1861 books match the query 'Social life and customs' and 17 start with v

cover of Vaqueros, Cowboys, and Buckaroos

Vaqueros, Cowboys, and Buckaroos

By Lawrence Clayton, Jim Hoy, and Jerald Underwood

University of Texas Press, 2001

Herding cattle from horseback has been a tradition in northern Mexico and the American West since the Spanish colonial era. The first mounted herders were the Mexican vaqueros, expert horsemen who developed the skills to work cattle in the brush country and deserts of the Southwestern borderlands. From them, Texas cowboys learned the trade, evolving their own unique culture that spread across the Southwest and Great Plains. The buckaroos of the Great Basin west of the Rockies trace their origin to the vaqueros, with influence along the way from the cowboys, though they, too, have ways and customs distinctly their own.

In this book, three long-time students of the American West describe the history, working practices, and folk culture of vaqueros, cowboys, and buckaroos. They draw on historical records, contemporary interviews, and numerous photographs to show what makes each group of mounted herders distinctive in terms of working methods, gear, dress, customs, and speech. They also highlight the many common traits of all three groups.

This comparative look at vaqueros, cowboys, and buckaroos brings the mythical image of the American cowboy into focus and detail and honors the regional and national variations. It will be an essential resource for anyone who would know or portray the cowboy—readers, writers, songwriters, and actors among them.

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cover of Varieties of Muslim Experience: Encounters with Arab Political and Cultural Life

Varieties of Muslim Experience

Encounters with Arab Political and Cultural Life

Lawrence Rosen

University of Chicago Press, 2008

In Varieties of Muslim Experience, anthropologist Lawrence Rosen explores aspects of Arab Muslim life that are, at first glance, perplexing to Westerners. He ranges over such diverse topics as why Arabs eschew portraiture, why a Muslim scientist might be attracted to fundamentalism, and why the Prophet must be protected from blasphemous cartoons. What connects these seemingly disparate features of Arab social, political, and cultural life? Rosen argues that the common thread is the importance Arabs place on the negotiation of interpersonal relationships—a link that helps to explain actions as seemingly unfathomable as suicide bombing and as elusive as Quranic interpretation.


 Written with eloquence and a deep knowledge of the entire spectrum of Muslim experience, Rosen’s book will interest not only anthropologists and Islamicists but anyone invested in better understanding the Arab world.

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cover of Veneer: Stories

Veneer

Stories

Stories by Steve Yarbrough

University of Missouri Press, 1998

Acclaimed short story writer Steve Yarbrough, whose works have been included in the Pushcart Prize anthology and The Best American Mystery Stories 1998, once again demonstrates his gift for vividly rendered characters and evocative themes in his latest collection of fiction.

Veneer presents a variety of characters from cultural backgrounds and settings that range from California to Mississippi to Eastern Europe. Yarbrough's sensitive portrayals of loss and longing are individual and unsettling; a disaffected college football coach, a movie star with a "substance problem," and a small-town girl coming to grips with the murder of her mother are just a few examples of the turbulent lives he portrays. In every instance, each character is "constantly searching for some way to bridge the gap, so small and yet so vast, between a right move and a wrong one."

A poignant theme running through this collection is the conflict between appearance and reality. Yarbrough presents the reader with deep narrative layers, juxtaposing the gritty present with nostalgic recollections of an idealized past or hopeful projections into a rosy future. "Veneer," the title piece, beautifully reveals the depth of this conflict. On the surface, the narrator, a married man whose family is away on vacation, enjoys a dinner with a woman who has been a longtime friend. Beneath that "veneer," however, lies a more complex, perhaps troubling, relationship between the two friends, a relationship only partially obscured by the comic recounting of a childhood Independence Day.

Yarbrough is at his best when he offers us brief glimpses into his characters' minds and imaginations, brilliantly exposing subtle vulnerabilities as cracks in the veneer. "Bohemia" follows the travels of two young lovers as they explore Europe. The woman fears that her lover will abandon her, and when she wakes to find him gone one evening, she believes her fear is confirmed. Yet his return does not alleviate her insecurity. The reality of her lover's presence and her continued anxiety emphasize the many layers that constitute the woman's world.

Diverse in locale, character, and content, the stories in Veneer present rare views into the rifts between husband and wife, parent and child, one sibling and another. Crafting these compelling, deceptively simple stories is a writer whose "true subject is the human heart."

