8642 books match the query '20th century' and 1764 start with t

cover of The Chicagoan: A Lost Magazine of the Jazz Age

The Chicagoan

A Lost Magazine of the Jazz Age

Neil Harris

University of Chicago Press, 2008

While browsing the stacks of the Regenstein Library at the University of Chicago some years ago, noted historian Neil Harris made a surprising discovery: a group of nine plainly bound volumes whose unassuming spines bore the name the Chicagoan.  Pulling one down and leafing through its pages, Harris was startled to find it brimming with striking covers, fanciful art, witty cartoons, profiles of local personalities, and a whole range of incisive articles.  He quickly realized that he had stumbled upon a Chicago counterpart to the New Yorker that mysteriously had slipped through the cracks of history and memory.
 
Here Harris brings this lost magazine of the Jazz Age back to life. In its own words, the Chicagoan claimed to represent “a cultural, civilized, and vibrant” city “which needs make no obeisance to Park Avenue, Mayfair, or the Champs Elysees.” Urbane in aspiration and first published just sixteen months after the 1925 appearance of the New Yorker, it sought passionately to redeem the Windy City’s unhappy reputation for organized crime, political mayhem, and industrial squalor by demonstrating the presence of style and sophistication in the Midwest.  Harris’s substantial introductory essay here sets the stage, exploring the ambitions, tastes, and prejudices of Chicagoans during the 1920s and 30s.  The author then lets the Chicagoan speak for itself in lavish full-color segments that reproduce its many elements: from covers, cartoons, and editorials to reviews, features—and even one issue reprinted in its entirety.
 
Recalling a vivid moment in the life of the Windy City, the Chicagoan is a forgotten treasure, offered here for a whole new age to enjoy.
 
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cover of The Chieftain and the Chair: The Rise of Danish Design in Postwar America

The Chieftain and the Chair

The Rise of Danish Design in Postwar America

Maggie Taft

University of Chicago Press, 2023

A history of how Danish design rose to prominence in the postwar United States, becoming shorthand for stylish modern comfort.

Today, Danish Modern design is synonymous with clean, midcentury cool. During the 1950s and ‘60s, it flourished as the furniture choice for Americans who hoped to signal they were current and chic. But how did this happen? How did Danish Modern become the design movement of the times? In The Chieftain and the Chair, Maggie Taft tells the tale of our love affair with Danish Modern design. Structured as a biography of two iconic chairs—Finn Juhl’s Chieftain Chair and Hans Wegner’s Round Chair, both designed and first fabricated in 1949—this book follows the chairs from conception and fabrication through marketing, distribution, and use.

Drawing on research in public and private archives, Taft considers how political, economic, and cultural forces in interwar Denmark laid the foundations for the postwar furniture industry, and she tracks the deliberate maneuvering on the part of Danish creatives and manufacturers to cater to an American market. Taft also reveals how American tastemakers and industrialists were eager to harness Danish design to serve American interests and how furniture manufacturers around the world were quick to capitalize on the fad by flooding the market with copies.

Sleek and minimalist, Danish Modern has experienced a resurgence of popularity in the last few decades and remains a sought-after design. This accessible and engaging history offers a unique look at its enduring rise among tastemakers.

 
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cover of The Chigi Codex: Sacred Music from Burgundy and France; Vatican City, Biblioteca Apostolica Vaticana, MS Chigi C VIII 234

The Chigi Codex

Sacred Music from Burgundy and France; Vatican City, Biblioteca Apostolica Vaticana, MS Chigi C VIII 234

Edited by Edward F. Houghton

University of Chicago Press, 2027

The Chigi Codex makes available for the first time a critical edition and comprehensive study of a late fifteenth-century anthology of sacred musical works.

Compiled between 1500 and 1504, The Chigi Codex contains the complete contents of an extraordinary illuminated manuscript, an anthology of forty polyphonic masses and motets associated with the royal courts of France and Burgundy. This edition includes nearly the complete oeuvre of Johannes Ockeghem, five motets by Johannes Regis, and compositions by Josquin des Prez, Henricus Isaac, Antoine Busnoys, Pierre de la Rue, Jean Mouton, Alexander Agricola, and others. Twelve works are unique to The Chigi Codex; seven motets were added by a Spanish scribe after 1515. The complete contents are presented here with transcriptions of the music accessible to musicians today, with a critical commentary on the music and concordant sources. The Codex transmits works that were copied in manuscripts and prints throughout Europe later in the sixteenth century.

In addition to its monumental repertory, The Chigi Codex includes notable works of visual art in the double-folio openings of thirty-six works with miniature paintings, coats of arms, inhabited capitals, family mottos, bizarre creatures, and colorful borders, all in the famed Ghent-Bruges style. Herbert Kellman discusses these as well as the history of the Codex and its long journey from its original patron, the Burgundian seigneur Philippe Bouton, to the Spanish families Folch de Cardona and Fernández de Córdoba, and finally to Rome and to the library of Fabio Chigi, Pope Alexander VII. The Chigi library is now an important part of the Vatican Library.  

Making the manuscript accessible to the public and musicians, this edition of The Chigi Codex supports the study, performance, and understanding of its music and art in the musical, cultural, and historical contexts of its creation.
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cover of The Children of Light and the Children of Darkness: A Vindication of Democracy and a Critique of Its Traditional Defense

The Children of Light and the Children of Darkness

A Vindication of Democracy and a Critique of Its Traditional Defense

Reinhold Niebuhr

University of Chicago Press, 2011

The Children of Light and the Children of Darkness, first published in 1944, is considered one of the most profound and relevant works by the influential theologian Reinhold Niebuhr, and certainly the fullest statement of his political philosophy. Written and first read during the prolonged, tragic world war between totalitarian and democratic forces, Niebuhr’s book took up the timely question of how democracy as a political system could best be defended.

Most proponents of democracy, Niebuhr claimed, were “children of light,” who had optimistic but naïve ideas about how society could be rid of evil and governed by enlightened reason. They needed, he believed, to absorb some of the wisdom and strength of the “children of darkness,” whose ruthless cynicism and corrupt, anti-democratic politics should otherwise be repudiated. He argued for a prudent, liberal understanding of human society that took the measure of every group’s self-interest and was chastened by a realistic understanding of the limits of power. It is in the foreword to this book that he wrote, “Man’s capacity for justice makes democracy possible; but man’s inclination to injustice makes democracy necessary.”

This edition includes a new introduction by the theologian and Niebuhr scholar Gary Dorrien in which he elucidates the work’s significance and places it firmly into the arc of Niebuhr’s career.
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cover of The Children’s Republic of Gaudiopolis: The History and Memory of a Children’s Home for Holocaust and War Orphans (1945–1950)

The Children’s Republic of Gaudiopolis

The History and Memory of a Children’s Home for Holocaust and War Orphans (1945–1950)

Gergely Kunt

Central European University Press, 2022

Gaudiopolis (The City of Joy) was a pedagogical experiment that operated in a post–World War II orphanage in Budapest. This book tells the story of this children’s republic that sought to heal the wounds of wartime trauma, address prejudice and expose the children to a firsthand experience of democracy. The children were educated in freely voicing their opinions, questioning authority, and debating ideas.

The account begins with the saving of hundreds of Jewish children during the Siege of Budapest by the Lutheran minister Gábor Sztehlo together with the International Red Cross. After describing the everyday life and practices of self-rule in the orphanage that emerged from this rescue operation, the book tells how the operation of the independent children’s home was stifled after the communist takeover and how Gaudiopolis was disbanded in 1950.

The book then discusses how this attempt of democratization was erased from collective memory. The erasure began with the banning of a film inspired by Gaudiopolis. The Communist Party financed Somewhere in Europe in 1947 as propaganda about the construction of a new society, but the film’s director conveyed a message of democracy and tolerance instead of adhering to the tenets of socialist realism. The book breaks the subsequent silence on “The City of Joy,” which lasted until the fall of the Iron Curtain and beyond.

