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Everyone’s favorite guide to fiction that’s thrilling, mysterious, suspenseful, thought-provoking, romantic, and just plain fun is back—and better than ever in this completely revamped and revised edition. A must for every readers’ advisory desk, this resource is also a useful tool for collection development librarians and students in LIS programs. Inside, RA experts Wyatt and Saricks

• cover genres such as Psychological Suspense, Horror, Science Fiction, Fantasy, Romance, Mystery, Literary and Historical Fiction, and introduce the concepts of Adrenaline and Relationship Fiction;
• include everything advisors need to get up to speed on a genre, including its appeal characteristics, key authors, sure bets, and trends;
• demonstrate how genres overlap and connect, plus suggestions for guiding readers among genres; and
• tie genre fiction to the whole collection, including nonfiction, audiobooks, graphic novels, film and TV, poetry, and games.

Both insightful and comprehensive, this matchless guidebook will help librarians become familiar with many different fiction genres, especially those they do not regularly read, and aid library staff in connecting readers to books they’re sure to love. 

The first edition of this readers' advisory represented a pioneering effort to provide help and encouragement to librarians diving into this exciting format, and since then the popularity of graphic novels has continued apace. Goldsmith has updated her guide to encompass a bounty of new titles, authors, and styles, ensuring its continued usefulness as a tool for both RA and collection development. Suitable for newbies and hardcore fans alike, this book

• sketches in the history of graphic novels, tracing their evolution and showing what makes them unique;
• explores traditional and cutting edge titles most friendly to children, teens, and adults, reflecting the burgeoning and maturing publishing efforts made for each of these audiences;
• discusses common themes, topics, and the place of diversity in graphic novels;
• gives in-depth guidance on ways to connect readers to titles they'll be sure to love;
• offers ideas for media tie-ins, displays, programming, book clubs, and more;
• includes annotated bibliographies, with appeal characteristics noted, and multiple indexes to ensure that locating the right graphic novel is a snap; and
• provides detailed tips for keeping current and aware of new titles and trends.

Spotlighting this expanding body of intellectual, aesthetic, and engaging literature, Goldsmith's guide will entertain as well as inform.

Like the zombies, ghouls, and vampires which inhabit many of its books, the popularity of horror fiction is unstoppable. Even if you don’t happen to be a fan yourself, you won’t be “scared” to advise readers on finding their next great fright thanks to the astute guidance provided by horror expert Spratford in her updated guide. This definitive resource for library workers at any level of experience or familiarity with horror fiction

• details the state of the genre right now, including its appeal factors and key authors, assisting readers in getting up to speed quickly;
• presents ten annotated lists of suggested titles, all published since 2000, each with a short introduction providing historical context;
• delves into horror movies, TV shows, podcasts, and other formats; and
• offers abundant marketing advice, programming options, and pointers on additional resources.

The Real Philadelphia Book, compiled by Jazz Bridge and editors David Dzubinski and Suzanne Cloud, is a collection of more than 200 original jazz and blues compositions. Arranged alphabetically by song title, the sheet music showcases work by generations of Philadelphia musicians. This volume, which is “what every aspiring jazz musician needs to know,” features tunes from Grammy Award-winners Jimmy Heath, Grover Washington, Jr., and Christian McBride, as well as legends such as Joey DeFrancesco, Ray Bryant, and Robin and Duane Eubanks. Also included are rare compositions by jazz greats Bobby Timmons, Hank Mobley, and Lee Morgan, in addition to music by local luminaries, Rhenda Fearrington, Monnette Sudler, and Kaylé Brecher.

The aim of The Real Philadelphia Book is to help the jazz community make deeper, stronger connections while also formally documenting much of the important music created in the Philadelphia metro area by both well- and lesser-known musicians.

Including an index of composers, The Real Philadelphia Bookwill enhance and add to the rich Philadelphia jazz and blues tradition and make the Philly jazz catalogue more easily available to musicians, jazz students and educators around the world.

The first comprehensive history of the fabled Confederate battle cry from its origins and myths through its use in American popular culture.

No aspect of Civil War military lore has received less scholarly attention than the battle cry of the Southern soldier. In The Rebel Yell, Craig A. Warren brings together soldiers' memoirs, little-known articles, and recordings to create a fascinating and exhaustive exploration of the facts and myths about the “Southern screech.”

Through close readings of numerous accounts, Warren demonstrates that the Rebel yell was not a single, unchanging call, but rather it varied from place to place, evolved over time, and expressed nuanced shades of emotion. A multifunctional act, the flexible Rebel yell was immediately recognizable to friends and foes but acquired new forms and purposes as the epic struggle wore on. A Confederate regiment might deliver the yell in harrowing unison to taunt Union troops across the empty spaces of a battlefield. At other times, individual soldiers would call out solo or in call-and-response fashion to communicate with or secure the perimeters of their camps.

