Results by title
1713 books match the query '21st Century' and 315 start with t
The War of My Generation
Youth Culture and the War on TerrorKieran, David
Rutgers University Press, 2015
The War of My Generation is the first essay collection to focus specifically on how the terrorist attacks and their aftermath have shaped these new generations of Americans. Drawing from a variety of disciplines, including anthropology, sociology, cultural studies, and literary studies, the essays cover a wide range of topics, from graphic war images in the classroom to computer games designed to promote military recruitment to emails from parents in the combat zone. The collection considers what cultural factors and products have shaped young people's experience of the 9/11 attacks, the wars that have followed, and their experiences as emerging citizen-subjects in that moment. Revealing how young people understand the War on Terror—and how adults understand the way young people think—The War of My Generation offers groundbreaking research on catastrophic events still fresh in our minds.
The Water Defenders
How Ordinary People Saved a Country from Corporate GreedRobin Broad and John Cavanagh with Graphic Adaptation by Jon Sack
The Ohio State University Press, 2026
Initially excited by the company’s promises of jobs and prosperity, farmer Vidalina Morales, brothers Marcelo and Miguel Rivera, and others soon realized that the trade-off was catastrophic contamination of El Salvador’s main source of fresh water. Facing corporate machinations and violence, the ordinary people of San Isidro and surrounding communities built a transnational coalition that prevailed over powerful adversaries to score an environmental victory with worldwide repercussions.
Broad and Cavanagh draw on over a decade of research, interviews, and experience as allies and experts in international development to recount the harrowing saga. A blueprint for civic bravery and local-to-global activism, as well as a rich history of Central America’s political conflicts and people’s fights against environmental and economic exploitation, this story will inspire anyone who feels helpless against corporate malfeasance.
The Williamsburg Avant-Garde
Experimental Music and Sound on the Brooklyn WaterfrontCisco Bradley
Duke University Press, 2023
The World Has Forgotten Us
Sinjar and the Islamic State’s Genocide of the YezidisThomas Schmidinger
Pluto Press, 2022
The persecution of the Yezidis, a religious community originating in Upper Mesopotamia, has been ongoing since at least the 10th century. On 3 August 2014, Islamic State attacked the Yezidi community in Sinjar, Kurdistan. Thousands were enslaved or killed in this genocide, and 100,000 people fled to Mount Sinjar, permanently exiled from their homes.
Here, Thomas Schmidinger talks to the Yezidis in Iraq who tell the history of their people, why the genocide happened and how it affects their lives today. This is the first full account of these events, as told by the Yezidis in their own words, to be published in English.
The failure of the Kurdistan Peshmerga of the PDK in Iraq to protect the Yezidis is explored, as is the crucial support given by the Syrian-Kurdish YPG. This multi-faceted and important history brings the fight and trauma of the Yezidis back into focus, calling for the world to remember their struggle.
The World Says No to War
Demonstrations against the War on IraqStefaan Walgrave
University of Minnesota Press, 2010
The Worm in the Apple
A History of the Conservative Party and Europe from Churchill to CameronChristopher Tugendhat
Haus Publishing, 2022
The Conservative Party has been in power for 47 of the 65 years since the end of World War II. During that time the division within the party over Europe has been the enduring drama of British politics—from Churchill’s decision not to join the original European Coal and Steel Community in 1951 to Cameron’s decision to hold the Brexit referendum in 2016. Other leaders came and went, but the issue was always there—sometimes center-stage, at others behind the scenes—destabilizing foreign policy, corroding the body politic, and destroying several of the party’s leaders. These questions, and how they panned out, created a deep, grumbling discontent—the worm in the apple—that, over time, turned the Conservative Party and, by extension, a significant section of the electorate, against British membership of the EU. By telling the story of the arguments and divisions within the Conservative Party, The Worm in the Apple helps to explain why Britain voted to leave the European Union in 2016.
Theater and Crisis
Myth, Memory, and Racial Reckoning in America, 1964-2020Patrice D. Rankine
Lever Press, 2024
Rather than approaching the problem of racial reckoning through history, where periodization and progress are dominant narratives, Theater and Crisis argues that myth and memory allow for better theorization about recurring events from the past, their haunting, and what these apparent ghosts ask of us. Building on the study of myth as active, processual storytelling, Rankine acknowledges that it grounds and orients groups toward significant events. Theater and Crisis aligns narratives about Emmett Till, Trayvon Martin, and George Floyd, among others, with ancient, mythic figures such as Christ, Dionysus, Oedipus, and Moses. As living and verbal visitations, these stories performed on stage encode the past through their epiphanies in the present, urging audiences toward shared meaning.
