297 books match the query 'Alabama' and 11 start with w

cover of Welcome the Hour of Conflict: William Cowan McClellan and the 9th Alabama

Welcome the Hour of Conflict

William Cowan McClellan and the 9th Alabama

William Cowan McClellan, edited by John C. Carter

University of Alabama Press, 2007

Vivid and lively letters from a young Confederate in Lee’s Army

In the Spring of 1861, a 22-year-old Alabamian did what many of his friends and colleagues were doing—he joined the Confederate Army as a volunteer. The first of his family to enlist, William Cowan McClellan, who served as a private in the 9th Alabama Infantry regiment, wrote hundreds of letters throughout the war, often penning for friends who could not write home for themselves. In the letters collected in John C. Carter’s volume, this young soldier comments on his feelings toward his commanding officers, his attitude toward military discipline and camp life, his disdain for the western Confederate armies, and his hopes and fears for the future of the Confederacy.
 
McClellan’s letters also contain vivid descriptions of camp life, battles, marches, picket duty, and sickness and disease in the army. The correspondence between McClellan and his family dealt with separation due to war as well as with other wartime difficulties such as food shortages, invasion, and occupation. The letters also show the rise and fall of morale on both the home front and on the battlefield, and how they were closely intertwined.
 
Remarkable for their humor, literacy, and matter-of-fact banter, the letters reveal the attitude a common soldier in the Army of Northern Virginia had toward the day-to-day activity and progression of the war. John C. Carter includes helpful appendixes that list the letters chronologically and offer the regimental roster, casualty/enlistment totals, assignments, and McClellan’s personal military record.
 

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cover of When Good Men Do Nothing: The Assassination Of Albert Patterson

When Good Men Do Nothing

The Assassination Of Albert Patterson

Alan Grady

University of Alabama Press, 2003

A true crime classic, the definitive account of the notorious 1954 assassination of Alabama Attorney General Albert Patterson

On June 18, 1954, just a few weeks after being elected Alabama's Attorney General, Albert Patterson was assassinated outside his law office in Phenix City, Alabama.  His campaign promised hope and inspired reform to law-abiding citizens of Phenix City, which was notorious for organized crime, prostitution, gambling, bootlegging, and political corruption. Patterson's stance on cleaning up Phenix City had been met with threats and intimidation.  With millions of dollars in illegal income and hundreds of political and professional careers at stake, the motive for his killing seemed apparent.  The primary investigation surrounding Patterson's shooting focused on who pulled the trigger.

Alan Grady has exhaustively mined the state's original murder case files; the papers of John Patterson, Albert's son; records from the Office of Alabama Attorney General (who directed the murder investigation); the case files of the Alabama Department of Toxicology and Criminal Investigation; National Guard reports; and more than 30 interviews with eyewitnesses and interested parties.

Grady takes a complex story of multiple dimensions—a large cast of judicial, criminal, and political players; a web of alliances and allegiances; and a knotted sequence of investigative revelations and dead ends—and transforms it into a readable, incisive analysis of the powers and loyalties that governed, and corrupted to the core, the body politic of the state. Readers will be enthralled and educated by this authoritative account of the most compelling crime drama in Alabama during the 20th century.
 

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cover of When This Evil War is Over: The Correspondence of the Francis Family

When This Evil War is Over

The Correspondence of the Francis Family

James P. Pate

University of Alabama Press, 2006

A collection of Civil War correspondence exchanged between members of the James Carrington Francis family of Jacksonville, Calhoun County, Alabama

Six of the seven Francis brothers served in the Confederate army, as did their uncle, four servants, and other kinsmen, and all twelve members of the immediate family of Dr. James Carrington Francis and Amy Ingram Francis—as well as several members of their extended family—are represented in this volume. While the letters refer to the war and the brothers’ military service, they also shed light on this family’s struggle to survive the profound cultural, economic, and political upheaval that ensued.
 