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cover of The Chinese Postmodern: Trauma and Irony in Chinese Avant-Garde Fiction

The Chinese Postmodern

Trauma and Irony in Chinese Avant-Garde Fiction

Xiaobin Yang

University of Michigan Press, 2002

The Chinese Postmodern is a pioneering study of today's Chinese experimental fiction, exploring the works of such major writers as Can Xue, Ge Fei, Ma Yuan, Mo Yan, Xu Xiaohe, and Yu Hua from the perspective of cultural and literary postmodernity. Focusing on the interplay between historical psychology and representational mode, and between political discourse and literary rhetoric, it examines the problem of Chinese postmodernity against the background of the cultural-political reality of twentieth-century China.
The book seeks to redefine Chinese modernity and postmodernity through the analyses of both orthodox and avant-garde works. In doing so, the author draws on a number of theories, psychoanalysis and deconstruction in particular, revealing the hidden connection between the deconstructive mode of writing and the experience of history after trauma and showing how avant-garde literature brings about a varied literary paradigm that defies the dominant, subject-centered one in twentieth-century China.
The distinctiveness of The Chinese Postmodern is also found in its portrayal of the changes of literary paradigms in modern Chinese literature. By way of characterizing avant-garde fiction, it provides an overview of twentieth-century Chinese literature and offers a theorization of the intellectual history of modern China. Other issues concerning literary theory are explored, including the relationships between postmodernity and totalitarian discourse, between historical trauma and literary writing, and between psychic trauma and rhetorical irony. This book will appeal to readers in the fields of Chinese literature and culture, modern Chinese history, literary theory, and comparative literature.
Xiaobin Yang is Croft Assistant Professor, University of Mississippi.
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cover of The Chippewa Landscape of Louise Erdrich

The Chippewa Landscape of Louise Erdrich

Allan Chavkin

University of Alabama Press, 1999

This volume of new essays provides the first book-length critical assessment of the fiction of America's best-known contemporary writer of Native American heritage.

Louise Erdrich is arguably the most prolific and prominent contemporary writer of American Indian descent in North America today. Her novels and short stories have won great critical acclaim and are widely taught in American and world literature courses.

This collection of original ssays focuses on Erdrich's writings rooted in the Chippewa experience. Premier scholars of Native American literature investigate narrative structure, signs of ethnicity, the notions of luck and chance in Erdrich's narrative cosmology, her use of hunting metaphors, her efforts to counter stereotypes of American Indian women, her use of comedy in exploring American Indians' tragic past, her intentions underlying the process of revision in Love Medicine, and other subjects. 

Including a variety of theoretical approaches, this book provides a comprehensive examination of Erdrich's work, making it more accessible to new readers and richer to those already familiar with her work.

 

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cover of The Christian Tradition: A History of the Development of Doctrine, Volume 5: Christian Doctrine and Modern Culture (since 1700)

The Christian Tradition

A History of the Development of Doctrine, Volume 5: Christian Doctrine and Modern Culture (since 1700)

Jaroslav Pelikan

University of Chicago Press, 1989

Jaroslav Pelikan begins this volume with the crisis of orthodoxy that confronted all Christian denominations by the beginning of the eighteenth century and continues through the twentieth century in its particular concerns with ecumenism. The modern period in the history of Christian doctrine, Pelikan demonstrates, may be defined as the time when doctrines that had been assumed more than debated for most of Christian history were themselves called into question: the idea of revelation, the uniqueness of Christ, the authority of Scripture, the expectation of life after death, even the very transcendence of God.

"Knowledge of the immense intellectual effort invested in the construction of the edifice of Christian doctrine by the best minds of each successive generation is worth having. And there can hardly be a more lucid, readable and genial guide to it than this marvellous work."—Economist

"This volume, like the series which it brings to a triumphant conclusion, may be unreservedly recommended as the best one-stop introduction currently available to its subject."—Alister E. McGrath, Times Higher Education Supplement

"Professor Pelikan's series marks a significant departure, and in him we have at last a master teacher."—Marjorie O'Rourke Boyle, Commonweal

"Pelikan's book marks not only the end of a dazzling scholarly effort but the end of an era as well. There is reason to suppose that nothing quite like it will be tried again."—Harvey Cox, Washington Post Book World
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cover of The Church Confronts Modernity

The Church Confronts Modernity

Leslie Woodcock Tentler

Catholic University of America Press, 2007

The Church Confronts Modernity assesses the history of Roman Catholicism since 1950 in the United States, the Republic of Ireland, and the Canadian province of Quebec
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cover of The Church and the Left

The Church and the Left

Adam Michnik

University of Chicago Press, 1992

Writing in The New Republic, Nobel laureate Czeslaw Milosz said of Adam Michnik, "Before his unbending will, which pushes him to pay with his own person every time he encounters injustice. I feel what probably was felt by an average Hindu confronted by the devotion of Gandhi: admiration mixed with incredulity and hope. . . . Michnik is one of those who bring honor to the last two decades of the twentieth century."

Years in advance of the collapse of communism in Eastern Europe, Poland underwent one of the most radical and painful social and political upheavals of our century. Through a wide body of writing and an unswerving political commitment that took him from prison to parliament, Adam Michnik was a central figure in these events—culminating in 1989 with his role in formulating the political deal that brought Solidarity to power. Michnik's writings, most of them smuggled out of prison, have been translated into many languages; but until now, only isolated essays have appeared in English.

In The Church and the Left, Michnik gives full expression to the ideas that have shaped the drama of Poland and of our time. The unlikely alliance of the Catholic Church and the dissident Left is one of the most fascinating and confusing features of the Polish revolutionary movement. No other book better explains the logic of this powerful coalition—or its future implications. In superb discussions of liberalism and nationalism, of secularism and clericalism, Michnik illuminates the unique makeup and direction of Poland's social revolution and, at the same time, offers unparalleled insight into the internal struggles still present in Eastern Europe.

Today, as religious revivals proliferate and secular progress, whether liberal or communist, comes under suspicion, the relationship of religion to politics has become a pressing issue far beyond the boundaries of Poland. As none has done before, Michnik's clear and thoughtful book gives us the means to understand this volatile mix as it has transformed Poland and as it figures in the future we see taking shape.
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cover of The Churches of Christ in the 20th Century: Homer Hailey's Personal Journey of Faith

The Churches of Christ in the 20th Century

Homer Hailey's Personal Journey of Faith

David Edwin Harrell

University of Alabama Press, 2002

The story of one of this country's major religious movements is told through the spiritual odyssey of one of its prominent spokesmen. 

When Homer Hailey sparked controversy within Churches of Christ congregations over his stand on divorce and remarriage, he spoke to a movement already sundered. Historian David Edwin Harrell tells Hailey's story as a means of presenting the larger drama of faith and feuding within those churches.

A nondenominational movement of autonomous congregations, Churches of Christ have been among the fastest-growing religious bodies in the 20th century. Throughout the movement's history, church leaders debated issues ranging from missionary societies to the use of instrumental music in worship. Although some disagreements affected only the ties between congregations, others led to the creation of three distinct groups calling themselves Churches of Christ identified by their sociological and theological positions. 

This book shows how the story of the Churches of Christ is reflected by Homer Hailey, a preacher, educator, and author whose life puts in perspective the personal journeys traveled by members in this century. Writing from the perspective of the non-institutional wing within the movement, Harrell avoids mainstream biases to describe the various dissenting views as fully and fairly as possible.

Combining institutional history and biography, Harrell's book is the first to bring the story of the Churches of Christ to century's end. It provides new insight into how this movement realigned itself and shows how one man's career reflected a century of spiritual growth and change for the church as a whole.


 

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cover of The Cincinnati Human Relations Commission: A History, 1943–2013

The Cincinnati Human Relations Commission

A History, 1943–2013

Phillip J. Obermiller

Ohio University Press, 2018

In the summer of 1943, as World War II raged overseas, the United States also faced internal strife. Earlier that year, Detroit had erupted in a series of race riots that killed dozens and destroyed entire neighborhoods. Across the country, mayors and city councils sought to defuse racial tensions and promote nonviolent solutions to social and economic injustices. In Cincinnati, the result of those efforts was the Mayor’s Friendly Relations Committee, later renamed the Cincinnati Human Relations Commission (CHRC).

The Cincinnati Human Relations Commission: A History, 1943–2013, is a decade-by-decade chronicle of the agency: its accomplishments, challenges, and failures. The purpose of municipal human relations agencies like the CHRC was to give minority groups access to local government through internal advocacy, education, mediation, and persuasion—in clear contrast to the tactics of lawsuits, sit-ins, boycotts, and marches adopted by many external, nongovernmental organizations.

In compiling this history, Phillip J. Obermiller and Thomas E. Wagner have drawn on an extensive base of archival records, reports, speeches, and media sources. In addition, archival and contemporary interviews provide first-person insight into the events and personalities that shaped the agency and the history of civil rights in this midwestern city.

