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Providing video companionship for isolated housewives, afternoon babysitting for children, and nonstop evening entertainment for the whole family, television revolutionized American society in the post-World War II years. Helping the first TV generation make sense of the new medium was the mission of Jack Gould, television critic of The New York Times from 1947 to 1972. In columns noteworthy for crisp writing, pointed insights, and fair judgment, he highlighted both the untapped possibilities and the imminent perils of television, becoming "the conscience of the industry" for many people.

In this book, historian Lewis L. Gould, Jack Gould's son, collects over seventy of his father's best columns. Grouped topically, they cover a wide range of issues, including the Golden Age of television drama, McCarthy-era blacklisting, the rise and fall of Edward R. Murrow, quiz show scandals, children's programming, and the impact of television on American life and of television criticism on the medium itself. Lewis Gould also supplies a brief biography of his father that assesses his influence on the evolution of television, as well as prefaces to each section.

Winner of the Rachel Carson Award for Excellence in Environmental Journalism, Water Always Wins is a hopeful journey around the world and across time, illuminating better ways to live with water. 

Nearly every human endeavor on the planet was conceived and constructed with a relatively stable climate in mind. But as new climate disasters remind us every day, our world is not stable—and it is changing in ways that expose the deep dysfunction of our relationship with water. Increasingly severe and frequent floods and droughts inevitably spur calls for higher levees, bigger drains, and longer aqueducts. But as we grapple with extreme weather, a hard truth is emerging: our development, including concrete infrastructure designed to control water, is actually exacerbating our problems. Because sooner or later, water always wins.

In this quietly radical book, science journalist Erica Gies introduces us to innovators in what she calls the Slow Water movement who start by asking a revolutionary question: What does water want? Using close observation, historical research, and cutting-edge science, these experts in hydrology, restoration ecology, engineering, and urban planning are already transforming our relationship with water. 

Modern civilizations tend to speed water away, erasing its slow phases on the land. Gies reminds us that water’s true nature is to flex with the rhythms of the earth: the slow phases absorb floods, store water for droughts, and feed natural systems. Figuring out what water wants—and accommodating its desires within our human landscapes—is now a crucial survival strategy. By putting these new approaches to the test, innovators in the Slow Water movement are reshaping the future.

In the same era as the American, French, and Haitian revolutions, a powerful anticolonial movement swept across the highland Andes in 1780–1781. Initially unified around Túpac Amaru, a descendant of Inka royalty from Cuzco, it reached its most radical and violent phase in the region of La Paz (present-day Bolivia) where Aymara-speaking Indians waged war against Europeans under the peasant commander Túpaj Katari. The great Andean insurrection has received scant attention by historians of the "Age of Revolution," but in this book Sinclair Thomson reveals the connections between ongoing local struggles over Indian community government and a larger anticolonial movement.

In the moments before his weekly radio address hit the airwaves in 1984, Ronald Reagan made an off-the-record joke: "I've signed legislation that will outlaw Russia forever. We begin bombing in five minutes." As reports of the stunt leaked to the press, many Americans did not find themselves laughing along with the president. Long a fervent warrior against what he termed the "Evil Empire," by the mid-1980s, Reagan confronted growing domestic opposition to his revival of the Cold War. While numerous histories of the era have glorified the "Decade of Greed," historian Andrew Hunt instead explores the period's robust political and cultural dissent.

We Begin Bombing in Five Minutes focuses on a striking array of protest movements that took up issues such as the nuclear arms race, U.S. intervention in Central America, and American investments in South Africa. Hunt's new history of the eighties investigates how film, television, and other facets of popular culture critiqued Washington's Cold War policies and reveals that activists and cultural rebels alike posed a more meaningful challenge to the Cold War's excesses than their predecessors in the McCarthy era.

From the local bestselling author of Winnipeg 1912 comes the riveting next chapter in the city’s history. Winnipeg’s Great War picks up in 1914, just as the city is regrouping after a brief economic downturn. War comes unexpectedly, thoughts of recovery are abandoned, and the city digs in for a hard-fought four years.Using letters, diaries, and newspaper reports, Jim Blanchard brings us into the homes and public offices of Winnipeg and its citizens to illustrate the profound effect the war had on every aspect of the city, from its politics and economy, to its men on the battlefield, and its war-weary families fighting on the home front. We witness the emergence of the city’s social welfare services through the work of women’s volunteer organizations; the political scandals that led to the fall of the Rodmond Roblin government; and the clash between independent jitneys and the city’s private transit company. And we hear the conflicted emotions that echoed in the city’s streets, from anti-foreign sentiment and labour unrest, to patriotic parades, and a spontaneous Victory Day celebration that refused to end.Through these stories, Blanchard reveals how these crucial years set the stage for the decades ahead, and how the First World War transformed Winnipeg into the city it is today.

Wives not Slaves begins with the story of John and Eunice Davis, a colonial American couple who, in 1762, advertised their marital difficulties in the New Hampshire Gazette—a more common practice for the time and place than contemporary readers might think. John Davis began the exchange after Eunice left him, with a notice resembling the ads about runaway slaves and servants that were a common feature of eighteenth-century newspapers. John warned neighbors against “entertaining her or harbouring her. . . or giving her credit.” Eunice defiantly replied, “If I am your wife, I am not your slave.” With this pointed but problematic analogy, Eunice connected her individual challenge to her husband’s authority with the broader critiques of patriarchal power found in the politics, religion, and literature of the British Atlantic world.