In addition to the correspondence itself, the editor includes a thoroughly researched  introduction that provides an overview of the Francis family history before, during, and after the war, which sheds light on the historical context in which the letters were written. Also included are endnotes that document and elucidate figures and events that receive passing reference in the letters, a genealogical chart of the Francis family, and photographs of each family member.  The editor includes maps of the Virginia, Georgia, and Carolinas settings, which allow the reader to follow the progress of Francis family members during the Civil War campaigns in which they participated.
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cover of When the Wolf Camped at Our Door: My Childhood in the Great Depression

When the Wolf Camped at Our Door

My Childhood in the Great Depression

Aileen Kilgore Henderson

University of Alabama Press, 2022

Recounts the hardships and joys the Kilgore family and their neighbors experienced in a close-knit southern rural community during the Great Depression

As the Great Depression tightened its grip on the world, six members of the Kilgore family were living in a cramped farmhouse in Brookwood, Alabama. Crops didn’t grow well, food was scarce, shoes were in short supply, and the few clothes they had were all hand-me-downs. The Kilgores struggled to make ends meet, cobbling together odd jobs and working the land by hand.

Despite all of this, young Aileen thought life was full of hope. She longed to hold on to it and scribbled down daily events on whatever odds and ends of paper she could find. In her new memoir, When the Wolf Camped at Our Door, Aileen Kilgore Henderson creates a vivid portrait of what life was like for so many living in the rural South during the Depression. The book begins when Aileen is ten years old and follows her into her teenage years over the course of twenty-seven episodic chapters. Drawing on her girlhood diaries and told through the charismatic voice of her younger self, Henderson’s nuanced storytelling sheds light on the common struggle for survival during a time when people were at their most vulnerable.

Against the backdrop of a world where hard work and harsh conditions like hunger, privation, sickness, and early death were everyday realities, Henderson’s stories are nevertheless tinged with young Aileen’s lively sense of humor and optimistic faith in people and in the promise of life despite trying circumstances. We follow her rambles in the woods, her visits with friends, a trip to a fortune teller, and a search for the Howton Horror, a mysterious monster rumored to live deep in the Alabama backwoods.
 

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cover of Where the North Sea Touches Alabama

Where the North Sea Touches Alabama

Allen C. Shelton

University of Chicago Press, 2013

On a warm summer’s night in Athens, Georgia, Patrik Keim stuck a pistol into his mouth and pulled the trigger. Keim was an artist, and the room in which he died was an assemblage of the tools of his particular trade: the floor and table were covered with images, while a pair of large scissors, glue, electrical tape, and some dentures shared space with a pile of old medical journals, butcher knives, and various other small objects. Keim had cleared a space on the floor, and the wall directly behind him was bare. His body completed the tableau. Art and artists often end in tragedy and obscurity, but Keim’s story doesn’t end with his death.

A few years later, 180 miles away from Keim’s grave, a bulldozer operator uncovered a pine coffin in an old beaver swamp down the road from Allen C. Shelton’s farm. He quickly reburied it, but Shelton, a friend of Keim’s who had a suitcase of his unfinished projects, became convinced that his friend wasn’t dead and fixed in the ground, but moving between this world and the next in a traveling coffin in search of his incomplete work.

In Where the North Sea Touches Alabama, Shelton ushers us into realms of fantasy, revelation, and reflection, paced with a slow unfurling of magical correspondences. Though he is trained as a sociologist, this is a genre-crossing work of literature, a two-sided ethnography: one from the world of the living and the other from the world of the dead.

What follows isn’t a ghost story but an exciting and extraordinary kind of narrative. The psycho-sociological landscape that Shelton constructs for his reader is as evocative of Kafka, Bataille, and Benjamin as it is of Weber, Foucault, and Marx. Where the North Sea Touches Alabama is a work of sociological fictocriticism that explores not only the author’s relationship to the artist but his physical, historical, and social relationship to northeastern Alabama, in rare style.
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cover of Where the Wild Animals Is Plentiful: Diary of an Alabama Fur Trader's Daughter, 1912-1914

Where the Wild Animals Is Plentiful

Diary of an Alabama Fur Trader's Daughter, 1912-1914

May Jordan

University of Alabama Press, 2006

This rare find--a journal of a young backwoods woman--provides a unique picture of rural life in southwestern Alabama early in the 20th century.

