2284 books match the query 'Women' and 25 start with u

cover of U.S. Women's History: Untangling the Threads of Sisterhood

U.S. Women's History

Untangling the Threads of Sisterhood

Brown, Leslie

Rutgers University Press, 2017

In the 1970s, feminist slogans proclaimed “Sisterhood is powerful,” and women’s historians searched through the historical archives to recover stories of solidarity and sisterhood. However, as feminist scholars have started taking a more intersectional approach—acknowledging that no woman is simply defined by her gender and that affiliations like race, class, and sexual identity are often equally powerful—women’s historians have begun to offer more varied and nuanced narratives.  
 
The ten original essays in U.S. Women's History represent a cross-section of current research in the field. Including work from both emerging and established scholars, this collection employs innovative approaches to study both the causes that have united American women and the conflicts that have divided them. Some essays uncover little-known aspects of women’s history, while others offer a fresh take on familiar events and figures, from Rosa Parks to Take Back the Night marches.
 
Spanning the antebellum era to the present day, these essays vividly convey the long histories and ongoing relevance of topics ranging from women’s immigration to incarceration, from acts of cross-dressing to the activism of feminist mothers. This volume thus not only untangles the threads of the sisterhood mythos, it weaves them into a multi-textured and multi-hued tapestry that reflects the breadth and diversity of U.S. women’s history.
 
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cover of Ukrainian Witchcraft Trials: Volhynia, Podolia, and Ruthenia, 17th–18th Centuries

Ukrainian Witchcraft Trials

Volhynia, Podolia, and Ruthenia, 17th–18th Centuries

Kateryna Dysa

Central European University Press, 2020

Drawing on quantitative data drawn from a range of trials Kateryna Dysa first describes the ideological background of the tribunals based on works written by priests and theologians that reflect attitudes toward the devil and witches. The main focus of her work, however, is the process leading to witchcraft accusations. From the stories of participants of the trials she shows what led people to enunciate first suspicions then accusations of witchcraft. Finally, she presents a microhistory from one Volhynian village, comparing attitudes toward two “female crimes” in the Ukrainian courts. 

The study is based on archival research including witch trials transcripts. Dysa approaches the trials as indications of belief and practice, attempting to understand the actors involved rather than dismiss or condemn them. She takes care to situate early modern Ukrainian witchcraft and its accompanying trials in a broader European context, with comparisons to some African cases as well.

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cover of Unbelievable Happiness and Final Sorrow: The Hemingway-Pfeiffer Marriage

Unbelievable Happiness and Final Sorrow

The Hemingway-Pfeiffer Marriage

Ruth A. Hawkins

University of Arkansas Press, 2012

It was the glittering intellectual world of 1920s Paris expatriates in which Pauline Pfeiffer, a writer for Vogue, met Ernest Hemingway and his wife Hadley among a circle of friends that included Gertrude Stein, F. Scott Fitzgerald, John Dos Passos, and Dorothy Parker. Pauline grew close to Hadley but eventually forged a stronger bond with Hemingway himself; with her stylish looks and dedication to Hemingway's writing, Pauline became the source of "unbelievable happiness" for Hemingway and, by 1927, his second wife. Pauline was her husband's best editor and critic, and her wealthy family provided moral and financial support, including the conversion of an old barn to a dedicated writing studio at the family home in Piggott, Arkansas. The marriage lasted thirteen years, some of Hemingway's most productive, and the couple had two children. But the "unbelievable happiness" met with "final sorrow," as Hemingway wrote, and Pauline would be the second of Hemingway's four wives. Unbelievable Happiness and Final Sorrow paints a full picture of Pauline and the role she played in Ernest Hemingway's becoming one of our greatest literary figures.
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cover of Unbinding Gentility: Women Making Music in the Nineteenth-Century South

Unbinding Gentility

Women Making Music in the Nineteenth-Century South

Candace Bailey

University of Illinois Press, 2021

A Choice Outstanding Academic Title for 2022

Hearing southern women in the pauses of history

Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Candace L. Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment—part of how people expected women to perform gentility—and a real practice—what women actually did. At the same time, her ethnographic reading of binder’s volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women’s place in southern culture.

