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Vampire Nation is a nuanced analysis of the cultural and political rhetoric framing ‘the serbs’ as metaphorical vampires in the last decades of the twentieth century, as well as the cultural imaginaries and rhetorical mechanisms that inform nationalist discourses more broadly. Tomislav Z. Longinović points to the Gothic associations of violence, blood, and soil in the writings of many intellectuals and politicians during the 1990s, especially in portrayals by the U.S.-led Western media of ‘the serbs’ as a vampire nation, a bloodsucking parasite on the edge of European civilization.

Interpreting oral and written narratives and visual culture, Longinović traces the early modern invention of ‘the serbs’ and the category’s twentieth-century transformations. He describes the influence of Bram Stoker’s nineteenth-century novel Dracula on perceptions of the Balkan region and reflects on representations of hybrid identities and their violent destruction in the works of the region’s most prominent twentieth-century writers. Concluding on a hopeful note, Longinović considers efforts to imagine a new collective identity in non-nationalist terms. These endeavors include the emigrant Yugoslav writer David Albahari’s Canadian Trilogy and Cyber-Yugoslavia, a mock nation-state with “citizens” in more than thirty countries.

Stories of the volcano goddess Pele and her youngest sister Hi‘iaka, patron of hula, are most familiar as a form of literary colonialism—first translated by missionary descendants and others, then co-opted by Hollywood and the tourist industry. But far from quaint tales for amusement, the Pele and Hi‘iaka literature published between the 1860s and 1930 carried coded political meaning for the Hawaiian people at a time of great upheaval. Voices of Fire recovers the lost and often-suppressed significance of this literature, restoring it to its primary place in Hawaiian culture.

Ku‘ualoha ho‘omanawanui takes up mo‘olelo (histories, stories, narratives), mele (poetry, songs), oli (chants), and hula (dances) as they were conveyed by dozens of authors over a tumultuous sixty-eight-year period characterized by population collapse, land alienation, economic exploitation, and military occupation. Her examination shows how the Pele and Hi‘iaka legends acted as a framework for a Native sense of community. Freeing the mo‘olelo and mele from colonial stereotypes and misappropriations, Voices of Fire establishes a literary mo‘okū‘auhau, or genealogy, that provides a view of the ancestral literature in its indigenous contexts.

The first book-length analysis of Pele and Hi‘iaka literature written by a Native Hawaiian scholar, Voices of Fire compellingly lays the groundwork for a larger conversation of Native American literary nationalism.