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cover of The Citizens' Council: Organized Resistance to the Second Reconstruction, 1954-64

The Citizens' Council

Organized Resistance to the Second Reconstruction, 1954-64

Neil R. McMillen

University of Illinois Press, 1971

 This in-depth account of the rise
  and decline of the Citizens' Councils of America details the organization's
  role in the massive resistance to school desegregation in the South following
  the 1954 Brown vs. Board of Education decision. Included are a new preface and
  updated bibliography.
 "A tour de force of research and
  narration. . . in highly readable style. [McMillen] . . . seems to have read
  everything the historical record has to offer on the subject and to have known
  exactly what to make of it. . . Himself squarely on the side of the future,
  he is sensitive to the anguish that prompted the hysteria of the misguided racist. . . .
  By any test, a masterful study." -- Journal of Southern History
 "Takes seriously the people who
  made the movement, when ridicule and caricature would have been an easier analytical
  technique. Solidly researched and well written. . . an intriguing story." --
  Augustus M. Burns, Social Studies
 
 
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cover of The City

The City

Robert E. Park and Ernest W. Burgess

University of Chicago Press, 2019

First published in 1925, The City is a trailblazing text in urban history, urban sociology, and urban studies. Its innovative combination of ethnographic observation and social science theory epitomized the Chicago school of sociology. Robert E. Park, Ernest W. Burgess, and their collaborators were among the first to document the interplay between urban individuals and larger social structures and institutions, seeking patterns within the city’s riot of people, events, and influences. As sociologist Robert J. Sampson notes in his new foreword, though much has changed since The City was first published, we can still benefit from its charge to explain where and why individuals and social groups live as they do.
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cover of The City

The City

Robert E. Park and Ernest W. Burgess

University of Chicago Press, 2019

This is an auto-narrated audiobook version of this book. 

First published in 1925, The City is a trailblazing text in urban history, urban sociology, and urban studies. Its innovative combination of ethnographic observation and social science theory epitomized the Chicago school of sociology. Robert E. Park, Ernest W. Burgess, and their collaborators were among the first to document the interplay between urban individuals and larger social structures and institutions, seeking patterns within the city’s riot of people, events, and influences. As sociologist Robert J. Sampson notes in his new foreword, though much has changed since The City was first published, we can still benefit from its charge to explain where and why individuals and social groups live as they do.
[more]
cover of The City Creative: The Rise of Urban Placemaking in Contemporary America

The City Creative

The Rise of Urban Placemaking in Contemporary America

Michael H. Carriere and David Schalliol

University of Chicago Press, 2021

In the wake of the Great Recession, American cities from Philadelphia to San Diego saw an upsurge in hyperlocal placemaking—small-scale interventions aimed at encouraging greater equity and community engagement in growth and renewal. But the projects that were the most successful at achieving these lofty ambitions weren’t usually established by politicians, urban planners, or real estate developers; they were initiated by community activists, artists, and neighbors. In order to figure out why, The City Creative mounts a comprehensive study of placemaking in urban America, tracing its intellectual history and contrasting it with the efforts of people making positive change in their communities today.
​
Spanning the 1950s to the post-recession 2010s, The City Creative highlights the roles of such prominent individuals and organizations as Jane Jacobs, Christopher Alexander, Richard Sennett, Project for Public Spaces, and the National Endowment for the Arts in the development of urban placemaking, both in the abstract and on the ground. But that’s only half the story. Bringing the narrative to the present, Michael H. Carriere and David Schalliol also detail placemaking interventions at more than 200 sites in more than 40 cities, combining archival research, interviews, participant observation, and Schalliol’s powerful documentary photography. Carriere and Schalliol find that while these formal and informal placemaking interventions can bridge local community development and regional economic plans, more often than not, they push the boundaries of mainstream placemaking. Rather than simply stressing sociability or market-driven economic development, these initiatives offer an alternative model of community-led progress with the potential to redistribute valuable resources while producing tangible and intangible benefits for their communities. The City Creative provides a kaleidoscopic overview of how these initiatives grow, and sometimes collapse, illustrating the centrality of placemaking in the evolution of the American city and how it can be reoriented to meet demands for a more equitable future.
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cover of The City at Its Limits: Taboo, Transgression, and Urban Renewal in Lima

The City at Its Limits

Taboo, Transgression, and Urban Renewal in Lima

Daniella Gandolfo

University of Chicago Press, 2009

In 1996, against the backdrop of Alberto Fujimori’s increasingly corrupt national politics, an older woman in Lima, Peru—part of a group of women street sweepers protesting the privatization of the city’s cleaning services—stripped to the waist in full view of the crowd that surrounded her. Lima had just launched a campaign to revitalize its historic districts, and this shockingly transgressive act was just one of a series of events that challenged the norms of order, cleanliness, and beauty that the renewal effort promoted. The City at Its Limits employs a novel and fluid interweaving of essays and field diary entries as Daniella Gandolfo analyzes the ramifications of this act within the city’s conflicted history and across its class divisions. She builds on the work of Georges Bataille to explore the relation between taboo and transgression, while Peruvian novelist and anthropologist José María Arguedas’s writings inspire her to reflect on her return to her native city in movingly intimate detail. With its multiple perspectives—personal, sociological, historical, and theoretical—The City at Its Limits is a pioneering work on the cutting edge of ethnography.
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cover of The City of Refuge [New and Expanded Edition]: The Collected Stories of Rudolph Fisher

The City of Refuge [New and Expanded Edition]

The Collected Stories of Rudolph Fisher

Rudolph Fisher, Edited & Intro by John McCluskey, Jr.

University of Missouri Press, 2008

One of the premier writers of the Harlem Renaissance, Rudolph Fisher wrote short stories depicting the multifaceted black urban experience that are still acclaimed today for their humor, grace, and objective view of Harlem life. Through his words, wrote the New York Times Book Review, “one feels, smells, and tastes his Harlem; its people come alive and one cares about them.”

A definitive collection of Fisher’s short stories, The City of Refuge offers vibrant tales that deal with the problems faced by newcomers to the city, ancestor figures who struggle to instill a sense of integrity in the young, problems of violence and vengeance, and tensions of caste and class. This anthology has now been expanded to include seven previously unpublished stories that take up such themes as marital infidelity and passing for black and also relate the further adventures of Jinx and Bubber, the comic duo who appeared in Fisher’s two novels.

This new edition also includes two unpublished speeches and the popular article “The Caucasian Storms Harlem,” describing the craze for black music and dance. John McCluskey’s introduction has been updated to place the additional works within the context of Fisher’s career while situating his oeuvre within the broader context of American writing during the twenties.

Fisher recognized the dramatic and comic power in African American folklore and music and frequented Harlem’s many cabarets, speakeasies, and nightclubs, and at the core of his work is a strong regard for music as context and counterpoint. The City of Refuge now better captures the sounds of the city experience by presenting all of Fisher’s known stories. It offers a portrait of Harlem unmatched in depth and range by Fisher’s contemporaries or successors, celebrating, as Booklist noted, “the complexity of black urban life in its encounter with the dangers and delights of the city.” This expanded edition adds new perspectives to that experience and will enhance Fisher’s status for a new generation of readers.
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cover of The Civil Rights Lobby: The Leadership Conference on Civil Rights and the Second Reconstruction

The Civil Rights Lobby

The Leadership Conference on Civil Rights and the Second Reconstruction

Shamira Gelbman

Temple University Press, 2021

As the lobbying arm of the civil rights movement, the Leadership Conference on Civil Rights (LCCR)—which has operated since the early 1950s—was instrumental in the historic legislative breakthroughs of the Second Reconstruction. The Civil Rights Lobby skillfully recounts the LCCR’s professional and grassroots lobbying that contributed to these signature civil rights policy achievements in the 1950s and ’60s.

Shamira Gelbman explains how the diversity of this interest group coalition both hindered and enabled lobbyists to generate broad-based support for reforms that often seemed risky to legislators. They coordinated their efforts by identifying common ground among member organizations, developing coalitional positions on substantive and strategic questions, and exhorting organizations to mobilize professional and grassroots lobbying resources accordingly. The result was to “speak with one booming voice” to ultimately help secure the passage of the Civil Rights Act of 1964. 

The Civil Rights Lobby concludes by reprising key lessons from the LCCR’s organizational development and participation in civil rights policymaking. Gelbman suggests new directions for research on interest group coalitions and explores how the Leadership Conference’s experience sheds light on the politics of the Second Reconstruction.