A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility challenges entrenched assumptions about nineteenth century music and the experiences of the southern women who made it.

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cover of Unbroken Thread: An Anthology of Plays by Asian American Women

Unbroken Thread

An Anthology of Plays by Asian American Women

Roberta Uno

University of Massachusetts Press, 1993

This book contains plays by Genny Lim (Paper Angels), Wakako Yamauchi (The MusicLessons), Momoko Iko (Gold Watch),Velina Hasu Houston (Tea), Jeannie Barroga (Walls), and Elizabeth Wong (Letters to a Student Revolutionary). The volume includes an extended introduction, a profile of each playwright, and an appendix. The six plays of this anthology represent some of the best dramatic literature written by Asian American women since the 1970s. Each is a groundbreaking work and addresses in its own way the experiences of Asians in America. All six playwrights are American-born daughters of Asian immigrants, and their voices span the genres of naturalism, impressionism, ritual drama, postmodern collage, and media-influenced episodic drama.

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cover of Uncertain Honor: Modern Motherhood in an African Crisis

Uncertain Honor

Modern Motherhood in an African Crisis

Jennifer Johnson-Hanks

University of Chicago Press, 2005

In most countries, educated women have fewer children and have them later than uneducated women. In Uncertain Honor, Jennifer Johnson-Hanks argues that this demographic fact has social causes by offering a rich case study of contraception, abortion, and informal adoption among educated, ethnic Beti women in southern Cameroon.

Combining insights from demography and cultural anthropology, Johnson-Hanks argues that Beti women delay motherhood as part of a broader attempt to assert a modern form of honor only recently made possible by formal education, Catholicism, and economic change. Through itinerant school careers and manipulations of marriage, educated Beti women now manage their status as mothers in order to coordinate major life events in the face of social and economic uncertainty.

Carefully researched and clearly written, Uncertain Honor offers an intimate look at the lives of African women trying to reconcile motherhood with new professional roles in a context of dramatic social change.
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cover of Undaunted Women of Nanking: The Wartime Diaries of Minnie Vautrin and Tsen Shui-fang

Undaunted Women of Nanking

The Wartime Diaries of Minnie Vautrin and Tsen Shui-fang

Edited and Translated by Hua-ling Hu and Zhang Lian-hong

Southern Illinois University Press, 2010

One of the Chinese American Librarians Association’s Ten Best Books of 2010

During the infamous “Rape of Nanking,” a brutal military occupation of Nanking, China, that began on December 13, 1937, it is estimated that Japanese soldiers killed between 200,000 and 300,000 Chinese and raped between 20,000 and 80,000 women. To shelter civilian refugees, a group of Westerners established a Nanking Safety Zone. Among these humanitarians was Minnie Vautrin, an American missionary and acting president of Ginling College. She and Tsen Shui-fang, her Chinese assistant and a trained nurse, turned the college into a refugee camp, which protected more than 10,000 women and children during the height of the ordeal. The Undaunted Women of Nanking juxtaposes day-by-day the exhausted and terrified women’s wartime diaries, providing vital eyewitness accounts of the Rape of Nanking and a unique focus on the Ginling refugee camp and the sufferings of women and children. Vautrin's diary reveals the humanity and courage of a female missionary in a time of terror. Tsen Shui-fang’s diary, never before published in English and translated here for the first time, is the only known daily account by a Chinese national written during the crisis and not retrospectively. As such, it records a unique perspective: that of a woman grappling with feelings of anger, sorrow, and compassion as she witnesses the atrocities being committed in her war-torn country.

