1861 books match the query 'Social life and customs' and 358 start with t
Jane Fajans
University of Chicago Press, 1997
Neferti X. M. Tadiar
Duke University Press, 2009
Tadiar treats the historical experiences articulated in feminist, urban protest, and revolutionary literatures of the 1960s–90s as “cultural software” for the transformation of dominant social relations. She considers feminist literature in relation to the feminization of labor in the 1970s, when between 300,000 and 500,000 prostitutes were working in the areas around U.S. military bases, and in the 1980s and 1990s, when more than five million Filipinas left the country to toil as maids, nannies, nurses, and sex workers. She reads urban protest literature in relation to authoritarian modernization and crony capitalism, and she reevaluates revolutionary literature’s constructions of the heroic revolutionary subject and the messianic masses, probing these social movements’ unexhausted cultural resources for radical change.
Margaret Jones Bolsterli
University of Arkansas Press, 2016
Kenneth L. Untiedt
University of North Texas Press, 2016
Anthony Varallo
University of Iowa Press, 2005
Ladette Randolph
University of Wisconsin Press, 2005
The stories collected in This Is Not the Tropics come from the geographic center of a divided nation, and its protagonists evoke a split personality—one half submerged in America’s own diehard mythology, the other half searching to escape tradition. Together they form a portrait of the Plains that is both quirky and poignant. While the themes in this collection are familiar—love and betrayal, loneliness and regret, the needs of the individual versus the needs of the community—the tales themselves are startling and new. Whether it is the story of an eccentric out-of-work accordion player; a woman ending a long marriage against the backdrop of a visit from her failing mother; a young girl who wishes to solve a mystery until real mystery enters her life; or all of the men in a small Nebraska town who annually compete in a hilariously earnest beauty pageant, these are tales that speak of the lives lived in the small towns, the prairie cities, and on the dirt roads off blue highways in the middle of nowhere and everywhere.
John Kent Folmar
University of Iowa Press, 1991
When the John Hugh Williams family immigrated to Homer, Iowa, in the 1850s, they had six children, ranging in age from five to twenty. Suddenly land poor, in debt, and caught in the Panic of '57, they sent their eldest son, James, to Georgia to work and add to the family income.
The seventy-five letters collected here represent the family's correspondence to their absent son and brother. From 1858 to 1861, James' sisters, brothers, mother, and father wrote to him frequently, each with distinct views on their daily life and struggles. While Mr. Williams wrote most often about money, farming, and moral advice (he was minister in the Church of New Jerusalem, as well as a merchant and farmer), Mrs. Williams commented on her daily chores, the family's health, the ever-important weather, and her leisure activities, including the contemporary journals and books she read, such as David Copperfield and Jane Eyre. James' sisters and brothers wrote about many concerns, from schoolwork and housework to games and family celebrations in nearby Webster City.
As the letters continue, the affection for the absent James becomes more pronounced. And, as the years go by, the letters touch on more current national trends, including the Pikes Peak Gold Rush and the growing North/South crisis, on which James and his family strongly disagree. James was never to return to Iowa but married and remained in the South, becoming a lieutenant colonel in the Confederate army.
Complete with voices both young and old, male and female, This State of Wonders offers a wealth of information about the daily life of an ordinary family on the Iowa prairie. It is a book to be treasured by all Iowans interested in the early life of their state and by all historians looking for a complete portrait of family life on the midwestern frontier.
Dennis McCann
Wisconsin Historical Society Press, 2017
María Cátedra
University of Chicago Press, 1992
Ana María Alonso
University of Arizona Press, 1995
Mary Kudenov
University of Alaska Press, 2017
Written by Frederick Luis Aldama and Illustrated by Oscar Garza
The Ohio State University Press, 2024
Edited by Michael Koskey, Laurel Tyrrell, and Varpu Lotvonen
University of Alaska Press, 2018
Judah M. Cohen
Brandeis University Press, 2012
Anath Ariel De Vidas
University Press of Colorado, 2004
Anath Ariel de Vidas
University Press of Colorado, 2004
However, as Anath Ariel de Vidas argues in this masterful ethnography, this self-denigration - added to the absence among the Teeneks of emblematic Indian features such as traditional costumes, agricultural rituals, specific ceremonies, or systems of religious cargos or offices - are not synonymous with collective anomie. Rather, as Ariel de Vidas demonstrates, their seeming ontological acceptance of a marginal social and economic condition is - in its own peculiar way - a language of indigenous resistance.