Rankine traces the cyclical hauntings of race through the refiguring of mythic stories across the past 75 years in the plays of James Baldwin, Ntozake Shange, Antoinette Nwandu, and many more, and in response to flashpoints in US racial history, such as the 1955 lynching of Emmett Till, the upheavals of the 1960s and 1970s, the wars on drugs and crime, and the continued violence against and disenfranchisement of Black people into the twenty-first century. Theater and Crisis explores the appearance of myth on the American stage and showcases the ongoing response by the theatrical establishment to transform the stage into a space for racial reckoning. This timely book is essential reading for scholars of theater studies, classics, and American studies.
Theaters of Citizenship
Aesthetics and Politics of Avant-Garde Performance in EgyptSonali Pahwa
Northwestern University Press, 2020
In 2004, independent cultural institutions were sites for more democratic forms of youth organization and cultural participation than were Egyptian state theaters. Sonali Pahwa looks at identity formation within this infrastructure for new cultural production: festivals, independent troupes, workshops, and manifesto movements. Bringing institutional changes in dialogue with new performance styles on stages and streets, Pahwa conceptualizes performance culture as a school of citizenship. Independent theater incubated hope in times of despair and pointed to different futures for the nation’s youth than those seen in television and newspapers. Young dramatists countered their generation’s marginalization in the neoliberal economy, media, and political institutions as they performed alternative visions for the nation. An important contribution to the fields of anthropology and performance studies, Pahwa’s analysis will also interest students of sociology and Egyptian history.
Theatre of Iraq Under Occupation, 2003-2011
Lamentation, Homeland, IdentityJames Al-Shamma
University of Iowa Press, 2025
However, in 2003, the United States invasion of Iraq propelled Iraqi theatre in an altogether different direction. Global media published photographs documenting the torture of Iraqi detainees by American soldiers and sectarian violence broke out, as Shiʿa and Sunni militias struggled for power. Theatre of Iraq Under Occupation examines the occupation’s impact on Iraqi theatre as eliciting lamentation over loss of homeland and identity, and as an assault on the Iraqi character itself. The first volume in English dedicated solely to theatre in Iraq, James Al-Shamma and Amir Al-Azraki’s insights don’t just offer a significant contribution to cultural studies, they bridge foreign policy and art in real time.
There Used to Be Order
Life on the Copperbelt after the Privatisation of the Zambia Consolidated Copper MinesPatience Mususa
University of Michigan Press, 2021
These Islands
A Letter to BritainAli M. Ansari
Haus Publishing, 2018
With These Islands, Ali M. Ansari considers the idea of Britain as a political entity. This idea of Britain considers some nationalists as suppressed minorities in need of attention, and others as bigoted throwbacks to a more divisive age. Arguing the case for Great Britain from the perspective of the political mythology of the British state—with an emphasis on culture, ideas and narrative constructions—Ansari makes the claim that Britain’s strength lies in its ability to shape the popular imagination, both at home and abroad. He concludes that an “excess of enthusiasm” may yet do untold damage to the fabric of a state and society that has been carefully constructed over the centuries and may not be easily repaired.
Thick of It
Ulrike Almut Sandig
Seagull Books, 2018
Thinking Poetry
Readings in Contemporary Women’s Exploratory PoeticsLynn Keller
University of Iowa Press, 2010
As the twentieth century drew to a close, experimentalism in American poetry was most commonly identified with Language writing. At the same time, however, a number of poets, many of them women, were developing their own alternative forms of experimentalism, creating “uncommon languages” often indebted to Language writing but distinct from it.
With impressive intellectual engagement and nuanced presentation, Thinking Poetry provides a meticulous and provocative analysis of the ways in which Alice Fulton, Myung Mi Kim, Joan Retallack, Cole Swensen, Rosmarie Waldrop, Susan Wheeler, and C. D. Wright explored varied compositional strategies and created their own innovative works. In doing so, Lynn Keller resourcefully models a range of reading strategies that will assist others in analyzing the complex epistemology and craft of recent “exploratory” writing.
The seven women whose work is discussed here demonstrate widely differing ways of using poetry to, as Swensen puts it, “stretch the boundaries of the sayable.” Thinking Poetry examines approaches to women’s poetic exploration, ranging from radically open, thoroughly disjunctive writing to feminist experimentation within relatively conventional free verse forms; from texts testing the resources of visual elements and page space to those in which multilingualism or digital technology provide arenas for innovation; from revitalized forms of ekphrasis to fresh approaches to pop culture.