Editors Hua-ling Hu and Zhang Lian-hong have added many informative annotations to the diary entries from sources including the proceedings of the Tokyo War Crimes Trial of 1946, Vautrin’s correspondence, John Rabe’s diary, and other historical documents. Also included are biographical sketches of the two women, a note on the diaries, and information about the aftermath of the tragedy, as well as maps and photos—some of which appear in print in this book for the first time.

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cover of Undesirable: Passionate Mobility and Women’s Defiance of French Colonial Policing, 1919–1952

Undesirable

Passionate Mobility and Women’s Defiance of French Colonial Policing, 1919–1952

Jennifer Anne Boittin

University of Chicago Press, 2022

Archival research into policing and surveillance of migrant women illuminates pressing contemporary issues.

Examining little-known policing archives in France, Senegal, and Cambodia, Jennifer Anne Boittin unearths the stories of hundreds of women labeled “undesirable” by the French colonial police and society in the early twentieth century. These “undesirables” were often women traveling alone, women who were poor or ill, women of color, or women whose intimate lives were deemed unruly. To refute the label and be able to move freely, they spoke out or wrote impassioned letters: some emphasized their “undesirable” qualities to suggest that they needed the care and protection of the state to support their movements, while others used the empire’s own laws around Frenchness and mobility to challenge state or societal interference. Tacking between advocacy and supplication, these women summoned intimate details to move beyond, contest, or confound surveillance efforts, bringing to life a practice that Boittin terms “passionate mobility.” In considering how ordinary women pursued autonomy, security, companionship, or simply a better existence in the face of surveillance and control, Undesirable illuminates pressing contemporary issues of migration and violence.
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cover of Uneasy Careers and Intimate Lives: Women in Science, 1789-1979

Uneasy Careers and Intimate Lives

Women in Science, 1789-1979

Edited by Pnina Abir-Am and Dorinda Outram

Rutgers University Press, 1987

These pioneering studies of women in science pay special attention to the mutual impact of family life and scientific career. The contributors address five key themes: historical changes in such concepts as scientific career, profession, patronage, and family; differences in "gender image" associated with various branches of science; consequences of national differences and emigration; opportunities for scientific work opened or closed by marriage; and levels of women's awareness about the role of gender in science. 

An international group of historians of science discuss a wide range of European and American women scientists--from early nineteenth-century English botanists to Marie Curie to the twentieth-century theoretical biologist, Dorothy Wrinch. 
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cover of Unfollowers

Unfollowers

Leigh Ann Ruggiero

University of Massachusetts Press, 2022

Winner of the 2023 National Indie Excellence Award in Multicultural Fiction
Winner of the 2022 Forward INDIES Silver Award for Literary Fiction
Finalist of the 2023 National Indie Excellence Award in New Fiction
Finalist of the 2023 Eric Hoffer Book Award


Barb Matheson doesn’t fit in: not on the Standing Rock Reservation where her mother was born; not at the mission in rural Ethiopia where she grew up; and certainly not at the Pennsylvania church where her husband preaches. Expansive and lyrical, Unfollowers is a tale of religious angst, unrequited love, and the upheaval of racial and economic privilege. Equally adrift on both sides of the Atlantic, Barb must negotiate the distance between white America and Africa, between the spirituality of her ancestors and the straight tones of evangelicalism, and between rules and grace. When a former lover crashes her daughter’s third birthday party, she’s offered the chance to find her way home to Ethiopia, leaving her to choose between a rote life in America and an improvised life abroad.

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cover of Unfriendly Fire: A Mother's Memoir

Unfriendly Fire

A Mother's Memoir

Peg Mullen

University of Iowa Press, 1995

In 1968 Michael Mullen, a graduate student in biochemistry, was drafted; in 1969 he was sent to Vietnam as a foot soldier in Colonel Norman Schwarzkopf's Charlie Company; and in 1970 he was killed by the same “friendly fire” that destroyed thousands of other lives during the Vietnam War.

