3703 books match the query '19th Century' and 853 start with t

cover of The Gold Rush Letters of E. Allen Grosh and Hosea B. Grosh

The Gold Rush Letters of E. Allen Grosh and Hosea B. Grosh

Ronald M. James

University of Nevada Press, 2016

When brothers Ethan and Hosea Grosh left Pennsylvania in 1849, they joined throngs of men from all over the world intent on finding a fortune in the California Gold Rush. Their search for wealth took them from San Francisco into the gold country and then over the Sierra into Nevada’s Gold Canyon, where they placer-mined for gold and discovered a deposit of silver. The letters they sent back to their family offer vivid commentaries on the turbulent western frontier, the diverse society of the Gold Rush camps, and the heartbreaking labor and frustration of mining. Their lively descriptions of Gold Canyon provide one of the earliest accounts of life in what would soon become the fabulously wealthy Comstock Mining District.

The Groshes’ letters are rich in color and important historical details. Generously annotated and with an introduction that provides a context for the brothers’ career and the setting in which they tried to make their fortune, these documents powerfully depict the often harsh realities of Gold Rush life and society.
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cover of The Golden Leaf: How Tobacco Shaped Cuba and the Atlantic World

The Golden Leaf

How Tobacco Shaped Cuba and the Atlantic World

Charlotte Cosner

Vanderbilt University Press, 2015

A Choice Reviews Editors' Pick

Through the rise and fall of empires, ideologies, and economies, tobacco grown on the tiny island of Cuba has remained an enduring symbol of pleasure and extravagance. Cultivated as one of the first reliable commodities for those inhabitants who remained after conquistadors moved on in search of a mythical wellspring of gold, tobacco quickly became crucial to the support of the swelling Spanish Empire in the seventeenth and eighteenth centuries. Eventually, however, tobacco became one of the final stabilizing forces in the empire, and it ultimately proved more resilient than the best laid plans of kings and queens. Tobacco, and those whose livelihoods depended on it, shrugged off the Empire's collapse and pressed on into the twentieth century as an economic force any state or political power must reckon with.

Cosner explores the history of this golden leaf through the personal narratives of farmers, bureaucrats, and laborers, all struggling to build an independent and lucrative economic engine. Through conquest, rebellion, colonial and imperial schemes, and the eventual Communist revolution, Cuban tobacco and cigars became a luxury item that commanded loyalty that defied mere borders or embargoes. Ultimately, The Golden Leaf is a story of two carefully cultivated products: Cuban tobacco, and its lofty reputation.
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cover of The Good Men Who Won the War: Army of the Cumberland Veterans and Emancipation Memory

The Good Men Who Won the War

Army of the Cumberland Veterans and Emancipation Memory

Robert E. Hunt

University of Alabama Press, 2010

Examines how Union veterans of the Army of the Cumberland employed the extinction of slavery in the trans-Appalachian South in their memory of the Civil War
 
Robert Hunt examines how Union veterans of the Army of the Cumberland employed the extinction of slavery in the trans-Appalachian South in their memory of the Civil War. Hunt argues that rather than ignoring or belittling emancipation, it became central to veterans’ retrospective understanding of what the war, and their service in it, was all about. The Army of the Cumberland is particularly useful as a subject for this examination because it invaded the South deeply, encountering numerous ex-slaves as fugitives, refugees, laborers on military projects, and new recruits. At the same time, the Cumberlanders were mostly Illinoisans, Ohioans, Indianans, and, significantly, Kentucky Unionists, all from areas suspicious of abolition before the war.
 
Hunt argues that the collapse of slavery in the trans-Appalachian theater of the Civil War can be usefully understood by exploring the post-war memories of this group of Union veterans. He contends that rather than remembering the war as a crusade against the evils of slavery, the veterans of the Army of the Cumberland saw the end of slavery as a by-product of the necessary defeat of the planter aristocracy that had sundered the Union; a good and necessary outcome, but not necessarily an assertion of equality between the races.
 
Some of the most provocative discussions about the Civil War in current scholarship are concerned with how memory of the war was used by both the North and the South in Reconstruction, redeemer politics, the imposition of segregation, and the Spanish-American War. This work demonstrates that both the collapse of slavery and the economic and social post-War experience convinced these veterans that they had participated in the construction of the United States as a world power, built on the victory won against corrupt Southern plutocrats who had impeded the rightful development of the country.
 
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cover of The Governor's Hounds: The Texas State Police, 1870–1873

The Governor's Hounds

The Texas State Police, 1870–1873

By Barry A. Crouch and Donaly E. Brice

University of Texas Press, 2011

In the tumultuous years following the Civil War, violence and lawlessness plagued the state of Texas, often overwhelming the ability of local law enforcement to maintain order. In response, Reconstruction-era governor Edmund J. Davis created a statewide police force that could be mobilized whenever and wherever local authorities were unable or unwilling to control lawlessness. During its three years (1870–1873) of existence, however, the Texas State Police was reviled as an arm of the Radical Republican party and widely condemned for being oppressive, arrogant, staffed with criminals and African Americans, and expensive to maintain, as well as for enforcing the new and unpopular laws that protected the rights of freed slaves.

Drawing extensively on the wealth of previously untouched records in the Texas State Archives, as well as other contemporary sources, Barry A. Crouch and Donaly E. Brice here offer the first major objective assessment of the Texas State Police and its role in maintaining law and order in Reconstruction Texas. Examining the activities of the force throughout its tenure and across the state, the authors find that the Texas State Police actually did much to solve the problem of violence in a largely lawless state. While acknowledging that much of the criticism the agency received was merited, the authors make a convincing case that the state police performed many of the same duties that the Texas Rangers later assumed and fulfilled the same need for a mobile, statewide law enforcement agency.

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cover of The Graphomaniac: A Literary-Historical Discussion of Dmitry Khvostov

The Graphomaniac

A Literary-Historical Discussion of Dmitry Khvostov

Ilya Vinitsky and James H. McGavran III

Northwestern University Press, 2025

On the unexpected pleasures and provocations of bad poetry
 
The only Russian Count of Sardinia, Dmitry Ivanovich Khvostov (1757–1835) didn’t achieve fame in his lifetime—he achieved infamy. Pathologically prolific and delusionally dedicated to a craft for which he had no talent, the count was renowned for his compulsive output, driven by a passion for poetry that was as strong as his abilities were weak. Only the country that gave the world Pushkin, however, could produce Khvostov, in whom we find a distorted yet illuminating reflection of his poetic epoch, with all its numerous cultural manifestations and hidden impulses, its desires and prejudices.
 
As he leads us on a playful journey across Russia’s Golden Age and beyond, from neoclassical salon to faculty lounge, Ilya Vinitsky reflects on the challenges and necessities of literary critique and on the unexpected rewards of bad art as a subject of study, not just ridicule. Mischievous but erudite, sensitive but never self-serious, The Graphomaniac is an intellectual biography of the anti-hero, a cultural figure whose paradoxes yield new insights into his era.

 
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cover of The Great Cyclone at St Louis and East St. Louis, May 27, 1896

The Great Cyclone at St Louis and East St. Louis, May 27, 1896

Compiled and Edited by Julian Curzon. Foreword by Tim O'Neil

Southern Illinois University Press, 1997

Shortly after 5:00 P.M. On Wednesday, May 27, 1896, a Herculean tornado shattered the St. Louis Area. Within twenty minutes, 137 people had perished in St. Louis, with 118 dead across the river in East St. Louis. Along a ten-mile swath of devastation, the tornado destroyed 311 buildings, heavily damaged 7,200 others and caused significant harm to 1,300 more. Even today, that powerful cyclone of a century ago "remains the single deadliest incident to befall the St. Louis area," according to Tim O’Neil of the St.Louis Post-Dispatch, who wrote the foreword for this historic reprint of a book originally published by the Cyclone Publishing Company.

