329 books match the query 'Folklore & Mythology' and 7 start with u

cover of Ukrainian Otherlands: Diaspora, Homeland, and Folk Imagination in the Twentieth Century

Ukrainian Otherlands

Diaspora, Homeland, and Folk Imagination in the Twentieth Century

Natalia Khanenko-Friesen

University of Wisconsin Press, 2015

What happens to ethnic communities when they have two homelands to love—one real and immediate, the other distant but treasured in the heart and imagination?

Ukrainian Otherlands is an innovative exploration of modern ethnic identity, focused on diaspora/homeland understandings of each other in Ukraine and in Ukrainian ethnic communities around the globe. Exploring a rich array of folk songs, poetry and stories, trans-Atlantic correspondence, family histories, and rituals of homecoming and hosting that developed in the Ukrainian diaspora and Ukraine during the twentieth century, Natalia Khanenko-Friesen asserts that many important aspects of modern ethnic identity form, develop, and reveal themselves not only through the diaspora's continued yearning for the homeland, but also in a homeland's deeply felt connection to its diaspora. Yet, she finds each group imagines the "otherland" and ethnic identity differently, leading to misunderstandings between Ukrainians and their ethnic-Ukrainian "brothers and sisters" abroad.

An innovative exploration of the persistence of vernacular culture in the modern world, Ukrainian Otherlands, amply informed by theory and fieldwork, will appeal to those interested in folklore, ethnic and diaspora studies, modernity, migration, folk psychology, history, and cultural anthropology.

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cover of Underworld: Imagining the Afterlife in Ancient South Italian Vase Painting

Underworld

Imagining the Afterlife in Ancient South Italian Vase Painting

David Saunders

J. Paul Getty Trust, The, 2022

Abundantly illustrated, this essential volume examines depictions of the Underworld in southern Italian vase painting and explores the religious and cultural beliefs behind them.

What happens to us when we die? What might the afterlife look like? For the ancient Greeks, the dead lived on, overseen by Hades in the Underworld. We read of famous sinners, such as Sisyphus, forever rolling his rock, and the fierce guard dog Kerberos, who was captured by Herakles. For mere mortals, ritual and religion offered possibilities for ensuring a happy existence in the beyond, and some of the richest evidence for beliefs about death comes from southern Italy, where the local Italic peoples engaged with Greek beliefs. Monumental funerary vases that accompanied the deceased were decorated with consolatory scenes from myth, and around forty preserve elaborate depictions of Hades’s domain.

For the first time in over four decades, these compelling vase paintings are brought together in one volume, with detailed commentaries and ample illustrations. The catalogue is accompanied by a series of essays by leading experts in the field, which provides a framework for understanding these intriguing scenes and their contexts. Topics include attitudes toward the afterlife in Greek ritual and myth, inscriptions on leaves of gold that provided guidance for the deceased, funerary practices and religious beliefs in Apulia, and the importance accorded to Orpheus and Dionysos. Drawing from a variety of textual and archaeological sources, this volume is an essential source for anyone interested in religion and belief in the ancient Mediterranean.
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cover of Unlearning: Rethinking Poetics, Pandemics, and the Politics of Knowledge

Unlearning

Rethinking Poetics, Pandemics, and the Politics of Knowledge

Charles L. Briggs

Utah State University Press, 2021

A provocative theoretical synthesis by renowned folklorist and anthropologist Charles L. Briggs, Unlearning questions intellectual foundations and charts new paths forward. Briggs argues, through an expansive look back at his own influential works as well as critical readings of the field, that scholars can disrupt existing social and discourse theories across disciplines when they collaborate with theorists whose insights are not constrained by the bounds of scholarship.
 
Eschewing narrow Eurocentric modes of explanation and research foci, Briggs brings together colonialism, health, media, and psychoanalysis to rethink classic work on poetics and performance that revolutionized linguistic anthropology, folkloristics, media studies, communication, and other fields. Beginning with a candid memoir that credits the mentors whose disconcerting insights prompted him to upend existing scholarly approaches, Briggs combines his childhood experiences in New Mexico with his work in graduate school, his ethnography in Venezuela working with Indigenous peoples, and his contemporary work—which is heavily weighted in medical folklore.
 
Unlearning offers students, emerging scholars, and veteran researchers alike a guide for turning ethnographic objects into provocations for transforming time-worn theories and objects of analysis into sources of scholarly creativity, deep personal engagement, and efforts to confront unconscionable racial inequities. It will be of significant interest to folklorists, anthropologists, and social theorists and will stimulate conversations across these disciplines.
 