Back home on the family farm in Iowa, his parents made his death a crusade to awaken all parents to the insanity of war. C. D. B. Bryan's Friendly Fire and the TV movie of the same name documented these dramatic years, and Peg Mullen became a national symbol of grassroots activism. Now Peg Mullen shifts from symbol to reality as she tells her story in print for the first time.

Outspoken, fearless, and wickedly humorous, Peg Mullen had a duel mission in the years after Michael's death: to penetrate the lies and evasions behind the artillery misfire that killed her oldest son and to publicize the senseless horror of the Vietnam War. Unfriendly Fire draws on the many letters sent to the Mullens after Michael's death; in addition, Michael's own bitter, weary letters home are reprinted. In these the voices of parents, brothers, sisters, comrades, teachers, and Michael himself echo Peg Mullen's call for truth and peace.

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cover of Unicorns

Unicorns

Barbora Hrínová

Seagull Books, 2026

A humorous and deeply human short story collection that celebrates outsiders, dreamers, and the queer.
 
The award-winning Slovak writer Barbora Hrínová’s short stories paint an intimate portrait of people searching for happiness in a world that feels increasingly unstable and uncertain. Across the eight stories in this volume, we meet a rich cast of ordinary yet unconventional people trying to find their place in a society that often prefers conformity over authenticity. Taking us to such settings as a bustling cafe, a small village shack, a rental flat, or a psychiatric ward, Hrínová captures the texture of everyday life with piercing accuracy and a fresh, original voice.
 
Unicorns is a remarkable debut that resonates across generations. With compassion, wit, and an eye for detail, it shows us that weirdness isn’t rare—it’s a universal human experience.
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cover of Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era

Unlearning the Hush

Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era

Marlee S. Bunch Foreword by Christopher M. Span

University of Illinois Press, 2025

Despite significant challenges and historical opposition, Black female teachers stood at the forefront of advocating for and providing education to Black students. Their dedication not only improved opportunities for Black communities but also influenced changes in U.S. laws and societal expectations. Marlee S. Bunch draws on oral histories to illuminate the interior lives of Black female educators who taught before and after desegregation in Hattiesburg, Mississippi. In their own voices, these women detail the hurdles they faced guiding students through Jim Crow laws and Civil Rights–era desegregation. Bunch unearths the personal stories of teaching and activism during a historic time that included the Brown v. Board of Education decision and whites’ massive resistance to desegregation. The educators highlight the significance of the Black community and the role of Black homes in fostering student success and community cohesion. In addition, Bunch looks at the legacies of Black educators and the work still to be done. Visual artwork and poetry complement the text. Inspiring and immersive, Unlearning the Hush blends personal memory with Civil Rights history to document the pivotal role Black women played in education during a transformative and charged period in American history.
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cover of Unmanageable Revolutionaries: Women and Irish Nationalism

Unmanageable Revolutionaries

Women and Irish Nationalism

Margaret Ward

Pluto Press, 1996

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cover of Unmarried Women: Stories

Unmarried Women

Stories

Matilde Serao

Northwestern University Press, 2007

Matilde Serao is widely regarded as the most successful Italian woman journalist of the nineteenth century as well as being an important writer of fiction. A great observer of life, Serao focused her writing directly on the most pressing problems of a newly unified Italy, urban poverty, and the North/South divide. Historian and critic Benedetto Croce said of her that she had an "imagination that is limpid and alive"; Nobel Laureate Giosuè Carducci called her the greatest woman writer in Italy; and Gabriele D'Annunzio dedicated a novel to her. She was apparently on the short list for the Nobel Prize in 1926, which ultimately went to the Sardinian writer Grazia Deledda.

This collection, the first to make Serao’s short stories available in English translation, reflects this naturalistic writer’s interest in the everyday drama of the lives of women in the Italy of her day.  In Serao’s spare and simple prose, the young women of turn-of-the-century Naples come to life, negotiating the details of school and work, church and marriage, in a world circumscribed by fathers and chaperones, fiancés and bosses.  Infused with the writer’s deep sense of humanity, their quietly involving stories—at once so poetic and so ordinary—attest to the transformative power of literature, and to the promise that even the most humble life holds.
 
