753 books match the query 'Race' and 4 start with v

Adilia E. E. James
Temple University Press, 2027
Despite calls from industry associations for a diverse workforce to meet a changing client base, racial and gendered occupational segregation persists in the veterinary profession. As of 2018, nearly 90% of veterinarians identify as White and more than 70% are women. Adilia James explains the causes and effects of this growing and alarming trend in Vetting for Passion.
James interviews aspiring and employed veterinarians about why marginalized groups are, ironically, not making equitable progress in an elite labor market that encourages diversity and inclusion policies. She shows how cultural and structural barriers exclude people of color from the profession and how relationships with animals are used as racialization tools. People of color are also hindered by factors such as social and lived experiences, the debt-to-income ratio, and an uncomfortable working environment.
Additionally, James finds that hiring managers, veterinary schools, and mentors rely on “constrained choice narratives” to justify their assumption that only White women are likely to appreciate the unique benefits of a career in veterinary medicine, leading these gatekeepers to excuse their opportunity hoarding as benevolent.
Vetting for Passion offers a critical case study of a profession whose associations, colleges, and workplaces justify and perpetuate a culture of racial exclusion.
Stefka G. Mihaylova
University of Michigan Press, 2023
Honorable Mention: American Society for Theatre Research Barnard Hewitt Award | November 8, 2024
Conventional notions of avant-garde art suggest innovative artists rebelling against artistic convention and social propriety, shocking unwilling audiences into new ways of seeing and living. Viewers in Distress tells a different story. Beginning in the tumultuous 1990s, after the fall of the Berlin Wall and in the wake of the Los Angeles riots, rebellious spectators in American and British theaters broke with theater decorum and voiced their radical interpretations of shows that were not meant to be radical. In doing so, audiences tried to understand the complex racial, gender, and religious politics of their times, while insisting that liberal societies fulfill their promise of dignity for all. Stefka Mihaylova argues that such non-conforming viewing amounts to an avant-garde of its own: a bold reimagining of how we live together and tell stories of our lives together, aimed to achieve liberalism’s promise. In telling this story, she analyzes the production and reception politics of works by Susan-Lori Parks, Sarah Kane, Forced Entertainment, Gurpreet Kaur Bhatti, and Young Jean Lee, as well as non-theatrical controversies such as the conflict over Halloween costumes at Yale in 2015. At the core of spectators’ discontent, this book suggests, is an effort to figure out how to get along with people different from ourselves in the diverse U.S. and British societies in which we live.
Meyer, Doug
Rutgers University Press, 2015
Noa Hazan
University of Michigan Press, 2022
Analyzing the visual syntax and display rhetoric applied in newspaper photos, national historical albums, and museum exhibitions, Noa Hazan shows that although racial thought was and still is verbally suppressed in Israel, it is vividly present in its nonverbal official and public visual sphere. The racist perspective of newspaper editors, book publishers, photographers, and museum curators were morally justified in its time by such patronizing ideals as realistic news coverage or the salvation of Jewish heritage assets. Although their perspectives played a dominant role in establishing a visual syntax of race in Israel, they were not seen as racially discriminating at the time. The racist motifs and actions are revealed here by colligating multiple cases into a coherent narrative in retrospect.
This book points to a direct influence of the anti-Semitic discourse in Europe toward Mizrahim in Israel, highlighting the shared visual stereotypes used in both Europe and the fledgling state of Israel. Engraved in their body, these cultural traits were depicted and understood as racial-biological qualities and were visually manipulated to silo Ashkenazim and Mizrahim in Israel as distinct racial types.