Results by title
968 books match the query 'Movements' and 9 start with u
Unbecoming Language
Anti-Identitarian French Feminist FictionsAnnabel L. Kim
The Ohio State University Press, 2018
Kim’s close readings ultimately enliven the current conversation in French studies by serving as a provocation to return to reading literary texts deeply and closely, without subordinating literature to a pre-existing ideological framework—to let literature speak, to let it theorize. Tracking the influence of these writers on each other, Kim provides a new, original French feminist poetics and demonstrates that Sarraute, Wittig, and Garréta’s work allows for a hollowing out of difference from within, allowing writers and readers to unbecome—to break free of identity and exist as subjectivities without subjecthood. In looking at these writers together, Kim provides a defense of literature as liberatory— capable of effecting personal and political change—and gives readers an experience of literature’s revolutionary possibilities.
Unbecoming Language
Anti-Identitarian French Feminist FictionsAnnabel L. Kim
The Ohio State University Press, 2018
Kim’s close readings ultimately enliven the current conversation in French studies by serving as a provocation to return to reading literary texts deeply and closely, without subordinating literature to a pre-existing ideological framework—to let literature speak, to let it theorize. Tracking the influence of these writers on each other, Kim provides a new, original French feminist poetics and demonstrates that Sarraute, Wittig, and Garréta’s work allows for a hollowing out of difference from within, allowing writers and readers to unbecome—to break free of identity and exist as subjectivities without subjecthood. In looking at these writers together, Kim provides a defense of literature as liberatory— capable of effecting personal and political change—and gives readers an experience of literature’s revolutionary possibilities.
Uncanny Rest
For AntiphilosophyAlberto Moreiras
Duke University Press, 2022
Uncivil Unions
The Metaphysics of Marriage in German Idealism and RomanticismAdrian Daub
University of Chicago Press, 2012
“What a strange invention marriage is!” wrote Kierkegaard. “Is it the expression of that inexplicable erotic sentiment, that concordant elective affinity of souls, or is it a duty or a partnership . . . or is it a little of all that?”
Like Kierkegaard a few decades later, many of Germany’s most influential thinkers at the turn of the eighteenth century wondered about the nature of marriage but rejected the easy answers provided by biology and theology. In Uncivil Unions, Adrian Daub presents a truly interdisciplinary look at the story of a generation of philosophers, poets, and intellectuals who turned away from theology, reason, common sense, and empirical observation to provide a purely metaphysical justification of marriage.
Through close readings of philosophers like Fichte and Schlegel, and novelists like Sophie Mereau and Jean Paul, Daub charts the development of this new concept of marriage with an insightful blend of philosophy, cultural studies, and theory. The author delves deeply into the lives and work of the romantic and idealist poets and thinkers whose beliefs about marriage continue to shape ideas about gender, marriage, and sex to the present day.
Understanding Illuminated Manuscripts
A Guide to Technical Terms, Revised EditionMichelle Brown
J. Paul Getty Trust, The, 2018
Updated to reflect current research and technologies, this beautifully illustrated guide includes images of important manuscript illuminations from the collection of the J. Paul Getty Museum and beyond. Concise, readable explanations of the technical terms most frequently encountered in manuscript studies make this portable volume an essential resource for students, scholars, and readers who wish a deeper understanding and enjoyment of illuminated manuscripts and medieval book production.
Une collecte d’images
Walter Benjamin à la Bibliothèque nationaleSteffen Haug
Diaphanes, 2022
Au fil de ses recherches, Benjamin se rend à l’évidence : il faudra que son Livre des passages soit enrichi par des images. Une « documentation visuelle » se constitue bientôt, écrit-il, glanée pour l’essentiel dans les recueils du Cabinet des estampes de la Bibliothèque nationale où il travaille pendant son exil parisien. Une centaine de notes témoignent de cette collecte et conservent, enfermée dans leurs plis, la mention d’une ou de plusieurs images qui sont restées pour la plupart inconnues jusqu’ici.
Steffen Haug a voulu retrouver cette réserve enfouie. Gravures et dessins de presse, tracts, réclames, affiches et photographies, de Meryon et Grandville à Daumier, en passant par l’infinie cohorte anonyme et le tout-venant de la production visuelle à grand tirage du XIXe siècle : la moisson rapportée ici est surprenante. Elle invite à lire ou relire les Passages en faisant à l’image toute la place qu’elle occupe dans la pensée du dernier Benjamin, à l’heure où s’élaborent, sous la menace de temps assombris, son essai « L’œuvre d’art à l’époque de sa reproductibilité technique », le projet de livre sur Baudelaire ou ses « Thèses sur le concept d’histoire ».
Unforeseen History
Emmanuel Levinas
University of Illinois Press, 1994
Unforeseen History covers the years 1929-92, providing a wide overview of Levinas's work-–especially his views on aesthetics and Judaism--offering examples of his precise thinking at work in small essays, long essays, and interviews.
The earliest essays in Unforeseen History discuss phenomenology, a subject Levinas introduced to a great many French thinkers, including Jean-Paul Sartre. In his prescient 1934 essay "Some Thoughts on the Philosophy of Hitlerism," moreover, he confronted a philosophy that had yet to manifest itself fully in cataclysm.
Unruly Tools
Contemporary Artists and the Reinvention of PaintingPia Gottschaller
J. Paul Getty Trust, The, 0
The first book to examine the role of unconventional tools in contemporary painting is required reading for anyone interested in painting’s recent past and future.
Painting, often regarded as the oldest of art forms, has been repeatedly declared “dead.” In this original and compelling study, technical art historian Pia Gottschaller thoroughly dismantles that notion, revealing how painters radically reimagined the medium in the years following World War II. No longer confined to the paintbrush, artists began to experiment with new methods, employing found, fabricated, and repurposed objects—as varied as an Afro comb, the human body, and a robotic airbrush—to create paintings unlike any seen before, revolutionizing the course of art history.
- Begins in 1945 with Jackson Pollock and the Gutai Art Association in Japan and traces the transformation of painting across the globe from the post-war period to the present.
- Explores the work of thirty-eight contemporary painters, including Amoako Boafo, Helen Frankenthaler, Yves Klein, Julie Mehretu, Beatriz Milhazes, Howardena Pindell, Kazuo Shiraga, and Andy Warhol.
- Richly illustrated with over 240 images of artists and their creations.
Unruly Tools is the first study of this kind and offers essential testimony to painting’s continued vitality and reinvention.
Untying Things Together
Philosophy, Literature, and a Life in TheoryEric L. Santner
University of Chicago Press, 2022
In 1905, Freud published his Three Essays on the Theory of Sexuality, the book that established the core psychoanalytic thesis that sexuality is central to formations of the unconscious. With this book, Eric L. Santner inverts Freud’s title to take up the sexuality of theory—or, more exactly, the modes of enjoyment to be found in the kinds of critical thinking that, since the 1960s, have laid claim to that ancient word, “theory.” Santner unfolds his argument by tracking his own relationship with this tradition and the ways his intellectual and spiritual development has been informed by it.
Untying Things Together is both an intellectual history of major theoretical paradigms and a call for their reexamination and renewal. Revisiting many of the topics he has addressed in previous work, Santner proposes a new way of conceptualizing the eros of thinking, attuned to how our minds and bodies individually and collectively incorporate or “encyst” on a void at the heart of things. Rather than proposing a “return to theory,” Santner’s book simply employs theory as a way of further “(un)tying together” the resources of philosophy, art and literature, theology, psychoanalysis, political thought, and more.