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cover of Unmentionable Madness: Gender, Disability, and Shame in the Malaria Treatment of Neurosyphilis

Unmentionable Madness

Gender, Disability, and Shame in the Malaria Treatment of Neurosyphilis

Christin L. Hancock

University of Illinois Press, 2025

In 1930, neurosyphilis struck an unsuspecting Mabel Smith. Doctors at the Central State Hospital for the Insane in Indianapolis turned to malaria therapy--a radical treatment that relied on the belief that infection with malaria might save Smith’s life by attacking the bacterium that causes syphilis.

Christin L. Hancock looks through the lens of feminist disability to examine the popular but ethically suspect treatment and its consequences. As Hancock shows, the treatment’s purported success rate relied on the disabled minds and bodies of people incarcerated in mental hospitals. The backgrounds and identities of these patients reflected and perpetuated attitudes around poverty, gender, race, and disability while betraying authorities’ desire to protect the public from women and men perceived as abnormal, sexually tainted, and unworthy of community life.

Paying special attention to the patients’ voices and experiences, Unmentionable Madness offers a disability history that confronts the ethics of experimentation.

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cover of Unnatural Selection: A Memoir of Adoption and Wilderness

Unnatural Selection

A Memoir of Adoption and Wilderness

Andrea Ross

CavanKerry Press, 2021

Adopted at birth, Andrea Ross grew up inhabiting two ecosystems: one was her tangible, adoptive family, the other her birth family, whose mysterious landscape was hidden from her. In this coming-of-age memoir, Ross narrates how in her early twenties, while working as a ranger in Grand Canyon National Park, she embarked on a journey to discover where she came from and, ultimately, who she was. After many missteps and dead ends, Ross uncovered her heartbreaking and inspiring origin story and began navigating the complicated turns of reuniting with her birth parents and their new families. Through backcountry travel in the American West, she also came to understand her place in the world, realizing that her true identity lay not in a choice between adopted or biological parents, but in an expansion of the concept of family.
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cover of Unraveling the Garment Industry: Transnational Organizing and Women’s Work

Unraveling the Garment Industry

Transnational Organizing and Women’s Work

Ethel C. Brooks

University of Minnesota Press, 2007

Unraveling the Garment Industry is an ambitious investigation of the politics of labor and protest within an industry that has come to define the possibilities and abuses of globalization and its feminized labor: the garment industry. Focusing on three labor rights movements—against GAP clothing in El Salvador, child labor in Bangladesh, and sweatshops in New York City—Ethel C. Brooks examines how transnational consumer protest campaigns effect change, sometimes with unplanned penalties for those they intend to protect.

Brooks analyzes a two-pronged problem in consumer boycott campaigns against labor abuse in the garment industry. First, how are we to understand the political necessities of local protest such as the right to unionize against the emphasis placed on consumer boycotts? Second, what and whose agency is privileged or obscured within the symbolic economies and the politics of information deployed by these campaigns? Tying both of these questions together is a commitment to seeing globalization as embedded in the everyday realities of the local. 

Drawing attention to the race, class, and gender assumptions central to powerful consumer boycotts, Brooks reveals how these movements unintentionally reinforce the global economic forces they denounce.

Ethel C. Brooks is assistant professor of women’s and gender studies and sociology at Rutgers University.

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cover of Unrecognized: A Palestinian Bedouin Feminist in Israel

Unrecognized

A Palestinian Bedouin Feminist in Israel

Lihi Ben Shitrit

Rutgers University Press, 2027

In 1998, when Mona Al-Habanin was twenty-eight years old and pregnant with her sixth child, she stood before a council of al-Naqab Bedouin shaykhs and faced the most difficult decision of her life: give up her children or be responsible for more killings in her tribe.