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cover of The Civilian Conservation Corps In Arizona's Rim Country: Working In The Woods

The Civilian Conservation Corps In Arizona's Rim Country

Working In The Woods

Robert J. Moore

University of Nevada Press, 2006

Part of the massive relief effort of Roosevelt’s New Deal, the CCC was created in 1933 to give young men an opportunity to work and make money to help families devastated by the Great Depression, and to participate in forest and conservation projects across the country. In Arizona, thousands of young men, many of them from the industrial Northeast, served in the state’s CCC forest camps. Arizona’s Mogollon Rim is a spectacular expanse of cliffs that slices through half the state, stretching from Sedona eastward to New Mexico. Along with the White Mountains, it includes the largest contiguous forest of ponderosa pine in America. Remote and little-visited in the 1930s, the Rim Country offered copious outlets for the CCC men’s energies: building roads, public campsites, hiking trails, fire lookout towers, and administration buildings; fighting fires; controlling erosion; eliminating vermin; and restoring damaged soils. The CCC enrollees were also given an opportunity to continue interrupted educations, learn useful skills and self-discipline, participate in sports and other leisure activities, and meet local residents. Author Robert J. Moore interviewed a number of CCC veterans who served in the Rim Country, and their stories are part of this book. So too are photographs—many of them from veterans’ personal collections—of Rim Country camps and workers, and such ephemera as camp newspapers. This is an engrossing account of several thousand young men who came to Arizona to escape the misery of the Great Depression, whose work in the woods changed the state, and who in the process were themselves changed. Here is the human face of Arizona’s CCC, the men’s experiences, their work, and their lasting impact on the forests of the Rim Country.

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cover of The Civilian Conservation Corps in Alabama, 1933–1942: A Great and Lasting Good

The Civilian Conservation Corps in Alabama, 1933–1942

A Great and Lasting Good

Robert Pasquill Jr.

University of Alabama Press, 2008

The Civilian Conservation Corps was one of the better known and most successful of the New Deal programs following the Great Depression.  The causes of the Great Depression have been addressed and debated from a variety of perspectives through the years.  However, the effects explained in terms of human suffering leave little room for debate. By March of 1933, there were more than 13.6 million unemployed, and more than 200,000 of them were wandering the country looking for work. Homes and families were fractured.  President Roosevelt proposed to put 500,000 unemployed men from cities and towns into the woods to plant trees, reduce fire hazards, clear streams, check erosion, and improve the park system all across America.  With unprecedented speed, national legislation was written, passed, and funded, creating a myriad of programs—referred to as alphabet projects—in hopes of generating useful work and necessary paychecks and creating a “great and lasting good” for the American public.

CCC projects in Alabama would initially employ 20,000 men with projects in all 13 state forests and seven state parks.  This volume traces in great detail the work projects, the camp living conditions, the daily lives of the enrollees, the administration and management challenges, and the lasting effects of this Neal Deal program in Alabama.  Through archives, government documents, and more than 125 interviews with former enrollees of the CCC, Pasquill has recounted the CCC program in Alabama and brought this humanitarian program to life in the Alabama countryside. It was a truly monumental win-win situation emerging from a national and international economic tragedy.

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cover of The Civilian Conservation Corps in Nevada: From Boys to Men

The Civilian Conservation Corps in Nevada

From Boys to Men

Renée Corona Kolvet

University of Nevada Press, 2015

The Great Depression of the 1930s had a devastating impact on sparsely populated Nevada and its two major industries, mining and agriculture. Luckily, thanks to Nevada’s powerful Senate delegation, Roosevelt’s New Deal funding flowed abundantly into the state. Among the programs thus supported was the Civilian Conservation Corps, a federal program intended to provide jobs for unemployed young men and a pool of labor for essential public lands rehabilitation projects. In all, nearly thirty-one thousand men were employed in fifty-nine CCC camps across Nevada, most of them from outside the state. These “boys,” as they were called, went to work improving the state’s forests, parks, wildlife habitats, roads, fences, irrigation systems, flood-control systems, and rangelands, while learning valuable skills on the job. Rural communities near CCC camps reaped additional benefits when local men were hired as foremen and when the camps purchased supplies from local merchants.
 
The Civilian Conservation Corps in Nevada is the first comprehensive history of the Nevada CCC, a program designed to help the nation get back on its feet, and of the “boys” who did so much to restore Nevada’s lands and resources. The book is based on extensive research in private manuscript collections, unpublished memoirs, CCC inspectors’ reports, and other records. The book also includes period photographs depicting the Nevada CCC and its activities.
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cover of The Civilian Conservation Corps in Southern Illinois, 1933-1942

The Civilian Conservation Corps in Southern Illinois, 1933-1942

Kay Rippelmeyer

Southern Illinois University Press, 2015

Drawing on more than thirty years of meticulous research, Kay Rippelmeyer details the Depression-era history of the simultaneous creation of the Civilian Conservation Corps (CCC) and the Shawnee National Forest in southern Illinois. Through the stories of the men who worked in CCC camps devoted to soil and forest conservation projects, she offers a fascinating look into an era of utmost significance to the identity, citizens, wildlife, and natural landscape of the region.

Rippelmeyer outlines the geologic and geographic history of southern Illinois, from Native American uses of the land to the timber industry’s decimation of the forest by the 1920s. Detailing both the economic hardships and agricultural land abuse plaguing the region during the Depression, she reveals how the creation of the CCC under Franklin Delano Roosevelt coincided with the regional campaign for a national forest and how locals first became aware of and involved with the program.

Rippelmeyer mined CCC camp records from the National Archives, newspaper accounts and other correspondence and conducted dozens of oral interviews with workers and their families to re-create life in the camps. An extensive camp compendium augments the volume, featuring numerous photographs, camp locations and dates of operation, work history, and company rosters. Satisfying public curiosity and the need for factual information about the camps in southern Illinois, this is an essential contribution to regional history and a window to the national impact of the CCC.

[more]
cover of The Civilian Conservation Corps in Utah: Remembering Nine Years of Achievement, 1933-1942

The Civilian Conservation Corps in Utah

Remembering Nine Years of Achievement, 1933-1942

Kenneth W. Baldridge

University of Utah Press, 2018


Copublished with the Utah State Historical Society. Affiliated with the Utah Division of State History, Utah Department of Heritage & Arts

“There was a certain magic about sending young men into the woods. It was not so much man against nature as it was man in league with nature against the economic troubles that were then stalking the land.”—from the book
 
In 1932, unemployment in Utah was about 34 percent. Nearly every state west of the Mississippi River was struggling not only with unemployment but also with drought, erosion, and overgrazing. To solve these serious difficulties, President Franklin D. Roosevelt launched what would become arguably the most popular of his New Deal programs—the Civilian Conservation Corps (CCC). From 1933 to 1942, the CCC employed three million young men on land-improvement projects that are still used today.
     In this book, Kenneth Baldridge chronicles the work of the 10,000 men who served at Utah’s 116 CCC camps. With facts and anecdotes drawn from camp newspapers, government files, interviews, letters written by enrollees, and other sources, he situates the CCC within the political climate and details not only the projects but also the day-to-day aspects of camp life. For thirty dollars a month—of which twenty-five was sent home to their folks—these young recruits planted trees; built roads, bridges, dams, and trails; fought fires; battled pests and noxious weeds; and erected cabins, campgrounds, amphitheaters, and reservoirs, and more.
     Today the CCC is credited with creating greater public awareness and appreciation of the outdoors. It has also served as a model for the Student Conservation Corps and other youth programs. This volume documents the public good created by the CCC, provides an extensive bibliography, and is illustrated with numerous historic and modern photos.
[more]
cover of The Civilian Conservation Corps in Wisconsin: Nature’s Army at Work

The Civilian Conservation Corps in Wisconsin

Nature’s Army at Work

Jerry Apps

Wisconsin Historical Society Press, 2019

Between 1933 and 1942, the Civilian Conservation Corps, a popular New Deal relief program, was at work across America. During the Great Depression, young men lived in rustic CCC camps planting trees, cutting trails, and reversing the effects of soil erosion. In his latest book, acclaimed environmental writer Jerry Apps presents the first comprehensive history of the CCC in Wisconsin. Apps guides readers around the state, from the Northwoods to the Driftless Area, creating a map of where and how more than 125 CCC camps left indelible marks on the landscape. Captured in rich detail as well are the voices of the CCC boys who by preserving Wisconsin’s natural beauty not only discovered purpose in their labor, but founded an enduring legacy of environmental stewardship. 



