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In Undoing Suicidism, Alexandre Baril argues that suicidal people are oppressed by what he calls structural suicidism, a hidden oppression that, until now, has been unnamed and under-theorized. Each year, suicidism and its preventionist script and strategies reproduce violence and cause additional harm and death among suicidal people through forms of criminalization, incarceration, discrimination, stigmatization, and pathologization. This is particularly true for marginalized groups experiencing multiple oppressions, including queer, trans, disabled, or Mad people. 
 
Undoing Suicidism questions the belief that the best way to help suicidal people is through the logic of prevention. Alexandre Baril presents the thought-provoking argument that supporting assisted suicide for suicidal people could better prevent unnecessary deaths. Offering a new queercrip model of (assisted) suicide, he invites us to imagine what could happen if we started thinking about (assisted) suicide from an anti-suicidist and intersectional framework. 
 
Baril provides a radical reconceptualization of (assisted) suicide and invaluable reflections for academics, activists, practitioners, and policymakers.
 

Responding to anti-Indianism in America, the wide-ranging perspectives culled in Unlearning the Language of Conquest present a provocative account of the contemporary hegemony still at work today, whether conscious or unconscious. Four Arrows has gathered a rich collection of voices and topics, including:

• Waziyatawin Angela Cavender Wilson's "Burning Down the House: Laura Ingalls Wilder and American Colonialism," which probes the mentality of hatred woven within the pages of this iconographic children's literature.
• Vine Deloria's "Conquest Masquerading as Law," examining the effect of anti-Indian prejudice on decisions in U.S. federal law.
• David N. Gibb's "The Question of Whitewashing in American History and Social Science," featuring a candid discussion of the spurious relationship between sources of academic funding and the types of research allowed or discouraged.
• Barbara Alice Mann's "Where Are Your Women? Missing in Action," displaying the exclusion of Native American women in curricula that purport to illuminate the history of Indigenous Peoples.

Bringing to light crucial information and perspectives on an aspect of humanity that pervades not only U.S. history but also current sustainability, sociology, and the ability to craft accurate understandings of the population as a whole, Unlearning the Language of Conquest yields a liberating new lexis for realistic dialogues.

For the past twenty-five years, American culture has been marked by an almost palpable sense of anxiety about the nation's inner cities. Urban America has been consistently depicted as a site of moral decay and uncontrollable violence, held in stark contrast to the allegedly moral, orderly suburbs and exurbs. In Urban Nightmares, Steve Macek documents the scope of these alarmist representations of the city, examines the ideologies that informed them, and exposes the interests they ultimately served. Macek begins by exploring the conservative analysis of the urban poverty, joblessness, and crime that became entrenched during the post-Vietnam War era. Instead of attributing these conditions to broad social and economic conditions, right-wing intellectuals, pundits, policy analysts, and politicians blamed urban problems on the urban underclass itself. This strategy was successful, Macek argues, in deflecting attention from growing income disparities and in helping to secure popular support both for reactionary social policies and the assumptions underwriting them.Turning to the media, Macek explains how Hollywood filmmakers, advertisers, and journalists validated the right-wing discourse on the urban crisis, popularizing its vocabulary. Network television news and weekly news magazines, he shows, covered the inner city and its inhabitants in ways consonant with the right's alarmist discourse. At the same time, Hollywood zealously recycled this antiurban bias in films ranging from genre thrillers like Falling Down and Judgment Night to auteurist efforts like Batman and Seven. Even advertising, Macek argues, mobilized fears of a perilous urban realm to sell products from SUVs to home alarm systems.Published during the second term of an American president whose conservative agenda has been an ongoing disaster for the poor and the working class, Urban Nightmares exposes a divisive legacy of media bias against the cities and their inhabitants and issues a wake-up call to readers to recognize that media images shape what we believe about others' (and our own) place in the real world-and the consequences of those beliefs can be devastating.Steve Macek teaches media studies, urban and suburbia studies, and speech communication at North Central College in Naperville, Illinois.