This book tells the extraordinary story of Mona Al-Habanin (b. 1970), the first Bedouin woman to run for elected office in Israel's Negev Desert. Through Mona's life, it illuminates Indigenous Bedouin women's traumas and resilience while documenting a genealogy of contemporary Palestinian Bedouin feminism. It traces her journey from desert tent dwelling through forced dislocation, her community's struggles with violence against women, and her battle for her children—against state-sanctioned tribal justice rooted in British colonial paradigms and Zionist settler-native relations—and to her turn to fierce and irreverent activism, taboo-breaking, and political trailblazing. This book tells the story of an unrecognized community under siege and of a new form of Indigenous feminism that bravely defies the violence of silencing. 

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cover of Untidy Gender: Domestic Service in Turkey

Untidy Gender

Domestic Service in Turkey

Gul Ozyegin

Temple University Press, 2000

"A sophisticated and sensitive text on domestic service in Turkey that singles itself out by a powerful account of the micro-sociology of power. It engages the reader in much broader debates about the mutual relations of class and gender, the role of patriarchal controls in shaping informal female labor markets and the management of status differentials by women in their daily lives. An important scholarly contribution written in a lucid and accessible style." --Deniz Kandiyoti, School of Oriental and African Studies, University of London Untidy Gender takes readers into the interconnected worlds of Turkish maids and the women who employ them, tracing the incorporation of rural migrant women into the interiors of the domestic spheres of the urban middle-classes. Firmly grounded in data collected through a representative survey of 160 domestic workers, in-depth interviews, and participant observation in the kinship-based communities of domestic workers, this book forges a new understanding of the complex interaction between gender and class subordination. Ozyegin traces the lives of two kinds of workers; those from the squatter settlements who work in a number of locations, and those who live with husbands employed as "doorkeepers" or building superintendents in the basements of middle-class apartment buildings. In a literal "upstairs, downstairs" arrangement, the latter women sometimes take on apartment cleaning for clients in the building. At the center of the book are a number of ironies about patriarchy. On the surface, husbands have absolute control over whether or not their wives work, but some women work in secret, and those "doorkeeper" husbands who allow their wives to work often provide child care themselves. Ironically, the very constraints on the spatial and social mobility of the women creates a labor market in which domestic workers' labor is expensive and not readily forthcoming, which, in turn, gives them a degree of power in negotiating their relationship with their middle-class employers. Untidy Gender offers insights not only into the gender and class dynamics of Turkish society, but contributes to the refinement of central terms of feminist scholarship and research on work in the informal sector, cross-class relations between women, gender and class inequality, and women's experiences of modernity and urbanization. The author ends with a personal account of her own difficulties with the class tensions of the maid-employer relationship. "Untidy Gender makes contributions to a large number of debates in several social science fields and sub-fields. And it does so on an extraordinarily sound methodological base: Ozyegin was able to construct a random sample for her 'women in the basement.' This is the gold standard of research, and may be unique in the research annals of studies of domestic workers." --Rae Lesser Blumberg, William R. Kenan, Jr. Professor of Sociology, University of Virginia "This original book sheds new light on the dynamics of modernity and newly constituted urban identities. Through a careful ethnographic study of paid domestic work, Ozyegin illuminates the varied ways in which relations of class and gender inequalities are shaped and maintained. American audiences interested in rural-urban migrants, in intersectionalities of race, class, and gender, and in identities, power, and resistance in the workplace will find some of the most compelling ethnography and many valuable theoretical nuggets in this book." --Pierrette Hondagneu-Sotelo, Associate Professor, Department of Sociology, University of Southern California "Ozyegin presents a cutting-edge analysis of the complexities of modernization by focusing on gender relations. While avoiding numerous rhetorical traps around questions of 'difference' Ozyegin seamlessly weaves together a thoughtfully articulated theory with a meticulous empirical analysis of patriarchal and class relations among modern urban women and more traditional migrant women living at the margins of modernity. Given its significant substantive and theoretical contributions, I will look forward to teaching Untidy Gender in my courses." --Judith M. Gerson, Associate Professor, Departments of Sociology and Women's Studies, Rutgers University, New Brunswick
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cover of Untimely Women: Radically Recasting Feminist Rhetorical History