Keller illuminates as well a transitional era in U.S. poetry that presaged current developments that are often seen as combining the poetics of personal lyric and Language writing. Thinking Poetry challenges reductive notions of such a synthesis as it makes clear that the groundwork for current poetic trends was laid by poets who, in a far more polarized climate, pursued their own, often distinctly feminist, visions of necessary innovation.
Thinking the US South
Contemporary Philosophy from Southern PerspectivesEdited by Shannon Sullivan
Northwestern University Press, 2021
Knowledge emerges from contexts, which are shaped by people’s experiences. The varied essays in Thinking the US South: Contemporary Philosophy from Southern Perspectives demonstrate that Southern identities, borders, and practices play an important but unacknowledged role in ethical, political, emotional, and global issues connected to knowledge production. Not merely one geographical region among others, the US South is sometimes a fantasy and other times a nightmare, but it is always a prominent component of the American national imaginary. In connection with the Global North and Global South, the US South provides a valuable perspective from which to explore race, class, gender, and other inter- and intra-American differences. The result is a fresh look at how identity is constituted; the role of place, ancestors, and belonging in identity formation; the impact of regional differences on what counts as political resistance; the ways that affect and emotional labor circulate; practices of boundary policing, deportation, and mourning; issues of disability and slowness; racial and other forms of suffering; and above all, the question of whether and how doing philosophy changes when done from Southern standpoints. Examining racist tropes, Indigenous land claims, Black Southern philosophical perspectives, migrant labor, and more, this incisive anthology makes clear that roots matter.
Third-Generation Holocaust Representation
Trauma, History, and MemoryVictoria Aarons and Alan L. Berger
Northwestern University Press, 2017
This Is Not For You
An Activist's Journey of Resistance and ResilienceRichard Brown
Oregon State University Press, 2021
The book finds Brown approaching his eightieth birthday and reflecting on his life. As he recalls his childhood in 1940s Harlem, his radicalization in the newly desegregated Air Force, and his decades of activism in one of America’s whitest cities, he questions how much longer he’ll do this work, and he wonders who, if anyone, will take his place.
This is a book about how and why to become an engaged, activist citizen, and how activists can stay grounded, no matter how deeply they immerse themselves in the work. It also offers an intimate, firsthand look at policing: what policing is and could be, how civilians can have a say, and how police can and should be responsive to and inclusive of civilian voices. This Is Not For You speaks on every page about being Black in America: about Black pride; Black history, art, and culture; and the experience of resisting white supremacy. It also stands as a much-needed counternarrative to Portlandia, telling a different story about the city and who has shaped it.
Over fifty percent of royalties earned on this book will be donated to organizations working on behalf of Black Portlanders.
This One Will Hurt You
Paul Crenshaw
The Ohio State University Press, 2019
With eloquence, subtle humor, and an urgent poignancy, Crenshaw delivers a powerful and moving collection of nonfiction essays, tied together by place and the violence of the world in which we live.
This Thing Called the World
The Contemporary Novel as Global FormDebjani Ganguly
Duke University Press, 2016
Through the Crosshairs
War, Visual Culture, and the Weaponized GazeStahl, Roger
Rutgers University Press, 2018
Through the Crosshairs traces the genealogy of this weapon’s-eye view across a wide range of genres, including news reports, military public relations images, action movies, video games, and social media posts. As he tracks how gun-camera footage has spilled from the battlefield onto the screens of everyday civilian life, Roger Stahl exposes how this raw video is carefully curated and edited to promote identification with military weaponry, rather than with the targeted victims. He reveals how the weaponized gaze is not only a powerful propagandistic frame, but also a prime site of struggle over the representation of state violence.
Throw Yourself Away
Writing and MasochismJulia Jarcho
University of Chicago Press, 2024
In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, critic and playwright Julia Jarcho argues that these works conceive writing itself as masochistic, and masochism as sexuality enacted in writing. Throw Yourself Away is distinctive in its sustained focus on masochism as an engine of literary production across multiple authors and genres. In particular, Jarcho shows that theater has played a central role in modern erotic fantasies of the literary.
Jarcho foregrounds writing as a project of distressed subjects: When masochistic writing is examined as a strategy of response to injurious social systems, it yields a surprisingly feminized—and less uniformly white—image of both masochism and authorship. Ultimately, Jarcho argues that a retheorized concept of masochism helps us understand literature itself as a sex act and shows us how writing can tend to our burdened, desirous bodies. With startling insights into such writers as Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy, Throw Yourself Away furnishes a new masochistic theory of literature itself.
