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This book presents the first authoritative and comprehensive account of the development of the Peruvian revolution of 1968. The study resulted from a team experiment in applied political science, economics, and sociology that maintained effective communications between Peru and the United States at many levels during the difficult years following the revolution. Each chapter is the result of continuous interaction between a leading authority and the major sectors of both societies. History is here presented in its diplomatic, social, economic, and cultural context.

The Peruvian and U.S. governments helped to define the subjects of greatest interest to their respective countries, and a systematic effort was made to find the leading authorities on each issue. Since one purpose of this volume is to affect policy by identifying new alternative policies, the papers included here were prepared specifically to be of value to policy makers.

This book was produced by a citizens’ constituency on U.S. foreign policy under the auspices of the Adlai Stevenson Institute of International Affairs, the Chicago Council on Foreign Relations, and the Johnson Foundation.

Unbordering Migration Studies in the Caribbean and Latin America brings together scholars and artists across regions, generations, disciplines, and modes of expression to decenter the US-Mexico border as both a site and a concept. Calling for renewed attention to the spaces, identities, and conflicts that remain understudied and excluded from our hemispheric knowledge of forced movement, the volume reveals a wider diversity of migratory realities and considers race, ethnicity, and class beyond the hegemonic formations that eclipse non-US histories. Through multidisciplinary and geographically expansive essays that draw from history, social anthropology, environmental studies, feminist studies, and lived experience, the volume examines diverse migratory flows from Chile and Argentina in the South to Georgia and New York in the North. Individually and collectively, the essays remap migratory movements other than through the most studied South-to-North trajectories and remove the US and US-based racial formations from the center of analysis. By tracking East-West flows, intraregional mobilities, and changing conceptions of racial identity, Unbordering Migration Studies in the Caribbean and Latin America complicates the concepts of forced mobility and border crossing by highlighting alternative liminalities in sites of transit, destination, and return. Demanding engagement with the submerged histories of racism and the production of ethnoracial categories beyond the Black/white binary, the collection brings into focus identities, sites, and forces that have not yet occupied the foreground of global migration study.

Unbroken Nostalgia: Haitian Kreyòl Poetry in Cuba is the first English translation and scholarly edition of the collection Nostalji san pwen ni vigil: pwezi kreyòl nan peyi Kiba (2016) by Hilario Batista Félix. A poet, journalist, and language activist, Batista (1955– ) embodies and expresses Cuba’s cultural and linguistic diversity as a descendant of Haitian migrant workers to Eastern Cuba during the mid-twentieth century; his poems bridge regions usually separated by language—the Spanish and Creolophone/Francophone Caribbean—and vividly depict the distinct heritage of Haitian Cubans and their shared dreams and challenges. A scholarly introduction by translator and editor Mariana F. Past provides biographical information about the author, situates his work within Haitian diasporic literature, and addresses patterns of Haitian migration to Cuba. Batista’s original poems appear alongside facing-page English translations with annotations that clarify historical figures and events, geographical features, and Haitian cultural and religious practices. Grounded in oral storytelling traditions, Unbroken Nostalgia brings to light the collective memory and complicated hybridity of the Haitian community in Cuba and upholds Haitian Kreyòl as a language of resistance.

The first English-language book to place the works of Elena Garro (1916–1998) and Octavio Paz (1914–1998) in dialogue with each other, Uncivil Wars evokes the lives of two celebrated literary figures who wrote about many of the same experiences and contributed to the formation of Mexican national identity but were judged quite differently, primarily because of gender.

While Paz’s privileged, prize-winning legacy has endured worldwide, Garro’s literary gifts garnered no international prizes and received less attention in Latin American literary circles. Restoring a dual perspective on these two dynamic writers and their world, Uncivil Wars chronicles a collective memory of wars that shaped Mexico, and in turn shaped Garro and Paz, from the Conquest period to the Mexican Revolution; the Spanish Civil War, which the couple witnessed while traveling abroad; and the student massacre at Tlatelolco Plaza in 1968, which brought about social and political changes and further tensions in the battle of the sexes. The cultural contexts of machismo and ethnicity provide an equally rich ground for Sandra Cypess’s exploration of the tandem between the writers’ personal lives and their literary production. Uncivil Wars illuminates the complexities of Mexican society as seen through a tense marriage of two talented, often oppositional writers. The result is an alternative interpretation of the myths and realities that have shaped Mexican identity, and its literary soul, well into the twenty-first century.