Untimely Women

Radically Recasting Feminist Rhetorical History

Jason Barrett-Fox

The Ohio State University Press, 2022

Untimely Women recovers the work of three early-twentieth-century working women, none of whom history has understood as feminists or rhetors: cinema icon and memoirist, Mae West; silent film screenwriter and novelist, Anita Loos; and journalist and mega-publisher, Marcet Haldeman-Julius. While contemporary scholarship tends to highlight and recover women who most resemble academic feminists in their uses of propositional rhetoric, Jason Barrett-Fox uses what he terms a medio-materialist historiography to emphasize the different kinds of political and ontological gender-power that emerged from the inscriptional strategies these women employed to navigate and critique male gatekeepers––from movie stars to directors to editors to abusive husbands. 

In recasting the work of West, Loos, and Haldeman-Julius in this way, Barrett-Fox reveals the material and ontological ramifications of their forms of invention, particularly their ability to tell trauma in ways that reach beyond their time to raise the consciousness of audiences unavailable to them in their lifetimes. Untimely Women thus accomplishes important historical and rhetorical work that not only brings together feminist historiography, rhetorical materialism, and posthumanism but also redefines what counts as feminist rhetoric.
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cover of Unveiling Desire: Fallen Women in Literature, Culture, and Films of the East

Unveiling Desire

Fallen Women in Literature, Culture, and Films of the East

Das, Devaleena

Rutgers University Press, 2018

In Unveiling Desire, Devaleena Das and Colette Morrow show that the duality of the fallen/saved woman is as prevalent in Eastern culture as it is in the West, specifically in literature and films. Using examples from the Middle to Far East, including Iran, India, Pakistan, Bangladesh, Thailand, Japan, and China, this anthology challenges the fascination with Eastern women as passive, abject, or sexually exotic, but also resists the temptation to then focus on the veil, geisha, sati, or Muslim women’s oppression without exploring Eastern women’s sexuality beyond these contexts. The chapters cover instead mind/body sexual politics, patriarchal cultural constructs, the anatomy of sex and power in relation to myth and culture, denigration of female anatomy, and gender performativity. From Persepolis to Bollywood, and from fairy tales to crime fiction, the contributors to Unveiling Desire show how the struggle for women’s liberation is truly global.  
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cover of Unveiling the Prophet: The Misadventures of a Reluctant Debutante