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cover of Unruly Audience: Folk Interventions in Popular Media

Unruly Audience

Folk Interventions in Popular Media

Greg Kelley

Utah State University Press, 2020

Unruly Audience explores grassroots appropriations of familiar media texts from film, television, stand-up comedy, popular music, advertising, and tourism. Case studies probe the complex relationship between folklore and media, with particular attention to the dynamics of production and reception.
 
Greg Kelley examines how “folk interventions” challenge institutional media with active—often public—social engagement. Drawing on a diverse range of examples—popular music parodies of “The Colonel Bogey March,” jokes about Disney’s Snow White and the Seven Dwarfs, touristic performance at Jamaica’s haunted Rose Hall, internet memes about NBC’s The Office, children’s parodies of commercials, and jokes about joking—Kelley demonstrates how active audiences mobilize folklore to disrupt dominant modes of media discourse. With materials both historical and contemporary and compiled from print, internet archives, and original fieldwork, Kelley’s audience-centered analysis demonstrates that producers of media are not the sole arbiters of meaning. With folklore as an important tool, unruly audiences refashion mediated expression so that the material becomes more relevant to their own circumstances.
 
Unruly Audience foregrounds the fluid interplay between media production and audience reception and between forces of cultural domination and cultural resistance, bringing new analytical insights to familiar folk practices. This carefully crafted book will speak to students and scholars in folklore, popular culture, and media studies in multidisciplinary ways.
 
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cover of Unsettling Assumptions: Tradition, Gender, Drag

Unsettling Assumptions

Tradition, Gender, Drag

Pauline Greenhill

Utah State University Press, 2014

In Unsettling Assumptions, editors Pauline Greenhill and Diane Tye examine how tradition and gender come together to unsettle assumptions about culture and its study.

Contributors explore the intersections of traditional expressive culture and sex/gender systems to question, investigate, or upset concepts like family, ethics, and authenticity. Individual essays consider myriad topics such as Thanksgiving turkeys, rockabilly and bar fights, Chinese tales of female ghosts, selkie stories, a noisy Mennonite New Year’s celebration, the Distaff Gospels, Kentucky tobacco farmers, international adoptions, and more.

In Unsettling Assumptions, folkloric forms express but also counteract negative aspects of culture like misogyny, homophobia, and racism. But expressive culture also emerges as fundamental to our sense of belonging to a family, an occupation, or friendship group and, most notably, to identity performativity and the construction and negotiation of power.


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cover of Up in the Rocky Mountains: Writing the Swedish Immigrant Experience

Up in the Rocky Mountains

Writing the Swedish Immigrant Experience

Jennifer Eastman Attebery

University of Minnesota Press, 2007

Before the turn of the twentieth century, many Swedish men emigrated to the American Rockies as itinerant laborers, drawn by the region’s developing industries. Single Swedish women ventured west, too, and whole families migrated, settling into farm communities. By 1920, one-fifth of all Swedish immigrants were living in the West.

In Up in the Rocky Mountains, Jennifer Eastman Attebery offers a new perspective on Swedish immigrants’ experiences in Idaho, Montana, Utah, Wyoming, Colorado, and New Mexico from 1880 to 1917 by interpreting their letters home. Considering more than three hundred letters, Attebery analyzes their storytelling, repetitive language, traditional phrasing, and metaphoric images. Recognizing the letters’ power as a folk form, Attebery sees in them the writers’ relationships back in Sweden as well as their encounters with religious and labor movements, regionalism, and nationalism in their new country.

By defining personal letters as a vernacular genre, Attebery provides a model for discerning immigrants’ shared culture in correspondence collections. By studying their words, she brings to life small Swedish communities throughout the Rocky Mountain region.

Jennifer Eastman Attebery is professor of English and director of American studies at Idaho State University.

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cover of Usable Pasts: Traditions and Group Expressions in North America

Usable Pasts

Traditions and Group Expressions in North America

Tad Tuleja

Utah State University Press, 1997

In Usable Pasts, fourteen authors examine the manipulation of traditional expressions among a variety of groups from the United States and Canada: the development of a pictorial style by Navajo weavers in response to traders, Mexican American responses to the appropriation of traditional foods by Anglos, the expressive forms of communication that engender and sustain a sense of community in an African American women's social club and among elderly Yiddish folksingers in Miami Beach, the incorporation of mass media images into the "C&Ts" (customs and traditions) of a Boy Scout troop, the changing meaning of their defining Exodus-like migration to Mormons, Newfoundlanders' appropriation through the rum-drinking ritual called the Schreech-In of outsiders' stereotypes, outsiders' imposition of the once-despised lobster as the emblem of Maine, the contest over Texas's heroic Alamo legend and its departures from historical fact, and how yellow ribbons were transformed from an image in a pop song to a national symbol of "resolve."
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