The Rebel yell could embody unity and valor, but could also become the voice of racism and hatred. Perhaps most surprising, The Rebel Yell reveals that from Reconstruction through the first half of the twentieth century, the Rebel yell—even more than the Confederate battle flag—served as the most prominent and potent symbol of white Southern defiance of Federal authority. With regard to the late-twentieth and early twenty-first centuries, Warren shows that the yell has served the needs of people the world over: soldiers and civilians, politicians and musicians, re-enactors and humorists, artists and businessmen. Warren dismantles popular assumptions about the Rebel yell as well as the notion that the yell was ever “lost to history.”

Both scholarly and accessible, The Rebel Yell contributes to our knowledge of Civil War history and public memory. It shows the centrality of voice and sound to any reckoning of Southern culture.

The collection of poems in The Reckoning of Jeanne d’Antietam circles the U.S. Civil War and the failed revolution of Reconstruction, and Matthew Moore makes incursions into the histories and beliefs of the era through architectures of sound, but also via ancillary histories and histories stacked upon histories—densely and visibly scrawled—like Anselm Kiefer's sculptures of lead books, melted and dripping with the texts of illegible songs. His poems include the figure of Joan of Arc (Jeanne d'Arc) and her voices; the explosion of the U.S. prison system and racial legal fictions amid the groundswell of mass terror in the wake of the U.S. Civil War; the politically poisoned poetic lineage that moves from Modernism, to New Criticism, and dead-ends in Southern Agrarianism; and the destructive colonial histories of the sugar and cotton industries.  

The Reckoning of Jeanne d’Antietam stands imbricated with the spell of language-the-testament; language as hard rhyme and difficult music, evanescence and violence; and the invocation of names and events at their meeting places in history. Moore’s poems stand against sentiment and pity, and against the consolation of that which cannot be consoled. 

A passionate advocate for preserving wilderness and fighting the bureaucratic and business forces that would destroy it, Edward Abbey (1927–1989) wrote fierce, polemical books such as Desert Solitaire and The Monkey Wrench Gang that continue to inspire environmental activists. In this eloquent memoir, his friend and fellow desert rat Charles Bowden reflects on Abbey the man and the writer, offering up thought-provoking, contrarian views of the writing life, literary reputations, and the perverse need of critics to sum up “what he really meant and whether any of it was truly up to snuff.”

The Red Caddy is the first literary biography of Abbey in a generation. Refusing to turn him into a desert guru, Bowden instead recalls the wild man in a red Cadillac convertible for whom liberty was life. He describes how Desert Solitaire paradoxically “launched thousands of maniacs into the empty ground” that Abbey wanted to protect, while sealing his literary reputation and overshadowing the novels that Abbey considered his best books. Bowden also skewers the cottage industry that has grown up around Abbey’s writing, smoothing off its rougher (racist, sexist) edges while seeking “anecdotes, little intimacies . . . pieces of the True Beer Can or True Old Pickup Truck.” Asserting that the real essence of Abbey will always remain unknown and unknowable, The Red Caddy still catches gleams of “the fire that from time to time causes a life to become a conflagration.”

Mixing scholarship with a fan's devotion to the crooked roads of critique, Miklitsch autopsies marquee films like D.O.A., Niagara, and Kiss Me Deadly plus a number of lesser-known classics. Throughout, he addresses the social and technological factors that dealt deuce after deuce to the genre--its celebrated style threatened by new media and technologies such as TV and 3-D, color and widescreen, its born losers replaced like zombies by All-American heroes, the nation rocked by the red menace and nightmares of nuclear annihilation. But against all odds, the author argues, inventive filmmakers continued to make formally daring and socially compelling pictures that remain surprisingly, startlingly alive.

Cutting-edge and entertaining, The Red and the Black reconsiders a lost period in the history of American movies.

The subject of regulation is one of the most vital and troublesome in our system of government. In this detailed study of early and mid-twentieth-century regulation of commercial aviation Emmette S. Redford illustrates what happens when government regulates a particular industry.

He first sets forth the perspectives for a study of an area of regulation and develops an argument for eclectic perspectives in the study of selected systems, or universes, of social action, such as the performance of an economic function under government regulation.

