208 books match the query 'Christian Church' and 4 start with w

cover of We Catholics Don't Die Like Them: Living with Death Before Vatican II

We Catholics Don't Die Like Them

Living with Death Before Vatican II

Sarah Nytroe

Catholic University of America Press, 2026

We Catholics Don’t Die Like Them is the study of a minimally explored topic in American religious history, that of the Catholic approach to death and dying in the first half of the 20th century. Moreover, it advances scholarly understanding of three interrelated themes: cultural and social views of death and practices of dying; the Catholic religious culture and experience before the Second Vatican Council; and the relationship between Catholicism and modernity. While historians and scholars have explored these themes independently, this study seeks to draw them together in a manner that has yet to be fully considered. Finally, the study is grounded in a rich body of primary sources, the everyday religious literature produced to sustain the good death among Catholics. First, scholars from various disciplinary backgrounds, including history, have studied sociocultural attitudes about death and experiences of dying, those of both the past and the present. Those historical studies that examine death and dying do so through the lens of the Protestant religious culture and experience, giving limited to no attention to American Catholicism. Studies that have examined the Catholic approach to death and dying primarily focus on beliefs and practices in the medieval to early modern Church. Rarely have scholars extended the narrative into the modern period, especially the 20th century United States. This scholarly silence is surprising considering that historians have increasingly examined multiple dimensions of American Catholicism and the dynamic relationship between the institution and the "people in the pews." This study seeks to draw attention to this feature of the American Catholic religious culture and how it paralleled other aspects of the pre-Vatican II Catholic culture. Lastly, historians have long studied the relationship between Catholicism and modernity. Numerous studies have examined the ambivalence that existed in the Church towards the ideas, values, and structures of modernity in the pre-conciliar American context. Institutional anxiousness about the influence of modernity permeated the religious culture and the everyday lives of practicing Catholics. Church authorities remained apprehensive about how modern ideas influenced the faithful’s thoughts about death, how they died, how the living supported the dying in their last hour, and how they remembered the dead. This sense of anxiousness emerges in the content and tone of the religious literature produced for Catholics, and yet, historians have yet to fully explore this feature of the relationship.
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cover of What Makes a Carmelite a Carmelite: Exploring Carmel's Charism

What Makes a Carmelite a Carmelite

Exploring Carmel's Charism

Keith J. Egan

Catholic University of America Press, 2022

Vatican II initiated lively conversations about the identity of religious orders and congregations when the council pointed out that these religious communities are divine gifts in and to the church. Keith Egan examines the nature of these charisms including, not only the original or founders’ charism, but how charisms evolve over the centuries. Special theological attention to these charisms show that they are not something but, in fact, are the dynamic presence of the Holy Spirit. This volume offers a case study the original charism of the Carmelites. The first Carmelites originated when various hermits were displaced by the armies of Saladin. These dislodged hermits sought refuge on Mount Carmel in a ravine facing the Mediterranean Sea. There, these hermits, now Carmelites, sought from Saint Albert, Patriarch of Jerusalem, a description of their life of solitude. Albert’s Formula of Life describes the original Carmelite charism as a life of prayer and contemplation. This Formula eventually became a Rule that made possible a transformation of hermits into friars. Egan is at work on a sequel that examines this radical transformation.
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cover of Women and Communal Worship: Shaping the Early Modern Christian Liturgy

Women and Communal Worship

Shaping the Early Modern Christian Liturgy

Micheline White

University of Delaware Press, 2027

Women and Communal Worship advances our understanding of early modern women by uncovering and analyzing Christian women’s engagement with liturgical and communal worship between 1500 and 1750. The Protestant attack on the medieval liturgy was at the heart of the Reformation and Counter-Reformation, but women’s contributions to those momentous changes have been largely overlooked as scholars have focused on women’s private devotional practices and texts. This collection of essays demonstrates that communal worship was vital to women of all confessional stripes. Although they could not generally lead the liturgy, women shaped public devotion in important ways, whether at the level of the local congregation, the household chapel, the convent, the court, or the national church. Communal worship is thus a key site for examining women’s textual, literary, social, and political agency.

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cover of Word Rides Again: Rereading The Frontier In American Fiction

Word Rides Again

Rereading The Frontier In American Fiction

J. David Stevens

Ohio University Press, 2001

With much recent scholarship polarizing frontier novels into “popular” and “literary” camps, The Word Rides Again challenges the critical orthodoxy that such works have little in common, arguing instead that formulaic Western fictions can subtly (and even subversively) share cultural concerns with more highbrow brethren. Each chapter focuses on a writer who has traditionally been classified as either popular or artistic, reading a representative fictional work against prevailing scholarly trends. In this manner, Bret Harte’s sentimental stories become gender-bending experiments in which women assume male roles and even enjoy lesbian relationships. Owen Wister’s The Virginian is transmuted from a misogynistic diatribe into a complex meditation on the peculiarly American relation of violence to male identity. And even Willa Cather’s Death Comes for the Archbishop, rather than the apotheosis of a religious leader, becomes a somewhat standard version of the popular frontier story.

The Word Rides Again represents a significant departure from more traditional studies of frontier literature. It reaffirms the continuum between popular and literary texts and explores the ways that frontier novels have echoed, endorsed, and extended each other from the inception of the genre.

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