Thucydides’s Trap?
Historical Interpretation, Logic of Inquiry, and the Future of Sino-American RelationsSteve Chan
University of Michigan Press, 2020
The Peloponnesian War (431–404 BCE) ostensibly arose because of the fear that a rising Athens would threaten Sparta’s power in the Mediterranean. The idea of Thucydides’ Trap warns that all rising powers threaten established powers. As China increases its power relative to the United States, the theory argues, the two nations are inevitably set on a collision course toward war. How enlightening is an analogy based on the ancient Greek world of 2,500 years ago for understanding contemporary international relations? How accurate is the depiction of the history of other large armed conflicts, such as the two world wars, as a challenge mounted by a rising power to displace an incumbent hegemon?Thucydides’s Trap?: Historical Interpretation, Logic of Inquiry, and the Future of Sino-American Relations offers a critique of the claims of Thucydides’s Trap and power-transition theory. It examines past instances of peaceful accommodation to uncover lessons that can ease the frictions in ongoing Sino-American relations.
Thunder on the Mountain
Death at Massey and the Dirty Secrets behind Big CoalPeter A. Galuszka
West Virginia University Press, 2014
With a foreword by Denise Giardina
On April 5, 2010, an explosion ripped through Massey Energy’s Upper Big Branch Mine, killing twenty-nine coal miners. This tragedy was the deadliest mine disaster in the United States in forty years—a disaster that never should have happened. These deaths were rooted in the cynical corporate culture of Massey and its notorious former CEO Don Blankenship, and were part of an endless cycle of poverty, exploitation, and environmental abuse that has dominated the Appalachian coalfields since coal was first discovered there. And the cycle continues unabated as coal companies bury the most insidious dangers deep underground, all in search of higher profits, and hide the true costs from regulators, unions, and investors alike. But the disaster at Upper Big Branch goes beyond the coalfields of West Virginia. It casts a global shadow, calling into bitter question why coal miners in the United States are sacrificed to erect cities on the other side of the world, why the coal wars have been allowed to rage, polarizing the country, and how the world’s voracious appetite for energy is satisfied at such horrendous cost.
With Thunder on the Mountain, Peter A. Galuszka pieces together the true story of greed and negligence behind the tragedy at the Upper Big Branch Mine, and in doing so he has created a devastating portrait of an entire industry that exposes the coal-black motivations that led to the death of twenty-nine miners and fuel the ongoing war for the world’s energy future.
This paperback edition contains a foreword by Denise Giardinia that provides an update on Massey Energy and Donald Blankenship, Chairman and CEO of Massey Energy Company during the UBB disaster, and recounts her own experiences with Massey Energy and the United Mine Workers Association in the 1980s. This edition also includes a notes section and a bibliography.
Tied to the Great Packing Machine
The Midwest and MeatpackingWilson J. Warren
University of Iowa Press, 2007
Writing from the vantage point of twenty-five years of extensive research, Warren analyzes the evolution of the packing industry from its early period, dominated by the big terminal markets, through the development of new marketing and technical innovations that transformed the ways animals were gathered, slaughtered, and processed and the final products were distributed. In addition, he concentrates on such cultural impacts as ethnic and racial variations, labor unions, gender issues, and changes in Americans’ attitudes toward the ethics of animal slaughter and patterns of meat consumption and such environmental problems as site-point pollution and microbe contamination, ending with a stimulating discussion of the future of American meatpacking.
Providing an excellent and well-referenced analysis within a regional and temporal framework that ensures a fresh perspective, Tied to the Great Packing Machine is a dynamic narrative that contributes to a fuller understanding of the historical context and contemporary concerns of an extremely important industry.
Time Slips
Queer Temporalities, Contemporary Performance, and the Hole of HistoryJaclyn I. Pryor
Northwestern University Press, 2017
Masterfully synthesizing a wealth of research and experiences, Time Slips will interest scholars and readers in the fields of theater and performance studies, queer studies, and American studies.
Time for Childhoods
Young Poets and Questions of AgencyRachel Conrad
University of Massachusetts Press, 2020
Time for Childhoods presents a selection of striking twentieth-and twenty-first-century American poetry written by young people, and highlights how young poets imagined and shaped time for their own poetic purposes. Through close engagement with archival materials, as well as select interviews and correspondence with adult mentors, Conrad discerns how young writers figured social realities and political and racial injustices, and discusses what important advocates such as Gwendolyn Brooks and June Jordan can teach us about supporting the agency of young poets. This essential study demonstrates that young poets have much to contribute to ongoing conversations about time and power.