These perspectives are illustrated in the following series of case studies on regulation of commercial aviation:

1. The significance of belief patterns on the content of the Civil Aeronautics Act of 1938.
2. The role of Congress in the regulation of commercial aviation in a two-year period.
3. The interactions of Congress, the president, and the regulated industry in strengthening safety regulation through passage of the Federal Aviation Act of 1958.
4. The actions of the Civil Aeronautics Board on a set of complicated economic issues in the General Passenger Fare Investigation.
5. The position of the Air Transport Association in the regulatory pattern.

In "An Essay on Evaluation" Redford summarizes what is revealed in the case studies that is significant with respect to the system of government regulation. He searches for standards for evaluating a system of social control, or for evaluating parts of it, and relates his conclusions to issues regarding the beneficence of a system of regulated private supply of a service.

The Regulatory Process is a study of interest to the aviation industry, to students of regulation of the economy, and to those who seek an understanding of social systems.

Nineteen acclaimed writers reflect on the Alabama landscapes, memories, and experiences that shaped their voices.

In The Remembered Gate, nationally prominent fiction writers, essayists, and poets recall how their formative years in Alabama shaped them as people and as writers. The essays range in tone from the pained and sorrowful to the wistful and playful, in class from the privileged to the poverty-stricken, in geography from the rural to the urban, and in time from the first years of the 20th century to the height of the Civil Rights era and beyond.

In all the essays we see how the individual artists came to understand something central about themselves and their art from a changing Alabama landscape. Whether from the perspective of C. Eric Lincoln, beaten for his presumption as a young black man asking for pay for his labors, or of Judith Hillman Paterson, floundering in her unresolved relationship with her troubled family, these personal renderings are intensely realized visions of a writer's sense of being a writer and a human being. Robert Inman tells of exploring his grandmother's attic, and how the artifacts he found there fired his literary imagination. William Cobb profiles the lasting influence of the town bully, the diabolical Cletus Hickey. And in “Growing up in Alabama: A Meal in Four Courses, Beginning with Dessert,” Charles Gaines chronicles his upbringing through the metaphor of southern cooking.

What emerges overall is a complex, richly textured portrait of men and women struggling with, and within, Alabama’s economic and cultural evolution to become major voices of our time.
 

One man’s remarkable account of nation‑building, Native diplomacy, and the making of the early American South.

The Reminiscences of George Strother Gaines: Pioneer and Statesman of Early Alabama and Mississippi, 1805–1843 offers one of the most vivid, irreplaceable firsthand accounts of the American Southeast during its most transformative decades. Edited and expertly contextualized by historian James P. Pate, this volume gathers Gaines’s dictated memoirs, rare letters, early newspaper publications, oral-history interviews, and extensive editorial notes to illuminate a world on the cusp of monumental change. 

George Strother Gaines was no ordinary frontier figure. Trusted by U.S. officials and Choctaw leaders alike, he played central roles as federal factor at the Choctaw Trading House, a key intermediary during treaty negotiations, a primary organizer of the first Choctaw removal, a banker and state senator in newly formed Alabama, and later a driving force behind the Mobile & Ohio Railroad. His reminiscences reveal intimate knowledge of the region’s political development, frontier economy, Native diplomacy, and daily life. They are written in a strikingly elegant “Addisonian” style praised even in his own lifetime. 

This edition’s special features—including detailed maps, illustrations, genealogical material, and a robust scholarly introduction—make it the most comprehensive and authoritative presentation of Gaines’s writings ever published. It not only preserves his voice but situates him within the broader historical forces reshaping the Gulf South and Native nations in the nineteenth century. 

Ideal readers include: 

• Historians of Alabama, Mississippi, and the early American South 
• Scholars of Native American and Choctaw/Chickasaw history 
• Readers of frontier, antebellum, or political history 
• Genealogists and local-history enthusiasts 
• Anyone seeking an engaging, elegantly written window into the early Southeast 

This is a foundational text for understanding the region’s past—and a compelling story told by one of its most influential witnesses.

The colonizing wars against Native Americans created the template for anticommunist repression in the United States. Tariq D. Khan’s analysis reveals bloodshed and class war as foundational aspects of capitalist domination and vital elements of the nation’s long history of internal repression and social control. Khan shows how the state wielded the tactics, weapons, myths, and ideology refined in America’s colonizing wars to repress anarchists, labor unions, and a host of others labeled as alien, multi-racial, multi-ethnic urban rabble. The ruling classes considered radicals of all stripes to be anticolonial insurgents. As Khan charts the decades of red scares that began in the 1840s, he reveals how capitalists and government used much-practiced counterinsurgency rhetoric and tactics against the movements they perceived and vilified as “anarchist.”

Original and boldly argued, The Republic Shall Be Kept Clean offers an enlightening new history with relevance for our own time.