Kirsten Sword’s richly researched history reconstructs the stories of wives who fled their husbands between the mid-seventeenth and early nineteenth centuries, comparing their plight with that of other runaway dependents.  Wives not Slaves explores the links between local justice, the emerging press, and transatlantic political debates about marriage, slavery and imperial power. Sword traces the relationship between the distress of ordinary households, domestic unrest, and political unrest, shedding new light on the social changes imagined by eighteenth-century revolutionaries, and on the politics that determined which patriarchal forms and customs the new American nation would—and would not—abolish.

Women and Music in the Age of Austen highlights the central role women played in musical performance, composition, reception, and representation, and analyzes its formative and lasting effect on Georgian culture. This interdisciplinary collection of essays from musicology, literary studies, and gender studies challenges the conventional historical categories that marginalize women’s experience from Austen’s time. Contesting the distinctions between professional and amateur musicians, public and domestic sites of musical production, and performers and composers of music, the contributors reveal how women’s widespread involvement in the Georgian musical scene allowed for self-expression, artistic influence, and access to communities that transcended the boundaries of gender, class, and nationality. This volume’s breadth of focus advances our understanding of a period that witnessed a musical flourishing, much of it animated by female hands and voices.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.


 

Women and Politics in the Age of the Democratic Revolution is a groundbreaking collection that challenges traditional narratives of eighteenth-century political upheaval by centering the experience and agency of women across Europe and North America. Edited by Harriet B. Applewhite and Darline G. Levy, this volume gathers leading historians to explore how gender shaped and was shaped by the processes of revolution and democratization from the 1760s through the early nineteenth century.Bridging comparative and interdisciplinary scholarship, the collection examines the diverse ways that women engaged with, contributed to, and contested revolutionary politics in France, England, the Netherlands, Belgium, and the United States. Essays range from analyses of women’s participation in bread riots, neighborhood activism, and political clubs, to their presence in national insurrections and their influence as writers, petitioners, and public intellectuals. The contributors reveal the ways that women negotiated—and sometimes redefined—the boundaries of citizenship, civic virtue, and political rights during times of extraordinary change.The book also interrogates the limitations of the era’s revolutionary ideals, revealing how promises of liberty and equality were often circumscribed by gendered exclusions from formal political life. Yet, even as new constitutions, legislatures, and parties sidelined women as citizens, these essays show how women’s collective and individual actions laid groundwork for later struggles for suffrage, legal equality, and social reform.Richly documented and theoretically innovative, Women and Politics in the Age of the Democratic Revolution is essential reading for anyone interested in gender, democracy, and the ongoing project of political inclusion. It offers a nuanced portrait not just of women’s defeats and exclusions, but of the complex legacies of empowerment, mobilization, and the reimagining of citizenship that continue to shape modern political cultures.

World politics has become highly polarised, and a new world war has become more likely. The United Nations’ 2024 Pact for the Future expressed concerns about ‘the growing risks of a nuclear war which could pose an existential threat to humanity’. Will humanity descend into barbarism, or will we realise the dangers of our global problems, weapons of mass destruction, and climate catastrophe to avoid annihilation and create perpetual world peace?

In World War and World Peace in the Age of Digital Capitalism, Christian Fuchs asks: how do violence and war manifest themselves in global digital capitalism? How do digital capitalism and digital technologies manifest themselves in violence and warfare? What are the prospects for world peace today?

To prevent world war and advance world peace we need a better understanding of war and violence and their contexts and causes. We need to ask what war is, what violence is, what war and peace look like today and how they have changed in the 21st century. This book addresses these urgent questions and provides possible answers.

Writing the Black Diasporic City in the Age of Globalization theorizes the city as a generative, “semicircular” social space, where the changes of globalization are most profoundly experienced. The fictive accounts analyzed here configure cities as spaces where movement is simultaneously restrictive and liberating, and where life prospects are at once promising and daunting. In their depictions of the urban experiences of peoples of African descent, writers and other creative artists offer a complex set of renditions of twentieth- and twenty-first-century Black urban citizens’ experience in European or Euro-dominated cities such as Boston, London, New York, and Toronto, as well as Global South cities such as Accra, Kingston, and Lagos—that emerged out of colonial domination, and which have emerged as hubs of current globalization. Writing the Black Diasporic City draws on critical tools of classical postcolonial studies as well as those of globalization studies to read works by Ama Ata Aidoo, Amma Darko, Marlon James, Cecil Foster, Zadie Smith, Michael Thomas, Chika Unigwe, and other contemporary writers. The book also engages the television series Call the Midwife, the Canada carnival celebration Caribana, and the film series Small Axe to show how cities are characterized as open, complicated spaces that are constantly shifting. Cities collapse boundaries, allowing for both haunting and healing, and they can sever the connection from kin and community, or create new connections.

Writing through Boyhood in the Long Eighteenth Century explores how boyhood was constructed in different creative spaces that reflected the lived experience of young boys through the long eighteenth century—not simply in children’s literature but in novels, poetry, medical advice, criminal broadsides, and automaton exhibitions. The chapters encompass such rituals as breeching, learning to read and write, and going to school. They also consider the lives of boys such as chimney sweeps and convicted criminals, whose bodily labor was considered their only value and who often did not live beyond boyhood. Defined by a variety of tasks, expectations, and objectifications, boys—real, imagined, and sometimes both—were subject to the control of their elders and were used as tools in the cause of civil society, commerce, and empire. This book argues that boys in the long eighteenth century constituted a particular kind of currency, both valuable and expendable—valuable because of gender, expendable because of youth.