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Unbalancing Act is a haunting collection of poems about the particular physics of loving and losing—about the way grief, desire, memory, and awe can tip a life off its axis, and right it again. The speaker moves through fire and water, childhood, intimacy and abandonment, always with one eye on the natural world: bears, whales, rivers, storms, animals sleeping in impossible ways. The poems are lyric but narrative-driven, often darkly funny, and fascinated—bordering on obsessed—with the strange facts and small surrealities that make ordinary life feel mythic.

At its heart, the book is about imbalance as a kind of truth: the way trauma warps time, the way love can feel like weather, the way the body keeps trying to survive even when the mind wants to disappear. It's a collection for readers who like their beauty a little feral—poems that are tender but not precious, intelligent but not academic, and emotionally sharp without ever losing their sense of wonder.

Unbroken Nostalgia: Haitian Kreyòl Poetry in Cuba is the first English translation and scholarly edition of the collection Nostalji san pwen ni vigil: pwezi kreyòl nan peyi Kiba (2016) by Hilario Batista Félix. A poet, journalist, and language activist, Batista (1955– ) embodies and expresses Cuba’s cultural and linguistic diversity as a descendant of Haitian migrant workers to Eastern Cuba during the mid-twentieth century; his poems bridge regions usually separated by language—the Spanish and Creolophone/Francophone Caribbean—and vividly depict the distinct heritage of Haitian Cubans and their shared dreams and challenges. A scholarly introduction by translator and editor Mariana F. Past provides biographical information about the author, situates his work within Haitian diasporic literature, and addresses patterns of Haitian migration to Cuba. Batista’s original poems appear alongside facing-page English translations with annotations that clarify historical figures and events, geographical features, and Haitian cultural and religious practices. Grounded in oral storytelling traditions, Unbroken Nostalgia brings to light the collective memory and complicated hybridity of the Haitian community in Cuba and upholds Haitian Kreyòl as a language of resistance.

How do you document the undocumented? UNDOCUMENTS both poses and attempts to answer this complex question by remixing the forms and styles of the first encyclopedia of the New World, the Florentine Codex, in order to tell a modern story of Greater Mexico. Employing a broad range of writing genres and scholarly approaches, UNDOCUMENTS catalogs, recovers, and erases documents and images by and about peoples of Greater Mexico from roughly the first colonial moment. This brave and bracing volume organizes and documents ancient New World Mexican peoples from the Florentine Codex (1592) to our current technology-heavy age, wherein modern lawmakers and powerful global figures desire to classify, deport, and erase immigrants and their experiences.

Literary naturalism at play in one of America’s most visionary novelists: Cormac McCarthy

It took six novels and nearly thirty years for Cormac McCarthy to find commercial success with the National Book Award–winning All the Pretty Horses, followed by major prizes, more best sellers, and Hollywood adaptations of his work. Those successes, though, have obscured McCarthy’s commitment to an older form of literary expression: naturalism.

It is hardly a secret that McCarthy’s work tends to darker themes: violence, brutality, the cruel indifference of nature, themes which would not be out of place in the writing of Jack London or Stephen Crane. But literary naturalism is more than the oversimplified Darwinism that many think of. Nature may be red in tooth and claw, and humans are part of nature, but the humanity depicted in naturalist literature is capable of love, selflessness, and spirituality, as well.

In Unguessed Kinships, Steven Frye illuminates all these dimensions of McCarthy’s work. In his novels and plays, McCarthy engages both explicitly and obliquely with the project of manifest destiny, in the western drama Blood Meridian, the Tennessee Valley Authority-era Tennessee novels, and the atomic frontier of Alamogordo in Cities of the Plain. McCarthy’s concerns are deeply religious and philosophical, drawing on ancient Greek philosophy, Gnosticism, and Nietzsche, among other sources. Frye argues for McCarthy not merely as a naturalist writer but as a naturalist in the most expansive sense. Unguessed Kinships includes biographical and historical context in each chapter, widening the appeal of the text to not just naturalists or McCarthy scholars but anyone studying the literature of the South or the West.

A CHOICE 2025 Outstanding Academic Title

Finalist for the 2025 New England Society Book Awards

Henry David Thoreau’s life-long fascination with Native Americans is widely known and a recurring topic of interest, and it is also a source of modern debate. This is a figure who both had a deep interest in Native American history and culture and was seen by many of his contemporaries, including Ralph Waldo Emerson and Nathaniel Hawthorne, as “more like an Indian” than his white neighbors. At the same time, Thoreau did little to protest the systematic dispossession of Indigenous people across the country in his lifetime. John J. Kucich charges into this contradiction, considering how Thoreau could demonstrate deep respect for Native American beliefs on one hand and remain largely silent about their genocide, actively happening throughout his life, on the other. Thoreau’s long study of Native peoples, as reflected in so much of his writing, allowed him to glimpse an Indigenous worldview, but it never fully freed him from the blind spots of settler colonialism.

Drawing on Indigenous studies and critiques of settler colonialism, as well as new materialist approaches that illustrate Thoreau’s radical reimagining of the relationship between humans and the natural world, Unsettling Thoreau explores the stakes of Thoreau’s effort to live mindfully and ethically in place when living alongside, or replacing marginalized peoples. By examining the whole scope of his writings, including the unpublished Indian Notebooks, and placing them alongside Native writers and communities in and beyond New England, this book gauges Thoreau’s effort to use Indigenous knowledge to reimagine a settler colonial world, without removing him from its trappings.

National Book Award winner Patricia Smith presents a portrait of Black America in the nineteenth century 
 
Over the course of two decades, Patricia Smith has amassed a collection of rare nineteenth-century photographs of Black men, women, and children who, in these pages, regard us from the staggering distance of time.  

Unshuttered is a vessel for the voices of their incendiary and critical era. Smith’s searing stanzas and revelatory language imbue the subjects of the photos with dynamism and revived urgency while she explores how her own past of triumphs and losses is linked inextricably to their long-ago lives:  

We ache for fiction etched in black and white. Our eyes never touch. These tragic grays and bustles, mourners’ 
hats plopped high upon our tamed but tangled crowns, strain to disguise what yearning does with us. 

How writers and artists have used city planning strategies to push back against harm

Black queer feminist thinker Audre Lorde famously declared that “the master’s tools will never dismantle the master’s house.” This language is normally understood as a metaphor, but as author Davy Knittle argues in this provocative book, queer and trans activists have long used the tools of city planning and urban design to create written and visual art that critiques those in power and offers points of resilience to their own communities.

A close look at the ways queer and trans writers and artists resisted predatory redevelopment in New York City from 1950 to 2020, Urbanist Desire draws on the work of James Schuyler, June Jordan, David Wojnarowicz, Julian Talamantez Brolaski, and Zeyn Joukhadar, exploring how they intervened in major political flashpoints like the War on Poverty, the AIDS-era housing crisis, and gentrification in Brooklyn and Queens. Presenting a new cultural history of New York City, Knittle explains how urban change and the more-than-human life of cities have been foundational concerns for queer and trans cultural production since the 1950s.

Ending with analysis of the 2022 speculative novel Everything for Everyone: An Oral History of the New York Commune, 2052–2072, Urbanist Desire looks to the past to imagine a better future for New York City and for all marginalized people. Knittle demonstrates how to move past a recuperative response to harm and toward one that can change the structure of society by documenting how queer and trans activists have engaged the strategies of planning and design to address spatial, social, and economic inequality.

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