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Violent Encounters offers a powerful and original gendered history of colonial rule and warfare in Cameroon from the advent of German imperialism to the end of the First World War. Centering German Cameroon as an understudied but pivotal site of empire and global conflict, George N. Njung demonstrates that violence was a calculated instrument of colonial governance, which was systematically organized along racial and gendered lines to conquer territory, discipline African communities, and suppress resistance.

Drawing on extensive archival research in Africa and Europe, oral traditions, and interdisciplinary gender analysis, Njung reconstructs how empire and war were lived differently by African men and women. He shows that gender-based violence—especially sexual abuse—functioned as a deliberate political strategy embedded in military campaigns, forced labor regimes, and systems of punishment. African women bore disproportionate burdens at the intersection of gender, race, and militarization, even as they acted as resisters, mobilizers, and negotiators. African men, meanwhile, experienced forced recruitment, battlefield violence, and profound challenges to social authority under colonial rule.

Reinterpreting the First World War in Africa as an escalation rather than a rupture, Violent Encounters situates wartime atrocities, mass displacement, and one of the twentieth century’s earliest refugee crises within a longer continuum of imperial violence. By foregrounding gender, the book repositions Cameroon—and Africa more broadly—as central to understanding the global dynamics of empire, militarization, and resistance in the early twentieth century.

There is currently in Madagascar a rich literary production (short stories, poetry, novels, plays) that has not yet reached the United States for lack of diffusion outside the country. Until recently, Madagascar suffered from political isolation resulting from its breakup with France in the 1970s and the eighteen years of Marxism that followed. With little hope that their voices would be heard outside the island, writers nevertheless have continued to express themselves in French (alongside a literature written in the Malagasy language). Malagasy literature in French had begun in the colonial era with three poets: Jean–Joseph Rabearivelo, Jacques Rabemananjara, and Flavien Ranaivo, all three presented in Léopold Senghor’s celebrated Anthologie de la nouvelle poésie nègre et malgache (1948). More recently, although a few Malagasy writers living outside the country have been published in France, the bulk of Malagasy literature today has remained largely unpublished, circulating locally mostly in manuscript form. Voices from Madagascar will bring a wide selection of these texts, both in French and in English, to the North American public.