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cover of Venice: A Contested Bohemia in Los Angeles

Venice

A Contested Bohemia in Los Angeles

Andrew Deener

University of Chicago Press, 2012

Nestled between Santa Monica and Marina del Rey, Venice is a Los Angeles community filled with apparent contradictions. There, people of various races and classes live side by side, a population of astounding diversity bound together by geographic proximity. From street to street, and from block to block, million dollar homes stand near housing projects and homeless encampments; and upscale boutiques are just a short walk from the (in)famous Venice Beach where artists and carnival performers practice their crafts opposite cafés and ragtag tourist shops. In Venice: A Contested Bohemia in Los Angeles, Andrew Deener invites the reader on an ethnographic tour of this legendary California beach community and the people who live there.
 
In writing this book, the ethnographer became an insider; Deener lived as a resident of Venice for close to six years. Here, he brings a scholarly eye to bear on the effects of gentrification, homelessness, segregation, and immigration on this community. Through stories from five different parts of Venice—Oakwood, Rose Avenue, the Boardwalk, the Canals, and Abbot Kinney Boulevard— Deener identifies why Venice maintained its diversity for so long and the social and political factors that threaten it. Drenched in the details of Venice’s transformation, the themes and explanations will resonate far beyond this one city. 
 
Deener reveals that Venice is not a single locale, but a collection of neighborhoods, each with its own identity and conflicts—and he provides a cultural map infinitely more useful than one that merely shows streets and intersections. Deener's Venice appears on these pages fully fleshed out and populated with a stunning array of people. Though the character of any neighborhood is transient, Deener's work is indelible and this book will be studied for years to come by scholars across the social sciences.
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cover of Vestal Virgins, Sibyls, and Matrons: Women in Roman Religion

Vestal Virgins, Sibyls, and Matrons

Women in Roman Religion

By Sarolta A. Takács

University of Texas Press, 2007

Roman women were the procreators and nurturers of life, both in the domestic world of the family and in the larger sphere of the state. Although deterred from participating in most aspects of public life, women played an essential role in public religious ceremonies, taking part in rituals designed to ensure the fecundity and success of the agricultural cycle on which Roman society depended. Thus religion is a key area for understanding the contributions of women to Roman society and their importance beyond their homes and families.

In this book, Sarolta A. Takács offers a sweeping overview of Roman women's roles and functions in religion and, by extension, in Rome's history and culture from the republic through the empire. She begins with the religious calendar and the various festivals in which women played a significant role. She then examines major female deities and cults, including the Sibyl, Mater Magna, Isis, and the Vestal Virgins, to show how conservative Roman society adopted and integrated Greek culture into its mythic history, artistic expressions, and religion. Takács's discussion of the Bona Dea Festival of 62 BCE and of the Bacchantes, female worshippers of the god Bacchus or Dionysus, reveals how women could also jeopardize Rome's existence by stepping out of their assigned roles. Takács's examination of the provincial female flaminate and the Matres/Matronae demonstrates how women served to bind imperial Rome and its provinces into a cohesive society.

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cover of Victorian Jamaica

Victorian Jamaica

Timothy Barringer and Wayne Modest, editors

Duke University Press, 2018

Victorian Jamaica explores the extraordinary surviving archive of visual representation and material objects to provide a comprehensive account of Jamaican society during Queen Victoria's reign over the British Empire, from 1837 to 1901. In their analyses of material ranging from photographs of plantation laborers and landscape paintings to cricket team photographs, furniture, and architecture, as well as a wide range of texts, the contributors trace the relationship between black Jamaicans and colonial institutions; contextualize race within ritual and performance; and outline how material and visual culture helped shape the complex politics of colonial society. By narrating Victorian history from a Caribbean perspective, this richly illustrated volume—featuring 270 full-color images—offers a complex and nuanced portrait of Jamaica that expands our understanding of the wider history of the British Empire and Atlantic world during this period.

Contributors. Anna Arabindan-Kesson, Tim Barringer, Anthony Bogues, David Boxer, Patrick Bryan, Steeve O. Buckridge, Julian Cresser, John M. Cross, Petrina Dacres, Belinda Edmondson, Nadia Ellis, Gillian Forrester, Catherine Hall, Gad Heuman, Rivke Jaffe, O'Neil Lawrence, Erica Moiah James, Jan Marsh, Wayne Modest, Daniel T. Neely, Mark Nesbitt, Diana Paton, Elizabeth Pigou-Dennis, Veerle Poupeye, Jennifer Raab, James Robertson, Shani Roper, Faith Smith, Nicole Smythe-Johnson, Dianne M. Stewart, Krista A. Thompson
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cover of Victorine du Pont: The Force behind the Family