 

 
[more]
cover of The Clifton-Morenci Strike: Labor Difficulty in Arizona, 1915–1916

The Clifton-Morenci Strike

Labor Difficulty in Arizona, 1915–1916

James R. Kluger

University of Arizona Press, 1970

The strike that paralyzed the mining camps of Clifton and Morenci during 1915–16 and gained nationwide attention was one of the most remarkable that ever occurred in the West. During an era when physical violence, death, and property destruction were almost accepted elements of Western labor difficulties, this walkout was peaceful. With few exceptions, law and order continually predominated. This, then, is the seldom-seen side, a positive side, to a state's labor history.

Coming at a time when western labor was purging itself of radicalism and recharting its goals, the Clifton-Morenci strike may well have been that "milestone" in organized labor's groping for recognition in the West. Violence did not erupt- this notable absence of bloodshed thereby making the strike unique in that time of industrial turbulence.

Kluger's answer to the question of why and how peace prevailed is significant reading. Strikers and managers hurled charges at each other, but both sides showed restraint when it came to action. When negotiations reached an impasse, Gov. George W. P. Hunt moved to prevent the managers from importing strike-breakers. At the same time, the Department of Labor entered the situation, and the rise in copper prices and loss of wages made a settlement desirable for both sides.

When the mine whistles blew on January 26, 1916, to signal the end of the strike, the repercussions of the events of 1915 were still to be felt. Author Kluger traces how the strike affected working conditions, wages, and the cause of unionism in the district. Overall, he provides insight into feelings concerning the fears of management regarding unionism, and labor's manner of making itself heard during these years.

Western historians, labor historians, and all those concerned with labor relations will recognize the importance of this highly readable work.
[more]
cover of The Clinton Wars: The Constitution, Congress, and War Powers

The Clinton Wars

The Constitution, Congress, and War Powers

Ryan C. Hendrickson

Vanderbilt University Press, 2002

Today the United States is fighting a "war" against terrorism, a military action whose definition will be a matter of controversy, particularly, if history is any guide, between Congress and the president. Throughout its history, the United States has grappled with the constitutional tension built into the conduct of its foreign affairs and the interpretation of the power to make war and use force abroad. Since the Cold War's end, the United States has had to navigate through a period of strategic ambiguity, where American national security interests are much less certain.

Ryan Hendrickson examines the behavior of the Clinton administration and Congress in dealing with the range of American military operations that occurred during the Clinton presidency. He uses a case-study approach, laying out the foreign background and domestic political controversies in separate chapters on Somalia, Haiti, Bosnia, Kosovo, and Iraq. Of special interest after the World Trade Center attacks is the chapter "Terrorism: Usama Bin Laden."

The author analyzes a number of factors that influence the domestic decision-making process. We see the president relying on congressional consultation and approval during periods of political or personal weakness, and, conversely, in better times we see a president with a freer hand. Also influential is the ability of the public to comprehend and support the reasons for a particular action, with troops in Bosnia requiring more explanation than cruise missiles over Baghdad. Consideration is given to the relevance and effectiveness of the War Powers Resolution of 1973, a Watergate-era attempt by Congress to restore what it perceived to be its legitimate constitutional role in the decision to use force abroad.

[more]
cover of The Coit Tower Murals: New Deal Art and Political Controversy in San Francisco

The Coit Tower Murals

New Deal Art and Political Controversy in San Francisco

Robert W. Cherny

University of Illinois Press, 2024

Created in 1934, the Coit Tower murals were sponsored by the Public Works of Art Project (PWAP), the first of the New Deal art programs. Twenty-five master artists and their assistants worked there, most of them in buon fresco, Nearly all of them drew upon the palette and style of Diego Rivera. The project boosted the careers of Victor Arnautoff, Lucien Labaudt, Bernard Zakheim, and others, but Communist symbols in a few murals sparked the first of many national controversies over New Deal art.

Sixty full-color photographs illustrate Robert Cherny’s history of the murals from their conception and completion through their evolution into a beloved San Francisco landmark. Cherny traces and critiques the treatment of the murals by art critics and historians. He also probes the legacies of Coit Tower and the PWAP before surveying San Francisco’s recent controversies over New Deal murals.

An engaging account of an artistic landmark, The Coit Tower Murals tells the full story behind a public art masterpiece.

[more]
cover of The Collaborative Artist's Book: Evolving Ideas in Contemporary Poetry and Art

The Collaborative Artist's Book

Evolving Ideas in Contemporary Poetry and Art

Alexandra J. Gold

University of Iowa Press, 2023

35th Modern Language Association Prize for Contingent Faculty and Independent Scholars, Honorable Mention

The Collaborative Artist’s Book offers a rare glimpse into collaborations between poets and painters from 1945 to the present, and highlights how the artist’s book became a critical form for experimental American artists in the twentieth and twenty-first centuries. Alexandra Gold provides a broad overview of the artist’s book form and the many ongoing debates and challenges, from the disciplinary to the institutional, that these forms continue to pose.

Gold presents five case studies and details not only how each individual collaboration came to be but how all five together engage and challenge conventional ideals about art, subjectivity, poetry, and interpersonal relations, as well as complex social questions related to gender and race. Taking several of these books out of special collections libraries and museum archives and making them available to a broad readership, Gold brings to light a whole genre that has been largely forgotten or neglected.
 
[more]
cover of The Collaborator: The Trial and Execution of Robert Brasillach

The Collaborator

The Trial and Execution of Robert Brasillach

Alice Kaplan

University of Chicago Press, 2000

On February 6, 1945, Robert Brasillach was executed for treason by a French firing squad. He was a writer of some distinction—a prolific novelist and a keen literary critic. He was also a dedicated anti-Semite, an acerbic opponent of French democracy, and editor in chief of the fascist weekly Je Suis Partout, in whose pages he regularly printed wartime denunciations of Jews and resistance activists.

Was Brasillach in fact guilty of treason? Was he condemned for his denunciations of the resistance, or singled out as a suspected homosexual? Was it right that he was executed when others, who were directly responsible for the murder of thousands, were set free? Kaplan's meticulous reconstruction of Brasillach's life and trial skirts none of these ethical subtleties: a detective story, a cautionary tale, and a meditation on the disturbing workings of justice and memory, The Collaborator will stand as the definitive account of Brasillach's crime and punishment.

A National Book Award Finalist

A National Book Critics Circle Award Finalist

"A well-researched and vivid account."—John Weightman, New York Review of Books

"A gripping reconstruction of [Brasillach's] trial."—The New Yorker

"Readers of this disturbing book will want to find moral touchstones of their own. They're going to need them. This is one of the few works on Nazism that forces us to experience how complex the situation really was, and answers won't come easily."—Daniel Blue, San Francisco Chronicle Book Review

"The Collaborator is one of the best-written, most absorbing pieces of literary history in years."—David A. Bell, New York Times Book Review

"Alice Kaplan's clear-headed study of the case of Robert Brasillach in France has a good deal of current-day relevance. . . . Kaplan's fine book . . . shows that the passage of time illuminates different understandings, and she leaves it to us to reflect on which understanding is better."—Richard Bernstein, The New York Times
[more]
cover of The Collected Works of William Howard Taft, Volume I: Four Aspects of Civic Duty and Present Day Problems

The Collected Works of William Howard Taft, Volume I

Four Aspects of Civic Duty and Present Day Problems

David H. Burton

Ohio University Press, 2001

The inaugural volume of The Collected Works of William Howard Taft is composed of two of his earliest books, Four Aspects of Civic Duty and Present Day Problems. Based on a series of lectures delivered at Yale in 1906, Four Aspects of Civic Duty is an attempt by then Secretary of War Taft to bring to the attention of his audience the importance of civic duty from the perspective of the university graduate, the judge on the bench, the colonial administrator, and the national executive branch of government. His remarks were drawn from his own experience, while at the same time he laid down the principles of citizenship with which all people could identify. In Present Day Problems, William Howard Taft demonstrates the depth of his knowledge and the seriousness of his reflections on a wide range of topics including Sino-American relations and the ongoing contest between capital and labor in America’s increasingly industrial socioeconomy. The problems he takes up are met head-on and discussed in a fashion likely to persuade his audience that he is well prepared to tackle the burdens of the presidency.

