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Two Vatos Talk Pop Cultura brings a leading Latinx media studies scholar, Frederick Luis Aldama, together with an award-winning television writer and producer, Peter Murrieta, to examine how Latinx representation has evolved—and stagnated—across seven decades of American TV, film, and pop culture. 

Two Vermonts establishes a little-known fact about Vermont: that the state's fascination with tourism as a savior for a suffering economy is more than a century old, and that this interest in tourism has always been dogged by controversy. Through this lens, the book is poised to take its place as the standard work on Vermont in the Gilded Age and the Progressive Era. Searls examines the origins of Vermont's contemporary identity and some reasons why that identity ("Who is a Vermonter?") is to this day so hotly contested.

Searls divides nineteenth-century Vermonters into conceptually “uphill,” or rural/parochial, and “downhill,” or urban/cosmopolitan, elements. These two groups, he says, negotiated modernity in distinct and contrary ways. The dissonance between their opposing tactical approaches to progress and change belied the pastoral ideal that contemporary urban Americans had come to associate with the romantic notion of “Vermont.” Downhill Vermonters, espousing a vision of a mutually reinforcing relationship between tradition and progress, unilaterally endeavored to foster the pastoral ideal as a means of stimulating economic development. The hostile uphill resistance to this strategy engendered intense social conflict over issues including education, religion, and prohibition in the late nineteenth and early twentieth centuries. The story of Vermont's vigorous nineteenth-century quest for a unified identity bears witness to the stirring and convoluted forging of today's “Vermont.” 

Searls's engaging exploration of this period of Vermont's history advances our understanding of the political, economic, and cultural transformation of all of rural America as industrial capitalism and modernity revolutionized the United States between 1865 and 1910. By the late Progressive Era, Vermont's reputation was rooted in the national yearning to keep society civil, personal, and meaningful in a world growing more informal, bureaucratic, and difficult to navigate. The fundamental ideological differences among Vermont communities are indicative of how elusive and frustrating efforts to balance progress and tradition were in the context of effectively negotiating capitalist transformation in contemporary America.

Examines the enduring myth of Ghanaian exceptionalism and neoliberal freedom.

What is the legacy of the African Revolution today? Black Studies scholar and anthropologist Bayo Holsey addresses this question by examining the twenty-first-century relationship between the United States and Ghana, a nation that was once associated with a powerful vision of Black freedom. In Tyrannies of Freedom, she demonstrates that the period that saw the expansion of the US counterterror state also witnessed attempts to discredit this vision of freedom and replace it with another—one that centers the agency of US politicians, media pundits, and development experts.

Analyzing international development discourses, the anti-trafficking regime’s representational economy, and the expansion of Ghana’s branding as a homeland of the African diaspora, Holsey interrogates the operation of a millennial neocolonial assemblage that asserts, in various ways, that the United States is the guarantor of Ghanaian freedom while simultaneously implementing policies of surveillance, endangerment, and exploitation. At the same time, Holsey shows how Ghanaians and other Black subjects have contested these projects. Tracking the transformation of the Ghanaian nation from a beacon of Black freedom and Pan-African possibility to a battleground over the meanings of African sovereignty in a post-9/11 world, this important book addresses pressing questions concerning the operation of US power in Africa and the production and legitimation of a racialized global hierarchy.