Undisciplined Cuba brings scholars of diverse disciplines and moves through multiple temporalities and geographies, allowing Cuba to emerge as a negotiated reality. Rather than rehearse narratives of exceptionalism and Cold War relationships that have detached the nation from its Antillean neighbors, this edited volume understands Cuba as deeply embedded in the Caribbean archipelago. Its chapters encompass feminist activism, public health, cinema for social justice, marine geopoetics, racial geographies, and literary corporealities. Drawing from an archipelagic framework and a decolonial practice of undisciplining, the anthology counters the tendency to treat landscapes, and cultural and political manifestations as artifacts of a national identity or evidence of a discrete geopolitical entity. Instead, Undisciplined Cuba attends to processes, to dynamic relations and continuities of resistance that defy periodization and institutional representation. The book offers a granular view of Cuba and an approach to Caribbean studies that imagines networks in excess of traditional categories of thought.

The story of Afro-Caribbean poet Norberto James Rawlings is one of migration, loss, adaptation, and reinvention that goes back for generations. Most well-known for “The Immigrants,” a poem about a Black minority community of Anglophone sugar plantation workers, James Rawlings’s poetry has been performed, monumentalized, and celebrated in the Dominican Republic and beyond. Over time his work transcended the acclaim of his most famous poem, offering expansive reflections on the world outside the island of his birth, expressed with an expatriate’s longing. Bringing this selection of James Rawlings’s work into English for the first time, this volume will expand the entry points into one of the most important Caribbean writers yet to punctuate the mainstream.

2024 Flora Tristán Book Award, Sección Perú, Latin American Studies Association

How the international war on poverty shapes identities, relationships, politics, and urban space in Peru.

Unruly Domestication investigates how Peru’s ongoing, internationally endorsed "war on poverty" shapes politics, intimate identities, and urban space in Lima. Drawing on a decade of embedded, ethnographic research in Lima’s largest and most recently founded “extreme poverty zone,” Kristin Skrabut demonstrates how Peru’s efforts to fight poverty by formalizing property, identity, and family status perpetuate environmentally unsustainable urban sprawl, deepen discrimination against single mothers, and undermine Peruvians’ faith in public officials and in one another. In the process, Skrabut reveals myriad entanglements of poverty, statecraft, and private life, exploring how families are made and unmade through political practices, how gender inequalities are perpetuated through policy, and how Peruvians’ everyday pursuits of state-sanctioned domestic ideals reproduce informality and landscapes of poverty in the urban periphery.

The only full-length ethnography written about Lima’s iconic and policy-inspiring shantytowns in thirty years, Unruly Domestication provides valuable insight into the dynamics of housing and urban development in the Global South, elucidating the most intimate and profound effects of global efforts to do good.

In Unseen Art, Claudia Brittenham unravels one of the most puzzling phenomena in Mesoamerican art history: why many of the objects that we view in museums today were once so difficult to see. She examines the importance that ancient Mesoamerican people assigned to the process of making and enlivening the things we now call art, as well as Mesoamerican understandings of sight as an especially godlike and elite power, in order to trace a gradual evolution in the uses of secrecy and concealment, from a communal practice that fostered social memory to a tool of imperial power.

Addressing some of the most charismatic of all Mesoamerican sculptures, such as Olmec buried offerings, Maya lintels, and carvings on the undersides of Aztec sculptures, Brittenham shows that the creation of unseen art has important implications both for understanding status in ancient Mesoamerica and for analyzing art in the present. Spanning nearly three thousand years of the Indigenous art of Mexico, Guatemala, Honduras, and Belize, Unseen Art connects the dots between vision, power, and inequality, providing a critical perspective on our own way of looking.

Analyzes favela, quilombola, and indigenous communities’ responses to settler colonialism in urban Brazil. Based on ethnographic research and her experiences growing up in Brazil, the author tells the stories of communities in Rio de Janeiro, São Paulo, and Belo Horizonte

Unsettling Brazil offers a powerful account of five urban Indigenous and Black communities and movements in Brazil that illuminates their struggle for land, dignity, and their ways of life amid historic and ongoing settler colonialism, marked by militarization and dependent capitalist development. The in-depth case studies are the Indigenous movement Aldeia Maracanã and the quilombola community Sacopã in Rio, the Quilombo dos Luízes in Belo Horizonte, the Indigenous movement behind the Pindorama scholarship program in São Paulo, and the Complexo da Maré favela in Rio. For each, Poets vividly documents the intersectional and transnational structures of power that perpetuate the erasure, dispossession, and exploitation of nonwhite populations and the creative ways that Black and Indigenous communities have mobilized to unsettle these structures.