Victorine du Pont

The Force behind the Family

Leonard C. Spitale

University of Delaware Press, 2023

Victorine Elizabeth du Pont, the first child of Eleuthère Irénée du Pont and his wife Sophie, was seven years old when her family emigrated to America, where her father established the humble beginnings of what would become a corporate giant. Through correspondence with friends and relatives from the ages of eight to sixty-eight, Victorine unwittingly chronicled the first sixty years of the du Pont saga in America. As she recovered from personal tragedy, she became first tutor of her siblings and relations. This biography makes the case that Victorine has had the broadest—and most enduring—influence within the entire du Pont family of any family member. The intellectual heir of her venerable grandfather, Pierre Samuel du Pont de Nemours, although Victorine grew up in an age where women's opportunities were limited, her pioneering efforts in education, medicine, and religion transformed an entire millworkers’ community.
               
 
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cover of Viet Nam: Tradition and Change

Viet Nam

Tradition and Change

H?u Ng?c

Ohio University Press, 2016

During his twenty-year tenure as a columnist for Việt Nam News, Hà Nội’s English-language newspaper, Hữu Ngọc charmed and invigorated an international readership hungry for straightforward but elegant entrees into understanding Vietnamese culture. The essays were originally collected in the massive Wandering through Vietnamese Culture. With Viet Nam: Tradition and Change, Ohio University Press presents a selection from these many treasures, which are perfectly suited to students of Vietnamese culture and travelers seeking an introduction to the country’s rich history, culture, and daily life.

With extraordinary linguistic ability and a prodigious memory, Hữu Ngọc is among Việt Nam’s keenest observers of and writers about traditional Vietnamese culture and recent history. The author’s central theme—that all tradition is change through acculturation—twines through each of the book’s ten sections, which contain Hữu Ngọc’s ideas on Vietnamese religion, literature, history, exemplary figures, and more. Taken on its own, each brief essay is an engaging discussion of key elements of Vietnamese culture and the history of an issue confronting Việt Nam today.

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cover of View from the Fazenda: A Tale of the Brazilian Heartlands

View from the Fazenda

A Tale of the Brazilian Heartlands

Ellen Bromfield Geld

Ohio University Press, 2012

“I imagine everyone has a center of gravity,” says Ellen Bromfield Geld. “Something which binds one to the earth and gives sense and direction to what one does.” For Ellen, this center is a writing table before a window that looks out upon groves of pecan trees and mahogany-colored cattle in seas of grass. The place is Fazenda Pau D’Alho, Brazil, where she and her husband, Carson, have lived and farmed since 1961.

Healing the ravaged coffee plantation, rearing five children, exploring the outposts, the Gelds have created a dynamic yet peaceful life far from Ellen’s native Ohio. Their practice of sustainable agriculture, and Ellen’s plea for the preservation of Brazil’s remaining wilderness areas, reflect the legacy of her father, the novelist and farm visionary Louis Bromfield. Their shared vision is crystallized in her account of a cattle drive across the Pantanal, the vast flood plain on Brazil’s side of the Paraguay River. She describes a two-hundred year symbiosis between ranchers and a fragile ecosystem that is being threatened by development.

View from the Fazenda is distilled from fifty years of living in Brazil, weaving daily life on the farm into her quest to understand a nation. It portrays a true melting pot of people who—as conquerers, immigrants, or slaves, their blood and history mingled with those of native Indians—have created the character of Brazil. This huge, diverse county, living in several eras at the same time, is ever changing through its people’s amazing ability to “find a way.”

Ellen Bromfield Geld evokes the land and people of Brazil and offers readers an invigorating glimpse into a soulful life. “It seems to me that being a bit of a poet is perhaps the only way one can survive as a farmer,” she explains. “For in the end, more than anything, farming is a way of life you either love or become bitter enduring.”

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cover of Visions of the Black Belt: A Cultural Survey of the Heart of Alabama

Visions of the Black Belt

A Cultural Survey of the Heart of Alabama

Robin McDonald and Valerie Pope Burnes

University of Alabama Press, 2015

Capturing the soul of the South’s Black Belt.

In Visions of the Black Belt, Robin McDonald and Valerie Pope Burnes offer a richly illustrated tour of the Black Belt, the fertile arc that represents the cultural efflorescence of Alabama’s heartland. Like knowledgeable friends, McDonald and Burnes guide readers through the Black Belt’s towns and architecture and introduce the region’s great panoply of citizens, farmers, craftspeople, cooks, writers, and musicians.  