Heavily illustrated by photographs of the damage, The Great Cyclone was compiled from stories in the city’s daily newspapers—the Globe-Democrat, the Post-Dispatch, and, most notably, the old St. Louis Republic. O’Neil points out that "the book’s compilers are not identified, but their glowing praise of the ‘superb descriptive composition’ in the Republic provides a good guess about where most of them worked."

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cover of The Great Disappearing Act: Germans in New York City, 1880-1930

The Great Disappearing Act

Germans in New York City, 1880-1930

Christina A. Ziegler-McPherson

Rutgers University Press, 2022

Where did all the Germans go? How does a community of several hundred thousand people become invisible within a generation?

This study examines these questions in relation to the German immigrant community in New York City between 1880-1930, and seeks to understand how German-American New Yorkers assimilated into the larger American society in the early twentieth century.
By the turn of the twentieth century, New York City was one of the largest German-speaking cities in the world and was home to the largest German community in the United States. This community was socio-economically diverse and increasingly geographically dispersed, as upwardly mobile second and third generation German Americans began moving out of the Lower East Side, the location of America’s first Kleindeutschland (Little Germany), uptown to Yorkville and other neighborhoods. New York’s German American community was already in transition, geographically, socio-economically, and culturally, when the anti-German/One Hundred Percent Americanism of World War I erupted in 1917.

This book examines the structure of New York City’s German community in terms of its maturity, geographic dispersal from the Lower East Side to other neighborhoods, and its ultimate assimilation to the point of invisibility in the 1920s. It argues that when confronted with the anti-German feelings of World War I, German immigrants and German Americans hid their culture – especially their language and their institutions – behind closed doors and sought to make themselves invisible while still existing as a German community.
But becoming invisible did not mean being absorbed into an Anglo-American English-speaking culture and society. Instead, German Americans adopted visible behaviors of a new, more pluralistic American culture that they themselves had helped to create, although by no means dominated. Just as the meaning of “German” changed in this period, so did the meaning of “American” change as well, due to nearly 100 years of German immigration.
 
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cover of The Great Encyclopedia of Nineteenth-Century Major League Baseball

The Great Encyclopedia of Nineteenth-Century Major League Baseball

David Nemec

University of Alabama Press, 2006

The authoritative compendium of facts, statistics, photographs, and analysis that defines baseball in its formative first decades
 
This comprehensive reference work covers the early years of major league baseball from the first game—May 4, 1871, a 2-0 victory for the Fort Wayne Kekiongas over the visiting Cleveland Forest City team—through the 1900 season. Baseball historian David Nemec presents complete team rosters and detailed player, manager, and umpire information, with a wealth of statistics to warm a fan’s heart.
 
Sidebars cover a variety of topics, from oddities—the team that had the best record but finished second—to analyses of why Cleveland didn’t win any pennants in the 1890s. Additional benefits include dozens of rare illustrations and narrative accounts of each year’s pennant race. Nemec also carefully charts the rule changes from year to year as the game developed by fits and starts to formulate the modern rules. The result is an essential work of reference and at the same time a treasury of baseball history.
 
This new edition adds much material unearthed since the first edition, fills gaps, and corrects errors, while presenting a number of new stories and fascinating details. David Nemec began the lifetime labor that helped produced this work in 1954 and admits it may never end, as there always will be some obscure player whose birth date has not yet been found. Until perfection is achieved, this work offers state-of-the-art accuracy and detail beyond that supplied by even modern baseball encyclopedias. As Casey Stengel, who was born during this era, was wont to say, “you could look it up.”  Now you can.
 
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cover of The Great Enrichment: A New History of American Growth and Inequality, 1865–1945

The Great Enrichment

A New History of American Growth and Inequality, 1865–1945

Vincent Geloso

University of Chicago Press, 2027

A revelatory economic history of America's Gilded Age—and how it wasn't just the Robber Barons who benefited.

The Gilded Age, spanning the late nineteenth and early twentieth centuries, was when Americans got rich. Or, rather, some Americans got rich. Because as much as the era is synonymous with staggering economic growth, it also doubles as America’s cautionary tale for the perils of leaving rich people and institutions unregulated. It was the time of extractive industrialists, worker exploitation, stifled economic mobility, and racial exclusion—lessons that the United States learned the hard way.

Vincent Geloso contests this traditional narrative by revisiting the math in this new empirical account of the Gilded Age. The Great Enrichment is an economic history of America’s rise to affluence, a period that doubled as a remarkable rise of the country’s economic floor. The conventional contrast of Robber Barons against huddled masses is, in Geloso’s analysis, unsubstantiated by economic data. The Gilded Age was the first egalitarian enrichment that humanity witnessed—a time when both rich and poor benefited in ways that were seismic, albeit unequal. Yet the net result was a great leap forward, not the lamentable birth of modern inequality.

Geloso marshals an expanded set of economic measures to account for factors not typically included in the Gilded Age economic story. The Great Enrichment sets a new standard for empirical history in one of America’s most consequential—and perhaps misunderstood—periods.

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cover of The Great Famine and the Irish Diaspora in America

The Great Famine and the Irish Diaspora in America

Arthur Gribben

University of Massachusetts Press, 1999

Between 1845 and 1855, nearly 1.5 million Irish women, men, and children sailed to America to escape the Great Famine, triggered by successive years of potato blight. The famine and resulting emigration had a profound impact not only on the history of Ireland, but on that of England and North America as well. This volume of original essays commemorates the 150th anniversary of these epochal events and sheds new light on both the consequences of the famine and experience of the Irish in America.
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cover of The Great Peshtigo Fire: An Eyewitness Account

The Great Peshtigo Fire

An Eyewitness Account

Peter Pernin

Wisconsin Historical Society Press, 1999

Reverend Peter Pernin was the parish priest for Peshtigo and nearby Marinette, whose churches burned to the ground. He published his account of the fire in 1874. The late William Converse Haygood served as editor of the Wisconsin Magazine of History from 1957 to 1975. He prepared this version of Father Pernin's account on the occasion of the Peshtigo Fire's centennial in 1971. Foreword writer Stephen J. Pyne is a professor at Arizona State University in Tempe and author of numerous books on wildland fire, including Fire in America.
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cover of The Great Peshtigo Fire: Stories and Science from America’s Deadliest Fire

The Great Peshtigo Fire

Stories and Science from America’s Deadliest Fire

Scott Knickelbine

Wisconsin Historical Society Press, 2012

On the night of October 8, 1871, a whirlwind of fire swept through northeastern Wisconsin, destroying the bustling frontier town of Peshtigo. Trees, buildings, and people burst into flames. Metal melted. Sand turned into glass. People thought the end of the world had come. When the “tornado of fire” was over, 2,500 people were dead, and Peshtigo was nothing but a smoking ruin. It was the deadliest wildfire in U.S. history.