Drawing on the knowledge produced by Black and Indigenous organizers and thinkers, Poets argues for an interdisciplinary framework that prioritizes the voices and experiences of these communities. Addressing increasingly salient calls for decolonization, Poets ponders the paradoxical role of rights, citizenship, and the state in the fight for freedom and justice. Unsettling Brazil urges readers to confront the uncomfortable truths about the nation's history and stands in solidarity with those fighting to reclaim their heritage, identity, and land.

An unstructured genre that blends high aesthetic standards with nonfiction commentary, the journalistic crónica, or chronicle, has played a vital role in Latin American urban life since the nineteenth century. Drawing on extensive archival research, Viviane Mahieux delivers new testimony on how chroniclers engaged with modernity in Mexico City, Buenos Aires, and São Paulo during the 1920s and 1930s, a time when avant-garde movements transformed writers' and readers' conceptions of literature. Urban Chroniclers in Modern Latin America: The Shared Intimacy of Everyday Life examines the work of extraordinary raconteurs Salvador Novo, Cube Bonifant, Roberto Arlt, Alfonsina Storni, and Mário de Andrade, restoring the original newspaper contexts in which their articles first emerged.

Each of these writers guided their readers through a constantly changing cityscape and advised them on matters of cultural taste, using their ties to journalism and their participation in urban practice to share accessible wisdom and establish their role as intellectual arbiters. The intimate ties they developed with their audience fostered a permeable concept of literature that would pave the way for overtly politically engaged chroniclers of the 1960s and 1970s. Providing comparative analysis as well as reflection on the evolution of this important genre, Urban Chroniclers in Modern Latin America is the first systematic study of the Latin American writers who forged a new reading public in the early twentieth century.

Much research on the city in developing societies has focused mainly on one of three areas—planning, demography, or economics—and has emphasized either power elites or the masses, but not both. The published literature on Latin America has reflected these interests and has so far failed to provide a comprehensive view of Latin American urbanization. Urban Latin America is an attempt to integrate research on Latin American social organization within a single theoretical framework: development as fundamentally a political problem. Alejandro Portes and John Walton have included material on both elites and marginal populations and on the three major areas of research in order to formulate and address some of the key questions about the structure of urban politics in Latin America.

Following an introduction that delineates the scope of Latin American urban studies, Portes discusses the Latin American city as a creation of European colonialism. He goes on to examine political behavior among the poor, with central reference to system support and countersystem potential. Walton provides material for a comparative study of four cities: Monterrey and Guadalajara in Mexico and Medellín and Cali in Colombia. He also summarizes a large number of urban elite studies and develops a theoretical interpretation of their collective results, based on class structure and vertical integration. Material in each chapter is cross-referenced to other chapters, and the authors have used a common methodological approach in synthesizing and interpreting the research literature. In the final chapter they generalize current findings, elaborating on the interface between elite and mass politics in the urban situation. They make some observations on approaching changes and pinpoint possible research strategies for the future.

According to national legend, Havana, Cuba, was founded under the shade of a ceiba tree whose branches sheltered the island’s first Catholic mass and meeting of the town council (cabildo) in 1519. The founding site was first memorialized in 1754 by the erection of a baroque monument in Havana’s central Plaza de Armas, which was reconfigured in 1828 by the addition of a neoclassical work, El Templete. Viewing the transformation of the Plaza de Armas from the new perspective of heritage studies, this book investigates how late colonial Cuban society narrated Havana’s founding to valorize Spanish imperial power and used the monuments to underpin a local sense of place and cultural authenticity, civic achievement, and social order.

Paul Niell analyzes how Cubans produced heritage at the site of the symbolic ceiba tree by endowing the collective urban space of the plaza with a cultural authority that used the past to validate various place identities in the present. Niell’s close examination of the extant forms of the 1754 and 1828 civic monuments, which include academic history paintings, neoclassical architecture, and idealized sculpture in tandem with period documents and printed texts, reveals a “dissonance of heritage”—in other words, a lack of agreement as to the works’ significance and use. He considers the implications of this dissonance with respect to a wide array of interests in late colonial Havana, showing how heritage as a dominant cultural discourse was used to manage and even disinherit certain sectors of the colonial population.