, ridicule, or just plain indifference—to construct passionate, inspiring lives.

 
Finalist, Foreword Magazine’s Anthology of the Year

Outstanding Book in the High School Category, selected by the American Association of School Libraries

Best Book in Special Interest Category, selected by the Public Library Association
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cover of Turning Archival: The Life of the Historical in Queer Studies

Turning Archival

The Life of the Historical in Queer Studies

Daniel Marshall and Zeb Tortorici, editors

Duke University Press, 2022

The contributors to Turning Archival trace the rise of “the archive” as an object of historical desire and study within queer studies and examine how it fosters historical imagination and knowledge. Highlighting the growing significance of the archival to LGBTQ scholarship, politics, and everyday life, they draw upon accounts of queer archival encounters in institutional, grassroots, and everyday repositories of historical memory. The contributors examine such topics as the everyday life of marginalized queer immigrants in New York City as an archive; secondhand vinyl record collecting and punk bootlegs; the self-archiving practices of grassroots lesbians; and the decolonial potential of absences and gaps in the colonial archives through the life of a suspected hermaphrodite in colonial Guatemala. Engaging with archives from Africa to the Americas to the Arctic, this volume illuminates the allure of the archive, reflects on that which resists archival capture, and outlines the stakes of queer and trans lives in the archival turn.

Contributors. Anjali Arondekar, Kate Clark, Ann Cvetkovich, Carolyn Dinshaw, Kate Eichhorn, Javier Fernández-Galeano, Emmett Harsin Drager, Elliot James, Marget Long, Martin F. Manalansan IV, Daniel Marshall, María Elena Martínez, Joan Nestle, Iván Ramos, David Serlin, Zeb Tortorici
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cover of Turning the Page: Storytelling as Activism in Queer Film and Media

Turning the Page

Storytelling as Activism in Queer Film and Media

Coon, David R

Rutgers University Press, 2018

First runner-up for the 2019 John Leo and Dana Heller Award from the Popular Culture Association

Surprisingly, Hollywood is still clumsily grappling with its representation of sexual minorities, and LGBTQ filmmakers struggle to find a place in the mainstream movie industry. However, organizations outside the mainstream are making a difference, helping to produce and distribute authentic stories that are both by and for LGBTQ people. 

Turning the Page introduces readers to three nonprofit organizations that, in very different ways, have each positively transformed the queer media landscape. David R. Coon takes readers inside In the Life Media, whose groundbreaking documentaries on the LGBTQ experience aired for over twenty years on public television stations nationwide. Coon reveals the successes of POWER UP, a nonprofit production company dedicated to mentoring filmmakers who can turn queer stories into fully realized features and short films. Finally, he turns to Three Dollar Bill Cinema, an organization whose film festivals help queer media find an audience and whose filmmaking camps for LGBTQ youth are nurturing the next generation of queer cinema. 

Combining a close analysis of specific films and video programs with extensive interviews of industry professionals, Turning the Page demonstrates how queer storytelling in visual media has the potential to empower individuals, strengthen communities, and motivate social justice activism.  
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