The Great Peshtigo Fire: Stories and Science from America’s Deadliest Firestorm explores the history, science, and legacy of the 1871 Peshtigo Fire at a fourth-grade reading level. Readers will learn about the history of settlement, agriculture, and forestry in 19th-century Wisconsin. This illuminating text covers a diverse range of topics that will enrich the reader’s understanding of the Peshtigo Fire, including the building and land-use practices of the time that made the area ripe for such a fire, the weather patterns that fostered widespread fires throughout the upper Midwest in the summer and fall of 1871, and exciting first-person accounts that vividly bring the `victims’ stories to life. Connections made between the Peshtigo Fire and the history of fire prevention in the United States encourage critical thinking about issues that remain controversial to this day, such as planned burns and housing development restrictions near forested areas. The Great Peshtigo Fire: Stories and Science from America’s Deadliest Firestorm will inform and captivate its readers as it journeys through the horrifying history of the Peshtigo Fire.

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cover of The Great Reporters

The Great Reporters

David Randall

Pluto Press, 2005

Who are the greatest reporters in history?



This unique book is the first to try and answer this question. Author David Randall searched nearly two centuries of newspapers and magazines, consulted editors and journalism experts worldwide, and the result is The Great Reporters---13 in-depth profiles of the best journalists who ever lived. They include nine Americans and four Britons, ten men and three women, whose lives were full of adventure, wit, and the considerable ingenuity required to bring the story home. Among chapters are those on the reporter who:

Booked himself onto a ship likely to be sunk by the Germans so he could report its torpedoing Was called out to a multiple shooting, who interviewed 50 witnesses, went back to the office, and wrote a Pulitzer Prize-winning story of 4,000 words in two and a half hours Was deemed useless by her teacher but who went on to become the greatest crime reporter in history Wrote a story that changed the map of Europe Out-bluffed a top Soviet official to get into Russia so he could cover the appalling famine there Feigned madness to get herself locked up in an asylum so she could expose its terrible conditions Was the best ever to apply words to newsprint Became a national hero in America because he stood up for the little guy and his war reporting told it like it really was At the age of 63, and after three major operations, went under-cover in Iran so she could report on the regime's repression Was nearly fired for fouling up his first major assignment, but went on to shock his nation with his courageous war reporting Wrote faster than anyone who could write better and better than anyone who could write faster Single-handedly took on the tobacco industry Said no to William Randolph Hearst

Each profile tells of the reporter's life and his or her major stories, how they were obtained, and their impact. Packed with anecdotes, and inspiring accounts of difficulties overcome, the book quotes extensively from each reporter's work. It also includes an essay on the history of reporting, charting the technologies, economics, and attitudes that made it the way it is---from the invention of the telegraph to the Internet. The Great Reporters is not just the story of 13 remarkable people, it is the story of how society's information hunter-gatherers succeed in bringing us all what we need to know.

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cover of The Great Strikes of 1877

The Great Strikes of 1877

Edited by David O. Stowell

University of Illinois Press, 2007

A spectacular example of collective protest, the Great Strike of 1877--actually a sequence of related actions--was America's first national strike and the first major strike against the railroad industry. In some places, non-railroad workers also abandoned city businesses, creating one of the nation's first general strikes. Mobilizing hundreds of thousands of workers, the Great Strikes of 1877 transformed the nation's political landscape, shifting the primary political focus from Reconstruction to labor, capital, and the changing role of the state. 

Probing essays by distinguished historians explore the social, political, regional, and ethnic landscape of the Great Strikes of 1877: long-term effects on state militias and national guard units; ethnic and class characterization of strikers; pictorial representations of poor laborers in the press; organizational strategies employed by railroad workers; participation by blacks; violence against Chinese immigrants; and the developing tension between capitalism and racial equality in the United States. 

Contributors: Joshua Brown, Steven J. Hoffman, Michael Kazin, David Miller, Richard Schneirov, David O. Stowell, and Shelton Stromquist.

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cover of The Greatest and the Grandest Act: The Civil Rights Act of 1866 from Reconstruction to Today

The Greatest and the Grandest Act

The Civil Rights Act of 1866 from Reconstruction to Today

Edited by Christian G. Samito

Southern Illinois University Press, 2018

In this volume ten expert historians and legal scholars examine the Civil Rights Act of 1866, the first federal civil rights statute in American history. The act declared that all persons born in the United States were citizens without regard to race, color, or previous condition of slavery. Designed to give the Thirteenth Amendment practical effect as former slave states enacted laws limiting the rights of African Americans, this measure for the first time defined U.S. citizenship and the rights associated with it.
 
Essays examine the history and legal ramifications of the act and highlight competing impulses within it, including the often-neglected Section 9, which allows the president to use the nation’s military in its enforcement; an investigation of how the Thirteenth Amendment operated to overturn the Dred Scott case; and New England’s role in the passage of the act. The act is analyzed as it operated in several states such as Kentucky, Missouri, and South Carolina during Reconstruction. There is also a consideration of the act and its interpretation by the Supreme Court in its first decades. Other essays include a discussion of the act in terms of contract rights and in the context of the post–World War II civil rights era as well as an analysis of the act’s backward-looking and forward-looking nature.
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cover of The Habsburg Garrison Complex in Trebinje: A Lost World

The Habsburg Garrison Complex in Trebinje

A Lost World

Cathie Carmichael

Central European University Press, 2024

Following the imposition of Habsburg rule on Ottoman Bosnia in 1878, a new garrison was constructed in the old citadel of Trebinje. By using a micro-historical approach, this innovative book tells the story of the garrison in times of peace and war, describing the way in which the Austro-Hungarian administration rapidly transformed Trebinje into a tree-lined city dominated by the army.

Yet, the Habsburg "civilizing mission," marked by the building of hospitals, schools, roads, and railways was accompanied by ruthless violence against those who resisted the new foreign occupiers, especially after 1914. The tragic violence is described in the book alongside accounts of daily life. By personalizing historical events, the narrative reveals the perspective of people who found themselves in Trebinje and its garrison complex: the ordinary soldier, the condemned “insurgent,” the career officer, the cook, the shepherdess, the hotelier, or the journalist—all willing or unwilling participants in an extra-European style colonial project in the heart of Europe. 

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cover of The Haymarket Conspiracy: Transatlantic Anarchist Networks

The Haymarket Conspiracy

Transatlantic Anarchist Networks

Timothy Messer-Kruse

University of Illinois Press, 2012

The Haymarket Conspiracy: Transatlantic Anarchist Networks traces the evolution of revolutionary anarchist ideas in Europe and their migration to the United States in the 1880s. A new history of the transatlantic origins of American anarchism, this study thoroughly debunks the dominant narrative through which most historians interpret the Haymarket Bombing and Trial of 1886–87.
 
Challenging the view that there was no evidence connecting the eight convicted workers to the bomb throwing at the Haymarket rally, Timothy Messer-Kruse examines police investigations and trial proceedings that reveal the hidden transatlantic networks, the violent subculture, and the misunderstood beliefs of Gilded Age anarchists. Messer-Kruse documents how, in the 1880s, radicals on both sides of the Atlantic came to celebrate armed struggle as the one true way forward and began to prepare seriously for conflict. Within this milieu, he suggests the possibility of a "Haymarket conspiracy": a coordinated plan of attack in which the oft-martyred Haymarket radicals in fact posed a real threat to public order and safety. Drawing on new, never-before published historical evidence, The Haymarket Conspiracy provides a new means of understanding the revolutionary anarchist movement on its own terms rather than in the romantic ways in which its agents have been eulogized.
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cover of The Heavens on Earth: Observatories and Astronomy in Nineteenth-Century Science and Culture

The Heavens on Earth

Observatories and Astronomy in Nineteenth-Century Science and Culture

David Aubin, Charlotte Bigg, and H. Otto Sibum, eds.

