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One of the articles of faith of twentieth-century intellectual history is that the theory of relativity in physics sprang in its essentials from the unaided genius of Albert Einstein; another is that scientific relativity is unconnected to ethical, cultural, or epistemological relativisms. Victorian Relativity challenges these assumptions, unearthing a forgotten tradition of avant-garde speculation that took as its guiding principle "the negation of the absolute" and set itself under the militant banner of "relativity."

Christopher Herbert shows that the idea of relativity produced revolutionary changes in one field after another in the nineteenth century. Surveying a long line of thinkers including Herbert Spencer, Charles Darwin, Alexander Bain, W. K. Clifford, W. S. Jevons, Karl Pearson, James Frazer, and Einstein himself, Victorian Relativity argues that the early relativity movement was bound closely to motives of political and cultural reform and, in particular, to radical critiques of the ideology of authoritarianism. Recuperating relativity from those who treat it as synonymous with nihilism, Herbert portrays it as the basis of some of our crucial intellectual and ethical traditions.

Following on the arguments adumbrated in his previous works, Piotr Hoffman here argues that the notion of and concern with violence are not limited to political philosophy but in fact form the essential component of philosophy in general. The acute awareness of the ever-present possibility of violence, Hoffman claims, filters into and informs ontology and epistemology in ways that require careful analysis.

In his previous book, Doubt, Time, Violence, Hoffman explored the theme of violence in relation to Descartes' problematic of doubt and Heidegger's work on temporality. The pivotal notion deriving from that investigation is the notion of the other as the ultimate limit of one's powers. In effect, Hoffman argues, our practical mastery of the natural environment still leaves intact the limitation of human agents by each other. In a violent environment, the other emerges as an insurmountable obstacle to one's aims and purposes or as an inescapable danger which one is powerless to hold at bay. The other is thus the focus of an ultimate resistance to one's powers.

The special status of the other, as Hoffman articulates it, is at the root of several key notions around which modern philosophy has built its problematic. Arguing here that when the theme of violence is taken into account many conceptual tensions and puzzles receive satisfying solutions, Hoffman traces the theme through the issue of things versus properties; through Kant's treatment of causality, necessity, and freedom in the Critique of Pure Reason; and through the early parts of Hegel's Logic. The result is a complete reorientation and reinterpretation of these important texts.

Violence in Modern Philosophy offers patient and careful textual clarification in light of Hoffman's central thesis regarding the other as ultimate limit. With a high level of originality, he shows that the theme of violence is the hidden impulse behind much of modern philosophy. Hoffman's unique stress on the constitutive importance of violence also offers a challenge to the dominant "compatibilist" tradition in moral and political theory. Of great interest to all philosophers, this work will also provide fresh insights to anthropologists and all those in the social sciences and humanities who occupy themselves with the general theory of culture.