Edited by L. Antonio Curet and Lisa M. Stringer
University of Alabama Press, 2009
Homi Sohrab Fracis
University of Iowa Press, 2001
Ticket to Minto, Sohrab Homi Fracis's premier fiction collection, offers readers a passage to an unfamiliar destination-a world suspended between East and West, India and America, home and away.
With piercing insight, Fracis expertly reveals the underlying differences between immersion in India's culture-Hindu, Muslim, or Parsi-and life as an Indian in America. Alternating between East and West, the stories in Ticket to Minto serve as companion pieces, interrelated across continents in both theme and content. A middle-aged man's search for love in Bombay is contrasted with an Indian American family's hopes for the marriage of their westernized daughter. A university student rushes to save the life of a servant in his homeland only to find his own life threatened while attending graduate school in America.
Poignant and daring, Ticket to Minto underlines the harsh realization that the immigrant never truly arrives but is in constant limbo between two worlds. As one character relates, "There's a part of me that's American and a part that's Indian. I'm clear about that and comfortable with it, except that sometimes people want me to be just the one or the other."
Adele Heller
Rutgers University Press, 1991
Time and the Town was the last of Mary Heaton Vorse's books. It is about many things —a town and its people, the author, a certain kind of idyllic life. As much as anything else, it is the biography of the house Vorse bought in 1907 and lived in, off and on, for the next thirty-six years. The moods of the house mirrored her own. "Our houses," she wrote, "are our biographies, the stories of our defeats and victories."
Tinged with nostalgia and disenchantment, the book describes a Provincetown that has changed, a place on the verge of modernity. It is no longer a major fishing port. It has become a place whose business is tourism. Contrasting the old and the new, Vorse celebrates the enduring character of the town itself. She tells stories that are engaging and charming, droll and fabulous. The wrinkled Mrs. Mary Mooncusser who, though drunk and stark naked, conducts herself with great decorum when Vorse pays her a call, might have stepped out of the pages of Sherwood Anderson or Eudora Welty. In another anecdote, the townspeople scour the beaches for cases of booze dumped into the sea by rumrunners and are briefly inflated with the spirit of ancestral smugglers and buccaneers.
Vorse herself remained something of an outsider in Provincetown, despite her evident affection for the place and its inhabitants. They surely regarded her as simply another of those artist-intellectuals--many of whom appear in the pages of this book. The "off-Cape" outsiders put the town in the national limelight but took no interest in local matters. Vorse here ponders local matters exclusively, almost, one suspects, as a way of forgetting the more complex matters that occupied her--her agonies of parental guilt, her resentment of domestic obligations, her third marriage, her depressions and breakdowns. The town is in that sense beyond time.
Matthew Rosen
Vanderbilt University Press, 2022
Jonina Einarsdottir
University of Wisconsin Press, 2004
transcription, translation, and commentary by Allen J. Christenson
University Press of Colorado, 2022
By Matthew G. Looper
University of Texas Press, 2009
Winner, Association for Latin American Art Book Award, 2010
The Maya of Mexico and Central America have performed ritual dances for more than two millennia. Dance is still an essential component of religious experience today, serving as a medium for communication with the supernatural. During the Late Classic period (AD 600-900), dance assumed additional importance in Maya royal courts through an association with feasting and gift exchange. These performances allowed rulers to forge political alliances and demonstrate their control of trade in luxury goods. The aesthetic values embodied in these performances were closely tied to Maya social structure, expressing notions of gender, rank, and status. Dance was thus not simply entertainment, but was fundamental to ancient Maya notions of social, religious, and political identity.
Using an innovative interdisciplinary approach, Matthew Looper examines several types of data relevant to ancient Maya dance, including hieroglyphic texts, pictorial images in diverse media, and architecture. A series of case studies illustrates the application of various analytical methodologies and offers interpretations of the form, meaning, and social significance of dance performance. Although the nuances of movement in Maya dances are impossible to recover, Looper demonstrates that a wealth of other data survives which allows a detailed consideration of many aspects of performance. To Be Like Gods thus provides the first comprehensive interpretation of the role of dance in ancient Maya society and also serves as a model for comparative research in the archaeology of performance.
Daniel Jordan Smith
University of Chicago Press, 2017
Rebecca Kugel
Michigan State University Press, 1998
In the spring of 1868, people from several Ojibwe villages located along the upper Mississippi River were relocated to a new reservation at White Earth, more than 100 miles to the west. In many public declarations that accompanied their forced migration, these people appeared to embrace the move, as well as their conversion to Christianity and the new agrarian lifestyle imposed on them. Beneath this surface piety and apparent acceptance of change, however, lay deep and bitter political divisions that were to define fundamental struggles that shaped Ojibwe society for several generations.