Duke University Press, 2010

The Heavens on Earth explores the place of the observatory in nineteenth-century science and culture. Astronomy was a core pursuit for observatories, but usually not the only one. It belonged to a larger group of “observatory sciences” that also included geodesy, meteorology, geomagnetism, and even parts of physics and statistics. These pursuits coexisted in the nineteenth-century observatory; this collection surveys them as a coherent whole. Broadening the focus beyond the solitary astronomer at his telescope, it illuminates the observatory’s importance to technological, military, political, and colonial undertakings, as well as in advancing and popularizing the mathematical, physical, and cosmological sciences.

The contributors examine “observatory techniques” developed and used not only in connection with observatories but also by instrument makers in their workshops, navy officers on ships, civil engineers in the field, and many others. These techniques included the calibration and coordination of precision instruments for making observations and taking measurements; methods of data acquisition and tabulation; and the production of maps, drawings, and photographs, as well as numerical, textual, and visual representations of the heavens and the earth. They also encompassed the social management of personnel within observatories, the coordination of international scientific collaborations, and interactions with dignitaries and the public. The state observatory occupied a particularly privileged place in the life of the city. With their imposing architecture and ancient traditions, state observatories served representative purposes for their patrons, whether as symbols of a monarch’s enlightened power, a nation’s industrial and scientific excellence, or republican progressive values. Focusing on observatory techniques in settings from Berlin, London, Paris, and Rome to Australia, Russia, Thailand, and the United States, The Heavens on Earth is a major contribution to the history of science.

Contributors: David Aubin, Charlotte Bigg, Guy Boistel, Theresa Levitt, Massimo Mazzotti, Ole Molvig, Simon Schaffer, Martina Schiavon , H. Otto Sibum, Richard Staley, John Tresch, Simon Werrett, Sven Widmalm

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cover of The Hidden Famine: Hunger, Poverty and Sectarianism in Belfast 1840-50

The Hidden Famine

Hunger, Poverty and Sectarianism in Belfast 1840-50

Christine Kinealy and Gerard Mac Atasney

Pluto Press, 2000

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cover of The Highlands Controversy: Constructing Geological Knowledge through Fieldwork in Nineteenth-Century Britain

The Highlands Controversy

Constructing Geological Knowledge through Fieldwork in Nineteenth-Century Britain

David R. Oldroyd

University of Chicago Press, 1990

The Highlands Controversy is a rich and perceptive account of the third and last major dispute in nineteenth-century geology stemming from the work of Sir Roderick Murchison. The earlier Devonian and Cambrian-Silurian controversies centered on whether the strata of Devon and Wales should be classified by lithological or paleontological criteria, but the Highlands dispute arose from the difficulties the Scottish Highlands presented to geologists who were just learning to decipher the very complex processes of mountain building and metamorphism. David Oldroyd follows this controversy into the last years of the nineteenth century, as geology was transformed by increasing professionalization and by the development of new field and laboratory techniques. In telling this story, Oldroyd's aim is to analyze how scientific knowledge is constructed within a competitive scientific community—how theory, empirical findings, and social factors interact in the formation of knowledge.

Oldroyd uses archival material and his own extensive reconstruction of the nineteenth-century fieldwork in a case study showing how detailed maps and sections made it possible to understand the exceptionally complex geological structure of the Highlands

An invaluable addition to the history of geology, The Highlands Controversy also makes important contributions to our understanding of the social and conceptual processes of scientific work, especially in times of heated dispute.
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cover of The Hindered Hand

The Hindered Hand

John Cullen Gruesser

University of Delaware Press, 0

Between 1899 and 1908, five long works of fiction by the Nashville-based Black Baptist minister Sutton E. Griggs appeared in print in which he examined the interrelationships among race, politics, economics, gender, culture, religion, violence, and empire, making him the most prolific African American novelist at the turn of the twentieth century, a time at which the civil rights and the very existence of African Americans, especially those in the South, were increasingly in jeopardy.

Brought out by Griggs’s own Orion Publishing Company in three distinct printings in 1905 and 1906, The Hindered Hand; or, the Reign of the Repressionist addresses the author’s key themes of amalgamation, emigration, armed resistance, and US overseas expansion; includes a melodramatic love story; and features two of the most sensational scenes in early African American fiction—a harrowingly graphic lynching of an innocent black couple based on actual events and the elaboration of a plot to wipe out white Southerners by introducing yellow fever germs into the water supply.

Written in response to Thomas Dixon’s recently published race-baiting novel The Leopard’s Spots, Griggs’s book depicts the remnants of the old Southern planter class, the racial crisis threatening the South and the North, the social ferment of the time, the changing roles of women, and the thwarted aspirations of a trio of African American veterans following the war against Spain. This scholarly edition of the novel, providing newly discovered biographical information and copious historical context, makes a significant contribution to African American literary scholarship.

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cover of The Historian and Believer: The Morality of Historical Knowledge and Christian Belief

The Historian and Believer

The Morality of Historical Knowledge and Christian Belief

Van A. Harvey

University of Illinois Press, 1952

A milestone work in Christian
        theology--available again!
      "As a critic of the contemporary
        theological scene, Van Harvey has few, if any, competitors. This is nowhere
        clearer than in The Historian and the Believer . . . the classic
        discussion of its topic. Rich in insight and penetrating in argument,
        it is one book that belongs in the library of every theologian and seminarian."
        -- Schubert M. Ogden, author of Doing Theology Today
      Is it possible to be both
        a historian and a Christian? Van Harvey's classic The Historian and
        the Believer posed that question when it was first published.
      In this printing, the author
        has provided a new introduction in which he reflects on how he would reframe
        his original argument in order to bring out more fully the basic theological
        intention underlying his view that Christian faith cannot rest on dubious
        historical claims.
      From reviews of the first
        edition:
      "Probably the most interesting
        piece of American theological writing to appear this year." -- John
        Reumann, Union Seminary Quarterly Review
 
 
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cover of The History of American Homeopathy: From Rational Medicine to Holistic Health Care

The History of American Homeopathy

From Rational Medicine to Holistic Health Care

Haller, John S

Rutgers University Press, 2009

Although scorned in the early 1900s and publicly condemned by Abraham Flexner and the American Medical Association, the practice of homeopathy did not disappear. Instead, it evolved with the emergence of holistic healing and Eastern philosophy in the United States and today is a form of alternative medicine practiced by more than 100,000 physicians worldwide and used by millions of people to treat everyday ailments as well as acute and chronic diseases.

The History of American Homeopathy traces the rise of lay practitioners in shaping homeopathy as a healing system and its relationship to other forms of complementary and alternative medicine in an age when conventional biomedicine remains the dominant form. Representing the most current and up-to-date history of American homeopathy, readers will benefit from John S. Haller Jr.'s comprehensive explanation of complementary medicine within the American social, scientific, religious, and philosophic traditions.