Times of Mobility
Transnational Literature and Gender in TranslationJasmina Lukic
Central European University Press, 2020
Tiny Publics
A Theory of Group Action and CultureGary Alan Fine
Russell Sage Foundation, 2012
To Be At Music
Essays & TalksNorma Cole
Omnidawn, 2010
To See Ourselves as Others See Us
How Publics Abroad View the United States after 9/11Ole R. Holsti
University of Michigan Press, 2008
"Holsti, the authority on American foreign policy attitudes, investigates others' views of us. It's not pretty. It matters. Read this."
---Bruce Russett, Dean Acheson Professor of International Relations, Yale University, and editor of the Journal of Conflict Resolution
"Clearly and engagingly written, Holsti's book ranks among the most important---and most objective---of the post-9/11 scholarly studies. It deserves a large readership, both within and beyond academe."
---Ralph Levering, Vail Professor of History, Davidson College
In terms of military and economic power, the United States remains one of the strongest nations in the world. Yet the United States seems to have lost the power of persuasion, the ability to make allies and win international support.
Why? Immediately after the terrorist attacks of 9/11, leaders and citizens of foreign nations generally expressed sympathy for the United States. Since then, attitudes have changed. Drawing upon public opinion surveys conducted in 30 nations, Ole R. Holsti documents an increasing anti-American sentiment. His analysis suggests that the war in Iraq, human rights violations, and unpopular international policies are largely responsible. Consequently, the United States can rebuild its repute by adopting an unselfish, farsighted approach to global issues.
Indeed, the United States must restore goodwill abroad, Holsti asserts, because public opinion indirectly influences the leaders who decide whether or not to side with the Americans.
Ole R. Holsti is George V. Allen Professor Emeritus of International Affairs in the Department of Political Science at Duke University and author of Public Opinion and American Foreign Policy.
Today in the Taxi
Sean Singer
Tupelo Press, 2022
—Laurie Sheck
Tomorrow Is the Question
New Directions in Experimental Music StudiesEdited by Benjamin Piekut
University of Michigan Press, 2014
Too Numerous
Kent Shaw
University of Massachusetts Press, 2019
What does it really mean when people are viewed as bytes of data? And is there beauty or an imaginative potential to information culture and the databases cataloging it? As Too Numerous reveals, the raw material of bytes and data points can be reshaped and repurposed for ridiculous, melancholic, and even aesthetic purposes.
Grappling with an information culture that is both intimidating and daunting, Kent Shaw considers the impersonality represented by the continuing accumulation of personal information and the felicities—and barriers—that result: “The us that was inside us was magnificent structures. And they weren't going to grow any larger.”
Toomey's Triumph
Inside a Key Senate CampaignHarold Gullan
Temple University Press, 2012
The 2010 Pennsylvania Senate election provided high drama from the earliest days of its primary campaigns right through Election Day. After long-time incumbent Arlen Specter was eliminated, the race boiled down to two fresh faces—Pat Toomey and Joe Sestak. Their battle constitutes a microcosm of the political divide that characterizes contemporary American politics.
Veteran writer Hal Gullan obtained special access to the Toomey campaign early on. Toomey's Triumph offers both that inside look and a Philadelphian's reflections of a riveting election. Gullan's astute month-by-month narrative distills the events of the year-long battles through the high drama and the day-to-day of grassroots organizing and campaigning. He describes how the candidates appear, what they say, and how the media pundits respond to their various gambits. He provides wry observations on the efficacy of each candidate's campaign ads and strategies, and he analyzes the up-and-down polls.
Toomey's Triumph provides an engaging chronicle of a critical campaign.
Torture Porn in the Wake of 9/11
Horror, Exploitation, and the Cinema of SensationAaron Michael Kerner
Rutgers University Press, 2015
Torture and Dignity
An Essay on Moral InjuryJ. M. Bernstein
University of Chicago Press, 2015
Beginning with the attempts to abolish torture in the eighteenth century, and then sensitively examining what is suffered in torture and related transgressions, such as rape, Bernstein elaborates a powerful new conception of moral injury. Crucially, he shows, moral injury always involves an injury to the status of an individual as a person—it is a violent assault against his or her dignity. Elaborating on this critical element of moral injury, he demonstrates that the mutual recognitions of trust form the invisible substance of our moral lives, that dignity is a fragile social possession, and that the perspective of ourselves as potential victims is an ineliminable feature of everyday moral experience.
