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A  journey to Alaska’s remote roadless villages, during a time of great historical transition, brings us this enduring portrait of a place and its people. Alutiiq, Yup’ik, Inupiaq, and Athabascan subjects reveal themselves as entirely contemporary individuals with deep longings and connection to the land and to their past. Tom Kizzia’s account of his travels off the Alaska road system, first published in 1991, has endured with a sterling reputation for its thoughtful, poetic, unflinching engagement with the complexity of Alaska’s rural communities. Wake of the Unseen Object is now considered some of the finest nonfiction writing about Alaska. This new edition includes an updated introduction by the author, looking at what remains the same after thirty years and what is different—both in Alaska, and in the expectations placed on a reporter visiting from another world.

As a mythical creature, the whale has been responsible for many transformations in the world. It is an enchanting being that humans have long felt a connection to. In the contemporary environmental imagination, whales are charismatic megafauna feeding our environmentalism and aspirations for a better and more sustainable future.

Using multispecies ethnography, Whale Snow explores how everyday the relatedness of the Iñupiat of Arctic Alaska and the bowhead whale forms and transforms “the human” through their encounters with modernity. Whale Snow shows how the people live in the world that intersects with other beings, how these connections came into being, and, most importantly, how such intimate and intense relations help humans survive the social challenges incurred by climate change. In this time of ecological transition, exploring multispecies relatedness is crucial as it keeps social capacities to adapt relational, elastic, and resilient.

In the Arctic, climate, culture, and human resilience are connected through bowhead whaling. In Whale Snow we see how climate change disrupts this ancient practice and, in the process, affects a vital expression of Indigenous sovereignty. Ultimately, though, this book offers a story of hope grounded in multispecies resilience.

The Whales, They Give Themselves is an intimate life history of Harry Brower, Sr. (1924-1992), an Inupiaq whaling captain, artisan, and community leader from Barrow, Alaska. In a life that spanned the profound cultural and economic changes of the twentieth century, Brower's vast knowledge of the natural world made him an essential contributor to the Native and scientific communities of the North. His desire to share his insights with future generations resulted in a series of conversations with friend and oral historian Karen Brewster, who weaves Harry's stories with cultural and historical background into this innovative and collaborative oral biography.

Brower was deeply committed to Native culture, and his life history is a moving expression of the Inupiaq way of life. He was also influential in traditionally non-Native arenas in which Native and non-Native values sometimes collided. Acting as a mediator between Inupiaq whalers and non-Native scientists, Brower communicated a vast understanding of bowhead whales and whaling that became the basis for a scientific research program and helped protect Inupiaq subsistence whaling. He was a central architect of the Arctic Slope Regional Corporation boundaries, and served for over twenty years as a consultant to scientists at the Naval Arctic Research Laboratory. Brower's role in this collaborative research serves as one of the earliest and best examples of how scientists and Native experts can work together to advance knowledge. Such approaches are now promoted by researchers around the world.

The Whales, They Give Themselves not only conveys Brower's life story, but also is a cross-cultural journey of wisdom and friendship. Whereas academic oral historians once strove to erase the presence of the interviewer in the name of objectivity, Brewster recognizes the influence her specific relationship with Brower had on the way he narrated his life. This volume is a major contribution to our understanding of northern peoples, and a testament to the immense value of collaborative oral history.

"The itinerant nurses traveled by dog team and later by bush plane, experienced dangers and hardships their stateside colleagues could scarcely comprehend.... For the most part they matched the rigors of the environment with a dauntless spirit." So read a 1954 report on the women nurses who lived and worked in rural Alaska in the first half of the twentieth century. They traveled by dog team, river boat, or sea-going vessel to isolated communities with extreme weather conditions and poor sanitation. In the days before antibiotics, they encountered epidemics of diphtheria and typhoid, as well as the enduring presence of tuberculosis in all its forms.

With a Dauntless Spirit compiles a unique collection of journals, letters, and memoirs that give immediacy and vitality to the lives of these women. They ventured with a sense of duty and compassion to deliver much-needed medical services before the technical, medical, and social changes brought to Alaska by World War II and later by statehood. Despite physical hardships and emotional isolation, the spirit of these women is reflected in the adventurous, dramatic, and even joyous tone of their narratives. The arctic tests the character of many newcomers, and the nurses recount the very personal challenges that demanded choices and actions that ran contrary to their earlier socialization. Their personal sagas also have significant historical dimensions. They depict the major cultural encounters of their era that were to have such a profound impact on Alaska's future-with Native peoples, prospectors, aviation pioneers, and arctic explorers.

This collection was selected from personal and archival sources by Alaska nurse educators and historians, who provide background and commentary, a brief biography of each person, and historical photos and maps of the nurses' lives and work. With a Dauntless Spirit is a readable and engrossing account that makes an important and overdue contribution to Alaska history and women's history.

In With the Wind and the Waves, psychologist Ray M. Droby tells a story of treatment and learning, drawing on experiences ranging from an ocean journey he took on the Bering Sea while serving in a Alaska Native community to his clinical work as a psychologist in rural Alaska. Like negotiating an ocean, Droby moves “with the wind and the waves” while working with substance abuse disorders and mental health issues superimposed on intergenerational trauma and internalized oppression. He captures positive momentum in work aimed at facilitating self-determination with Alaska Natives and their communities while discouraging historical dependency and colonizing patterns of thinking and doing for mental health workers. Sensitive to the history of non-Native outsiders imposing their own culture on Native land, Droby presents here principles, combined with cultural and therapy considerations, that are designed to help people avoid replicating this history of harm. Recognizing the strengths of Alaska Natives and their communities, and the stages of change human individuals and communities undergo, Droby shows how to exercise a nonjudgmental presence as a mental health worker in rural Alaska.
 

The first in-depth examination of the texts produced in English Benedictine convents between 1600 and 1800.

After Catholicism became illegal in England during the sixteenth century, Englishwomen established more than twenty convents on the Continent that attracted thousands of nuns and served as vital centers of Catholic piety until the French Revolution. Today more than 1,000 manuscripts and books produced by, and for, the Benedictine convents are extant in European archives. Writing Habits: Historicism, Philosophy, and English Benedictine Convents, 1600–1800 provides the first substantive analysis of these works in order to examine how members of one religious order used textual production to address a major dilemma experienced by every English convent on the Continent: How could English nuns cultivate a cloistered identity when the Protestant Reformation had swept away nearly all vestiges of English monasticism?

Drawing on an innovative blend of methodologies, Jaime Goodrich contends that the Benedictines instilled a collective sense of spirituality through writings that created multiple overlapping communities, ranging from the earthly society of the convent to the transhistorical network of the Catholic Church. Because God resides at the heart of these communities, Goodrich draws on the works of Martin Buber, a twentieth-century Jewish philosopher who theorized that human community forms a circle, with each member acting as a radius leading toward the common center of God. Buber’s thought, especially his conception of the I-You framework for personal and spiritual relationships, illuminates a fourfold set of affiliations central to Benedictine textual production: between the nuns themselves, between the individual nun and God, between the convent and God, and between the convent and the Catholic public sphere. By evoking these relationships, the major genres of convent writing—administrative texts, spiritual works, history and life writing, and controversial tracts—functioned as tools for creating community and approaching God.

Through this Buberian reading of the cloister, Writing Habits recovers the works of Benedictine nuns and establishes their broader relevance to literary history and critical theory.