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cover of The History of Modern Japanese Education: Constructing the National School System, 1872-1890

The History of Modern Japanese Education

Constructing the National School System, 1872-1890

Duke, Benjamin

Rutgers University Press, 2014

The History of Modern Japanese Education is the first account in English of the construction of a national school system in Japan, as outlined in the 1872 document, the Gakusei. Divided into three parts tracing decades of change, the book begins by exploring the feudal background for the Gakusei during the Tokugawa era which produced the initial leaders of modern Japan. Next, Benjamin Duke traces the Ministry of Education's investigations of the 1870s to determine the best western model for Japan, including the decision to adopt American teaching methods. He then goes on to cover the eventual "reverse course" sparked by the Imperial Household protest that the western model overshadowed cherished Japanese traditions. Ultimately, the 1890 Imperial Rescript on Education integrated Confucian teachings of loyalty and filial piety with Imperial ideology, laying the moral basis for a western-style academic curriculum in the nation's schools.
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cover of The History of a Periphery: Spanish Colonial Cartography from Colombia's Pacific Lowlands

The History of a Periphery

Spanish Colonial Cartography from Colombia's Pacific Lowlands

Juliet B. Wiersema

University of Texas Press, 2024

2025 ALAA Book Award, Association for Latin American Art/Arvey Foundation, College Art Association

An exploration of Colombian maps in New Granada.

During the late Spanish colonial period, the Pacific Lowlands, also called the Greater Chocó, was famed for its rich placer deposits. Gold mined here was central to New Granada’s economy yet this Pacific frontier in today’s Colombia was considered the “periphery of the periphery.” Infamous for its fierce, unconquered Indigenous inhabitants and its brutal tropical climate, it was rarely visited by Spanish administrators, engineers, or topographers and seldom appeared in detail on printed maps of the period.

In this lavishly illustrated and meticulously researched volume, Juliet Wiersema uncovers little-known manuscript cartography and makes visible an unexamined corner of the Spanish empire. In concert with thousands of archival documents from Colombia, Spain, and the United States, she reveals how a "periphery" was imagined and projected, largely for political or economic reasons. Along the way, she unearths untold narratives about ephemeral settlements, African adaptation and autonomy, Indigenous strategies of resistance, and tenuous colonialisms on the margins of a beleaguered viceroyalty.

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cover of The Horrell Wars: Feuding in Texas and New Mexico

The Horrell Wars

Feuding in Texas and New Mexico

David Johnson

University of North Texas Press, 2014

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cover of The Horrible Peace: British Veterans and the End of the Napoleonic Wars

The Horrible Peace

British Veterans and the End of the Napoleonic Wars

Evan Wilson

University of Massachusetts Press, 2023

Few battles in world history provide a cleaner dividing line than Waterloo: before, there was Napoleon; after, there was the Pax Britannica. While Waterloo marked France’s defeat and Britain’s ascendance as an imperial power, the war was far from over for many soldiers and sailors, who were forced to contend with the lasting effects of battlefield trauma, the realities of an impossibly tight labor market, and growing social unrest. The Horrible Peace details a story of distress and discontent, of victory complicated by volcanism, and of the challenges facing Britain at the beginning of its victorious century.

Examining the process of demobilization and its consequences for British society, Evan Wilson draws on archival research and veterans’ memoirs to tell the story of this period through the experiences of veterans who struggled to reintegrate and soldiers and sailors who remained in service as Britain attempted to defend and expand the empire. Veterans were indeed central to Britain’s experience of peace, as they took to the streets to protest the government’s indifference to widespread unemployment and misery. The fighting did not stop at Waterloo.

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cover of The Hysteric's Revenge: French Women Writers at the Fin de Siecle

The Hysteric's Revenge

French Women Writers at the Fin de Siecle

Rachel Mesch

Vanderbilt University Press, 2006

The Hysteric's Revenge considers fin-de-siecle French women writers in the context of prevailing cultural anxieties about female intellect. During the years that overlap between the fin-de-siecle and the Belle Epoque, women began to write in record numbers, due to a number of factors including educational reforms and demographic shifts. This trend terrified many male literary critics, who described it as the "crisis of women's writing" in a series of efforts to circumscribe the perceived problem. Such critics frequently linked women's writing to sexual depravity. According to popular medical theories, the fragile confluence of the female mind and body might steer the woman writer towards illicit sexual behavior when she exercised her intellect.


This book argues, however, that the fear of sexual abandon--though real--veiled an even more insidious fear: that women might be capable of intellectual equality with men and thus pose a threat to the most basic structures of French patriarchal society. In demonstrating the pervasiveness of this anxiety through analysis of nineteenth-century medical texts, literary criticism, and fiction, The Hysteric's Revenge brings into relief a critical relationship between the female mind and body that is essential to understanding the discursive position of the turn-of-the-century woman writer.


The novels presented here confront this mind/body problem through a wide variety of styles and genres that challenge conventional fin-de-siecle notions of femininity. From the compelling autobiography of Liane de Pougy--one of Paris's most renowned courtesans--to Colette's frank discussions of female pleasure in one of her early novels, to the violent creativity of Rachilde's androgynous heroine, Mesch demonstrates how both canonical and non-canonical writers promoted women's intellectual authority through the development of a sexual counter-discourse. In engaging the relationship between women's minds and bodies, these novels challenge the conclusions of a century of doctors who sought to prove a physiological basis for female intellectual inferiority. At the same time, they point the way towards later French feminists who sought to subvert patriarchal structures through literary explorations of sexuality.

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cover of The Idea of Absolute Music

The Idea of Absolute Music

Carl Dahlhaus

University of Chicago Press, 1989

With a characteristically broad and provocative treatment, Dahlhaus examines a single music-aesthetical idea from various historical and philosophical viewpoints.

"Essential reading for anyone interested in the larger intellectual framework in which Romantic music found its place, a framework that to a remarkable degree has continued to shape our image of music."—Robert P. Morgan, Yale University

Carl Dahlhaus (1928-1989) is the author of a highly influential body of works on the foundations of music history and aesthetics.
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cover of The Ideas in Things: Fugitive Meaning in the Victorian Novel

The Ideas in Things

Fugitive Meaning in the Victorian Novel

Elaine Freedgood

University of Chicago Press, 2006

While the Victorian novel famously describes, catalogs, and inundates the reader with things, the protocols for reading it have long enjoined readers not to interpret most of what crowds its pages. The Ideas in Things explores apparently inconsequential objects in popular Victorian texts to make contact with their fugitive meanings. Developing an innovative approach to analyzing nineteenth-century fiction, Elaine Freedgood here reconnects the things readers unwittingly ignore to the stories they tell.

Building her case around objects from three well-known Victorian novels—the mahogany furniture in Charlotte Brontë’s Jane Eyre, the calico curtains in Elizabeth Gaskell’s Mary Barton, and “Negro head” tobacco in Charles Dickens’s Great Expectations—Freedgood argues that these things are connected to histories that the novels barely acknowledge, generating darker meanings outside the novels’ symbolic systems. A valuable contribution to the new field of object studies in the humanities, The Ideas in Things pushes readers’ thinking about things beyond established concepts of commodity and fetish.

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cover of The Immigrant Scene: Ethnic Amusements in New York, 1880–1920

The Immigrant Scene

Ethnic Amusements in New York, 1880–1920

Sabine Haenni

University of Minnesota Press, 2008

Explores the relationship between immigrant and national culture

Yiddish melodramas about the tribulations of immigration. German plays about alpine tourism. Italian vaudeville performances. Rubbernecking tours of Chinatown. In the New York City of the late nineteenth and early twentieth centuries, these seemingly disparate leisure activities played similar roles: mediating the vast cultural, demographic, and social changes that were sweeping the nation’s largest city.