Totalled
Salvaging the Future from the Wreckage of CapitalismColin Cremin
Pluto Press, 2015
Totalled maps the deteriorating socio-economic, political, and ecological conditions in which we live. Yet Cremin asks how a utopian possibility discernable in the power of human creation can be realized even though as a society we are bound up materially, ideologically, libidinally—totally—to the capitalist machine of destruction. Totalled concludes with a politically and economically grounded set of propositions on how we might begin to imagine such a possibility.
Tourist Distractions
Traveling and Feeling in Transnational Hallyu CinemaYoungmin Choe
Duke University Press, 2016
Tourists of History
Memory, Kitsch, and Consumerism from Oklahoma City to Ground ZeroMarita Sturken
Duke University Press, 2007
Sturken contends that a consumer culture of comfort objects such as World Trade Center snow globes, FDNY teddy bears, and Oklahoma City Memorial t-shirts and branded water, as well as reenactments of traumatic events in memorial and architectural designs, enables a national tendency to see U.S. culture as distant from both history and world politics. A kitsch comfort culture contributes to a “tourist” relationship to history: Americans can feel good about visiting and buying souvenirs at sites of national mourning without having to engage with the economic, social, and political causes of the violent events. While arguing for the importance of remembering tragic losses of life, Sturken is urging attention to a dangerous confluence—of memory, tourism, consumerism, paranoia, security, and kitsch—that promulgates fear to sell safety, offers prepackaged emotion at the expense of critical thought, contains alternative politics, and facilitates public acquiescence in the federal government’s repressive measures at home and its aggressive political and military policies abroad.
Towards a New Malaysia?
The 2018 Election and Its AftermathMeredith L. Weiss and Faizal S. Hazis
National University of Singapore Press, 2020
After the election, many Malaysians were optimistic about the possibility of a more representative, accountable, participatory, and equitable polity, but Meredith L. Weiss and Faisal S. Hazis do not see GE14 as a clear harbinger of full-on liberalization. While the political aftermath of the election continues to play out, the authors provide a clarion call for deeper, more critical, more comparative research on Malaysia’s politics. They upend commonly held beliefs about Malaysian politics and bring forward lesser-known theories, and they suggest agendas for empirically interesting, theoretically relevant further research. They also point to the broader insights Malaysia’s experience provides for the study of elections and political change in one-party dominant states around the world.
Toxic Loves, Impossible Futures
Feminist Living as ResistanceIrmgard Emmelhainz
Vanderbilt University Press, 2021
These reflections and dialogues are an urgent attempt to resist the present in the company of the voices of women like bell hooks, Sara Ahmed, Leslie Jamison, Lina Meruane, Leanne Betasamosake Simpson, Chris Kraus, Alaíde Foppa, Lorena Wolffer, Sayak Valencia, Pip Day, Veronica Gonzalez Peña, Eimear McBride, Simone de Beauvoir, Elena Poniatowska, Susan Sontag, Margaret Randall, Simone Weil, Arundhati Roy, Marta Lamas, Paul B. Preciado, Dawn Marie Paley, Raquel Gutiérrez, Sara Eliassen, and Silvia Gruner. Toxic Loves, Impossible Futures continues the discussion on how to undo misogyny and dismantle heteropatriarchy's sublimating and denigrating tricks against women, which are intrinsically linked to colonialism and violence against the Earth.
Tracks on the Trail
Popular Music, Race, and the US PresidencyDana Gorzelany-Mostak
University of Michigan Press, 2023
From Bill Clinton playing his saxophone on The Arsenio Hall Show to Barack Obama referencing Jay-Z’s song “Dirt Off Your Shoulder,” politicians have used music not only to construct their personal presidential identities but to create the broader identity of the American presidency. Through music, candidates can appear relatable, show cultural competency, communicate values and ideas, or connect with a specific constituency. On a less explicit level, episodes such as Clinton’s sax-playing and Obama’s shoulder brush operate as aural and visual articulations of race and racial identity. But why do candidates choose to engage with race in this manner? And why do supporters and detractors on YouTube and the Twittersphere similarly engage with race when they create music videos or remixes in homage to their favorite candidates?
With Barack Obama, Ben Carson, Kamala Harris, and Donald Trump as case studies, Tracks on the Trail: Popular Music, Race, and the US Presidency sheds light on the factors that motivate candidates and constituents alike to articulate race through music on the campaign trail and shows how the racialization of sound intersects with other markers of difference and ultimately shapes the public discourse surrounding candidates, popular music, and the meanings attached to race in the 21st century. Gorzelany-Mostak explores musical engagement broadly, including official music in the form of candidate playlists and launch event setlists, as well as unofficial music in the form of newly composed campaign songs, mashups, parodies, and remixes.