The Collected Works of William Howard Taft, in eight volumes, will include Taft’s complete published works as well as his presidential and state addresses and selected court opinions from his days as chief justice of the Supreme Court.

[more]
cover of The Collected Works of William Howard Taft, Volume II: Political Issues and Outlooks: Speeches Delivered Between August 1908 and February 1909

The Collected Works of William Howard Taft, Volume II

Political Issues and Outlooks: Speeches Delivered Between August 1908 and February 1909

David H. Burton

Ohio University Press, 2001

The second volume of The Collected Works of William Howard Taft is dedicated to the speeches and writings that displayed his thinking in the autumn of 1908 and the following winter.

At this time he was campaigning for the presidency against the well-known William Jennings Bryan, and in Taft’s writings is evidence of the contrast in style between Taft and Bryan and between Taft and his predecessor, Teddy Roosevelt. as well. Although uncomfortable with campaigning, he thoughtfully addresses the concerns of the day that framed the election, including race, the Philippines, and socialism.

Political Issues and Outlooks also contains speeches made after the election and leading up to his inauguration as the twenty-seventh president of the United States. Introduced by a commentary from the general series editor Professor David H. Burton, the second volume of The Collected Works of William Howard Taft is a revealing look at the machinations of United States politics at the beginning of the twentieth century and a glimpse into the mind of one of the century’s most influential political architects.

[more]
cover of The Collected Works of William Howard Taft, Volume III: Presidential Addresses and State Papers

The Collected Works of William Howard Taft, Volume III

Presidential Addresses and State Papers

David H. Burton

Ohio University Press, 2001

The third volume of The Collected Works of William Howard Taft imparts an appreciation of the range of the twenty-seventh president’s interests. Beginning with his inaugural address and concluding with a detailed exposition of governmental expenses and needed economies, President William Howard Taft showed himself willing to tackle the routine as well as the rarified responsibilities of executive rule.

Whether he was addressing the issue of strikes and labor unions or conservation, President Taft consistently demonstrated that, in word and action, he was prepared to be a modern president. What impresses the reader of these remarks is Taft’s willingness to administer to virtually every part of the nation, thereby proving that he was not a mere figurehead but a chief executive truly concerned about problems across the country. Perhaps, as his words here indicate, Taft was not a good politician after all but a kind man who saw himself as president of all the people. As the first of two volumes directly related to Taft’s tenure as president, Presidential Addresses and State Papers documents a pivotal time in the public life of this man from Ohio. Introduced by a commentary from the general series editor Professor David H. Burton, the third volume of The Collected Works of William Howard Taft underscores the presidential stature of William Howard Taft.

[more]
cover of The Collected Works of William Howard Taft, Volume IV: Presidential Messages to Congress

The Collected Works of William Howard Taft, Volume IV

Presidential Messages to Congress

David H. Burton

Ohio University Press, 2002

“A time when panics seem far removed is the best time to prepare our financial system to withstand a storm. The most crying need this country has is a proper banking and currency system. The existing one is inadequate, and everyone who has studied the question admits it.”—William Howard Taft

The interaction between President William Howard Taft and the Congress provides a window on his leadership. Volume IV of The Collected Works of William Howard Taft is devoted to his messages to the legislative branch and concerns some of the pressing issues of the day, issues that have relevance still.

Oftentimes President Taft was at odds with a somewhat reactionary Congress, causing him to veto legislation that he thought unwise. For example, his commitment to the independence of elected judges led him to reject statehood for Arizona until its constitution was altered to address his objection.

His messages also touched on subjects for which he led the way over the objections of Congress, such as his recommendation of a federal law to protect resident aliens against denial of their civil rights and his advocacy of free trade with Canada.

In his commentary to the volume, Professor Burton points out: “There is exhibited time after time concern for the American people, for men and women from different walks of life. Taft comes across less as a judge, which he had been, or the chief justice he was to become, and more as a sitting president of all the people.”

Taft’s Presidential Messages to Congress provides the documentary evidence to support that claim.

[more]
cover of The Collected Works of William Howard Taft, Volume V: Popular Government and The Anti-trust Act and the Supreme Court

The Collected Works of William Howard Taft, Volume V

Popular Government and The Anti-trust Act and the Supreme Court

David H. Burton

Ohio University Press, 2003

The fifth volume of The Complete Works of William Howard Taft presents two publications Taft wrote as Kent Professor of Constitutional Law at Yale University, the position he assumed in 1913 after he was defeated in his bid for re-election as U.S. president. The first, Popular Government, was prepared for a series of lectures, but was motivated by Taft’s passion over the issue of constitutional interpretation, which had been hotly contested during the campaign. Organized around the preamble of the Constitution, the lectures and later the book were opportunities for Taft to restate his opposition to the direct democracy movement and to reveal the workings of a conservative mind.

In the second, The Anti-trust Act and the Supreme Court, Taft articulates his position in the ongoing debate over the conventional nineteenth-century notion of “laissez faire” and the provisions of the Sherman Antitrust Act. Taft had pursued a policy of vigorous antitrust enforcement during his presidency. In this book he intended to demonstrate that restraint of trade was part of the common law, thereby arguing to good effect in favor of reasonable restraint of trade in his own time.

Taft's careful distinction between predatory monopolistic practices and the reasonable business practices of well-behaved corporations continues to inform today's chambers of government.

[more]
cover of The Collected Works of William Howard Taft, Volume VI: The President and His Powers and The United States and Peace

The Collected Works of William Howard Taft, Volume VI

The President and His Powers and The United States and Peace

David H. Burton

Ohio University Press, 2003

Volume VI of The Collected Works of William Howard Taft follows the career of William Howard Taft upon his leaving the White House. It consists of two short publications from 1914 and 1915.

The first, The President and His Powers, is based on a series of lectures delivered at Columbia University and draws on Taft’s experience in the presidency and the executive branch. It speaks particularly to the nature of executive power and its place in the American system and is rooted in his disagreement with Theodore Roosevelt regarding presidential power. Taft believed all presidential power must be traced to some specific grant of power or be necessary to its exercise, while Roosevelt saw the presidency as a position of “steward of the people” limited only by some express provision of the Constitution.

The second, The United States and Peace, reflects Taft’s interest in foreign policy, which was intensified by his years as governor of the Philippines and as secretary of war, as well as by his presidency. Originally four lectures delivered in 1914, The United States and Peace discusses the Monroe Doctrine, the threat to peace presented by incidents of violence to foreigners in the United States, the maintenance of peace through international arbitration, and the trend toward federation in international affairs. Taft hoped to see the latter result in the establishment of an independent judiciary to resolve international disputes.

Taft’s reasoned arguments, supplemented by the commentaries of Professors McWilliams and Gerrity, will stimulate interest among historians, lawmakers, political activists, and the general public.

[more]
cover of The Collected Works of William Howard Taft, Volume VII: Taft Papers on League of Nations

The Collected Works of William Howard Taft, Volume VII

Taft Papers on League of Nations

Frank X. Gerrity

Ohio University Press, 2003

Eager to turn the congressional election of 1918 into a confirmation of his foreign policy, President Woodrow Wilson was criticized for abandoning the spirit of the popular slogan “Politics adjourned!”

His predecessor, William Howard Taft, found Wilson difficult to deal with and took issue with his version of the League of Nations, which Taft felt was inferior to the model proposed by the League to Enforce Peace. Rather than join the massive Republican opposition to the Treaty of Versailles, however, Taft instead supported Wilson’s controversial decision to travel to Paris as the head of the American peace delegation, and he defended the critical tenth article in the covenant, which detractors saw as a surrender of American sovereignty. He also counseled Wilson to insert a clause concerning the Monroe Doctrine that would pacify the Senate’s group of “reservationists,” whose votes were essential to approval of the treaty.

Volume VII in The Collected Works of William Howard Taft consists of the Taft Papers on League of Nations originally published in 1920. This is a collection ofTaft’s speeches, newspaper articles, and complementary documents that reflect his consistent support for a league of nations and, eventually, for the Covenant of the League of Nations emanating from the Paris Peace Conference.

Although the failure of the treaty and its League of Nations can probably be laid at the feet of an obstinate Wilson and a wily Henry Cabot Lodge, William Howard Taft can be credited with rising above partisanship to emerge as the League’s most consistent supporter.

As in the rest of the Collected Works, Taft Papers on League of Nations provides a window on the machinations surrounding some of the most significant decisions of the era.