In The Immigrant Scene, Sabine Haenni reveals how theaters in New York created ethnic entertainment that shaped the culture of the United States in the early twentieth century. Considering the relationship between leisure and mass culture, The Immigrant Scene develops a new picture of the metropolis in which the movement of people, objects, and images on-screen and in the street helped residents negotiate the complexities of modern times. In analyzing how communities engaged with immigrant theaters and the nascent film culture in New York City, Haenni traces the ways in which performance and cinema provided virtual mobility—ways of navigating the socially complex metropolis—and influenced national ideas of immigration, culture, and diversity in surprising and lasting ways.
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cover of The Immigrant Threat: The Integration of Old and New Migrants in Western Europe since 1850

The Immigrant Threat

The Integration of Old and New Migrants in Western Europe since 1850

Leo Lucassen

University of Illinois Press, 2005

Starting in the 1980s, anti-immigrant discourse shifted away from the "color" of immigrants to their religion and culture. It focused in particular on newcomers from Muslim countries—people feared both as terrorists and as products of tribal societies with values opposed to those of secular Western Europe.

Leo Lucassen tackles the question of whether the integration process of these recent immigrants will fundamentally differ in the long run (over multiple generations) from the experiences of similar immigrant groups in the past. For comparison, Lucassen focuses on "large and problematic groups" from Western Europe's past (the Irish in the United Kingdom, the Poles in Germany, and the Italians in France) and demonstrates a number of structural similarities in the way migrants and their descendants integrated into these nation states. Lucassen emphasizes that the geographic sources of the "threat" have changed and that contemporaries tend to overemphasize the threat of each successive wave of immigrants, in part because the successfully incorporated immigrants of the past have become invisible in national histories.

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cover of The Imperative of Reliability: Russian Prose on the Eve of the Novel, 1820s-1850s

The Imperative of Reliability

Russian Prose on the Eve of the Novel, 1820s-1850s

Victoria Somoff

Northwestern University Press, 2015

The Imperative of Reliability examines the development of nineteenth-century Russian prose and the remarkably swift emergence of the Russian novel. Victoria Somoff identifies an unprecedented situation in the production and perception of the utterance that came to define nascent novelistic fictionality both in European and Russian prose, where the utterance itself—whether an oral story or a “found” manuscript—became the object of representation within the compositional format of the frame narrative. This circumstance generated a narrative perspective from which both the events and their representation appeared as concomitant in time and space: the events did not precede their narration but rather occurred and developed along with and within the narration itself. Somoff establishes this story-discourse convergence as a major factor in enabling the transition from shorter forms of Russian prose to the full-fledged realist novel.

 

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cover of The Imperial Sublime: A Russian Poetics of Empire

The Imperial Sublime

A Russian Poetics of Empire

Harsha Ram

University of Wisconsin Press, 2003

The Imperial Sublime examines the rise of the Russian empire as a literary theme simultaneous with the evolution of Russian poetry between the 1730s and 1840—the century during which poets defined the main questions facing Russian literature and society. Harsha Ram shows how imperial ideology became implicated in an unexpectedly wide range of issues, from formal problems of genre, style, and lyric voice to the vexed relationship between the poet and the ruling monarch.
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cover of The Imperialist Imaginary: Visions of Asia and the Pacific in American Culture

The Imperialist Imaginary

Visions of Asia and the Pacific in American Culture

John Eperjesi

Dartmouth College Press, 2014

In a groundbreaking work of “New Americanist” studies, John R. Eperjesi explores the cultural and economic formation of the Unites States relationship to China and the Pacific Rim in the nineteenth and twentieth centuries. Eperjesi examines a variety of texts to explore the emergence of what Rob Wilson has termed the “American Pacific.” Eperjesi shows how works ranging from Frank Norris’ The Octopus to the Journal of the American Asiatic Association, from the Socialist newspaper Appeal to Reason to the travel writings of Jack and Charmain London, and from Maxine Hong Kingston’s China Men to Ang Lee’s Crouching Tiger, Hidden Dragon—and the cultural dynamics that produced them—helped construct the myth of the American Pacific. By construing the Pacific Rim as a unified region binding together the territorial United States with the areas of Asia and the Pacific, he also demonstrates that the logic of the imperialist imaginary suggested it was not only proper but even incumbent upon the United States to exercise both political and economic influence in the region. As Donald E. Pease notes in his foreword, “by reading foreign policy and economic policy as literature, and by reconceptualizing works of American literature as extenuations of foreign policy and economic theory,” Eperjesi makes a significant contribution to studies of American imperialism.
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cover of The Improbable First Century of Cosmopolitan Magazine

The Improbable First Century of Cosmopolitan Magazine

James Landers

University of Missouri Press, 2010

Today, monthly issues of Cosmopolitan magazine scream out to readers from checkout counters and newsstands. With bright covers and bold, sexy headlines, this famous periodical targets young, single women aspiring to become the quintessential “Cosmo girl.” Cosmopolitan is known for its vivacious character and frank, explicit attitude toward sex, yet because of its reputation, many people don’t realize that the magazine has undergone many incarnations before its current one, including family literary magazine and muckraking investigative journal, and all are presented in The Improbable First Century of Cosmopolitan Magazine. The book boasts one particularly impressive contributor: Helen Gurley Brown herself, who rarely grants interviews but spoke and corresponded with James Landers to aid in his research.
            When launched in 1886, Cosmopolitan was a family literary magazine that published quality fiction, children’s stories, and homemaking tips. In 1889 it was rescued from bankruptcy by wealthy entrepreneur John Brisben Walker, who introduced illustrations and attracted writers such as Mark Twain, Willa Cather, and H. G. Wells. Then, when newspaper magnate William Randolph Hearst purchased Cosmopolitan in 1905, he turned it into a purveyor of exposé journalism to aid his personal political pursuits. But when Hearst abandoned those ambitions, he changed the magazine in the 1920s back to a fiction periodical featuring leading writers such as Theodore Dreiser, Sinclair Lewis, and William Somerset Maugham. His approach garnered success by the 1930s, but poor editing sunk Cosmo’s readership as decades went on. By the mid-1960s executives considered letting Cosmopolitan die, but Helen Gurley Brown, an ambitious and savvy businesswoman, submitted a plan for a dramatic editorial makeover. Gurley Brown took the helm and saved Cosmopolitan by publishing articles about topics other women’s magazines avoided. Twenty years later, when the magazine ended its first century, Cosmopolitan was the profit center of the Hearst Corporation and a culturally significant force in young women’s lives.
            The Improbable First Century of Cosmopolitan Magazine explores how Cosmopolitan survived three near-death experiences to become one of the most dynamic and successful magazines of the twentieth century. Landers uses a wealth of primary source materials to place this important magazine in the context of history and depict how it became the cultural touchstone it is today. This book will be of interest not only to modern Cosmo aficionadas but also to journalism students, news historians, and anyone interested in publishing.
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cover of The Impulse of Victory: Ulysses S. Grant at Chattanooga

The Impulse of Victory

Ulysses S. Grant at Chattanooga

David A. Powell

Southern Illinois University Press, 2020

How Grant secured a Tennessee victory and a promotion

Union soldiers in the Army of the Cumberland, who were trapped and facing starvation or surrender in the fall of 1863, saw the arrival of Major General Ulysses S. Grant in Tennessee as an impetus to reverse the tides of war. David A. Powell’s sophisticated strategic and operational analysis of Grant’s command decisions and actions shows how his determined leadership relieved the siege and shattered the enemy, resulting in the creation of a new strategic base of Union operations and Grant’s elevation to commander of all the Federal armies the following year.  
 