Tragic No More
Mixed-Race Women and the Nexus of Sex and CelebrityCaroline A. Streeter
University of Massachusetts Press, 2012
Streeter's subjects include concert pianist Philippa Schuyler, Dorothy West's novel The Wedding (in print and on screen), Danzy Senna's novels Caucasia and Symptomatic, and celebrity performing artists Mariah Carey, Alicia Keys, and Halle Berry. She opens with a chapter that examines the layered media response to Essie Mae Washington-Williams, Senator Strom Thurmond's biracial daughter. Throughout the book, Streeter engages the work of feminist critics and others who have written on interracial sexuality and marriage, biracial identity, the multiracial movement, and mixed race in cultural studies.
Training for Catastrophe
Fictions of National Security after 9/11Lindsay Thomas
University of Minnesota Press, 2021
A timely, politically savvy examination of how impossible disasters shape the very real possibilities of our world
Why would the normally buttoned-down national security state imagine lurid future scenarios like a zombie apocalypse? In Training for Catastrophe, author Lindsay Thomas shows how our security regime reimagines plausibility to focus on unlikely and even unreal events rather than probable ones. With an in-depth focus on preparedness (a pivotal, emergent national security paradigm since 9/11) she explores how fiction shapes national security.
Thomas finds fiction at work in unexpected settings, from policy documents and workplace training manuals to comics and video games. Through these texts—as well as plenty of science fiction—she examines the philosophy of preparedness, interrogating the roots of why it asks us to treat explicitly fictional events as real. Thomas connects this philosophical underpinning to how preparedness plays out in contemporary politics, emphasizing how it uses aesthetic elements like realism, genre, character, and plot to train people both to regard some disasters as normal and to ignore others.
Training for Catastrophe makes an important case for how these documents elicit consent and compliance. Thomas draws from a huge archive of texts—including a Centers for Disease Control comic about a zombie apocalypse, the work of Audre Lorde, and the political thrillers of former national security advisor Richard Clarke—to ask difficult questions about the uses and values of fiction. A major statement on how national security intrudes into questions of art and life, Training for Catastrophe is a timely intervention into how we confront disasters.
Transatlantic Disbelonging
Unruliness, Pleasure, and Play in Nigerian Diasporic Women's ArtBimbola Akinbola
Duke University Press, 2025
Transformations of Warfare in the Contemporary World
John C. Torpey
Temple University Press, 2016
Today’s warfare has moved away from being an event between massed national populations and toward small numbers of combatants using high-tech weaponry. The editors of and contributors to the timely collection Transformations of Warfare in the Contemporary World show that this shift reflects changes in the technological, strategic, ideological, and ethical realms.
The essays in this volume discuss:
·the waning connection between citizenship and soldiering;
·the shift toward more reconstructive than destructive activities by militaries;
·the ethics of irregular or asymmetrical warfare;
·the role of novel techniques of identification in military settings;
·the stress on precision associated with targeted killings and kidnappings;
·the uses of the social sciences in contemporary warfare.
In his concluding remarks, David Jacobson explores the extent to which the contemporary transformation of warfare is a product of a shift in the character of the combatants themselves.
Contributors include: Ariel Colonomos, Roberto J. González, Travis R. Hall, Saskia Hooiveld, Rob Johnson, Colonel C. Anthony Pfaff, Ian Roxborough, and the editors
Transgenerational Remembrance
Performance and the Asia-Pacific War in Contemporary JapanJessica Nakamura
Northwestern University Press, 2020
In Transgenerational Remembrance, Jessica Nakamura investigates the role of artistic production in the commemoration and memorialization of the Asia-Pacific War (1931–1945) in Japan since 1989. During this time, survivors of Japanese aggression and imperialism, previously silent about their experiences, have sparked contentious public debates about the form and content of war memories.
The book opens with an analysis of the performance of space at Yasukuni Shinto Shrine, which continues to promote an anachronistic veneration of the war. After identifying the centrality of performance in long-standing dominant narratives, Transgenerational Remembrance offers close readings of artistic performances that tackle subject matter largely obscured before 1989: the kamikaze pilot, Japanese imperialism, comfort women, the Battle of Okinawa, and Japanese American internment. These case studies range from Hirata Oriza’s play series about Japanese colonial settlers in Korea and Shimada Yoshiko’s durational performance about comfort women to Kondo Aisuke’s videos and gallery installations about Japanese American internment.