A constellation of Black Belt towns arose during Alabama’s territorial decades, communities like Selma, Camden, Eutaw, Tuskegee, Greenville, and many more. Visions of the Black Belt recounts their stories and others, such as Demopolis’s founding by exiles from Napoleon’s France. As an escarpment of clouds scuds across an indigo sky, the ruins of Alabama’s lost capital of Cahaba reveal the secrets of its lost squares. Also on this picturesque tour are the Black Belt’s homes, from artless cabins wreathed in fern to ozymandian manses wrapped by stately columns, such as Kirkwood and Reverie.  

Among the emblematic houses of worship lovingly photographed in Visions of the Black Belt is Prairieville’s St. Andrew’s Episcopal Church, noted for its “carpenter gothic” style. Also reflecting the region’s history of faith are poignant graveyards such as Greenville’s Pioneer Cemetery with its homespun memorials of seashell-and-concrete and the elegant marbles clad in ebon lichen of Selma's Live Oak Cemetery.  

In photos and text, McDonald and Burnes bring to life the layers of history that shaped the Black Belt’s tastes, sounds, and colors. Their gastronomic discoveries include the picant crawfish of the Faunsdale Bar & Grill and GainesRidge Dining Club’s famed Black Bottom pie. They bring the sounds of the Black Belt to life by presenting a wide range of musicians and musical events, from bona fide blues and soul masters to Eutaw’s Black Belt Roots Festival.  

Including two maps and more than 370 full-color photographs, Visions of the Black Belt offers a timeless message of faith, determination, and the rich simplicity of living in harmony with the rhythms of the land and nature.

Published in Cooperation with the Black Belt Treasures Cultural Arts Center, Camden, Alabama.

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cover of Visions of the Southland: A Year in Los Angeles County

Visions of the Southland

A Year in Los Angeles County

Edited by Wade Graham and William Deverell

University of Chicago Press, 2026

Experience a year in Los Angeles County, in all its glitter and grit, through a unique anthology that pairs essays by acclaimed writers and historians with custom maps.

When many of us picture Los Angeles, we’re actually thinking of LA County. Home to roughly ten million people, the county alone is more populous than forty-two US states. Its eighty-eight cities include places made famous by Hollywood glamor and California dreaming—Beverly Hills, Malibu, and Santa Monica—but also working-class municipalities and the self-explanatory City of Industry. With a territory that includes the Pacific coastline, mountain ranges, and the high Mojave Desert, the county’s landscapes have been touched by earthquakes, droughts, and, of course, devastating fires. LA County is a place of extremes: progress and injustice, innovation and stagnation.

Visions of the Southland collects essays by writers, journalists, and historians to create a nuanced portrait of LA that’s grounded in the county itself—its sites, structures, and stories. Contributors—including Gustavo Arellano, Keri Blakinger, Lynell George, Christopher Hawthorne, Michael Hiltzik, Greg Hise, Carolina Miranda, Becky Nicolaides, Susan Straight, and David L. Ulin—delve into LA’s infamous air pollution, movie ranches, prisons, aqueducts, urban forests, SoCal Bohemianism, and more. A custom map by Ezra Rawitsch enriches each piece and grounds the reader in specific locations throughout the county. Unfolding over the course of a year, the book traces the rhythms of politics, sports, weather, and wildlife across this sprawling and enigmatic place.

Sweeping in its scope and gorgeous in its design, Visions of the Southland will delight Angelenos, history buffs, urbanists, and map enthusiasts alike. 

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cover of Vodou Nation: Haitian Art Music and Cultural Nationalism

Vodou Nation

Haitian Art Music and Cultural Nationalism

Michael Largey

University of Chicago Press, 2006

While the Haitian musical tradition is probably best known for the Vodou-inspired roots music that helped topple the two-generation Duvalier dictatorship, the nation’s troubled history of civil unrest and its tangled relationship with the United States is more intensely experienced through its art music, which combines French and German elements of classical music with Haiti's indigenous folk music. Vodou Nation examines art music by Haitian and African American composers who were inspired by Haiti’s history as a nation created by slave revolt. 