[more]
cover of The Collected Works of William Howard Taft, Volume VIII: “Liberty under Law” and Selected Supreme Court Opinions

The Collected Works of William Howard Taft, Volume VIII

“Liberty under Law” and Selected Supreme Court Opinions

Francis Graham Lee

Ohio University Press, 2004

William Howard Taft’s presidency (1909-1913), succeeding Theodore Roosevelt’s, was mired in bitter partisan fighting, and Taft sometimes blundered politically. However, this son of Cincinnati assumed his true calling when President Warren G. Harding appointed him to the U.S. Supreme Court in 1921. Taft remains the only person to have served both as president of the United States and as chief justice of the Supreme Court.

The Collected Works of William Howard Taft, Volume VIII, consists of “Liberty under Law” and selected Supreme Court opinions, among the most instructive accomplishments of Taft’s ten years at the helm of the court. The writings reveal the sober judgments of a federalist who viewed state regulation with suspicion, championed national government, and saw an independent and powerful judiciary as the bulwark protecting the “vested rights” that the framers of the U.S. Constitution sought to guarantee.

Whatever his failings as a politician, Taft was an intellectual powerhouse who knew how to use the law as a lever to encourage society to move toward more stable and productive ends. Although Taft is considered an average president at best, historians and political scientists rank him among fifteen “near greats” who have served on the high court. His ability and his love for the law shine through in Volume VIII, the concluding volume of The Collected Works of William Howard Taft. As Taft reportedly said to President Harding upon his appointment as chief justice, “I love judges and I love courts. They are my ideals on earth of what we shall meet afterward in heaven under a just God.”

[more]
cover of The Collected Writings of Zelda Fitzgerald

The Collected Writings of Zelda Fitzgerald

Zelda Fitzgerald

University of Alabama Press, 1997

The voice behind the legend—Zelda Fitzgerald in her own words.

Zelda Sayre Fitzgerald has long been perceived as the tragic "other half" of the Scott and Zelda legend. Born in Montgomery, Alabama, the high-spirited tomboy turned flapper was talented in dance, painting, and writing but lived in the shadow of her husband's success. Her writing can be experienced on its own terms in Matthew Bruccoli's meticulously edited The Collected Writings of Zelda Fitzgerald.

The collection includes Zelda's only published novel, Save Me the Waltz, an autobiographical account of the Fitzgeralds' adventures in Paris and on the Riviera; her celebrated farce, Scandalabra; eleven short stories; twelve articles; and a selection of letters to her husband, written over the span of their marriage, that reveals the couple's loving and turbulent relationship.

Zelda Sayre Fitzgerald has long been an American cultural icon. The Collected Writings affirms her place as a writer and as a symbol not only of the Lost Generation but of all generations as she struggled to define herself through her art.



 

[more]
cover of The Collectivization of Agriculture in Communist Eastern Europe: Comparison and Entanglements

The Collectivization of Agriculture in Communist Eastern Europe

Comparison and Entanglements

Constantin Iordachi

Central European University Press, 2014

This book explores the interrelated campaigns of agricultural collectivization in the USSR and in the communist dictatorships established in Soviet-dominated Eastern Europe. Despite the profound, long-term societal impact of collectivization, the subject has remained relatively underresearched. The volume combines detailed studies of collectivization in individual Eastern European states with issueoriented comparative perspectives at regional level. Based on novel primarysources, it proposes a reappraisal of the theoretical underpinnings and research agenda of studies on collectivization in Eastern Europe.The contributions provide up-to-date overviews of recent research in the field and promote new approaches to the topic, combining historical comparisons with studies of transnational transfers and entanglements.
[more]
cover of The Colombian Novel, 1844-1987

The Colombian Novel, 1844-1987

By Raymond Leslie Williams

University of Texas Press, 1991

Novels such as One Hundred Years of Solitude have awakened English-language readers to the existence of Colombian literature in recent years, but Colombia has a well-established literary tradition that far predates the Latin American "boom." In this pathfinding study, Raymond Leslie Williams provides an overview of seventeen major authors and more than one hundred works spanning the years 1844 to 1987.

After an introductory discussion of Colombian regionalism and novelistic development, Williams considers the novels produced in Colombia's four semi-autonomous regions. The Interior Highland Region is represented by novels ranging from Eugenio Díaz' Manuela to Eduardo Caballero Calderón's El buen salvaje. The Costa Region is represented by Juan José Nieto's Ingermina to Alvaro Cepeda Samudio's La casa grande and Gabriel García Márquez' Cien años de soledad; the Greater Antioquian Region by Tomás Carrasquilla's Frutos de mi tierra to Manuel Mejía Vallejo's El día señalado; and the Greater Cauca Region by Jorge Isaacs' Maria to Gustavo Alvarez Gardeazábal's El bazar de los idiotas. A discussion of the modern and postmodern novel concludes the study, with special consideration given to the works of García Márquez and Moreno-Durán.

Written in a style accessible to a wide audience, The Colombian Novel will be a foundational work for all students of Colombian culture and Latin American literature.

[more]
cover of The Color Black: Enslavement and Erasure in Iran

The Color Black

Enslavement and Erasure in Iran

Beeta Baghoolizadeh

Duke University Press, 2024

In The Color Black, Beeta Baghoolizadeh traces the twin processes of enslavement and erasure of Black people in Iran during the nineteenth and twentieth centuries. She illustrates how geopolitical changes and technological advancements in the nineteenth century made enslaved East Africans uniquely visible in their servitude in wealthy and elite Iranian households. During this time, Blackness, Africanness, and enslavement became intertwined—and interchangeable—in Iranian imaginations. After the end of slavery in 1929, the implementation of abolition involved an active process of erasure on a national scale, such that a collective amnesia regarding slavery and racism persists today. The erasure of enslavement resulted in the erasure of Black Iranians as well. Baghoolizadeh draws on photographs, architecture, theater, circus acts, newspapers, films, and more to document how the politics of visibility framed discussions around enslavement and abolition during the nineteenth and twentieth centuries. In this way, Baghoolizadeh makes visible the people and histories that were erased from Iran and its diaspora.
[more]
cover of The Color of Democracy in Women's Regional Writing

The Color of Democracy in Women's Regional Writing

Jean Carol Griffith

University of Alabama Press, 2009

Exploring how women writers used regional fiction to reimagine democracy, identity, and belonging in America.

American regionalism has become a contested subject in literary studies alongside the ubiquitous triad of race, class, and gender. The Color of Democracy in Women's Regional Writing enters into the heart of an ongoing debate in the field about the significance of regional fiction at the end of the 19th century. Jean Griffith presents the innovative view that regional writing provided Edith Wharton, Ellen Glasgow, and Willa Cather with the means to explore social transformation in a form of fiction already closely associated with women readers and writers. 

Griffith provides new readings of texts by these authors; she places them alongside the works of their contemporaries, including William Faulkner and Langston Hughes, to show regionalism's responses to the debate over who was capable of democratic participation and reading regionalism's changing mediations between natives and strangers as reflections of the changing face of democracy. 

This insightful work enriches the current debate about whether regionalism critiques hierarchies or participates in nationalist and racist agendas and will be of great interest to those invested in regional writing or the works of these significant authors.

[more]
cover of The Color of Modernity: São Paulo and the Making of Race and Nation in Brazil

The Color of Modernity

São Paulo and the Making of Race and Nation in Brazil

Barbara Weinstein

Duke University Press, 2015

In The Color of Modernity, Barbara Weinstein focuses on race, gender, and regionalism in the formation of national identities in Brazil; this focus allows her to explore how uneven patterns of economic development are consolidated and understood. Organized around two principal episodes—the 1932 Constitutionalist Revolution and 1954’s IV Centenário, the quadricentennial of São Paulo’s founding—this book shows how both elites and popular sectors in São Paulo embraced a regional identity that emphasized their European origins and aptitude for modernity and progress, attributes that became—and remain—associated with “whiteness.” This racialized regionalism naturalized and reproduced regional inequalities, as São Paulo became synonymous with prosperity while Brazil’s Northeast, a region plagued by drought and poverty, came to represent backwardness and São Paulo’s racial “Other.”  This view of regional difference, Weinstein argues, led to development policies that exacerbated these inequalities and impeded democratization.
[more]
cover of The Color of Night: Race, Railroaders, and Murder in the Wartime West

The Color of Night

Race, Railroaders, and Murder in the Wartime West

Max Geier

Oregon State University Press, 2015

On an unusually cold January night in 1943, Martha James was murdered on a train in rural Oregon, near the Willamette Valley town of Albany. She was White, Southern, and newly-married to a Navy pilot. Despite inconsistent and contradictory eyewitness accounts, a young Black cook by the name of Robert Folkes, a trainman from South Central Los Angeles, was charged with the crime. The ensuing investigation and sensational murder trial captured national attention during a period of intense wartime fervor and extensive Black domestic migration. Folkes’ trial and controversial conviction—resulting in his execution by the state of Oregon—reshaped how Oregonians and others in the West thought about race, class, and privilege.