Powell’s detailed exploration of the Union Army of the Cumberland’s six-week-long campaign for Chattanooga is complemented by his careful attention to the personal issues Grant faced at the time and his relationships with his superiors and subordinates. Though unfamiliar with the tactical situation, the army, and its officers, Grant delivered another resounding victory. His success, explains Powell, was due to his tactical flexibility, communication with his superiors, perseverance despite setbacks, and dogged determination to win the campaign. Through attention to postwar accounts, Powell reconciles the differences between what happened and the participants’ memories of the events. He focuses throughout on Grant’s controversial decisions, showing how they were made and their impact on the campaign. As Powell shows, Grant’s choices demonstrate how he managed to be a thoughtful, deliberate commander despite the fog of war. 
 
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cover of The Indian Craze: Primitivism, Modernism, and Transculturation in American Art, 1890–1915

The Indian Craze

Primitivism, Modernism, and Transculturation in American Art, 1890–1915

Elizabeth Hutchinson

Duke University Press, 2009

In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists exploring formal abstraction and emerging notions of artistic subjectivity. She argues that the Indian craze convinced policymakers that art was an aspect of “traditional” Native culture worth preserving, an attitude that continues to influence popular attitudes and federal legislation.

Illustrating her argument with images culled from late-nineteenth- and early-twentieth-century publications, Hutchinson revises the standard history of the mainstream interest in Native American material culture as “art.” While many locate the development of this cross-cultural interest in the Southwest after the First World War, Hutchinson reveals that it began earlier and spread across the nation from west to east and from reservation to metropolis. She demonstrates that artists, teachers, and critics associated with the development of American modernism, including Arthur Wesley Dow and Gertrude Käsebier, were inspired by Native art. Native artists were also able to achieve some recognition as modern artists, as Hutchinson shows through her discussion of the Winnebago painter and educator Angel DeCora. By taking a transcultural approach, Hutchinson transforms our understanding of the role of Native Americans in modernist culture.

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cover of The Indomitable Mary Easton Sibley: Pioneer of Women's Education in Missouri

The Indomitable Mary Easton Sibley

Pioneer of Women's Education in Missouri

Kristie C. Wolferman

University of Missouri Press, 2008

Acknowledged as a significant figure in the history of women on the early western frontier, Mary Easton Sibley may be little known to many modern readers. Yet she was involved in most of the important events in nineteenth-century Missouri, pursued and practiced educational innovations, and founded a school that continues to thrive today. This first biography of Sibley sheds new light on this important pioneer.
            Kristie Wolferman retraces the course of an exciting life, beginning with four-year-old Mary’s arrival in St. Louis in 1804 when her father was appointed attorney general for the District of Louisiana—and the Eastons became one of the first American families to settle in this bustling French town. At fifteen, Mary married George Champlin Sibley, the factor of Fort Osage in Western Missouri, where the young bride lived among the Indians on the edge of the frontier and took up her teaching vocation. She then went on to found Linden Wood in St. Charles, the first college for women west of the Mississippi, and she also taught classes for African American and immigrant children. Throughout the story, Wolferman shows us a life intimately entwined with the history of the state, as Mary witnessed St. Louis in its primitive years and frontier life at Fort Osage, as well as changes in Indian policy and citizenship for former slaves.
Although Sibley’s life has been told in older accounts, Wolferman’s is the first to draw fully on Mary and George Sibley’s journals and letters, with Mary’s journal especially shedding light on her views regarding women’s social and political roles, slavery, temperance, religion, and other topics. By reconstructing Sibley’s inner life as well as her career, Wolferman depicts not merely a frontier heroine and educational pioneer but an assertive woman who did not hesitate to express unconventional views.
            Today, Lindenwood University is a major coeducational institution that continues to honor Mary Sibley’s philosophy and dedication. This biography not only brings to life one of Missouri’s most remarkable women educators but also demonstrates how her story reflects educational, religious, and social developments in both the state and the nation. The Indomitable Mary Easton Sibley recognizes her as a key player on the frontier and as a major part of Missouri’s heritage.
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cover of The Industrial Reformation of English Fiction: Social Discourse and Narrative Form, 1832-1867

The Industrial Reformation of English Fiction

Social Discourse and Narrative Form, 1832-1867

Catherine Gallagher

University of Chicago Press, 1985

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cover of The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier

The Industrialist and the Mountaineer

The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier

RONALD L. LEWIS

West Virginia University Press, 2017

In 1897 a small landholder named Robert Eastham shot and killed timber magnate Frank Thompson in Tucker County, West Virginia, leading to a sensational trial that highlighted a clash between local traditions and modernizing forces. Ronald L. Lewis’s book uses this largely forgotten episode as a window into contests over political, environmental, and legal change in turn-of-the-century Appalachia.
 
The Eastham-Thompson feud pitted a former Confederate against a member of the new business elite who was, as a northern Republican, his cultural and political opposite. For Lewis, their clash was one flashpoint in a larger phenomenon central to US history in the second half of the nineteenth century: the often violent imposition of new commercial and legal regimes over holdout areas stretching from Appalachia to the trans-Missouri West. Taking a ground-level view of these so-called “wars of incorporation,” Lewis’s powerful microhistory shows just how strongly local communities guarded traditional relationships to natural resources. Modernizers sought to convict Eastham of murder, but juries drawn from the traditionalist population refused to comply. Although the resisters won the courtroom battle, the modernizers eventually won the war for control of the state’s timber frontier.
 
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cover of The Infamous Harry Hayward: A True Account of Murder and Mesmerism in Gilded Age Minneapolis

The Infamous Harry Hayward

A True Account of Murder and Mesmerism in Gilded Age Minneapolis

Shawn Francis Peters

University of Minnesota Press, 2018

A fascinating tale of seduction, murder, fraud, coercion—and the trial of the “Minneapolis Monster”

On a winter night in 1894, a young woman’s body was found in the middle of a road near Lake Calhoun on the outskirts of Minneapolis. She had been shot through the head. The murder of Kittie Ging, a twenty-nine-year-old dressmaker, was the final act in a melodrama of seduction and betrayal, petty crimes and monstrous deeds that would obsess reporters and their readers across the nation when the man who likely arranged her killing came to trial the following spring. Shawn Francis Peters unravels that sordid, spellbinding story in his account of the trial of Harry Hayward, a serial seducer and schemer whom some deemed a “Svengali,” others a “Machiavelli,” and others a “lunatic” and “man without a soul.”

Dubbed “one of the greatest criminals the world has ever seen” by the famed detective William Pinkerton, Harry Hayward was an inveterate and cunning plotter of crimes large and small, dabbling in arson, insurance fraud, counterfeiting, and illegal gambling. His life story, told in full for the first time here, takes us into shadowy corners of the nineteenth century, including mesmerism, psychopathy, spiritualism, yellow journalism, and capital punishment. From the horrible fate of an independent young businesswoman who challenged Victorian mores to the shocking confession of Hayward on the eve of his execution (which, if true, would have made him a serial killer), The Infamous Harry Hayward unfolds a transfixing tale of one of the most notorious criminals in America during the Gilded Age.