In order to reveal the nature and extent of this struggle for legitimacy and authority, To Be The Main Leaders of Our People reconstructs the political and social history of these Minnesota Ojibwe communities between the years 1825 and 1898. Ojibwe political concerns, the thoughts and actions of Ojibwe political leaders, and the operation of the Ojibwe political system define the work's focus. Kugel examines this particular period of time because of its significance to contemporary Ojibwe history. The year 1825, for instance, marked the beginning of a formal alliance with the United States; 1898 represented not an end, but a striking point of continuity, defying the easy categorizations of Native peoples made by non-Indians, especially in the closing years of the nineteenth century.
In this volume, the Ojibwe "speak for themselves," as their words were recorded by government officials, Christian missionaries, fur traders, soldiers, lumbermen, homesteaders, and journalists. While they were nearly always recorded in English translation, Ojibwe thoughts, perceptions, concerns, and even humor, clearly emerge. To Be The Main Leaders of Our People expands the parameters of how oral traditions can be used in historical writing and sheds new light on a complex, but critical, series of events in ongoing relations between Native and non-Native people.
Leigh Ann Gardner
Vanderbilt University Press, 2022
Authored by Julia L. Foulkes
Temple University Press, 2011
In the 1930s and 1940s, as the United States moved from a rural to an urban nation, the pull of the city was irrepressible. It was so strong that even a photographic mission designed to record the essence of rural America could not help but capture the energy of urbanization too. To the City showcases over 100 photographs from the Farm Security Administration (FSA) project along with extracts from the Works Progress Administration (WPA) guidebooks and oral histories, to convey the detail and dimensions of that transformation.
This artfully grouped collection of photographs includes magnificent images by notable photographers Dorothea Lange, Walker Evans and Gordon Parks, among many others. Foulkes organizes this history of Americana into five themes: Intersection; Traffic; High Life and Low Life; The City in the Country; and Citizens to illuminate the changes in habits, landscapes, and aspirations that the march to cities encompassed.
As the rural past holds symbolic sway and the suburb presents demographic force, the urban portion of our history—why and how cities have been a destination for hope—recedes from view. To the City is a thoughtful, engaging reminder.
Mary Ann Caws
University of Alabama Press, 2008
From Southern roots to scholarly heights—one woman’s journey to find peace, purpose, and her place in the world.
A neat and lavish, if constricting, childhood in the lush landscapes of North Carolina. Summers at a calm, remote beach house. A proper and religiously influenced prep school in Washington. Years at Bryn Mawr, an impulsive study trip to Paris, further education at Yale, married life, and divorced life. These are the settings for Mary Ann Caws’s passionate memoir, in which she recounts the highs and lows of her journey through life. Marked by complicated relationships and a passion for learning, Caws’s story is one that resonates not only with writers like herself, but with all who have struggled with determining their path within the surrounding world.
Caws writes of her formal, stylish parents, her rebellious and deeply admired sister, and her artistic grandmother, whom she respected and idolized more than anyone else. She describes her marriage and subsequent divorce, her bouts with therapy, her children, and her growth as a student and writer. Throughout the memoir is evidence of her love for writing, teaching, art, and poetry as well as her deep respect for the people in her life that ultimately guided her into her career.
The author describes Southern society and her own life with fondness, nostalgia, and a tinge of honest criticism. The carefully selected details and delicate balance of sentiment and fact bring readers into the fascinating, complicated, and all-too-real world of Caws’s—and our own—past.
Mary Ward Brown
University of Alabama Press, 1993
Winner of the PEN/Hemingway Foundation Award
These beautifully crafted stories depict the changing relationships between black and white southerners, the impact of the civil rights movement, and the emergence of the New South.
Mary Ward Brown is a storyteller in the tradition of such powerful 20th-century writers as William Faulkner, Harper Lee, Flannery O'Connor, and Eudora Welty-writers who have explored and dramatized the tension between the inherited social structure of the South and its contemporary dissolution. With Tongues of Flame, her first collection of short stories, Brown bares the awkward, sometimes hopeful, and often tragic suffering of people caught in changing times within a timeless setting.