Unveiling the Prophet

The Misadventures of a Reluctant Debutante

Lucy Ferriss

University of Missouri Press, 2005

In the autumn of 1972, Lucy Ferriss, then a college student in California, was preparing for the Veiled Prophet Ball at which she was to be presented to St. Louis society. Once the largest cotillion in the country, the invitation-only ball was unique among society events not only for the legend and mystery surrounding its namesake but also for its setting in a public, taxpayer-funded arena and for its accompanying parade.
            In the late sixties and early seventies, with racial tensions at a boiling point and urban renewal failing, the exclusively white male Christian membership of the Veiled Prophet Society and the Veiled Prophet’s costume—eerily reminiscent of a Klansman’s—attracted the ire of ACTION, a militant civil rights group. Before the 1972 ball, ACTION founder Percy Green, himself a native St. Louisan, sent letters inviting all of the debutantes to join in the protest: “ACTION understands that you hate being part of this upcoming white racist Veiled Prophet Ball as we hate you being forced to participate by your parents.” The letter didn’t persuade Ferriss, who felt she owed it to her father to participate. She wrote back: “Don’t you have bigger fish to fry? This is just a stupid party. We are slaughtering people in Southeast Asia. Let this one go. It will fall of its own weight.”
            But ACTION did not let this one go. On the night of the ball, as Ferriss bowed in obeisance to the crowd and took her place on the stage, a woman swooped down onto the stage and knocked off the Veiled Prophet’s hat and veil, revealing his identity. In the era of monumental Vietnam War protests, unmasking a wealthy and powerful old man might have seemed a feeble act of revolution, but this act forever changed the Veiled Prophet Ball in St. Louis.
            Ferriss’s memoir blends regional history, national history, and her own personal history to create a fast-paced narrative that follows two time lines. One is the dramatic and often funny story of her attending the exclusive ball, having eaten half a pan of marijuana brownies beforehand, with a Jewish hippie who smelled of “unwashed beard.” The other story takes place thirty years later as Ferriss returns to St. Louis from her home on the East Coast to track down some of ACTION’s principal activists as well as key figures in the Veiled Prophet Society.
            Over the course of this engaging story, Ferriss undergoes her own unveiling, as she discusses and comes to terms with her family; the past, present, and future of St. Louis; and the cultural politics that frame young women’s entrance into society.
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cover of Uprising: How Women Used the US West to Win the Right to Vote

Uprising

How Women Used the US West to Win the Right to Vote

Tiffany Lewis

Michigan State University Press, 2021

Decades before white women won the right to vote throughout the United States, they first secured that right in its Western region—beginning in Wyoming in 1869. Many scholars have studied why and how the Western states enfranchised women before the Eastern ones; this book instead examines the influence of the West on the national US suffrage movement. As the campaign for woman suffrage intensified, US suffragists often invoked the West in their verbal, visual, and embodied advocacy. In deploying this region as a persuasive resource, they challenged the traditional meanings of the West and East, thus gaining additional persuasive strategies. Tiffany Lewis’s analysis of the public discourse, images, and performances of suffragists and their opponents shows that the West played a pivotal role in the successful campaign for white women’s enfranchisement that culminated in 1920. In addition to offering a history of this political movement’s rhetorical strategy, Lewis illustrates the usefulness of region in protest—the way social movements can tactically employ region to motivate social change.
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cover of Utopian Genderscapes: Rhetorics of Women’s Work in the Early Industrial Age

Utopian Genderscapes

Rhetorics of Women’s Work in the Early Industrial Age

Michelle C. Smith

Southern Illinois University Press, 2021

2022 Winifred Bryan Horner Outstanding Book Award, Honorable Mention!

A necessary rhetorical history of women’s work in utopian communities
 
Utopian Genderscapes focuses on three prominent yet understudied intentional communities—Brook Farm, Harmony Society, and the Oneida Community—who in response to industrialization experimented with radical social reform in the antebellum United States. Foremost among the avenues of reform was the place and substance of women’s work. Author Michelle C. Smith seeks in the communities’ rhetorics of teleology, choice, and exceptionalism the lived consequences of the communities' lofty goals for women members.
 
This feminist history captures the utopian reconfiguration of women’s bodies, spaces, objects, and discourses and delivers a needed intervention into how rhetorical gendering interacts with other race and class identities. The attention to each community’s material practices reveals a gendered ecology, which in many ways squared unevenly with utopian claims. Nevertheless, this volume argues that this utopian moment inaugurated many of the norms and practices of labor that continue to structure women’s lives and opportunities today: the rise of the factory, the shift of labor from home spaces to workplaces, the invention of housework, the role of birth control and childcare, the question of wages, and the feminization of particular kinds of labor.
 
An impressive and diverse array of archival and material research grounds each chapter’s examination of women’s professional, domestic, or reproductive labor in a particular community. Fleeting though they may seem, the practices and lives of those intentional women, Smith argues, pattern contemporary divisions of work along the vibrant and contentious lines of gender, race, and class and stage the continued search for what is possible.   
 
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