In this deeply researched and detailed account, Geier explores how race, gender, and class affected the attitudes of local town-folk, law officers, and courtroom jurors toward Black trainmen on the West Coast, at a time when militarization skewed perceptions of virtue, status, and authority.  He delves into the working conditions and experiences of unionized Black trainmen in their “home and away” lives in Los Angeles and Portland, while illuminating the different ways that they, and other residents of Oregon and southern California, responded to news of “Oregon’s murdered war bride.” Reporters, civil rights activists, and curiosity seekers transformed the trial and appeals process into a public melodrama.

The investigation, trial, and conviction of Robert Folkes galvanized civil rights activists, labor organizers, and community leaders into challenging the flawed judicial process and ultimately the death penalty in Oregon, serving as a catalyst for civil rights activism that bridged rural and urban divides. The Color of Night will appeal to “true crime” aficionados, and to anyone interested in the history of race and labor relations, working conditions, community priorities, and attitudes toward the death penalty in the first half of the 20th century.
[more]
cover of The Color of Paper: Representing Race in the Comics Medium

The Color of Paper

Representing Race in the Comics Medium

Chris Gavaler

The Ohio State University Press, 2026

How does a comics reader understand that a certain race is assigned to a character? In The Color of Paper, Chris Gavaler establishes a formal approach for analyzing racial representations in comics, demonstrating that the ink-on-paper materiality of comics reveals the illogic of metaphorical colors as racial categorizations. Analyzing images by a wide range of comics artists and colorists, including Emilee Denich, Jaime Hernandez, George Herriman, Jack Kirby, and Ben Passmore, Gavaler goes beyond pigment and gradient to explore the formal and material elements of page backgrounds and the negative space of gutters that literally frame race in comics. He surveys major and independent publishers to assess how industry trends and evolving coloring techniques affect racial representation. And, breaking from subjective and overgeneralized analytical norms, Gavaler grounds his analysis in quantitative research on viewers’ responses. The centuries-old relationships between drawn racial markers and assumptions about their meanings continue in a white-dominated culture that benefits from and therefore preserves illusions of their natural accuracy. Denaturalizing racial depictions through formal visual analysis potentially alters racial thinking in ways that extend beyond works on paper and into daily lives.
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cover of The Colored Cartoon: Black Presentation in American Animated Short Films, 1907-1954

The Colored Cartoon

Black Presentation in American Animated Short Films, 1907-1954

Christopher P. Lehman

University of Massachusetts Press, 2007

From the introduction of animated film in the early 1900s to the 1950s, ethnic humor was a staple of American-made cartoons. Yet as Christopher Lehman shows in this revealing study, the depiction of African Americans in particular became so inextricably linked to the cartoon medium as to influence its evolution through those five decades. He argues that what is in many ways most distinctive about American animation reflects white animators' visual interpretations of African American cultural expression. 

The first American animators drew on popular black representations, many of which were caricatures rooted in the culture of southern slavery. During the 1920s, the advent of the sound-synchronized cartoon inspired animators to blend antebellum-era black stereotypes with the modern black cultural expressions of jazz musicians and Hollywood actors. When the film industry set out to desexualize movies through the imposition of the Hays Code in the early 1930s, it regulated the portrayal of African Americans largely by segregating black characters from others, especially white females. At the same time, animators found new ways to exploit the popularity of African American culture by creating animal characters like Bugs Bunny who exhibited characteristics associated with African Americans without being identifiably black. 

By the 1950s, protests from civil rights activists and the growing popularity of white cartoon characters led animators away from much of the black representation on which they had built the medium. Even so, animated films today continue to portray African American characters and culture, and not necessarily in a favorable light. 

Drawing on a wide range of sources, including interviews with former animators, archived scripts for cartoons, and the films themselves, Lehman illustrates the intimate and unmistakable connection between African Americans and animation.

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cover of The Colorful Apocalypse: Journeys in Outsider Art

The Colorful Apocalypse

Journeys in Outsider Art

Greg Bottoms

University of Chicago Press, 2007

The Reverend Howard Finster was twenty feet tall, suspended in darkness. Or so he appeared in the documentary film that introduced a teenaged Greg Bottoms to the renowned outsider artist whose death would help inspire him, fourteen years later, to travel the country. Beginning in Georgia with a trip to Finster’s famous Paradise Gardens, his journey—of which The Colorful Apocalypse is a masterly chronicle—is an unparalleled look into the lives and visionary works of some of Finster’s contemporaries: the self-taught evangelical artists whose beliefs and oeuvres occupy the gray area between madness and Christian ecstasy.

With his prodigious gift for conversation and quietly observant storytelling, Bottoms draws us into the worlds of such figures as William Thomas Thompson, a handicapped ex-millionaire who painted a 300-foot version of the book of Revelation; Norbert Kox, an ex-member of the Outlaws biker gang who now lives as a recluse in rural Wisconsin and paints apocalyptic visual parables; and Myrtice West, who began painting to express the revelatory visions she had after her daughter was brutally murdered. These artists’ works are as wildly varied as their life stories, but without sensationalizing or patronizing them, Bottoms—one of today’s finest young writers—gets at the heart of what they have in common: the struggle to make sense, through art, of their difficult personal histories.

In doing so, he weaves a true narrative as powerful as the art of its subjects, a work that is at once an enthralling travelogue, a series of revealing biographical portraits, and a profound meditation on the chaos of despair and the ways in which creativity can help order our lives.

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cover of The Combat Zone: Murder, Race, and Boston's Struggle for Justice

The Combat Zone

Murder, Race, and Boston's Struggle for Justice

Jan Brogan

University of Massachusetts Press, 2021

Shortlisted for the 2021 Agatha Award for Best Non-Fiction and the 2022 Anthony Award for Best Critical or Nonfiction Work

At the end of the 1976 football season, more than forty Harvard athletes went to Boston's Combat Zone to celebrate. In the city's adult entertainment district, drugs and prostitution ran rampant, violent crime was commonplace, and corrupt police turned the other way. At the end of the night, Italian American star athlete Andy Puopolo, raised in the city's North End, was murdered in a stabbing. Three African American men were accused of the crime. His murder made national news and led to the eventual demise of the city's red-light district.

Starting with this brutal murder, The Combat Zone tells the story of the Puopolo family's struggle with both a devastating loss and a criminal justice system that produced two trials with opposing verdicts, all within the context of a racially divided Boston. Brogan traces the contentious relationship between Boston’s segregated neighborhoods during the busing crisis; shines a light on a court system that allowed lawyers to strike potential jurors based purely on their racial or ethnic identity; and lays bare the deep-seated corruption within the police department and throughout the Combat Zone. What emerges is a fascinating snapshot of the city at a transitional moment in its recent past.
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cover of The Comedy Studies Reader

The Comedy Studies Reader

Edited by Nick Marx and Matt Sienkiewicz

University of Texas Press, 2018

From classical Hollywood film comedies to sitcoms, recent political satire, and the developing world of online comedy culture, comedy has been a mainstay of the American media landscape for decades. Recognizing that scholars and students need an authoritative collection of comedy studies that gathers both foundational and cutting-edge work, Nick Marx and Matt Sienkiewicz have assembled The Comedy Studies Reader. This anthology brings together classic articles, more recent works, and original essays that consider a variety of themes and approaches for studying comedic media—the carnivalesque, comedy mechanics and absurdity, psychoanalysis, irony, genre, race and ethnicity, gender and sexuality, and nation and globalization. The authors range from iconic theorists, such as Mikhail Bakhtin, Sigmund Freud, and Linda Hutcheon, to the leading senior and emerging scholars of today. As a whole, the volume traces two parallel trends in the evolution of the field—first, comedy’s development into myriad subgenres, formats, and discourses, a tendency that has led many popular commentators to characterize the present as a “comedy zeitgeist”; and second, comedy studies’ new focus on the ways in which comedy increasingly circulates in “serious” discursive realms, including politics, economics, race, gender, and cultural power.
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