Here we meet such memorable characters as a dying black woman who seeks the advice of a now-alcoholic white doctor whom she knew in better years; a young woman, jilted at the altar, driven crazy by an illuminated cross erected by the church opposite her house; and a 95-year-old woman buying a tombstone for her long-deceased husband only to discover that he had been adulterous throughout their marriage. Brown constructs her characters in a disarmingly plain style while breathing life into them with compassion and honesty as they confront the large moments of their lives.
First published by E. P. Dutton in 1986 to immediate critical acclaim, Tongues of Flame won the 1987 PEN/Ernest Hemingway Foundation Award. The judges commended Brown for "seeing life whole, without prejudice, without sentimentality, without histrionics. Her voice may be quiet-sometimes she speaks in a whisper-but her words are, nevertheless, always forceful, clear, and ultimately lasting." With this new publication of Tongues of Flame and its inclusion in the University of Alabama Press's Deep South Books series, a whole new generation of readers may once more discover Mary Ward Brown's profound stories of pain, loss, and hope.
Virginia Pounds Brown
University of Alabama Press, 1981
Preserving voices from the back roads—Ruby Pickens Tartt and the folklore of Alabama’s Black Belt.
“You recall the expression ‘toting the lead row’, don’t you? In chopping cotton or corn there is always a leader, one who can chop the fastest of them all. When he finishes his row, he goes back and helps the other choppers finish theirs. The one who totes the lead row takes the lead place in the next row.”—Ruby Pickens Tartt
Toting the Lead Row is a powerful biographical and cultural tribute to Ruby Pickens Tartt, a white woman from Alabama’s Black Belt who devoted her life to preserving the oral traditions of rural Black communities. Born in 1880 in Livingston, Alabama, Tartt witnessed nearly a century of social transformation and made it her mission to document the songs, stories, and life histories of her African American neighbors. She believed that the soul of Sumter County resided not in its institutions, but in its cabins, fields, and voices.
During the Great Depression, Tartt worked with the Federal Writers’ Project, collaborating with renowned folklorists such as Carl Carmer and John Lomax. Her home became a hub for cultural preservation, attracting scholars and artists who recognized the depth of her fieldwork. The book’s title refers to a Southern agricultural phrase—“toting the lead row”—symbolizing leadership and support, a role Tartt embodied in her efforts to elevate the voices of those often overlooked.
This volume is divided into two parts: the first offers a detailed biography of Tartt and her work with the WPA, while the second presents a curated selection of her collected writings, including 18 life histories and 12 slave narratives. Through these stories, Tartt preserved a vital piece of Southern history and gave voice to generations whose experiences might otherwise have been lost.
Toting the Lead Row is both a celebration of a remarkable woman and a vital contribution to the study of folklore, race, and Southern identity.
Mercy Romero
Duke University Press, 2021
Michael Martone
University of Iowa Press, 1992
Robin Ridington
University of Iowa Press, 1992
Susan Brownell
University of Chicago Press, 1995
Edited by Celeste Ray, foreword by James Hunter
University of Alabama Press, 2005
Ethan R. Yorgason
University of Illinois Press, 2010
M. Myrta Leslie Santana
University of Michigan Press, 2025
Pyong Gap Min
Rutgers University Press, 2023
Kieu-Linh Caroline Valverde
Temple University Press, 2013
Vietnamese diasporic relations affect—and are directly affected by—events in Viet Nam. In Transnationalizing Viet Nam, Kieu-Linh Caroline Valverde explores these connections, providing a nuanced understanding of this globalized community. Valverde draws on 250 interviews and almost two decades of research to show the complex relationship between Vietnamese in the diaspora and those back at the homeland.
Arguing that Vietnamese immigrant lives are inherently transnational, she shows how their acts form virtual communities via the Internet, organize social movements, exchange music and create art, find political representation, and even dissent. Valverde also exposes how generational, gender, class, and political tensions threaten to divide the ethnic community.
Transnationalizing Viet Nam paints a vivid picture of the complex political and personal allegiances that exist within Vietnamese America and shape the relations between this heterogeneous community and its country of origin.
In the series Asian American History and Culture, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Võ
E. John B. Allen
University of Massachusetts Press, 2022
For over a century New Englanders have taken to the slopes in search of ways to enjoy the coldest months, and skiing has deep roots in the region. In the late nineteenth century Scandinavian immigrants worked to educate snowbound locals on how to ski, make equipment, and prepare trails. Soon thereafter, colleges across the Northeast built world-class ski programs, massive jumps were constructed in Brattleboro and Berlin, and dozens of ski areas—big and small—cropped up from the 1930s through the 1960s.
