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Longlisted for the 2024 Financial Times Book of the Year. How life and the economy became a black box—a collection of systems no one understands, producing outcomes no one likes.
 
Passengers get bumped from flights. Phone menus disconnect. Automated financial trades produce market collapse. Of all the challenges in modern life, some of the most vexing come from our relationships with automation: a large system does us wrong, and there’s nothing we can do about it.

The problem, economist Dan Davies shows, is accountability sinks: systems in which decisions are delegated to a complex rule book or set of standard procedures, making it impossible to identify the source of mistakes when they happen. In our increasingly unhuman world—lives dominated by algorithms, artificial intelligence, and large organizations—these accountability sinks produce more than just aggravation. They make life and economy unknowable—a black box for no reason.

In The Unaccountability Machine, Davies lays bare how markets, institutions, and even governments systematically generate outcomes that no one—not even those involved in making them—seems to want. Since the earliest days of the computer age, theorists have foreseen the dangers of complex systems without personal accountability. In response, British business scholar Stafford Beer developed an accountability-first approach to management called “cybernetics,” which might have taken off had his biggest client (the Chilean government) not fallen to a bloody coup in 1973.

With his signature blend of economic and journalistic rigor, Davies examines what’s gone wrong since Beer, including what might have been had the world embraced cybernetics when it had the chance. The Unaccountability Machine is a revelatory and resonant account of how modern life became predisposed to dysfunction.

Mining in North America has long been criticized for its impact on the natural environment. Mica Jorgenson’s The Weight of Gold explores the history of Ontario, Canada’s rise to prominence in the gold mining industry, while detailing a series of environmental crises related to extraction activities. In Ontario in 1909, the discovery of exceptionally rich hard rock gold deposits in the Abitibi region in the north precipitated industrial development modeled on precedents in Australia, South Africa, and the United States. By the late 1920s, Ontario’s mines had reached their maturity, and in 1928, Minister of Mines Charles McRae called Canada “the mineral treasure house to [the] world.”

Mining companies increasingly depended upon their ability to redistribute the burdens of mining onto surrounding communities—a strategy they continue to use today—both at home and abroad. Jorgenson connects Canadian gold mining to its international context, revealing that Ontario’s gold mines informed extractive knowledge which would go on to shape Canada’s mining industry over the next century.

A pointed look at the state of tech-based mental healthcare and what we must do to change it
 

Proponents of technology trumpet it as the solution to the massive increase in the mental distress that confronts our nation. They herald the arrival of algorithms, intelligent chatbots, smartphone applications, telemental healthcare services, and more—but are these technological fixes really as good as they seem? In Therapy Tech, Emma Bedor Hiland presents the first comprehensive study of how technology has transformed mental healthcare, showing that this revolution can’t deliver what it promises.

Far from providing a solution, technological mental healthcare perpetuates preexisting disparities while relying on the same failed focus on personal responsibility that has let us down before. Through vivid, in-depth case studies, Therapy Tech reveals these problems, covering issues including psychosurveillance on websites like Facebook and 7 Cups of Tea, shortcomings of popular AI “doctors on demand” like Woebot, Wysa, and Joy, and even how therapists are being conscripted into the gig economy.

Featuring a vital coda that brings Therapy Tech up to date for the COVID era, this book is the first to give readers a large-scale analysis of mental health technologies and the cultural changes they have enabled. Both a sobering dissection of the current state of mental health and a necessary warning of where things are headed, Therapy Tech makes an important assertion about how to help those in need of mental health services today.

Defines, examines, and elevates home video to its rightful place

From its recording of family events to its influence on filmmaking, home video defies easy categorization and demands serious consideration. In There’s No Place Like Home Video, James Moran takes on this neglected aspect of popular culture. He offers a cultural history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and its symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the attempt to define its unique identity, to capture what constitutes its pure practice.

A master cartographer and teacher, Armin Lobeck provides a clear, accessible guide to discerning the geological history of an area through an understanding of the lines of rivers, mountains, and coasts found on maps. He presents commonplace physical features that map users normally take for granted as a collection of cartographic detective stories. After pointing out patterns that call for solutions, Lobeck assembles clues and leads his readers through thoughtful, carefully crafted explanations, to show how to grasp the history of the earth through the art of map reading.

A ranging, erudite, and intimate examination of the nature of knowledge, by a thinker and creator who defies categorization.

Attention is in short supply and high demand. But when we bring our minds and time and senses to something—an idea, an object, another person—we tap into a human capacity for observation, patience, candor, and presence. Look long enough, and we can reliably catch a bright flash, a shift in the light, even a dawning.

In Till the Light Leaps, historian of science D. Graham Burnett explores the questions that have been major drivers of his intellectual life: How do we know what we know? And how are we changed by that effort? Written during a period of radical, collective, and creative experimentation with attention, the twenty-six essays collected here span topics like technology, science, art, and religion. Together, they comprise a sustained reflection on the relationship between empirical matters and the shiver-work of the human spirit. A brief history of spectroscopy offers an occasion to consider the solemn power of fire, as well as the righteous lessons of a childhood science experiment gone wrong. Skywriting invokes military might, but also the expressionistic bravura of a solo aeronaut, Art Smith. The Greek ritual of throwing plant matter in celebration is a thread connecting animal sacrifice, confetti production, and capitalist excess. In the final, previously unpublished essay, Galway Kinnell’s 1980 poem “Saint Francis and the Sow” becomes a heroic call to love and an allegory of attention in its richest sense.

Till the Light Leaps, a reference to the writings of Simone Weil, advises us to look at something “until the light leaps,” whether it yields a wink or an illumination. Burnett models the work—and the pleasure—of staying present with the world, and his essays test what science can offer, even as they feel for what it cannot.

Published in commemoration of the one-hundredth anniversary of the Titanic’s sinking, this book tells the story of that fateful night from an unusual angle: through the many wireless communications sent to and from the land stations and the ships involved as the tragic events unfolded.