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This OER project examines Ukraine as a central hub in global migration and mobility, offering critical perspectives on both historical and contemporary population movements. The volume brings together case studies focused on the migration dynamics within Ukraine and its surrounding territories, integrating these with broader global migration processes. The authors critically engage with migration studies methodologies, offering fresh, empirical insights into issues like displacement, migration governance, and identity formation in the context of Ukraine's socio-political landscape. By combining historical narratives with modern theoretical approaches, the book explores how migration has shaped and continues to shape, the region’s cultural, political, and social fabric. It provides an innovative contribution to migration research, highlighting the intersection of mobility, belonging, and political contexts, particularly within East Central Europe. This collection challenges traditional migration frameworks and invites a reevaluation of established migration paradigms through the lens of Ukrainian lands.

How the study of Shakespeare’s legacy, specifically in film and television, can radically challenge what we consider to be authentically Shakespearean

In the field of adaptation studies today, the idea of reading an adapted text as “faithful” or “unfaithful” to its original source strikes many scholars as too simplistic, too conservative, and too moralizing. In Uncanny Fidelity: Recognizing Shakespeare in Twenty-First Century Film and Television, James Newlin challenges these critical orthodoxies. Instead, recognizing how a film or television series closely recalls Shakespeare’s drama encourages an interrogation of what we consider to be “Shakespeare” in the first place.

Drawing upon Sigmund Freud’s model of the uncanny—the sudden sensation of peculiar, discomforting familiarity—this book focuses on films and television series that were not marketed as adaptations of Shakespeare. Yet these works unexpectedly invoke lost, even troubling aspects of Shakespeare’s original playtexts, their performance history, or their reception. Broadening the scope of fidelity readings beyond familiar concerns like plot and language, Newlin demonstrates how the study of Shakespeare’s afterlife can clarify both the historical context of his drama and its relevance for the current political moment. Engaging contemporary debates in literary and psychoanalytic theory, this book features provocative close readings of The Tempest, Othello, and The Winter’s Tale alongside recent films and television series, from art-house movies such as The Master and Manchester by the Sea to the cult favorites Brigsby Bear and Vice Principals. These works conjure widely overlooked qualities of Shakespeare’s drama by recalling the casting practices or the generic contexts of the early modern stage or by making a meaningful intervention in the plays’ critical reception. Closely examining these surprisingly faithful adaptations of Shakespeare’s drama helps us to articulate the original experience of the early modern stage and better consider its resonance in the present.

This book will benefit students and scholars of Shakespeare on film and psychoanalytic theory. Yet Uncanny Fidelity will also be of interest to scholars of performance history, source studies, and early modern discourses of race and gender—as well as anyone interested in the unexpected connections between canonical literature and contemporary culture. By examining adaptation as an instance of uncanny return, Newlin demonstrates how the study of Shakespeare’s afterlife can radically challenge what we consider to be authentically Shakespearean.

 

 

Why do police officers turn against the people they are hired to protect? This question seems all the more urgent in the wake of recent global protests against police brutality. Historical criminologist Paul Bleakley addresses this by examining a series of intersecting cases of police corruption in Queensland, Australia. The protection and extortion of illegal gambling operators and sex workers were only the most visible features of a decades-long, pervasive culture of corruption in the state’s law enforcement agency. Even more dangerous—and far harder to prosecute—was the corrupt bargain between the police and the state’s conservative government, which gave law enforcement free rein to profit from criminalized vice in return for supporting the government’s repression and persecution of its political enemies, from punk music fans to gay men to left-wing protestors. While intimidating members of the political opposition, the police also protected friends and allies from criminal prosecution, even for offenses as serious as child sex abuse. When journalists and investigators revealed this corrupt bargain in 1987, the premier was forced from office and the police commissioner went to prison. But untangling politics from policing proved—and continues to prove—far more difficult in societies around the world. This true crime story goes beyond the everyday violations of law and ethics to underscore how central honest, equitable policing is to a truly democratic society.

What is a deacon? More than fifty years since the restoration of the permanent diaconate by the Second Vatican Council, the office of deacon is still in need of greater specificity about its purpose and place within the mission and organizational structure of the Church. While the Church is more than a social reality, the Church nonetheless has a social reality. Our understanding of the diaconate therefore benefits from a theological discussion of the divine element of the Church and a sociological examination of the human element. Understanding the Diaconate adds the resources of sociology and anthropology to the theological sources of scripture, liturgy, patristic era texts, theologians, and magisterial teachings to conclude that the deacon can be understood as “social intermediary and symbol of communitas” who serves the participation of the laity in the life and mission of the Church. This research proposes the deacon as a servant of the bond of communion within the Church (facilitating the relationship between the bishop/priest and his people), and between the People of God and the individual in need. Thus authentic diaconal ministry includes a vast array of many concrete contexts of pastoral importance where one does more than simply serve at Mass.

National Book Award winner Patricia Smith presents a portrait of Black America in the nineteenth century 
 
Over the course of two decades, Patricia Smith has amassed a collection of rare nineteenth-century photographs of Black men, women, and children who, in these pages, regard us from the staggering distance of time.  

Unshuttered is a vessel for the voices of their incendiary and critical era. Smith’s searing stanzas and revelatory language imbue the subjects of the photos with dynamism and revived urgency while she explores how her own past of triumphs and losses is linked inextricably to their long-ago lives:  

We ache for fiction etched in black and white. Our eyes never touch. These tragic grays and bustles, mourners’ 
hats plopped high upon our tamed but tangled crowns, strain to disguise what yearning does with us.