Traveling the Old Ski Tracks of New England offers a fascinating history of downhill, cross-country, and backcountry skiing across the region and its leading personalities. Moving from popular destinations like Stowe, Cannon, Bromley, and Mount Washington to the less intimidating hills surrounding Boston, Rhode Island, and Connecticut, E. John B. Allen also recovers the forgotten stories of ski areas that have been abandoned in the face of changing tastes and a warming climate.
Richard Price
University of Chicago Press, 2007
Boris Wolfson, edited by Simon Morrison
Northwestern University Press, 2026
Sheila Kelly
University of Alaska Press, 2010
A century ago, Treadwell, Alaska, was a featured stop on steamship cruises, a rich, up-to-date town that was the most prominent and proud in all Alaska. Its wealth, however, was founded on the remarkably productive gold mines on Douglas Island, and when those caved in and flooded in the early decades of the twentieth century, Treadwell sank into relative obscurity.
Treadwell Gold presents first-person accounts from the sons and daughters of the miners, machinists, hoist operators, and superintendents who together dug and blasted the gold that made Treadwell rich. Alongside these stories are vintage photos that capture both the industrial vigor of the mines and the daily lives that made up Treadwell society. The book will fascinate anyone interested in Alaskan history or the romance of gold mining’s past.
W. Turrentine Jackson
University of Nevada Press, 2000
Frank Hole and Sekandar Amanolahi-Baharvand
University of Michigan Press, 2021
By Calvin Trillin
University of Texas Press, 2011
A remarkably perceptive portrait of the Lone Star State, this collection of pieces from the New Yorker, the Nation, and other publications presents highlights of bestselling author Calvin Trillin’s classic writing on Texas subjects.
"Yes, I do have a Texas connection, but, as we say in the Midwest, where I grew up, not so's you'd know it." So Calvin Trillin introduces this collection of articles and poems about a place that turns up surprisingly often when he's ostensibly writing about something else. Whether reporting on the American scene for the New Yorker, penning comic verse and political commentary for the Nation, or writing his memoirs, Trillin has bumped into Texas again and again. He insists that "this has not been by design . . . there has simply been a lot going on in Texas." Astute readers will note, however, that Trillin's family immigrated to the United States through the port of Galveston, and, after reading this book, many will believe that the Lone Star State has somehow imprinted itself in the family's imagination.
Trillin on Texas gathers some of Trillin's best writing on subjects near to his heart—politics, true crime, food, and rare books, among them—which also have a Texas connection. Indulging his penchant for making "snide and underhanded jokes about respectable public officials," he offers his signature sardonic take on the Bush dynasty and their tendency toward fractured syntax; a faux, but quite believable, LBJ speech; and wry portraits of assorted Texas county judges, small town sheriffs, and Houston immigration lawyers. Trillin takes us on a mouthwatering pilgrimage to the barbecue joint that Texas Monthly proclaimed the best in Texas and describes scouting for books with Larry McMurtry—who rejects all of his "sleepers." He tells the stories of two teenagers who dug up half a million dollars in an ice chest on a South Texas ranch and of rare book dealer Johnny Jenkins, who was found floating in the Colorado River with a bullet wound in the back of his head. And he recounts how redneck movie reviewer "Joe Bob Briggs" fueled a war between Dallas's daily newspapers and pays tribute to two courageous Texas women who spoke truth to power—Molly Ivins and Sissy Farenthold.
Sure to entertain Texans and other folks alike, Trillin on Texas proves once again that Calvin Trillin is one of America's shrewdest observers and wittiest writers.
John McNally
University of Iowa Press, 2000
Troublemakers is an often hilarious, sometimes frightening, occasionally off-the-wall collection of stories about men living on the edge. From the streets of Chicago's southwest side to the rural roads of Nebraska to the small towns of southern Illinois, these men tread a very fine line between right and wrong, love and hate, humor and horror.
Each story is a Pandora's box waiting to be opened: a high school boy with a new driver's license picks his brother up from jail; a UPS driver suspects his wife of having an affair but cannot find any tangible evidence of her indiscretion; an unemployed man's life begins to unravel after he discovers a dead man in a tree in his own backyard; two boys spend Halloween with an older thug; a young college teacher's patience is tested by both his annoying colleagues and the criminals who haunt his neighborhood. In story after story, McNally's troublemakers lead readers to a place no less thrilling or dangerous than the human heart itself.
Marianne M. Moates, Foreword by Ralph F. Voss
University of Alabama Press, 2014
Vincent Crapanzano
University of Chicago Press, 1980
Anne Goldgar
University of Chicago Press, 2007