Around the time of the United States’s occupation of Haiti in 1915, African American composers began to incorporate Vodou-inspired musical idioms to showcase black artistry and protest white oppression. Together with Haitian musicians, these composers helped create what Michael Largey calls the “Vodou Nation,” an ideal vision of Haiti that championed its African-based culture as a bulwark against America’s imperialism. Highlighting the contributions of many Haitian and African American composers who wrote music that brought rhythms and melodies of the Vodou ceremony to local and international audiences, Vodou Nation sheds light on a black cosmopolitan musical tradition that was deeply rooted in Haitian culture and politics.
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cover of Voices from the Heart of the Land: Rural Stories that Inspire Community

Voices from the Heart of the Land

Rural Stories that Inspire Community

Richard L. Cates Jr.

University of Wisconsin Press, 2008

From 2001 to 2006, Richard L. Cates Jr. interviewed senior members of more than 30 families living in and around Arena township, a small community in southern Wisconsin. He asked them about growing up in rural America and their connection to a way of life that is vanishing in the twenty-first century.
The result, Voices from the Heart of the Land, is a collection of reminiscences, observations, and opinions celebrating the stewardship of the land and the values of the stewards. Of course, as Cates points out, these are nothing less than “our core human values—integrity, commitment, responsibility, citizenship, self-determination, decency, kindness, love, and hope.”
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cover of Voices from the Thai Countryside

Voices from the Thai Countryside

Samruam Singh

University of Wisconsin Press, 2008

Glimpses of village life during a tumultuous period of Thai history

Set in northern Thailand during the mid-1970s, the stories in this collection capture a period of dramatic social and economic change. Amidst a setting of marketplaces and paddyfields, lemon trees and leaf-roofed houses, these vignettes offer revealing insights into the daily lives of ordinary villagers and hillspeople struggling to survive.
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cover of Voices of Play: Miskitu Children's Speech and Song on the Atlantic Coast of Nicaragua

Voices of Play

Miskitu Children's Speech and Song on the Atlantic Coast of Nicaragua

Amanda Minks

University of Arizona Press, 2013

While indigenous languages have become prominent in global political and educational discourses, limited attention has been given to indigenous children’s everyday communication. Voices of Play is a study of multilingual play and performance among Miskitu children growing up on Corn Island, part of a multi-ethnic autonomous region on the Atlantic Coast of Nicaragua.

Corn Island is historically home to Afro-Caribbean Creole people, but increasing numbers of Miskitu people began moving there from the mainland during the Contra War, and many Spanish-speaking mestizos from western Nicaragua have also settled there. Miskitu kids on Corn Island often gain some competence speaking Miskitu, Spanish, and Kriol English. As the children of migrants and the first generation of their families to grow up with television, they develop creative forms of expression that combine languages and genres, shaping intercultural senses of belonging.

Voices of Play is the first ethnography to focus on the interaction between music and language in children’s discourse. Minks skillfully weaves together Latin American, North American, and European theories of culture and communication, creating a transdisciplinary dialogue that moves across intellectual geographies. Her analysis shows how music and language involve a wide range of communicative resources that create new forms of belonging and enable dialogue across differences. Miskitu children’s voices reveal the intertwining of speech and song, the emergence of “self” and “other,” and the centrality of aesthetics to social struggle.
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cover of Voices of the Magi: Enchanted Journeys in Southeast Brazil

Voices of the Magi

Enchanted Journeys in Southeast Brazil

Suzel Reily

University of Chicago Press, 2002

Voices of the Magi explores the popular Catholic musical ensembles of southeastern Brazil known as folias de reis (companies of kings). Composed predominantly of low-income workers, the folias reenact the journey of the Wise Men to Bethlehem and back to the Orient, as they roam from house to house, singing to bless the families they visit in exchange for food and money. These gifts, in turn, are used to prepare a festival on Kings' Day, January 6, to which all who contributed are invited.

Focusing on urban folias, Suzel Ana Reily shows how participants use the ritual journeys and musical performances of the folias to create sacred spheres distinct from, yet intimately related to, their everyday world. Reily calls this practice "enchantment" and argues that it allows the folia communities to temporarily make the social ideals of mutual reciprocity and equality embodied in their religious beliefs a reality. The contrast between their ritual experiences and the daily lives of these impoverished workers, in turn, reinforces the religious convictions of these devotees of the music of the Magi.
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cover of Voices: An Anthropologist's Dialogue with an Italian-American Festival

Voices

An Anthropologist's Dialogue with an Italian-American Festival

Richard M. Swiderski

University of Wisconsin Press, 1987

This is a study of the St. Peter's Fiesta celebrated annually by the Italian, or better, Sicilian-American community of Gloucester, Massachusetts, USA. The study deals specifically with the fiesta that took place 25–28 June 1970.
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