"I am a little Alabama girl living on the frontier where the wild animals is plentiful," wrote May Jordan in 1912. During the hunting season her father traveled Washington County buying furs, and May--already 23--accompanied him on two of these trips, cooking meals, helping out with the business, and recording their experiences.

May's diary of these trips from December 1912 to March 1914 describes the routine of the fur trade and provides a vivid portrait of wilderness travel and social customs. Through May's eyes, readers can experience the sights and sounds of pine forests and swamps, the difficulty of wading through waist-deep mud, and the neighborliness of the people living in this isolated area. May also shares both the solace of religious faith and her love of laughter as reflected in the jokes she records.

Elisa Moore Baldwin provides an introduction that traces Jordan family history and describes economic, social, and political conditions during the period. Baldwin also includes annotations based on court records, census rolls, and other primary sources and photographs of many of the characters in May's narrative to provide a vivid picture of the times. Because few first-person accounts exist of the life of poor whites, this diary will be invaluable to students of southern and women's history; no comparable work exists for this part of Alabama during this era. May's journal takes us to another world and teaches us about the lively human spirit in the face of hardship and loneliness.
 

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cover of Why the Vote Wasn't Enough for Selma

Why the Vote Wasn't Enough for Selma

Karyn Forner

Duke University Press, 2017

In Why the Vote Wasn't Enough for Selma Karlyn Forner rewrites the heralded story of Selma to explain why gaining the right to vote did not bring about economic justice for African Americans in the Alabama Black Belt. Drawing on a rich array of sources, Forner illustrates how voting rights failed to offset decades of systematic disfranchisement and unequal investment in African American communities. Forner contextualizes Selma as a place, not a moment within the civil rights movement —a place where black citizens' fight for full citizenship unfolded alongside an agricultural shift from cotton farming to cattle raising, the implementation of federal divestment policies, and economic globalization. At the end of the twentieth century, Selma's celebrated political legacy looked worlds apart from the dismal economic realities of the region. Forner demonstrates that voting rights are only part of the story in the black freedom struggle and that economic justice is central to achieving full citizenship.
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cover of Wildflowers of Alabama

Wildflowers of Alabama

L. J. Davenport, W. Mike Howell, and Brian R. Keener

University of Alabama Press, 2027

A modern, beautifully illustrated guide revealing the hidden relationships, stories, and dazzling diversity of Alabama’s wildflowers across every corner of the state’s landscapes

Wildflowers of Alabama is a comprehensive, visually rich field guide to the state’s naturally occurring flowering plants, showcasing both familiar favorites and remarkable discoveries. Covering 125 plant families and more than 400 species, the book pairs clear, authoritative text with more than 500 color photographs that highlight the beauty, structure, and fine details of each plant across Alabama’s diverse ecosystems.

Organized using a modern, genetics-based classification system, this guide presents flowering plants according to their evolutionary relationships. Each family opens with an accessible overview, followed by detailed species accounts featuring botanical descriptions, insightful photographs, and contextual notes on names, natural history, and plant-human connections when available. A separate color key and native species list offer additional pathways for identification and discovery.

Building on decades of botanical expertise, authors L. J. Davenport, W. Mike Howell, and Brian R. Keener deliver an up-to-date, engaging resource that reflects the current state of plant science. More than a simple identification manual, Wildflowers of Alabama is an educational and inspiring celebration of the state’s extraordinary botanical diversity, designed for enthusiasts, students, and educators alike.