Working from theoretical frameworks of haunting and ethics, Nakamura develops an analytical lens based on the Noh theater ghost. Noh emphasizes the agency of the ghost and the dialogue between the dead and the living. Integrating her Noh-inflected analysis into ethical and transnational feminist queries, Nakamura shows that performances move remembrance beyond current evidentiary and historiographical debates.
Transit Communities and Impact of Migration
Hungary, 2017-2020Beatrix Futak-Campbell
Central European University Press, 0
The impact of the passage of war refugees on the lives and minds of local residents and officials is the subject of this study. Between 2017 and 2020, Beatrix Futak-Campbell conducted interviews with over fifty people who live and work near the Hungarian-Serbian border. This area was exposed to the unprecedented stream of refugees, most of them seeking safety from the Syrian civil war. The Hungarian government’s hostility to migrants has been widely criticized, and news coverage has tended to reiterate unhelpful characterisations of Hungarian citizens as being anti-migrant, anti-Muslim and racist.
The situation is, however, more nuanced. There is a substantial difference between the border police, local communities, and organizations, on the one hand, and national politicians and the international media perception of the refugee ‘crisis’, on the other. Those living and working with migrants at the border were caught between the domestic political situation, the plight of the refugees and the international support the latter receive, and the exigencies of their own livelihoods. This book explores these communities and their own security concerns.
Transit Lit
Fictions of Migration in Twenty-First-Century African Immigrant LiteratureCameron Leader-Picone
Northwestern University Press, 2026
The expanding number of migrants to the United States from continental Africa since the 1960s has led to a flourishing twenty-first-century literary corpus by immigrants and the children of immigrants. Transit Lit: Fictions of Migration in Twenty-First-Century African Immigrant Literature analyzes key works by African immigrant authors such as Chimamanda Ngozi Adichie, Teju Cole, and Yaa Gyasi to argue that such texts reveal the tensions between the authors’ own cosmopolitan ideals and a necessary critique of how such ideals become co-opted and commodified within contemporary geopolitics. Cameron Leader-Picone offers a new conceptual framework for reading contemporary diasporic texts that do not fit easily into national or continental traditions or previous literary models. Instead, he argues for the need to embrace the overlapping instabilities—of meaning, identity, and citizenship—that characterize twenty-first-century diasporic movement in an interconnected world. These texts, and the constructions of identity that they trace, map the terrain of contemporary migration.
Transnational Korean Cinema
Cultural Politics, Film Genres, and Digital TechnologiesDal Yong Jin
Rutgers University Press, 2020
The book emphasizes the economic and industrial aspects of the story, looking at questions on the interaction of politics and economics, including censorship and public funding, and provides a better view of the big picture by laying bare the relationship between film industries, the global market, and government. Jin also sheds light on the operations and globalization strategies of Korean film industries alongside changing cultural policies in tandem with Hollywood’s continuing influences in order to comprehend the power relations within cultural politics, nationally and globally. This is the first book to offer a full overview of the nascent development of Korean cinema.
Traveling without Moving
Essays from a Black Woman Trying to Survive in AmericaTaiyon J. Coleman
University of Minnesota Press, 2024
A stunning lyrical commentary on the constructions of race, gender, and class in the fraught nexus of a Black woman’s personal experience and cultural history
The Fair Housing Act passed in 1968, and more than fifty years later, yours seems to be the only Black family on your block in Minneapolis. You and your Black African husband, both college graduates, make less money than some White people with a felony record and no high school diploma. You’re the only Black student in your graduate program. You just aren’t working hard enough. You’re too sensitive. Sandra Bland? George Floyd? Don't take everything so personally. Amid the White smiles of Minnesota Nice and the Minnesota Paradox—the insidious racism of an ostensibly inclusive place to live—what do you do? If you’re Taiyon J. Coleman, you write.
In Traveling without Moving, Coleman shares intimate essays from her life: her childhood in Chicago—growing up in poverty with four siblings and a single mother—and the empowering decision to leave her first marriage. She writes about being the only Black student in a prestigious and predominantly White creative writing program, about institutional racism and implicit bias in writing instruction, about the violent legacies of racism in the U.S. housing market, about the maternal health disparities seen across the country and their implication in her own miscarriage. She explores what it means to write her story and that of her family—an act at once a responsibility and a privilege—bringing forth the inherent contradictions between American ideals and Black reality.
Using a powerful blend of perspectives that move between a first-person lens of lived experience and a wider-ranging critique of U.S. culture, policy, and academia, Coleman’s writing evinces how a Black woman in America is always on the run, always Harriet Tubman, traveling with her babies in tow, seeking safety, desperate to survive, thrive, and finally find freedom.
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