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cover of The Infamous King Of The Comstock: William Sharon And The Gilded Age In The West

The Infamous King Of The Comstock

William Sharon And The Gilded Age In The West

Michael J. Makley

University of Nevada Press, 2009

William Sharon was one of the most colorful scoundrels in the nineteenth-century mining West. He epitomized the robber barons of the nation’s Gilded Age and the political corruption and moral decay for which that period remains notorious; yet he was also a visionary capitalist who controlled more than a dozen of the greatest mines on Nevada’s mighty Comstock Lode, built the Virginia & Truckee Railroad, manipulated speculation and prices on the San Francisco Stock Exchange, and revived the collapsed Bank of California. One enemy called him “a thoroughly bad man—a man entirely void of principle,” while a Comstock neighbor called him “one of the best men that ever lived in Virginia City.” Both descriptions were reasonably accurate. In this first-ever biography of one of Nevada’s most reviled historical figures, author Michael Makley examines Sharon’s complex nature and the turbulent times in which he flourished. Arriving in San Francisco shortly after the Gold Rush began, Sharon was soon involved in real estate, politics, banking, and stock speculation, and he was a party in several of the era’s most shocking business and sexual scandals. When he moved to Virginia City, Nevada’s mushrooming silver boomtown, his business dealings there soon made him known as the “King of the Comstock.” Makley’s engaging and meticulously researched account not only lays bare the life of the notorious but enigmatic Sharon but examines the broader historical context of his career—the complex business relationships between San Francisco and the booming gold and silver mining camps of the Far West; the machinations of rampant Gilded Age capitalism; and the sophisticated financial and technological infrastructure that supported Virginia City’s boomtown economy. The Infamous King of the Comstock offers a significant fresh perspective on Nevada and the mining West.
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cover of The Inner World of Abraham Lincoln

The Inner World of Abraham Lincoln

Michael Burlingame

University of Illinois Press, 1994

Published to a flurry of praise--and consternation--from Lincoln scholars, Burlingame's book takes a hard and unsentimental look at, among other things, Abraham Lincoln's excruciating yet fruitful midlife crisis, his marriage to a dishonest woman who often embarrassed and sometimes physically abused him, his estrangement from his father, his explosive temper, and his aversion to women.
 
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cover of The Insatiability of Human Wants: Economics and Aesthetics in Market Society

The Insatiability of Human Wants

Economics and Aesthetics in Market Society

Regenia Gagnier

University of Chicago Press, 2000

What is the relationship between our conception of humans as producers or creators; as consumers of taste and pleasure; and as creators of value? Combining cultural history, economics, and literary criticism, Regenia Gagnier's new work traces the parallel development of economic and aesthetic theory, offering a shrewd reading of humans as workers and wanters, born of labor and desire.

The Insatiability of Human Wants begins during a key transitional moment in aesthetic and economic theory, 1871, when both disciplines underwent a turn from production to consumption models. In economics, an emphasis on the theory of value and the social relations between land, labor, and capital gave way to more individualistic models of consumerism. Similarly, in aesthetics, theories of artistic production or creativity soon bowed to models of taste, pleasure, and reception.

Using these developments as a point of departure, Gagnier deftly traces the shift in Western thought from models of production to consumption. From its exploration of early market logic and Kantian thought to its look at the aestheticization of homelessness and our own market boom, The Insatiability of Human Wants invites us to contemplate alternative interpretations of economics, aesthetics, and history itself.
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cover of The Institutions of Russian Modernism: Conceptualizing, Publishing, and Reading Symbolism

The Institutions of Russian Modernism

Conceptualizing, Publishing, and Reading Symbolism

Jonathan Stone

Northwestern University Press, 2017

The Institutions of Russian Modernism illuminates the key role of Symbolism as the earliest form of modernism in Russia, emerging seemingly ex nihilo at the end of the nineteenth century. Combining book history, periodical studies, and reception theory, Jonathan Stone examines the poetry and theory of Russian Symbolism within the framework of the institutions that organized, published, and disseminated the works to Russian readers. Surveying a wealth of examples of books, journals, and almanacs, Stone traces how publishers of Symbolist works marketed the movement and fashioned a Symbolist reader. His persuasive argument that after its eclipse Symbolism's legacy remained embedded in the heart of Russian modernism will be of interest to scholars and general readers.

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cover of The Intellectual Earthquake: How Pragmatism Leveled Philosophy, Caused French Theory, and Reinvented Selfhood

The Intellectual Earthquake

How Pragmatism Leveled Philosophy, Caused French Theory, and Reinvented Selfhood

James Livingston

University of Chicago Press, 0

A look at how pragmatism—a quintessentially “American” philosophy—was the vanguard of a cultural revolution that altered the entire world.

As shaped by William James, John Dewey, Jane Addams, and others, pragmatism is considered the most American of philosophical currents, brashly privileging action, experience, embodiment, contingency, and real-world impact. In The Intellectual Earthquake, James Livingston recaptures pragmatism’s initial scandalous vitality and its worldwide influence. Livingston ambitiously covers more than a century, showing pragmatist roots in countless strains of thought, and connecting seemingly far-flung and disparate thinkers. He also aims to explain how pragmatism has been steadily maligned and misunderstood, and he makes the case for fresh attention to its lineal influence on “French Theory.” 

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cover of The Intimacy of Paper in Early and Nineteenth-Century American Literature

The Intimacy of Paper in Early and Nineteenth-Century American Literature

Jonathan Senchyne

University of Massachusetts Press, 2020

The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures.

The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race.
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cover of The Invention of Religion in Japan

The Invention of Religion in Japan

Jason Ananda Josephson Storm

University of Chicago Press, 2012

Throughout its long history, Japan had no concept of what we call “religion.” There was no corresponding Japanese word, nor anything close to its meaning. But when American warships appeared off the coast of Japan in 1853 and forced the Japanese government to sign treaties demanding, among other things, freedom of religion, the country had to contend with this Western idea. In this book, Jason Ananda Josephson reveals how Japanese officials invented religion in Japan and traces the sweeping intellectual, legal, and cultural changes that followed.
 
More than a tale of oppression or hegemony, Josephson’s account demonstrates that the process of articulating religion offered the Japanese state a valuable opportunity. In addition to carving out space for belief in Christianity and certain forms of Buddhism, Japanese officials excluded Shinto from the category. Instead, they enshrined it as a national ideology while relegating the popular practices of indigenous shamans and female mediums to the category of “superstitions”—and thus beyond the sphere of tolerance. Josephson argues that the invention of religion in Japan was a politically charged, boundary-drawing exercise that not only extensively reclassified the inherited materials of Buddhism, Confucianism, and Shinto to lasting effect, but also reshaped, in subtle but significant ways, our own formulation of the concept of religion today. This ambitious and wide-ranging book contributes an important perspective to broader debates on the nature of religion, the secular, science, and superstition.
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cover of The Invention of the Colonial Americas: Data, Architecture, and the Archive of the Indies, 1781–1844

The Invention of the Colonial Americas

Data, Architecture, and the Archive of the Indies, 1781–1844

Byron Ellsworth Hamann

J. Paul Getty Trust, The, 2022

The story of Seville’s Archive of the Indies reveals how current views of the sixteenth and seventeenth centuries are based on radical historical revisionism in Spain in the late 1700s.
 
The Invention of the Colonial Americas is an architectural history and media-archaeological study of changing theories and practices of government archives in Enlightenment Spain. It centers on an archive created in Seville for storing Spain’s pre-1760 documents about the New World. To fill this new archive, older archives elsewhere in Spain—spaces in which records about American history were stored together with records about European history—were dismembered. The Archive of the Indies thus constructed a scholarly apparatus that made it easier to imagine the history of the Americas as independent from the history of Europe, and vice versa.
 
In this meticulously researched book, Byron Ellsworth Hamann explores how building layouts, systems of storage, and the arrangement of documents were designed to foster the creation of new knowledge. He draws on a rich collection of eighteenth-century architectural plans, descriptions, models, document catalogs, and surviving buildings to present a literal, materially precise account of archives as assemblages of spaces, humans, and data—assemblages that were understood circa 1800 as capable of actively generating scholarly innovation.
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