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cover of With Fiddle and Well-Rosined Bow: A History of Old-Time Fiddling In Alabama

With Fiddle and Well-Rosined Bow

A History of Old-Time Fiddling In Alabama

Joyce H. Cauthen

University of Alabama Press, 2001

Relying on extensive archival research and on sixty interviews with fiddlers and their families and friends, Cauthen tells the rich, full story of old-time fiddling in Alabama. 

Writing of life in the Alabama Territory in the late 1700s, A. J. Pickett, the state's first historian, noted that the country abounded in fiddlers, of high and low degree. After the defeat of the Creek Indians at the Battle of Horseshoe Bend in 1813, the number of fiddlers swelled as settlers from the southern states surrounding Alabama claimed the land. The music they played was based on tunes brought from Ireland, Scotland, and England, but in Alabama they developed their own southern accent as their songs became the music of celebration and relaxation for the state's pioneers. Early in the 20th century such music began to be called "old-time fiddling," to distinguish it from the popular music of the day, and the term is still used to distinguish that style from more modern bluegrass and country fiddle styles.

In With Fiddle and Well-Rosined Bow, Cauthen focuses on old-time fiddling in Alabama from the settlement of the state through World War II. Cauthen shows the effects of events, inventions, ethnic groups, and individuals upon fiddlers' styles and what they played. Cauthen gives due weight to the "modest masters of fiddle and bow" who were stars only to their families and communities. The fiddlers themselves tell why they play, how they learned without formal instruction and written music, and how they acquired their instruments and repertoires. Cauthen also tells the stories of "brag" fiddlers such as D.Dix Hollis, Y. Z. Hamilton, Charlie Stripling, "Fiddling" Tom Freeman,"Monkey" Brown, and the Johnson Brothers whose reputations spread beyond their communities through commercial recordings and fiddling contests. Described in vivid detail are the old-style square dances, Fourth of July barbeques and other celebrations, and fiddlers' conventions that fiddler shave reigned over throughout the state's history.

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cover of With a Southern Accent

With a Southern Accent

Viola Goode Liddell

University of Alabama Press, 1982

Two generations of Alabamians will welcome the reappearance of this classic: those who loved it when it was published to national acclaim in 1948 and who have missed it during the many years it has been out of print, and those who have enjoyed Viola Goode Liddell’s follow-up success, A Place of Springs, and eagerly seek more from her pen.

            A Book-of-the-Month Club selection when first published, With a Southern Accent belongs on the shelves of all those who have wearied of the labels and want to meet the people of yesterday’s South.
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cover of Written in the Sky: Lessons of a Southern Daughter

Written in the Sky

Lessons of a Southern Daughter

Patricia Foster

University of Alabama Press, 2023

"A powerful, often heart-wrenching collection of essays tackling the history of the American South."  —Kirkus Reviews
 
In Written in the Sky: Lessons of a Southern Daughter, Patricia Foster presents a double portrait of place and family, a book of deeply personal essays that interrogate the legacy of racial tensions in the South, the constriction of caste and gender, and the ways race, class, and white privilege are entwined in her family story. After interviewing girls at Booker T. Washington High School in Tuskegee, Alabama, visiting the National Memorial for Peace and Justice in Montgomery, Alabama, and exploring Africatown in Plateau, Alabama, Patricia Foster was moved to reflect on the racial scars and crossroads in her southern past as well as to reckon with the intimate places of her own wounding and grief.

The story of place, she discovers, emerges not only from family histories and cultural traditions but also from wrestling with a culture’s irreconcilable ideas: the hard push to determine what matters. What matters to her are the shadow stories beneath our mythologies, the complicated and radiant narratives that must be excavated and reckoned with, stories that have no neat or binary resolution, stories full of luminous moments and riveting facts, and stories where the secrets hide. Written in the Sky presents the best of nonfiction storytelling: searingly honest portraits, dramatic encounters, and lyrical narratives that will interest teachers and students as well as social justice advocates, policymakers, and readers compelled by stories of awakening and the white-hot beauty of language.
 
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